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2016 Edition vol4 issue 16 DIGITAL

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Fashion<br />

African Prints:<br />

The international<br />

recognition of the<br />

African fabrics<br />

has brought<br />

some significant<br />

developments within<br />

the African fashion<br />

industry.<br />

World<br />

Fashion<br />

Trend<br />

By Okocha Obianuju Ifeoma<br />

African Fabrics have gained a<br />

valuable place in the fashion<br />

world. The western audience<br />

and buyers no longer see<br />

African fabrics and fashion as<br />

a traditional wear.<br />

The African print fabric has<br />

become a popular trend in the<br />

fashion world. A few years ago,<br />

this trend was only valuable in<br />

Africa, and more or less limited<br />

to the African consumers, usually<br />

worn during family reunions,<br />

community gatherings and other<br />

social events. This is no more<br />

the case. African fibre is now<br />

increasingly spreading across<br />

the world. Having in mind, the<br />

negative historical perception of<br />

Africa by the West and the limited<br />

knowledge of African culture in<br />

the Western world, the present<br />

demand for African fabrics in<br />

the fashion industry is indeed<br />

a creative response to the key<br />

historical past as well as a powerful<br />

projection of African identity.<br />

The international recognition of<br />

the African fabrics has brought<br />

some significant developments<br />

within the African fashion<br />

industry. Presently, African Fabrics<br />

have gained a valuable place in<br />

the fashion world. The western<br />

audience and buyers no longer<br />

see African fabrics and fashion<br />

as a traditional wear. This new<br />

perception has resulted in the<br />

increasing use of African prints<br />

and other crafts, and fashion<br />

elements by Western designers.<br />

Moreover, African prints have<br />

played a vital role in the expression<br />

of beauty, fashion, and heritage,<br />

while creating transcultural<br />

connections across Africa and<br />

the world. Traditionally, African<br />

fabrics were not just worn for<br />

the sake of wearing. They had<br />

significant cultural symbols and<br />

meanings attached to them. These<br />

important meanings and attributes<br />

are generally used by (African)<br />

designers and carefully embedded<br />

in their designs with African prints.<br />

This has made African prints a<br />

massive opportunity for expression<br />

of creative fashion ideas, and<br />

indeed, the creation of business<br />

and financial growth. With the<br />

strong demand for the African<br />

fabrics, fashion trends will only<br />

become stronger and marketing<br />

ideas wider. It is now a reality that<br />

African fabrics are used in many<br />

areas for fashion, including, but<br />

not limited to clothes, shoes, bags,<br />

earrings, bracelets necklaces.<br />

There are many types of African<br />

fabrics; most of them are being<br />

creatively used in the fashion<br />

industry worldwide. Some of these<br />

fibres are:<br />

Aso-Oke<br />

Yoruba people<br />

Nigeria Nigeria<br />

Aso-Oke, which means top cloth<br />

in the Yoruba language, is an<br />

indigenous fabric woven by the<br />

Yoruba people of western Nigeria.<br />

It carries a higher status culturally.<br />

Although Aso -oke originated from<br />

the Western Nigeria, it is presently<br />

worn in other regions of Nigeria.<br />

Aso-Oke fibre is used to make<br />

Agbada, typical men’s gowns worn<br />

among the Yorubas. It is used for the<br />

making of iro, women’s wrappers as<br />

well as men’s hats, known as fila.<br />

20 Kata kata cartoon magazine Issue <strong>16</strong> NOV 2017 www.katakata.org

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