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2016 Cambridge Film Festival Brochure

The full Festival brochure for the 36th Cambridge Film Festival.

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<strong>Cambridge</strong><br />

FILMFESTIVAL<strong>2016</strong><br />

20th – 27th October<br />

UK Premieres Family <strong>Film</strong> <strong>Festival</strong> Silent Cinema Rediscoveries Camera Catalonia<br />

Ingrid Bergman: The Early Years Syd Barrett – A Celebration ShortFusion Microcinema<br />

Contemporary German Cinema <strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong>


5<br />

Opening and closing features<br />

six<br />

and festival highlights<br />

Main features and<br />

documentaries<br />

14<br />

Camera Catalonia<br />

Eye on <strong>Film</strong>s<br />

15<br />

28<br />

ShortFusion<br />

Contemporary<br />

German Cinema<br />

of films<br />

Ticket prices<br />

16Schedule<br />

<strong>Festival</strong> venues<br />

eighteen<br />

Silent Cinema Rediscoveries<br />

19<br />

Ingrid Bergman:<br />

the Early Years<br />

20<br />

<strong>Cambridge</strong><br />

African <strong>Film</strong><br />

<strong>Festival</strong><br />

30 <strong>Cambridge</strong><br />

<strong>Festival</strong> of Ideas<br />

21<br />

Rediscovering<br />

Michael Curtiz<br />

twenty two<br />

microcinema<br />

24<br />

Lates @APH<br />

25<br />

Syd Barrett -<br />

A Celebration<br />

31<br />

A–Z of<br />

films<br />

Personal Affairs<br />

Alfredo Bini, Unexpected<br />

Guest page 6<br />

Ukrainian Sheriffs<br />

page 13<br />

26<br />

Family<br />

page 9<br />

32 <strong>Festival</strong><br />

sponsors<br />

<strong>Film</strong><br />

<strong>Festival</strong><br />

Short Reel<br />

<strong>Cambridge</strong> shorts<br />

Contents<br />

CFF STAFF<br />

<strong>Festival</strong> Director<br />

Tony Jones<br />

<strong>Festival</strong> Manager & <strong>Brochure</strong> Editor<br />

Iris Ordonez<br />

Marketing & Communications Manager<br />

Owen Baker<br />

<strong>Festival</strong> Operations Manager<br />

Cristina Roures<br />

Trust Project Manager<br />

Elisabeth Gautier<br />

International Programmers Bill Lawrence, Iris Ordonez,<br />

& Loreta Gandolfi<br />

<strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong><br />

Jenny Thornton<br />

Camera Catalonia & 3-D Programmer Ramon Lamarca<br />

Contemporary German Cinema Programmer Iris Ordonez<br />

Ingrid Bergman Retrospective Programmer Margaret Deriaz<br />

Microcinema Programmers James Mackay & Yvonne Salmon<br />

Lates @ APH<br />

Rosy Hunt<br />

Syd Barrett - A Celebration Jenny Spires, Neil Jones & Will Fowler<br />

Silent <strong>Film</strong> Consultant<br />

Margaret Deriaz<br />

Family <strong>Film</strong> <strong>Festival</strong> Programmer<br />

Kate Jones<br />

Short Fusion & Submissions Coordinator Sarah McIntosh<br />

Harmonious Rhythms Coordinator<br />

Megan Girdwood<br />

ShortReel<br />

Hugh Taylor<br />

Programme Consultant<br />

Jason Wood<br />

Marketing Co-ordinator<br />

Kayleigh Barnes<br />

Marketing Support<br />

Barnes Baker<br />

Funding Administrator<br />

Mike O’Brien<br />

<strong>Brochure</strong> Design<br />

Dan Taylor<br />

<strong>Festival</strong> PR Margaret PR<br />

Sarah Bemand<br />

<strong>Cambridge</strong> 105<br />

Toby Miller<br />

<strong>Festival</strong> Interns John Ryan-Mills, Maja Malinowska, Olly Lawson,<br />

Rebecca Thomas, Victoria Innes & Zak Alexander Rosewell<br />

Plus all the amazing volunteers<br />

and all the hard-working film submission reviewers<br />

Editor In Chief<br />

<strong>Festival</strong> Editor<br />

Deputy Editor<br />

Sub-Editors<br />

TAKE ONE FESTIVAL MAGAZINE<br />

Rosy Hunt<br />

Day Moibi<br />

Brooke Tucker<br />

James Szumowski & Mark Liversidge<br />

CAMBRIDGE FILM TRUST<br />

Nicholas Joicey, Simon Jones, Tony Jones,<br />

Bill Lawrence & Isabelle McNeill<br />

AT THE ARTS PICTUREHOUSE<br />

General Manager<br />

Keith Gehlert<br />

Assistant General Manager<br />

Jenifer Randell<br />

Marketing Manager<br />

Jack Toye<br />

Technical Manager<br />

Clare Mackenzie<br />

Duty Managers<br />

Daniel Harling<br />

Projectionists<br />

Laurence Anderson & Rydian Cook,<br />

Hitomi Shinozaki & Robin Tweed<br />

PICTUREHOUSE CINEMAS<br />

Lyn Goleby, Clare Binns, Madeleine Mullet,<br />

Peter Phillips & Jon Barrenchea<br />

PICTUREHOUSE CINEMOBILE<br />

Chris Peters<br />

Cloudy Sunday page 7<br />

Welcome<br />

to the<br />

36th<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

Silver<br />

Screen<br />

BIG<br />

SCREAM<br />

Something for everyone<br />

- and savings galore! -<br />

at the 36th <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong><br />

Whether you’re an out-and-out film fanatic looking for<br />

your annual <strong>Festival</strong> fix, or you only manage to get out<br />

to the pictures once in a blue moon, we’ve got it covered.<br />

This year’s <strong>Festival</strong> features specially selected screenings<br />

for everyone from parents with babies to retirees, all<br />

scheduled at convenient times and locations - and with<br />

many options for massive ticket discounts too!<br />

Here’s a quick guide to help you navigate through our film<br />

and events programme and make the most out of our<br />

magnificent movie line-up.<br />

Silver Screen at the<br />

Arts Picturehouse<br />

A fantastic offer for all over 60s: tickets for screenings on<br />

Tuesday and Thursday that start before 5pm at the Arts<br />

Picturehouse are only £6.00. If you show your ticket at the<br />

Arts Picturehouse café-bar before your screening starts you<br />

can also enjoy a complimentary cup of tea or filter coffee -<br />

and free biscuits! Look out for the Silver Screen logo in our<br />

listings for eligible screenings.<br />

Big Scream at the<br />

Arts Picturehouse<br />

Members of the Arts Picturehouse Big Scream club can<br />

introduce their baby to the joys of a <strong>Film</strong> <strong>Festival</strong> and<br />

enjoy a movie without having to worry about causing a<br />

disturbance, with an exclusive screening for adults with<br />

babies under one year old taking place on the morning of<br />

Weds 26th October.<br />

Family <strong>Film</strong><br />

<strong>Festival</strong><br />

All the family can join in the <strong>Festival</strong> fun at the Family <strong>Film</strong><br />

<strong>Festival</strong>. Enjoy rare big screen outings for classic film and<br />

TV treats all together and create some precious family<br />

movie-going memories - all for the pocket money price of<br />

just £4.00 each at the Arts Picturehouse! See pages 26–27<br />

for our great family-friendly line-up.<br />

<strong>Festival</strong><br />

Pass<br />

Welcome to this 36th CFF.<br />

Following an excellent festival last year it nevertheless took its toll on resources and staff.<br />

Spreading the festival over more venues and commensurate performance times and the sheer<br />

quantity of films was an enormous undertaking.<br />

Following discussion with the <strong>Film</strong> Trust, funders, fellow<br />

programmers and festival regulars - we have now a<br />

shorter, centrally located festival without compromising<br />

the large and exciting programme. Now for the first time<br />

in 36 years we have a <strong>Festival</strong> held in term time.<br />

These new dates, agreed with Picturehouses late last year,<br />

give us the exciting prospect of an 8-day period covering<br />

both University term time and the schools half term<br />

holiday. This also coincides with the <strong>Festival</strong> of Ideas, a<br />

very exciting time for <strong>Cambridge</strong> audiences.<br />

Whilst I’ve had a difficult time personally and been unable<br />

to attend my usual roster of festivals, missing Cannes and<br />

Berlin for the first time in over 30 years, this has allowed<br />

the programming team to take on more responsibilities.<br />

They’ve collectively produced a superb programme!<br />

The festival is also using the Picturehouse Travelling<br />

Cinema. The CineMobile, a 100-seater fully equipped<br />

digital cinema, will be located on Parkers Piece from<br />

Mon 24 - Thu 27 October and fully serviced by the Arts<br />

Picturehouse.<br />

We have also struck a new programming strand with the<br />

Korean Cultural Centre and this will be a regular feature in<br />

future programmes and provide new and classic Korean<br />

cinema through initiatives over the year.<br />

I’ve done the easy part, but am incredibly pleased to<br />

bring new films by Ken Loach, Werner Herzog, Terence<br />

Davies and Clint Eastwood! All filmmakers who have been<br />

represented in the CFF programme over many years!<br />

Thanks, as ever,<br />

Tony Jones<br />

The <strong>Festival</strong> pass is a great way to see the films you love<br />

and save money.<br />

You pay just £30.00 for the pass and it buys you<br />

£40.00 worth of <strong>Festival</strong> tickets.<br />

You can also apply your usual Arts Picturehouse<br />

membership discount when purchasing tickets for even<br />

bigger savings. Once you have your <strong>Festival</strong> Pass, we<br />

recommend purchasing <strong>Festival</strong> tickets in advance of your<br />

chosen screenings/events to avoid disappointment.<br />

Please note that <strong>Festival</strong> Passes can ONLY be used to<br />

purchase tickets from the Arts Picturehouse – from where<br />

you can use your Pass to purchase tickets for ALL other<br />

<strong>Festival</strong> venues. <strong>Festival</strong> Passes can’t be used online or at<br />

any other venues.<br />

Membership<br />

Discounts<br />

Picturehouse Members get a £2.00 discount on each<br />

<strong>Festival</strong> ticket and avoid online booking fees.<br />

These discounts are available at ALL venues if you show<br />

your Picturehouse membership card and can work in<br />

conjunction with the <strong>Festival</strong> Pass at Arts Picturehouse.<br />

*Please note the Family <strong>Film</strong> <strong>Festival</strong> tickets and all clubs,<br />

(Silver Screen, Big Scream) cannot have further discounts<br />

applied to them.<br />

Audience<br />

Awards<br />

The London Korean <strong>Film</strong> <strong>Festival</strong> (LKFF) is delighted to collaborate with the <strong>Cambridge</strong> <strong>Film</strong><br />

<strong>Festival</strong> on this, their 36th edition.<br />

Having selected three fantastic films that truly represent<br />

the best of modern Korean cinema, we hope to usher in a<br />

long and fruitful partnership, developing an appreciation<br />

for Korean films amongst <strong>Cambridge</strong> audiences for years<br />

to come. The Handmaiden comes courtesy of the country’s<br />

most widely known auteur, Park Chan-wook, Yeon<br />

Sang-so’s thrill-ride Train to Busan is an exciting, emotive<br />

blockbuster, while The Bacchus Lady is provocative and<br />

challenging; everything an indie feature should be. With<br />

the 11th LKFF arriving in November (3-27) and playing over<br />

60 films across six cities, we’re delighted to see <strong>Cambridge</strong><br />

cultivating audiences with an appetite for fresh cinema.<br />

Hoseong Yong, Director LKFF<br />

The LKFF is organised by the Korean Cultural Centre UK. For more on the festival visit koreanfilm.co.uk<br />

Every year the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> crowns three<br />

audience award-winning films. The Golden, Silver and<br />

Crystal Punts go to the best feature, best documentary<br />

and best short film, as voted for by you, the <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong> audience. With these awards we aim to<br />

highlight the outstanding work of filmmakers from around<br />

the globe and we hope that you will assist us with voting in<br />

large numbers. Voting connects you with the filmmakers,<br />

who eagerly anticipate the outcome for their film. Before<br />

you go into a screening of any “in competition” film, you<br />

will be handed a voting card. Please rate the film and hand<br />

the card back to festival team members after the screening.<br />

You never know, but your favourite <strong>Festival</strong> film might be<br />

amongst the three winners this year!<br />

Box office: 0871 902 5720 Welcome | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 3


Opening<br />

Night <strong>Film</strong><br />

Closing Night <strong>Film</strong>s<br />

APH<br />

Thu 20<br />

7.30<br />

APH<br />

Fri 21<br />

10.00am<br />

I, DANIEL BLAKE | 15<br />

UK <strong>2016</strong>. 100 mins.<br />

Loach’s second Palme d’Or winner after The Wind That Shakes<br />

The Barley is a coruscating portrait of a contemporary Britain<br />

in which the working class continue to suffer deprivation and<br />

the added indignity of a Tory government that treats them as<br />

scrounging criminals worthy of mistrust and contempt. Focusing<br />

around an aged, ailing handyman’s battle to survive after being<br />

denied his government health allowance and the relationship he<br />

strikes up with a young single mother also being unceremoniously<br />

shoved around by the vagaries of the benefits system, I, Daniel<br />

Blake is a film of heart, passion and brutal honesty. It’s a savage<br />

indictment of Britain that Loach, working with regular scriptwriter<br />

Paul Laverty, was forced to come out of retirement to make it.<br />

As the eponymous Daniel Blake, Dave Johns gives an incredibly<br />

committed performance, an affable, generous man pushed to<br />

the limits by his situation. As Katie, the single mum from London<br />

relocated to a council flat in Newcastle because of the cheaper cost<br />

of living, Hayley Squires is equally adept, creating a character whose<br />

sacrifices for her children further highlights a broken Britain of food<br />

banks and curmudgeonly-given hand outs. Essential viewing that<br />

reminds the viewer both of the singular greatness of Loach and of<br />

the hopelessness of the current climate in the U.K.<br />

Director Ken Loach<br />

Starring Dave Johns, Hayley Squires<br />

PRINT SOURCE Entertainment One<br />

Blunt, dignified and brutally moving.<br />

PETER BRADSHAW, THE GUARDIAN<br />

Perceptive and funny… intensely moving.<br />

THE INDEPENDENT<br />

An Immediate Classic.<br />

THE TIMES<br />

APH<br />

Thu 27<br />

8.00<br />

APH<br />

Thu 27<br />

5.00<br />

INTO THE<br />

INFERNO | CFF 15<br />

UK/Austria <strong>2016</strong>. 104 mins.<br />

Director Werner Herzog<br />

With Werner Herzog,<br />

Clive Oppenheimer<br />

PRINT SOURCE<br />

Netflix<br />

Described as an exploration of active volcanoes around the world, in the hands of<br />

acclaimed filmmaker Werner Herzog Into The Inferno is far, far more. “Obviously there<br />

is the scientific side to our journey,” says Herzog. “But what we are really chasing is the<br />

magical side, the demons, the new gods. This is the itinerary we have set for ourselves no<br />

matter how strange things may eventually get.” Herzog is joined by Clive Oppenheimer,<br />

a volcanologist from <strong>Cambridge</strong> University who first met the director when he was<br />

in Antarctica to film Encounters at the End of the World and Oppenheimer was there<br />

to study Mt. Erebus. They each recognized a kindred spirit - in 1976 Herzog made La<br />

Soufrière on the island of Guadaloupe, where a volcano threatened to engulf the island.<br />

The pair travel to multiple locations including Indonesia, Iceland, Ethiopia and North<br />

Korea to ruminate on volcanoes and their meaning. A satisfying blend of reportage,<br />

history, and philosophy, It’s also a visual wonder to behold, and is of course accompanied<br />

by Herzog’s own singular narration which characteristically paints its own picture of the<br />

futility of humankind compared to the magnificence of the natural world.<br />

We are delighted that Clive Oppenheimer will introduce the screening<br />

and meet the audience for a Q&A.<br />

A QUIET PASSION<br />

| CFF 12<br />

UK/Belgium <strong>2016</strong>. 125 mins.<br />

Director Terence Davies<br />

Starring Cynthia Nixon,<br />

Jennifer Ehle, Keith<br />

Carradine, Jodhi May,<br />

Catherine Bailey<br />

PRINT SOURCE<br />

Soda Pictures<br />

A Quiet Passion, directed by acclaimed filmmaker Terence Davies, is the life story of the<br />

celebrated American poet Emily Dickinson, from her youth as a headstrong schoolgirl<br />

through to her reclusive adulthood where poetry was solace. Actress Cynthia Nixon<br />

gives a great performance as the legendary poet Emily Dickinson, who led a deeply<br />

introverted life, except for her encounters with her mother, father and sister.<br />

We hope to welcome guests from the film to the screening.<br />

You will see no more beautiful a film this year —<br />

beautiful in its sumptuous photography, but also in<br />

the respect and love that it brings to its subject. The<br />

internal lives of poets are hard to visualize,<br />

yet Davies, a magician when it comes to<br />

understanding the inner workings of the most sensitive<br />

of minds, has created an extraordinarily moving<br />

account of Emily Dickinson’s particular genius.<br />

TORONTO INTERNATIONAL FILM FESTIVAL<br />

GOG 3-D | CFF PG<br />

USA 1954. 85 mins.<br />

APH<br />

Thu 27<br />

1.00<br />

APH<br />

Thu 27<br />

8.00<br />

We continue our retro 3-D series with the European Premiere of<br />

this amazing new restoration of a golden-age 3-D title. Scientists<br />

are being killed at a secret underground space research base<br />

and a security agent is sent to investigate the compound,<br />

where he encounters its two new and experimental robots,<br />

Gog and Magog. The film has never been seen in the UK in<br />

3-D and so this is the premiere in its original format. We<br />

are thrilled to welcome Mr Bob Furmaneck, award-winning<br />

producer, author, motion picture archivist and founder of<br />

the 3-D <strong>Film</strong> Archive, responsible for this restoration, which<br />

has saved the film from totally disappearing in its 3-D original<br />

format. Mr Furmaneck has told us that he may bring some<br />

stereoscopic surprises from his huge vault with him, including an<br />

extremely rare clip of Money from Home in 3-D, a Lewis/Martin<br />

film never seen in 3-D in the UK.<br />

Director Herbert L. Strock<br />

Starring Richard Egan, Constance Dowling, Herbert Marshall<br />

PRINT SOURCE Bob Furmaneck (3D <strong>Film</strong> Archive)<br />

Gog, in all its 1950s jumpsuit 3-D glory,<br />

was like agatha christie, sigmund freud<br />

and harlan ellison got high together<br />

and made a movie. THE NITRATE DIVA<br />

Box office: 0871 902 5720 <strong>Festival</strong> Highlights | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 5


UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

APH Wed 26 | 4.00<br />

APH Mon 24 | 8.00<br />

APH Fri 21 | 5.30<br />

APH Wed 26 | 4.00<br />

Main Features<br />

& Documentaries<br />

UK<br />

PREMIERE<br />

BROTHERS | CFF PG<br />

Poland/Russia 2015. 70 mins. Polish with English subtitles.<br />

A quiet and thoughtful documentary about brotherhood,<br />

Brothers introduces us to the Kulakowski siblings. Two old<br />

Polish brothers, Mieczysław and Alfons, have returned to their<br />

homeland after having been deported to Siberia. The first<br />

one is an artist, the other a pragmatic engineer. Despite their<br />

differences they love and support each other and together they<br />

face the passage of time and the hardships of life. To tell their<br />

story, filmmaker Wojciech Staroń paid recurring visits to the two<br />

brothers and took plenty of time to become a part of their daily<br />

lives. Using some 8mm and 16mm archive footage from the<br />

brothers themselves, Staroń has captured the passing of time<br />

in the old men’s lives and reveals the deep bond that unites<br />

them. Winner of Best <strong>Film</strong> at Locarno’s Critics’ Week 2015.<br />

Director Wojciech Staroń<br />

With Mieczysław and Alfons Kułakowski<br />

PRINT SOURCE Capricci <strong>Film</strong>s<br />

BROTHERS OF THE NIGHT | CFF 15<br />

Brüder der Nacht<br />

Austria <strong>2016</strong>. 88 mins. German/Bulgarian/Romani with<br />

English subtitles.<br />

In an underworld, against the backdrop of the Danube and<br />

Vienna’s skyline, live the underdogs of respectable society.<br />

These Bulgarian Roma men play and seduce Marlon Brando<br />

style. They moved here in search of adventure, freedom and to<br />

earn money for their families, but poverty forces them to sell<br />

their bodies instead. Sucked into an inescapable nocturnal life,<br />

they spend their nights waiting, smoking, drinking and servicing<br />

their customers. But there is a ray of comfort in their feeling of<br />

togetherness, despite being so far from home.<br />

We are delighted to welcome director Patric Chiha to the<br />

screening.<br />

Director Patric Chiha<br />

With Bad Boys: Stefan, Yonko, Asen, Nikolay, Vassili,<br />

Alexander, Daniel, Emil, Petko, Georgi, Janis, Vasko,<br />

Luben, Marin, Mario, Petko, Yosif<br />

PRINT SOURCE <strong>Film</strong> Republic<br />

UK<br />

PREMIERE<br />

CHOCOLAT | CFF 15<br />

France 2015. 110 mins. French with English subtitles.<br />

The real life story of Rafael Padilla, aka Chocolat, born in Cuba<br />

in 1860, starring Omar Sy in the title role. After being discovered<br />

in a small country circus by George Footit, an English clown,<br />

they formed the successful duo ‘Footit and Chocolat’.<br />

Together they transformed the art of clowning by pairing the<br />

sophisticated white clown with the foolish Auguste clown. Word<br />

spreads quickly about this new act and they sign to appear<br />

at the Nouveau Cirque in Pairs. For two decades, and despite<br />

conflicts between the two men, they were the star attraction.<br />

But fame and fortune has its pitfalls.<br />

Director Roschdy Zem<br />

Starring Omar Sy, James Thierree, Clotilde Hesme, Olivier<br />

Gourmet, Frederic Pierrot<br />

PRINT SOURCE Studio Canal<br />

CLOUDY SUNDAY | CFF 15<br />

Greece 2015. 116 mins. Greek with English subtitles.<br />

Inspired by real events, Cloudy Sunday is set against the<br />

backdrop of the Nazi invasion of Greece and the occupation<br />

of Thessaloniki in 1942. Hiding from the bleak daily life, Vasilis<br />

Tsitsanis fills the hearts and minds of people with the beautiful<br />

rebetika folk music while the resistance fights back against<br />

the occupiers. Slowly the persistent suppression of the Jews<br />

gradually spreads and tightens coming between friends and<br />

lovers. Moving and beautifully acted, Cloudy Sunday is a wellmade<br />

melodrama that highlights a seldom told part of war.<br />

We are delighted to welcome director Manoussos Manoussakis<br />

and producer Maria Manoussakis to the screening.<br />

Director Manoussos Manoussakis<br />

Starring Christina Hilla Fameli, Haris Fragoulis, Andreas<br />

Konstantinou<br />

PRINT SOURCE Media Luna<br />

LONDON KOREAN<br />

<strong>2016</strong><br />

APH Thu 27 | 5.30<br />

ALBA | CFF 12<br />

Ecuador <strong>2016</strong>. 94 mins. Spanish with English subtitles.<br />

In award-winning Ecuadorian filmmaker Ana Cristina Barragan’s<br />

Alba, a terminally shy 11 year-old Alba passes her days in silence.<br />

She lives with her divorced mother and has learned to cope with<br />

her mother’s illness. She plays silently so that her mother can<br />

rest during the day. When her mother’s illness forces her to go<br />

into hospital, Alba has no one else to take care of her. She is<br />

being sent to live with her father Igor, whom she has not seen<br />

since she was three. Living with her father is almost unbearable.<br />

Embarrassment, her first kiss, visits to mother in the hospital,<br />

and bullying at school; these are some of the experiences that<br />

pave Alba’s journey to puberty and to self-acceptance.<br />

It is loaded with weepie potential but diligently shuns the<br />

facile for an emotional truthfulness which is embodied in a<br />

fine, trembling central performance by Macarena Arias and in<br />

its sensitive, empathetic script. HOLLYWOOD REPORTER<br />

Director Ana Cristina Barragán<br />

Starring Macarena Arias, Pablo Aguirre, Amaia Merino<br />

PRINT SOURCE Caleidoscopio Cine<br />

UK<br />

APH Sat 22 | 3.30<br />

ALFREDO BINI,<br />

UNEXPECTED GUEST | CFF 15<br />

Alfredo Bini - Ospite Inatteso<br />

Italy 2015. 83 mins. Italian with English subtitles.<br />

Winner of the prestigious Nastro D’Argento for best Italian<br />

documentary <strong>2016</strong>, this is the first film about one of Italian<br />

cinema’s most exceptional figures. Simone Isola delves into<br />

the archives to unearth a wealth of material on Alfredo Bini,<br />

a unique example of freedom, courage and uncompromising<br />

love for cinema, and supporter of daring and thematically<br />

controversial projects, including Pasolini’s films from 1960 to<br />

1967. Alfredo Bini takes us on a fascinating journey behind the<br />

scenes of some of the most memorable Italian productions<br />

of the era.<br />

We are delighted to welcome director Simone Isola to<br />

the screening.<br />

Director Simone Isola<br />

Starring Alfredo Bini, Valerio Mastandrea, Giuseppe<br />

Simonelli, Bernardo Bertolucci, Claudia Cardinale<br />

PRINT SOURCE Kimerafilm<br />

APH Thu 27 | 2.30<br />

ARRIVAL | 12A<br />

USA <strong>2016</strong>. 116 mins.<br />

When mysterious spacecraft touch down across the globe, an<br />

elite team, lead by expert linguist Louise Banks (Amy Adams),<br />

are brought together to investigate. As mankind teeters on the<br />

verge of global war, Banks and the team race against time for<br />

answers – and to find them, she will take a chance that could<br />

threaten her life, and quite possibly humanity. Though mining<br />

familiar terrain, Villeneuve’s film is an audacious high-wire act,<br />

it’s reach and intelligence complemented by terrific work from<br />

Adams, Renner and Whittaker.<br />

Denis Villeneuve’s sci-fi contact drama is dreamy, freaky,<br />

audacious...doesn’t disappoint in sequences of eerie and<br />

claustrophobic strangeness...<br />

PETER BRADSHAW, THE GUARDIAN<br />

Director Denis Villeneuve<br />

Starring Amy Adams, Jeremy Renner, Forest Whitaker ,<br />

Michael Stuhlbarg, Tzi Ma, Mark O’Brien<br />

PRINT SOURCE Entertainment One<br />

APH Fri 21 | 3.30<br />

DON’T BE BAD | CFF 15<br />

Non essere Cattivo<br />

Italy 2015. 102 mins. Italian with English subtitles.<br />

20-somethings Vittorio and Cesare are lifelong friends, and<br />

‘brothers for life’. Theirs is a life of excess: night clubs, powerful<br />

cars, alcohol, designer drugs and cocaine dealing. This comes<br />

at a very high cost, and over time Vittorio starts to long for<br />

a different life. He meets Linda and, in order to save himself,<br />

distances himself from Cesare. When they meet up again,<br />

Vittorio tries to push his friend towards work. Cesare accepts, but,<br />

the call of the street gets the better of him. Despite his friend’s<br />

relapses, Vittorio will never really give up on Cesare because of<br />

the incredibly strong bond which unites them and in the hope of<br />

being able to look to the future with new hope. Together.<br />

We are delighted to welcome producer Simone Isola to<br />

the screening.<br />

Director Claudia Caligari<br />

Starring Luca Marinelli, Alessandro Borghi, Silvia D’amico,<br />

Roberta Mattei<br />

PRINT SOURCE RAI<br />

CineMobile Mon 24 | 3.00<br />

THE DREAMED ONES | CFF 12<br />

Die Geträumten<br />

Austria <strong>2016</strong>. 89 mins. German with English subtitles.<br />

Based on the correspondence of two of the most important<br />

poets of the German language of the 20th century, The<br />

Dreamed Ones captures the powerful romance between<br />

Ingeborg Bachmann and Paul Celan, the Austrian and the Jew<br />

from Czernowitz through their nearly 20-year correspondence<br />

(1948–1967). Their dramatic postal exchange creates the textual<br />

basis of the film. Two young actors meet in a recording studio<br />

in Vienna’s Funkhaus to read the letters. The tumultuous<br />

emotions of proximity and distance, fascination and fear<br />

captivate them. However, they also enjoy each other‘s<br />

company, arguing, smoking, discussing their tattoos, and<br />

favourite music. Yesterday’s love, today’s love and tomorrow’s:<br />

where the lines are blurred lays the heart of the film.<br />

Director Ruth Beckemann<br />

Starring Anja Plaschg, Laurence Rupp<br />

PRINT SOURCE Contemporary <strong>Film</strong><br />

PREMIERE<br />

UK<br />

PREMIERE<br />

APH Tue 25 | 9.30<br />

THE BACCHUS LADY | CFF 15<br />

South Korea 2015. 110 mins. Korean with English subtitles.<br />

For the old men wandering in a park of Seoul, the Bacchus<br />

Lady is a comfort and their only lasting friend. So-young, a<br />

65-year-old woman is the so called ‘Bacchus Lady’, one of the<br />

most reputed prostitutes for old men at the park in the center<br />

of Seoul. One day she learns that her customer Song has had<br />

a stroke, and pays him a visit. Abandoned by his family, Song<br />

laments his miserable life, and desperately asks So-young<br />

to end it. After a long hesitation So-young decides to help<br />

him. When she confesses her actions to another customer,<br />

Jae-woo, he asks if she will help kill his friend who’s suffering<br />

from Alzheimer’s disease. So-young persistently refuses but<br />

at last grants his favor. So-young finally falls into chaos when<br />

Jae-woo asks her to assist him with his suicide after a long and<br />

debilitating loneliness.<br />

Director E J-yong<br />

Starring Youn Yuh-Jung, Chon Moo-Song, Yoon Kye-Sang,<br />

An A-Zu, Choi Hyun-Jun<br />

PRINT SOURCE M-Line Distribution<br />

THE DAUGHTER | CFF 12<br />

Dokhtar<br />

Iran <strong>2016</strong>. 103 mins. Farsi with<br />

English subtitles.<br />

Director Reza Mirkarimi<br />

Starring Farhad Aslani, Merila<br />

Zarei,Mahour Alvand<br />

PRINT SOURCE<br />

Dreamlab <strong>Film</strong>s<br />

APH Sat 22 | 2.30<br />

In the southwestern Iranian city of Abadan, Mr. Azizi, an engineer for the Abadan<br />

Oil Refining Company, leads an uneventful life. He is a strict and traditional man,<br />

busy making arrangements for an engagement party for one of his daughters.<br />

Exasperated by her father’s authoritarianism, his other daughter Setareh<br />

announces she is off to Tehran to say farewell to one of her best friends who is<br />

leaving Iran for good. Despite her father’s objections Setareh takes the plane<br />

for Tehran. This act of disobedience sets in motion a series of perturbations that<br />

upset the calm tranquility of the family. Reza Mirkarimi’s The Daughter won<br />

Best <strong>Film</strong> at the recent Moscow <strong>Film</strong> <strong>Festival</strong>, with Farhad Aslani, the star of the<br />

Iranian drama, winning Best Actor.<br />

APH Wed 26 | 8.00 CineMobile Thu 27 | 12.45<br />

BETWEEN SEA AND LAND | CFF 12<br />

La Ciénaga - Entre el Mar y la Tierra<br />

Columbia 2015. 98 mins. Spanish with English subtitles.<br />

28-year-old Alberto lives on a swampy marsh adjacent to<br />

the Caribbean sea, which he dreams of visiting one day. But<br />

he is afflicted with a neurological disorder that confines him<br />

to his bed, while his widowed mother Rosa lovingly protects<br />

and takes care of him. Alberto’s wry humor and creativity help<br />

them muster the strength to endure, and Rosa works tirelessly<br />

to make ends meet. Alberto’s only companion is his young<br />

neighbour Giselle, who showers Alberto with affection, much<br />

to Rosa’s worry. But the life he imagines with his would-besweetheart<br />

feels just as close-yet-out-of-reach as the sea he<br />

looks upon. As he slips into anguish, Rosa confronts her past in<br />

order to lift her son’s burden and make his dreams attainable.<br />

Directors Manolo Cruz, Carlos del Castillo<br />

Starring Manolo Cruz, Vicky Hernandez, Viviana Serna,<br />

Jorge Cao, Mile Vergara<br />

PRINT SOURCE Gobal Screen<br />

6 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | Main Features & Documentaries<br />

APH Sat 22 | 4.15 CineMobile Tue 25 | 12.45<br />

BODKIN RAS | PG<br />

Netherlands <strong>2016</strong>. 79 mins.<br />

Beautiful stranger Bodkin Ras, a criminal on the run, seeks<br />

sanctuary in a scrappy little Scottish town where he and<br />

his dark past join a melting pot of true-life stories. The<br />

only professional actor is Sohrab Bayat, who plays Bodkin;<br />

everyone else we meet is an actual resident. Adding to the<br />

Western feel is the fact that the cast are almost all men - and<br />

Bodkin has a prismatic effect on each one, reflecting their grief,<br />

tenderness, isolation and anger. Dutch/Iranian director Kaweh<br />

Modiri juxtaposes Bayat’s brooding fictional fugitive against<br />

an array of guileless and confessional performances from the<br />

townspeople of Forres. This innovative take on the docudrama<br />

genre examines themes of separation, segregation<br />

and personal and social redemption in a way that evokes the<br />

dramatic, lyrical cinéma-vérité of Jacques Audiard.<br />

Director Kaweh Modiri<br />

Starring Sohrab Bayat, Eddie Paton, Lily Szramko<br />

PRINT SOURCE Shoreline<br />

CineMobile Mon 24 | 5.30<br />

BORIS WITHOUT BÉATRICE | CFF 15<br />

Boris sans Béatrice<br />

Canada <strong>2016</strong>. 93 mins. French with English subtitles.<br />

Boris Malinovsky sails through life with ruthless arrogance. But<br />

his world begins to falter when his equally successful wife, a<br />

minister in the Canadian government, is confined to her bed<br />

with depression and is cared for in their remote holiday home.<br />

There, Boris receives phone calls from a stranger who asks<br />

him to meet in the forest in the middle of the night and Boris<br />

is confronted with the kind of questions he would rather not<br />

have to think about. Combining satirical precision with puzzling<br />

tableaux, Côté takes the viewer inside the mind of a man who<br />

is forced to confront his failures and increasingly loses control<br />

of his life.<br />

Director Denis Côté<br />

Starring James Hyndman, Simone-Élise Girard, Denis<br />

Lavant, Isolda Dychauk<br />

PRINT SOURCE <strong>Film</strong>s Boutique<br />

APH Sat 22 | 9.00 APH Sun 23 | 1.30<br />

A BRILLIANT GENOCIDE | CFF 18<br />

Australia <strong>2016</strong>. 75 mins.<br />

In 2004, Jan Egeland, The U.N. Emergency Relief Coordinator,<br />

called Northern Uganda the world’s worst neglected<br />

humanitarian disaster. A Brilliant Genocide is a documentary<br />

film revealing the untold stories from the 20-year long war in<br />

Northern Uganda between Jospeh Kony’s Lord’s Resistance<br />

Army (LRA) and the Ugandan Government under current<br />

President Yoweri Museveni. Exposing the brutal campaigns by<br />

the Museveni regime to wipe out a significant part of Uganda’s<br />

Acholi people under the guise of crushing a rebellion by The<br />

Lord’s Resistance Army (LRA), it features interviews with<br />

Museveni’s former close associates involved in conducting<br />

some of the most bloody campaigns in the north, and many<br />

other prominent Ugandan thinkers, opposition figures, activists,<br />

exiles and émigrés.<br />

Director Ebony Butler<br />

PRINT SOURCE Atlantic Star Productions<br />

THE FABULOUS<br />

NICHOLAS<br />

BROTHERS | CFF PG<br />

USA <strong>2016</strong>. 90 mins.<br />

Presented by Bruce Goldstein<br />

Look out for our screening of<br />

Stormy Weather on p12.<br />

APH Fri 21 | 8.15<br />

Bruce Goldstein presents a unique compilation tribute to the Nicholas<br />

Brothers, featuring a collage of rarely seen home movies, photographs and film clips. The<br />

Fabulous Nicholas Brothers, Fayard (1914-2006) and Harold (1921-2000), rank among the<br />

greatest dancers of the 20th century. Despite racial hurdles, the self-taught African-American<br />

entertainers became one of the biggest musical acts of their time, headlining on Broadway,<br />

radio and television and in vaudeville and nightclubs. Their dazzling, show-stopping numbers<br />

in movies such as Down Argentine Way, Sun Valley Serenade and Stormy Weather made them<br />

international icons. Known for effortless balletic moves, elegant tap dancing and perfect<br />

rhythms - along with a consummate grace and sly sense of humour - the Olympian brothers<br />

are in the end impossible to categorise. The dancer’s dancers, their fans have included Gene<br />

Kelly, who teamed up with them in The Pirate; Bob Fosse and Gregory Hines, whose first acts<br />

were modelled on them; ballet legends George Balanchine and Mikhail Baryshnikov; Michael<br />

Jackson, who once had Fayard as a dance coach; and Fred Astaire, who named their Stormy<br />

Weather ‘staircase’ number the greatest of all musical sequences.<br />

Emma Thu 20 | 8.30<br />

APH Fri 21 | 10.00am<br />

THE FINAL REEL | U<br />

UK <strong>2016</strong>. 92 mins.<br />

From the early days of silent cinema, through the golden age<br />

of the picture palace to the modern multiplexes and beyond,<br />

The Final Reel takes an affectionate and entertaining look at<br />

our nation's obsession with cinemas. Narrated by celebrated<br />

actor Sir John Hurt CBE, this feature length documentary tells<br />

the fascinating story of how cinemas and cinema going have<br />

developed and flourished over the years - even in some of the<br />

most rural parts of England. Along the way we meet some of<br />

the colourful characters that are a key part of this story and hear<br />

the tales of how they kept the audiences coming back for more.<br />

The Final Reel is a film that celebrates local cinemas - past and<br />

present - and our timeless obsession with the buildings, films,<br />

stars and the people that spend their lives in-thrall of them. It<br />

also asks the question: Is this the final reel in the story of cinema<br />

or just another chapter in its continuing development?<br />

Director Jonathan Blagrove<br />

PRINT SOURCE Coda <strong>Film</strong>s<br />

FROM AFAR | CFF 15<br />

Desde Allá<br />

Venezuela/Mexico 2015. 93 mins. Spanish with English subtitles.<br />

Wealthy middle-aged Armando lures young men to his home<br />

with money. He also follows an elderly businessman with whom<br />

he seems to have had a traumatic relationship. Armando’s<br />

first encounter with street thug Elder is violent, but this doesn’t<br />

discourage the lonely man’s fascination with the tough<br />

handsome teenager. Financial interest keeps Elder visiting him<br />

regularly and an unexpected intimacy emerges. But Armando’s<br />

haunted past looms large, and Elder commits the ultimate act<br />

of affection on Armando’s behalf. Spellbinding performances<br />

are masterfully orchestrated to convey an emotionally and<br />

intellectually stirring story of love and hatred, where all the<br />

characters find themselves fighting against themselves, their<br />

own demons, and their wounded personal histories.<br />

Director Lorenzo Vigas<br />

Starring Alfredo Castro, Luis Silva<br />

PRINT SOURCE Celluloid Dreams<br />

APH Tue 25 | 4.15<br />

www.camfilmfest.com Box office: 0871 902 5720 Main Features & Documentaries | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 7


UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

APH Thu 27 | 3.30<br />

FUKUSHIMA: A NUCLEAR<br />

STORY | CFF 15<br />

Italy 2015. 85 mins. Italian, English, Japanese with<br />

English subtitles.<br />

Italian Sky News reporter Pio d’Emilia was in Tokyo the day of<br />

the earthquake. After travelling across all the municipalities hit<br />

by the tsunami, and entering the so-called “exclusion zone”,<br />

he actually reaches the gate of the nuclear plant. He would<br />

not be allowed inside though: for this, he had to wait until June<br />

2013 when Tepco, the plant operator, allowed the first foreign<br />

journalists in. In his quest to unfold the on-going nuclear disaster,<br />

Pio collected over 300 hours of shocking images and interviews<br />

with local people and authorities. An in-depth exclusive interview<br />

on what really happened at Fukushima with ex-Prime Minister<br />

Naoto Kan eventually tells us how Tokyo - and probably Japan -<br />

was saved from a much greater catastrophe by chance.<br />

Director Matteo Gagliardi<br />

Narrated by Willem Dafoe<br />

PRINT SOURCE Teatro Primo Studio - <strong>Film</strong> Beyond<br />

APH Sat 22 | 8.00<br />

FUTURE BABY | CFF 15<br />

Austria <strong>2016</strong>. 91 mins. German with English subtitles.<br />

Future Baby is a film about the future of human reproduction<br />

as it is happening right before our eyes. Maria Arlamovsky’s<br />

exploration takes her all around the world - to patients<br />

and researchers, to egg donors and surrogate mothers, to<br />

laboratories and clinics. The hopes and wishes of future parents<br />

mesh with research on how to “upgrade” human embryos in<br />

the face of an ever accelerating rate of progress. How far do we<br />

want to go?<br />

We are delighted to welcome director Maria Arlamovsky to<br />

the screening.<br />

Director Maria Arlamovsky<br />

With Carl Djerassi, Barbara Katz-Rothman, Miriam<br />

Zoll, Jeffrey Steinberg, Jaron Rabinovici, Carmel<br />

Shalev, Andrew Hessel, Anna Smajdor<br />

PRINT SOURCE Austrian <strong>Film</strong> Commission<br />

A GREAT DAY IN HARLEM | CFF U<br />

USA 1994. 60 mins.<br />

Jean Bach’s Oscar nominated documentary reveals the<br />

fascinating story behind a famous photograph. On a summer<br />

morning in 1958, in response to a call put out a few weeks<br />

earlier, 57 top jazz musicians gathered together in Harlem for<br />

an Esquire magazine photoshoot. This never to be repeated<br />

moment found great figures from the jazz world captured in a<br />

single captivating image. This film brings this remarkable event<br />

to life and tells the stories of the legendary players caught<br />

on camera, people such as Dizzy Gillespie, Lester Young,<br />

Thelonious Monk, Count Basie, and many more.<br />

Director Jean Bach<br />

PRINT SOURCE Contemporary <strong>Film</strong>s<br />

Screening with<br />

A YEAR ALONG THE ABANDONED ROAD<br />

Norway 1991. 12 mins.<br />

A rare chance to see this prize winning short on the big screen.<br />

Director<br />

Morten Skallerud<br />

APH Sat 22 | 10.30<br />

CineMobile Wed 26 | 3.00<br />

A GOOD AMERICAN | CFF PG<br />

Austria 2015. 101 mins.<br />

An extraordinary documentary with William Binney at<br />

the heart of America’s secrets disclosing the commercial<br />

background to American intelligence agencies and the<br />

compromised assessment of data. This is not merely a<br />

documentary, more a thriller as William Binnery explains the<br />

ideas behind the NSA/CIA and intelligence analysis. Binney<br />

developed a strong programme that does great analysis and<br />

could have predicted 9/11 but the programme was shelved<br />

by another company that had a stronger lobby group with<br />

the US government. You don’t need to understand big data or<br />

computers to get what’s going on, but it is scary to see, in the<br />

context of Snowden et al., the small things we do that lead to<br />

the powers that be having more information on us.<br />

Director Friedrich Moser<br />

With Bill Binney, Jesselyn Radack, Kirk Wiebe, Diane<br />

Roark, Ed Loomis, Tom Drake<br />

PRINT SOURCE Scottish Documentary Institute<br />

APH Fri 21 | 5.00 Emma Sat 22 | 12.00<br />

HOMO SAPIENS | CFF PG<br />

Austria <strong>2016</strong>. 94 mins. Without dialogue.<br />

Homo Sapiens is a film about the finiteness and fragility of<br />

human existence and the end of the industrial age. What will<br />

remain of us after we’re gone? Empty spaces, ruins, cities<br />

overgrown with vegetation, crumbling asphalt: the areas we<br />

currently inhabit, though humanity has disappeared. Now<br />

abandoned and decaying, gradually reclaimed by nature.<br />

Homo Sapiens is an ode to humanity as seen from a possible<br />

future scenario. It intends to sharpen our eyes for the here and<br />

now, and our consciousness of the present. It is a distinct, aweinspiring<br />

view of our planet that few of us will ever see.<br />

Nikolaus Geyrhalter’s fantastical Homo Sapiens… is science<br />

fiction and documentary in equal measure, equal parts<br />

contemporary and post-apocalyptic. BERLINALE FORUM<br />

We are delighted to welcome director Nikolaus Geyrhalter to<br />

the screening.<br />

Director Nikolaus Geyrhalter<br />

PRINT SOURCE Austrian <strong>Film</strong> Commission<br />

APH Thu 27 | 6.15<br />

ILLEGITIMATE | CFF 15<br />

Ilegitim<br />

Romania/Poland/France <strong>2016</strong>. 89 mins. Romanian with<br />

English subtitles.<br />

Romanian director Adrian Sitaru’s fourth feature centres on the<br />

Anghelescu family: father Victor, who is a gynecologist, and his<br />

four grown-up children. Apparently they all live happily in a big<br />

house, but a family dinner will show how easily disrupted their<br />

life is. The after-dinner conversation flows easily, until his son<br />

Cosma confronts Victor with the fact that his name has shown<br />

up in historical documents indicating that he had denounced<br />

women to the communist authorities who wanted to get<br />

an abortion before the 1989 Revolution. The mood abruptly<br />

changes, leaving Victor having to defend his actions and<br />

leading to some startling family revelations.<br />

Director Adrian Sitaru<br />

Starring Alina Grigore, Robi Urs, Bogdan Albulescu, Adrian<br />

Titieni, Cristina Olteanu<br />

PRINT SOURCE Versatile <strong>Film</strong>s<br />

LETTERS FROM<br />

BAGHDAD | CFF PG<br />

USA/UK/France <strong>2016</strong>. 95 mins.<br />

Directors Sabine Krayenbühl,<br />

Zeva Oelbaum<br />

PRINT SOURCE Between the<br />

Rivers Productions<br />

We hope to welcome directors Sabine<br />

Krayenbühl and Zeva Oelbaum to the<br />

screening.<br />

APH Sun 23 | 8.00 APH Mon 24 | 3.30<br />

Letters from Baghdad tells the extraordinary and dramatic story of Gertrude Bell,<br />

the most powerful woman in the British Empire in her day. Voiced and produced by<br />

Academy award winning actor Tilda Swinton, the film tells the dramatic story of this<br />

British spy, explorer and political powerhouse. Bell traveled widely in Arabia before<br />

being recruited by British military intelligence during WWI to help draw the borders<br />

of Iraq and as a result helped shape the modern Middle East. Using stunning, neverseen-before<br />

footage of the region, the film chronicles her extraordinary journey into<br />

both the uncharted Arabian Desert and the inner sanctum of British colonial power.<br />

What makes the film stand apart is that the story is told entirely in the words of<br />

Gertrude Bell and her contemporaries, excerpted from their intimate letters, private<br />

diaries and official documents. It is a unique look at both a remarkable woman and<br />

the tangled history of Iraq. The film takes us into a past that is eerily current.<br />

LONDON KOREAN<br />

<strong>2016</strong><br />

APH Mon 24 | 9.30<br />

THE HANDMAIDEN | CFF 18<br />

South Korea <strong>2016</strong>. 144 mins. Korean/Japanese with<br />

English subtitles.<br />

From Park Chan-wook, the celebrated director of Oldboy, Lady<br />

Vengeance and Stoker, comes a ravishing new crime drama.<br />

Park presents a gripping and sensual tale of two women - a<br />

young Japanese lady living on a secluded estate, and a<br />

Korean woman who is hired to serve as her new handmaiden,<br />

but is secretly plotting with a conman to defraud her of a<br />

large inheritance. Inspired by the novel Fingersmith by British<br />

author Sarah Waters, The Handmaiden borrows the most<br />

dynamic elements of its source material and combines it with<br />

Park Chan-wook’s singular vision to create an unforgettable<br />

viewing experience.<br />

Director Park Chan-wook<br />

Starring Kim Min-hee, Kim Tae-ri, Ha Jung-woo, Cho Jinwoong,<br />

Kim Hae-sook<br />

PRINT SOURCE Curzon Artificial Eye<br />

Emma Fri 21 | 8.45 CineMobile Thu 27 | 3.00<br />

HARMONIUM | CFF 15<br />

Fuchi ni tatsu<br />

Japan/France <strong>2016</strong>. 118 mins. Japanese with English subtitles.<br />

Toshio, his wife Akié and their young daughter Hotaru live<br />

a happy everyday life. Not much happens, until Yasaka<br />

walks into Toshio’s workshop. He is just out of prison and<br />

an old acquaintance. Toshio offers him a job and soon the<br />

household becomes unsettled, as Yasaka starts to meddle in<br />

the family’s life.<br />

Director-writer Koji Fukada offers an off-kilter take on that<br />

most venerable of Japanese genres — the family drama. In<br />

the process of revealing hidden strains in marital life and<br />

parenting, he ponders the enigma of human motives. Shot in a<br />

meticulous yet unmannered style, the film provides the<br />

veteran cast with an ideal framework to mount<br />

masterful performances. VARIETY<br />

Director Koji Fukada<br />

Starring Mariko Tsutsui, Tadanobu Asano, Kanji Furutachi<br />

PRINT SOURCE Eureka<br />

APH Tue 25 | 5.30<br />

IN THE LAST DAYS OF THE CITY | CFF 15<br />

Egypt/Germany/UK/United Arab Emirates <strong>2016</strong>. 118 mins.<br />

Arabic with English subtitles.<br />

Khalid Abdalla (The Kite Runner, The Square) plays the<br />

protagonist of Tamer El Said’s ambitious feature debut, a<br />

filmmaker in Cairo attempting to capture the zeitgeist of his<br />

city as the world changes around him—from personal love and<br />

loss to the fall of the Mubarak regime. Throughout, friends<br />

send footage and stories from Berlin, Baghdad, and Beirut,<br />

creating a powerful, multilayered meditation on togetherness,<br />

the tactile hold of cities, and the meaning of homeland. Shot in<br />

2008 and completed this year, the film explores the weight of<br />

the cinematic image as record and storytelling in an ongoing<br />

time of change.<br />

Director Tamer El Said<br />

Starring Khalid Abdalla, Laila Samy, Hanan Youssef,<br />

Bassem Fayad<br />

PRINT SOURCE Still Moving<br />

We hope to welcome director Tamer El Said to the screening.<br />

APH Tue 25 | 2.30<br />

INVERSION | CFF PG<br />

Varoonegi<br />

Iran <strong>2016</strong>. 84 mins. Persian with English subtitles.<br />

Niloofar is an unmarried seamstress in her thirties who cares<br />

for her mother: according to Behnam Behzadi, she is “one of<br />

the people in this city; someone who has never had the right or<br />

the chance to choose”. Inviting us to participate in an Iranian<br />

society that “is on a difficult twisty path between tradition<br />

and modernity, and tries hard to pass and resists obstinately<br />

to remain in this duality”, Inversion is a heartfelt depiction<br />

of familial relations as experienced by the new generation of<br />

Iranians, especially women, striving to go beyond the life laid<br />

out for them. Understated yet with an emotional intensity that<br />

increases as the film unfolds, Inversion shows how Niloofar<br />

attempts to carve out a new path in the face of tradition.<br />

Director Behnam Behzadi<br />

Starring Sahar Dowlatshahi, Ali Mosaffa, Ali Reza<br />

Aghakhani, Setareh Pesyani, Roya Javidnia<br />

PRINT SOURCE Noori Pictures


UK<br />

PREMIERE<br />

APH Thu 27 | 10.45<br />

IT’S ONLY THE END OF THE<br />

WORLD | CFF 18<br />

Juste la fin du monde<br />

France/Canada <strong>2016</strong>. 95 mins. French with English subtitles.<br />

Xavier Dolan’s new drama stars Marion Cotillard, Vincent<br />

Cassel and Lea Seydoux. After 12 years of absence, a writer<br />

goes back to his hometown, planning on announcing his<br />

upcoming death to his family. As resentment soon rewrites<br />

the course of the afternoon, fits and feuds unfold, fuelled<br />

by loneliness and doubt, while all attempts at empathy are<br />

sabotaged by people’s incapacity to listen and love.<br />

A brilliant, stylised and hallucinatory evocation of family<br />

dysfunction. PETER BRADSHAW, THE GUARDIAN<br />

Director Xavier Dolan<br />

Starring Gaspard Ulliel, Nathalie Baye, Léa Seydoux,<br />

Vincent Cassel, Marion Cotillard<br />

PRINT SOURCE Curzon Artificial Eye<br />

THE LIGHT BETWEEN<br />

OCEANS | 12A<br />

UK/New Zealand/USA <strong>2016</strong>. 132 mins.<br />

Director Derek Cianfrance<br />

Starring Micheal Fassbender, Rachel<br />

Weisz, Alicia Vikander<br />

PRINT SOURCE Entertainment One<br />

APH Sat 22 | 5.00<br />

Set off the remote edge of Western Australia following World War I, a shell-shocked<br />

veteran devotes himself to his new job as lighthouse keeper, seeking solace in the<br />

solitude of the island. He intends to remain alone, until he meets a young woman<br />

from the town across the bay. Despite the obstacles, their love flourishes, they<br />

marry and hope to start a family, but fate intercedes. When a rowboat holding a<br />

dead man and an infant washes ashore, it sets off a chain of decisions that unravel<br />

with shattering consequences. Beautifully performed, the film confirms Cianfrance<br />

as an astute observer of male/female relations.<br />

APH Sun 23 | 5.30<br />

LIGHT YEARS | 12A<br />

UK <strong>2016</strong>. 90 mins.<br />

Dive into the world of eight-year-old Rose, in search of a<br />

dreamed and idealised mother. With one parent incapacitated<br />

and the other one an elected mute taking refuge in his work,<br />

their three very different children have to overcome their sadness<br />

and frustration to grow and develop on their own. Light Years<br />

depicts Rose’s obstinate refusal to give up on her absent mother<br />

as well as her siblings’ struggle to cope with a parent wrestling<br />

with mental health issues. With adults absent or sick, the siblings<br />

have very different ways to cope and Esther May Campbell<br />

takes us into the psyche of children facing adult problems and<br />

questions early in life. All we can do is sit back and give in to the<br />

stunning poetry of landscape and feelings we are presented with.<br />

We are delighted to welcome members of the film team to<br />

the screening.<br />

Director Esther May Campbell<br />

Starring Sophie Burton, Zamira Fuller, James Stuckey,<br />

Beth Orton, Muhammet Uzuner<br />

PRINT SOURCE Third <strong>Film</strong>s<br />

APH Sun 23 | 12.00 CineMobile Wed 26 | 8.00<br />

MATTRESS MEN | CFF PG<br />

Ireland <strong>2016</strong>. 80 mins.<br />

In an attempt to save his struggling mattress business, sixtysomething<br />

Michael Flynn reinvents himself as the eccentric<br />

online personality ‘Mattress Mick’ under the guidance of his<br />

good friend Paul Kelly. Paul, burdened with debts and living<br />

with his family in inner city Dublin yearns to get a full time<br />

contract working with Mick. Using all his marketing savvy and<br />

entrepreneurial skills, Paul embarks on a mission to make<br />

Mattress Mick a viral sensation. Will Paul be successful in his<br />

endeavours? And will Mick finally overcome the challenges<br />

in their friendship and recognise the hard work and good<br />

intentions of his long-time friend? Mattress Men is a bittersweet<br />

and moving tale of friendship and the struggles of two men<br />

that is sure to delight audiences everywhere.<br />

Director Colm Quinn<br />

With Paul Kelly and Michael Flynn<br />

PRINT SOURCE Element Pictures<br />

APH Thu 20 | 8.30<br />

MAKING IT | CFF 15<br />

UK <strong>2016</strong>. 88 mins.<br />

George Banbury is a thirty-something actor who is best<br />

known for his starring role in a wine gum advert. This hilarious<br />

comedy drama takes a wry look at George’s desperate efforts<br />

to find his way out of the rut he finds himself in - living with his<br />

parents, dealing with a dead-end job, and failing to realise his<br />

writing ambitions. British to the core, this is an offbeat story<br />

of one man’s quest for love and fulfilment, with writer and<br />

lead actor, Richard Crawley, creating a wonderfully endearing<br />

and funny character. Will the world finally recognise the<br />

many talents George is convinced he has? Follow his many<br />

adventures and find out whether he makes it after all.<br />

We are delighted to welcome director Stephen Glover, producer<br />

Emma Yap and cast members to the screening.<br />

Director Stephen Glover<br />

Starring Richard Crawley, James Anthony, William de<br />

Coverly, Julia Sandiford, Nadia Albina<br />

PRINT SOURCE Coldharbour Pictures<br />

MANCHESTER BY<br />

THE SEA | CFF 15<br />

USA <strong>2016</strong>. 135 mins.<br />

Director Kenneth Lonergan<br />

Starring Casey Affleck, Michelle<br />

Williams, Kyle Chandler,<br />

Gretchen Mol, Kara<br />

Hayward<br />

PRINT SOURCE Studio Canal<br />

APH Mon 24 | 7.30<br />

Though only his third feature in 16 years, Kenneth Lonergan confirms himself as an<br />

incredibly astute observer of ordinary people trying to live ordinary lives in Manchester<br />

By The Sea. Casey Affleck features as a reclusive handyman who must face his<br />

painful past when he returns to his Massachusetts hometown after the sudden death<br />

of his beloved older brother. Affleck is horrified to discover that he has been appointed<br />

legal guardian of Joe’s teenage son, Patrick (Lucas Hedges), and though he reluctant<br />

he finds himself undergoing a journey of self-discovery. A film of rare depth and<br />

subtlety, it’s a work that is determined to go its own way and is all the more humane<br />

because of it.<br />

UK<br />

PREMIERE<br />

CineMobile Wed 26 | 12.45<br />

THE LONG NIGHT OF<br />

FRANCISCO SANCTIS | CFF 15<br />

La larga noche de Francisco Sanctis<br />

Argentina <strong>2016</strong>. 80 mins. Spanish with English subtitles.<br />

Buenos Aires, 1977. Francisco Sanctis, a family man living<br />

an eventless life, receives information about an upcoming<br />

kidnapping operation by soldiers of the dictatorship. He starts<br />

to question where he stands in relation to the paralyzing terror<br />

that surrounds him. In a race against the night, Francisco needs<br />

to decide: will he try to save innocent lives by risking his own?<br />

Based on the novel by Humberto Costantini, The Long Night<br />

of Francisco Sanctis was awarded Best <strong>Film</strong> and Best Actor<br />

prizes at BAFICI <strong>2016</strong>. Anxiously accompanying Francisco as he<br />

battles to decide how to play the hand history has dealt him, we<br />

witness a conflict that is personal, universal, and entirely topical.<br />

Directors Andrea Testa, Francisco Márquez<br />

Starring Diego Velázquez, Laura Paredes, Valeria Lois,<br />

Marcelo Subiotto, Rafael Federman<br />

PRINT SOURCE <strong>Film</strong>s Boutique<br />

LOVE IS THICKER<br />

THAN WATER | CFF 15<br />

UK <strong>2016</strong>. 105 mins.<br />

APH Tue 25 | 2.00<br />

Opposites attract when Vida, a middle class cellist from<br />

London falls in love with Arthur, a working class animation<br />

student from Wales, but their relationship is put to the test<br />

when they meet each other’s families and are forced to<br />

confront class and cultural differences. Sensitive, touching,<br />

quirky and tragic, Love Is Thicker Than Water is a fresh look<br />

at how conflicting family ties challenge love in a modern day<br />

Romeo and Juliet.<br />

Funny, rich, rewarding, and utterly compelling. Love Is<br />

Thicker Than Water gives us the treat of acting that is<br />

beautifully on point and a cast of characters that live with you<br />

for long after the lights come up. STEPHEN FRY<br />

Director Emily Harris, Ate de Jong<br />

Starring Lydia Wilson, Ellie Kendrick, Henry Goodman,<br />

Juliet Stevenson, Johnny Flynn<br />

PRINT SOURCE Jinga <strong>Film</strong>s<br />

APH Thu 27 | 12.30<br />

MIMOSAS | CFF 15<br />

Spain/Morocco/France/Qatar <strong>2016</strong>. 96 mins. Arabic with<br />

English subtitles.<br />

A caravan is escorting an elderly and dying Sheikh to Sijilmasa.<br />

His last wish is to be buried with his loved ones. But death does<br />

not wait and reaches him while crossing the rugged peaks of<br />

the Moroccan Atlas. The caravaneers, fearful of the mountain,<br />

refuse to continue transporting the corpse. Said and Ahmed, two<br />

rogues travelling with the caravan, declare they know the way to<br />

Sijilmasa and promise to take the body there. In another world,<br />

parallel and remote, Shakib is chosen to travel to the mountains<br />

where the caravan is. His assignment is clear: he has to help the<br />

accidental caravaneers to reach their destination. Oliver Laxe’s<br />

second feature won the top prize in the International Critics’<br />

Week at this year’s Cannes <strong>Film</strong> <strong>Festival</strong>.<br />

Director Oliver Laxe<br />

Starring Ahmed Hammoud, Shakib Ben Omar, Said Aagli,<br />

Ikram Anzouli, Ahmed El Othemani<br />

PRINT SOURCE Lux Box <strong>Film</strong>s<br />

CineMobile Tue 25 | 9.30 APH Thu 27 | 2.00<br />

NUMB | CFF 15<br />

Canada 2015. 84 mins.<br />

PRINT SOURCE Cinema Management Group<br />

UK<br />

PREMIERE<br />

Husband and wife Will and Dawn are facing financial crisis in<br />

the midst of a market collapse. On the drive back to Vancouver<br />

through a harsh Canadian winter, they pick up two mysterious<br />

hitchhikers, siblings Lee and Cheryl. In the middle of the night<br />

they nearly collide with an old man wandering on the snowy<br />

highway, hypothermic and horrifically frostbitten. While<br />

searching for his ID they discover a wad of cash, a hand drawn<br />

map with GPS coordinates, and a single gold coin inside his<br />

coat. In an attempt to overcome their financial struggles, the<br />

foursome walk into the remote winter wilderness in search of<br />

the missing coins. <strong>Film</strong>ed and set in British Columbia, Numb<br />

marks the feature film debut of Jason R. Goode, starring UK<br />

actor Jamie Bamber, <strong>Cambridge</strong> alumnus and leading actor in<br />

Battlestar Galactica.<br />

Director<br />

Starring<br />

Jason R. Goode<br />

Jamie Bamber, Marie Avgeropoulos, Aleks Paunovic


UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

LONDON KOREAN<br />

<strong>2016</strong><br />

APH Mon 24 | 6.00<br />

APH Fri 21 | 3.00<br />

APH Sat 22 | 1.30<br />

APH Thu 20 | 10.30 APH Tue 25 | 12.30<br />

OLEG AND THE RARE ARTS | CFF PG<br />

Oleg y las Raras Artes<br />

Spain <strong>2016</strong>. 70 mins. Russian with English subtitles.<br />

“My melodies are uncomfortable but they’re brilliant”. These<br />

are the words Oleg Nikolaevitch Karavaychuk (1927-<strong>2016</strong>)<br />

chose to describe his unorthodox talent as an outsider-artist<br />

musician. 89-year-old Oleg, also a famed pianist (as a child<br />

prodigy, he once performed for Stalin) composed film music<br />

for directors such as Sergei Parajanov and Kira Muratova.<br />

Combining strolls through the Hermitage in St Petersburg<br />

with walks in the park, the film allows a century of Russian<br />

cultural life to unfold before us through Oleg’s idiosyncratic<br />

scores. When the jury named it Best International <strong>Film</strong> at the<br />

DokuFest in Prizren, Kosovo, it particularly praised the editing<br />

for being “strange and deft, picking up tender, brilliant, telling<br />

moments in perfect time, seamlessly transitioning between<br />

long and short takes”.<br />

Director Andrés Duque<br />

PRINT SOURCE Intropia Media<br />

UK<br />

PREMIERE<br />

OLYMPIC PRIDE,<br />

AMERICAN<br />

PREJUDICE | CFF 12<br />

Germany/USA 2015. 90 mins.<br />

Director Deborah Riley Draper<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

CineMobile Mon 24 | 8.00<br />

Following an Olympic summer, once again caught up in international politics, it is<br />

fascinating to look at the history of the Games and arguably the most controversial,<br />

the 1936 Olympic Games. Remembered now for the great performances from Jesse<br />

Owens, it is overlooked that there were 17 black athletes in the team. Olympic Pride,<br />

American Prejudice looks at the difficulties that black athletes in America faced in<br />

the 1930s and how they became pawns in a political face-off between the US and<br />

German governments, the latter using Jewish athletes as their own pawns in their<br />

super-power game. Director Deborah Riley Draper brings together archive material<br />

and interviews into an insightful and illuminating film.<br />

We hope to welcome director Deborah Riley Draper to the screening.<br />

ON THE OTHER SIDE | CFF 12<br />

S One Strane<br />

Croatia/Serbia <strong>2016</strong>. 85 mins. Croatian with English subtitles.<br />

Vesna, a middle-aged nurse in Zagreb quietly gets on with<br />

her daily life: babysitting for her son, helping her daughter<br />

to prepare for her wedding. Out of the blue, she gets a call<br />

from her husband Zarko, who left his family on the eve of<br />

war to fight for ‘the other side’ and has since been in hiding<br />

because of war crime charges. Vespa had moved her family<br />

away to establish a new life and identity disconnected from<br />

Zarko. But now, slowly, he draws her back into their shared<br />

memories, creating complications for the son and daughter. A<br />

fascinating film, an almost chamber piece, that at its heart has<br />

a wonderfully sensitive performance from Kzenija Marinkovic<br />

full of nuance and gesture, building towards a surprise ending.<br />

Croatia’s entry for Best Foreign <strong>Film</strong> Oscar.<br />

Director Zrinko Ogresta<br />

Starring Ksenija Marinkovic, Lazar Ristovski, Tihana<br />

Lazovic<br />

PRINT SOURCE Cercamon<br />

UK<br />

PREMIERE<br />

STORMY WEATHER | U<br />

USA 1943. 78 mins.<br />

Considered one of Hollywood’s best, the star-studded 1940s<br />

musical spectacular Stormy Weather is the story of an aspiring<br />

dancer and his relationship with a popular songstress.<br />

The film provides a stage for some of the greatest African<br />

American entertainers ever to grace the Silver Screen. Lena<br />

Horne plays the beautiful singer Selina Rogers alongside Bill<br />

‘Bojangles’ Robinson as a struggling performer. Watch out for<br />

the memorable moment with Lena Horne singing the classic<br />

Stormy Weather.<br />

Director Andrew Stone<br />

Starring Lena Horne, Bill Robinson, Cab Calloway and his<br />

Cotton Club Orchestra<br />

PRINT SOURCE 20th Century Fox<br />

SULLY | 12A<br />

USA <strong>2016</strong>. 96 mins.<br />

Director Clint Eastwood<br />

Starring Tom Hanks, Aaron Eckhart, Laura<br />

Linney, Mike O’Malley, Anna Gunn<br />

PRINT SOURCE Warner Bros<br />

ShortReel <strong>Cambridge</strong> Student <strong>Film</strong> Award<br />

<strong>2016</strong>’s winning film will have its Premiere at<br />

this screening. See page 29 for details.<br />

APH Fri 21 | 8.00<br />

From Oscar-winning director Clint Eastwood comes tense drama Sully, starring<br />

Oscar winner Tom Hanks as Captain Chesley ‘Sully’ Sullenberger. On 15 January<br />

2009, the world witnessed the ‘Miracle on the Hudson’ when Captain ‘Sully’<br />

Sullenberger glided his disabled plane onto the frigid waters of the Hudson River,<br />

saving the lives of all 155 aboard. However, even as Sully was being heralded<br />

by the public and the media for his unprecedented feat of aviation skill, an<br />

investigation was unfolding that threatened to destroy his reputation and<br />

his career.<br />

A vigorous and involving salute to professionalism and being good at your<br />

job, Sully vividly portrays the physical realities and human elements in the<br />

dramatic safe landing of a crippled US Airways jet on the Hudson River on Jan.<br />

15, 2009. An elegant and eloquent docudrama… HOLLYWOOD REPORTER<br />

TRAIN TO BUSAN | CFF 15<br />

Busanhaeng<br />

South Korea <strong>2016</strong>. 118 mins. Korean with English subtitles.<br />

A career bureaucrat, Seok-woo (Yoo Gong) has always prioritized<br />

work over family. The result is a divorce and a daughter, Su-an<br />

(Kim Su-an), whose only birthday wish is to go see her mother<br />

in Busan. When they board the high-speed KTX train at the<br />

Seoul station, little do they know that an unprecedented crisis is<br />

afflicting the city. Barely out of the gate, the train has suddenly<br />

become the setting for a series of savage attacks that turn the<br />

crazed passengers into zombies. Seok-woo will have to join<br />

forces with a two-fisted goon (Ma Dong-seok), a power-hitting<br />

college baseball star (Choi Woo-sik), a spunky cheerleader (Ahn<br />

So-hee) and an unscrupulous businessman (Kim Eui-sang). A<br />

brilliant, fast-paced update on the zombie genre, Train to Busan<br />

combines horror, comedy and action to superlative effect.<br />

Director Sang-ho Yeon<br />

Starring Gong Yoo, Jung Yu-Mi, Ma Dong-Seok, Kim Eui-<br />

Sung<br />

PRINT SOURCE Studio Canal<br />

Emma Thu 20 | 6.15<br />

APH Sat 22 | 8.00 APH Sun 23 | 10.30<br />

APH Wed 26 | 10.50<br />

APH Fri 21 | 12.15<br />

APH Mon 24 | 2.30<br />

CineMobile Thu 27 | 5.30<br />

PAROLE | CFF 15<br />

Iran <strong>2016</strong>. 92 mins.<br />

Iranian cinema continues to produce films of outstanding<br />

quality and insight. This feature debut from Iranian writer/<br />

director Hussein Mahkam is a nuanced exploration of family<br />

and society in the manner of Asghar Farhadi. It tells the story<br />

of a young boy, Saeid, whose release from a reformatory after<br />

being jailed for petty crimes is thrown into question when a<br />

tragic event occurs. With great skill, Mahkam examines the<br />

complex nature of the social relationships and psychological<br />

motivations of those who are caught up in the boy’s fate. This<br />

is a film which looks at themes of family, justice, and love with<br />

deep understanding and in an affecting and engaging manner.<br />

Director Hossein Mahkam<br />

Starring Rambod Javan, Hengameh Ghaziani, Shahrokh<br />

Foroutanian, Alireza Aghakhani, Hossein Pakdel<br />

PRINT SOURCE Soureh Cinema Organization<br />

UK<br />

PREMIERE<br />

PATERSON | CFF 15<br />

USA/France/Germany <strong>2016</strong>. 113 mins.<br />

A major return to form for American indie auteur Jim Jarmusch,<br />

Paterson focuses on a working-class poet (Driver) in a small<br />

New Jersey town who practices his craft amidst the quiet<br />

magic of everyday life. Transforming the ordinary into<br />

something transcendent, Jarmusch weaves something magical<br />

from this observation of small-town American life, a deep well<br />

from which American independent filmmakers have frequently<br />

drawn. Beautifully articulating internal lives, Jarmusch, working<br />

with cinematographer Frederick Elmes and drawing on the<br />

poetry of William Carlos Williams, is assisted by Driver and the<br />

wonderful Golshifteh Farahani (About Elly) as the never less<br />

than fascinating leads.<br />

Director Jim Jarmusch<br />

Starring Adam Driver, Golshifteh Farahani<br />

PRINT SOURCE Soda Pictures<br />

UK<br />

PREMIERE<br />

PERSONAL AFFAIRS | CFF 15<br />

Omor Shahsiya<br />

Israel <strong>2016</strong>. 90 mins. Arabic with English subtitles.<br />

In Nazareth, an old couple lives wearily to the rhythm of the<br />

daily routine. On the other side of the border, in Ramallah, their<br />

son Tarek wishes to remain an eternal bachelor, their daughter<br />

is about to give birth while her husband lands a movie role and<br />

the grandmother loses her head ... Between check-points and<br />

dreams, frivolity and politics, some want to leave, others want<br />

to stay but all have personal affairs to resolve.<br />

Director Maha Haj<br />

Starring Sanaa Shawahdeh, Mahmoud Shawahdeh,<br />

Doraid Liddawi, Hanan Hillo, Ziad Bakri<br />

PRINT SOURCE <strong>Film</strong>s Boutique<br />

RE: A PIER | CFF PG<br />

UK <strong>2016</strong>. 96 mins.<br />

Every seaside town has to have a pier and it isn’t a proper<br />

seaside town without one. JO BRAND<br />

Everybody loves piers. They’re focal points for our memories of<br />

the seaside: days of fun, fancy and freedom. Hastings Pier has<br />

more going for it than any other in this sense, because as well<br />

as offering the normal fish ’n’ chips day out, the pier used to<br />

turn very rock ’n’ roll at night. Re: A Pier will make you want to<br />

visit the seaside or feel like you already have. Having had a few<br />

outdoor screenings on the revamped Hastings Pier, <strong>Cambridge</strong><br />

will be this documentary’s first UK film festival appearance.<br />

Who knew a documentary about a pier could be so<br />

interesting?! DEVIN KAREMBALAS, CAMBRIDGE FILM<br />

FESTIVAL REVIEWING TEAM<br />

Director Archie Lauchlan<br />

PRINT SOURCE Domestic Science<br />

TOMORROW | CFF PG<br />

Demain<br />

France 2015. 118 mins. English/French/Finnish with<br />

English subtitles.<br />

Winner of the <strong>2016</strong> French César for Best Documentary,<br />

Tomorrow takes an enterprising look at how people are<br />

working to change the world through new projects that tackle<br />

climate change. This is not just about what is going wrong,<br />

but much more about what you can do to make it right. From<br />

city gardens in Detroit and Todmorden, West Yorkshire, to new<br />

financial systems, the team travelled to 10 different countries<br />

looking at the issues of agriculture, energy, habitat, economy,<br />

education and democracy. Inspiring and energising, the<br />

answers to the future of the planet lie within this documentary.<br />

Directors Cyril Dion, Mélanie Laurent<br />

PRINT SOURCE Elle Driver<br />

UK<br />

PREMIERE<br />

UKRAINIAN<br />

SHERIFFS | CFF PG<br />

Germany/Latvia/Ukraine 2015. 85<br />

mins. Ukrainian with English subtitles.<br />

Director Roman Bondarchuk<br />

With Victor Grygorovych,<br />

Volodya, Victor Marunyak<br />

PRINT SOURCE Taskovski <strong>Film</strong>s<br />

This well-observed documentary is set in the small village of Stara Zburyevka in<br />

the Ukraine, where local sheriffs Victor and Volodya are trying to keep the peace.<br />

As we join them on their daily rounds in their car, complete with a Ukrainian flag,<br />

we encounter the villagers and their everyday troubles. Victor and Volodya are part<br />

law enforcement, part social workers, as they deal with crimes such as stolen ducks<br />

and drunken neighbours. Winner of an IDFA special jury prize, this is a tragic-comic<br />

journey to a corner of the world seemingly frozen in time.<br />

When I first met the mayor of this village and the sheriffs, I was totally fascinated:<br />

in a country where everything was corrupt, authorities not working properly, and<br />

the police never around, the people were not complaining, but found an alternative<br />

way to arrange their life… Following recent political events in Ukraine and personal<br />

stories of the sheriffs, I made a very honest film. I would love to call it a tragic<br />

documentary comedy. ROMAN BONDARCHUK<br />

UK<br />

PREMIERE<br />

APH Mon 24 | 5.00<br />

UNITED STATES OF LOVE | 18<br />

Zjednoczone stany milosci<br />

Poland <strong>2016</strong>. 106 mins. Polish with English subtitles.<br />

Winner of the Best Script award at this year’s Berlin <strong>Film</strong><br />

<strong>Festival</strong>, United States of Love is set in the early years of<br />

the new Poland. A cleverly structured film that looks at the<br />

experiences of four different women who are waking up to the<br />

changes in the social structure and becoming frustrated with<br />

their personal lives. Alive with a sense of the period with VHS<br />

rentals and aerobic exercising, it is the characters of the women<br />

that captivate.<br />

Very much its own thing - austere and melancholic, but also<br />

marked by dry minimalist humour. JONATHAN ROMNEY,<br />

SCREEN INTERNATIONAL<br />

Director Tomasz Wasilewski<br />

Starring Julia Kijowska, Magdalena Cielecka, Dorota Kolak<br />

PRINT SOURCE Verve Pictures<br />

BIG<br />

SCREAM<br />

REVOLUTIONS - NEW ART FOR<br />

A NEW WORLD | CFF PG<br />

UK <strong>2016</strong>. 86 mins. English and English subtitles.<br />

A fascinating documentary that looks into the art that was<br />

created from the energy of the Russian Revolution. With<br />

great clips from the films of Eisenstein and an insightful<br />

commentary this is a captivating journey into the work of the<br />

great artists against the political turmoil leading to the social<br />

realism during Stalin’s reign. Drawing on the collections of<br />

major Russian institutions, contributions from contemporary<br />

artists, curators and performers and personal testimony from<br />

the descendants of those involved, the film brings the artists<br />

of the Russian Avant-Garde to life. It tells the stories of artists<br />

Chagall, Kandinsky and Malevich - pioneers who flourished<br />

in response to the challenge of building a new art for a new<br />

world. Surprisingly, those challenges carry resonances into the<br />

21st Century.<br />

Director Margy Kinmonth<br />

PRINT SOURCE Arts Alliance<br />

APH Sat 22 | 12.15<br />

Emma Mon 24 | 8.45 APH Thu 27 | 10.00<br />

S IS FOR STANLEY | CFF PG<br />

Italy 2015. 78 mins.<br />

When Emilio D’Alessandro took on a fare as a private hire<br />

driver, he had no idea where his journey would end. The job<br />

was to take an object from one place to another. The object<br />

was a porcelain penis, but it was a job and Emilio was happy<br />

to do it. But the job was for Stanley Kubrick’s company and<br />

the prop was for A Clockwork Orange. Very quickly Emilio<br />

became the man that Kubrick trusted and he became a major<br />

part of the team for next 30 years. S for Stanley is a charming<br />

documentary on the recollections of Emilio, giving great insight<br />

into the man and working practices of Stanley Kubrick. A rare<br />

glimpse behind the films, reavels a man who is both kind<br />

and thoughtful, yet demanding, obsessive and frustrating,<br />

but ultimately compelling. A joy to watch, with Emilio totally<br />

EL SUR | PG<br />

The South<br />

Spain/France 1983. 95 mins. Spanish<br />

APH Fri 21 | 12.30<br />

APH Wed 26 | 10.00am<br />

APH Tue 25 | 8.30<br />

WALK WITH ME: THE TRIALS OF<br />

DAMON J. KEITH | CFF PG<br />

USA <strong>2016</strong>. 100 mins.<br />

It may be the greatest story you never heard. The story of civil<br />

rights giant, Judge Damon J. Keith, an African-American federal<br />

court judge who has decided some of the most landmark and<br />

controversial rulings of the last 50 years, including a decision<br />

that lead to him being sued by a sitting President. The story of<br />

ten extraordinary years, four groundbreaking cases, and one<br />

unconventional federal judge, whose rulings forever changed the<br />

face of civil rights in the United States. Walk With Me provides a<br />

poignant portrait of a fascinating man, interweaving both the<br />

personal and the political. <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> marks the<br />

film’s European premiere.<br />

We are delighted to welcome director Jesse Nesser to<br />

APH Wed 26 | 1.45<br />

WEDNESDAY 04:45 | CFF 18<br />

Greece 2015. 116 mins. Greek/English.<br />

This modern film noir is delivered with great style that adds<br />

to a intriguing body of new Greek cinema. Stelios is the owner<br />

of a Jazz Club in Athens. A few years ago, Stelios received a<br />

business loan from a Romanian in order to renovate his club.<br />

In 2010, the recession finds Stelios on the brink of bankruptcy<br />

unable to repay the loan. In a vortex of adultery, drug abuse,<br />

violence, guilt and self-deceit, Stelios has a few hours left to<br />

save his club, salvage his crumbling marriage, battle the mafia<br />

loan-sharks, baptise his employee’s kid and show up at school<br />

WONDERLAND | CFF 18<br />

Heimatland<br />

Switzerland 2015. 100 mins. French/German<br />

with English subtitles<br />

Directors Lisa Blatter, Gregor Frei, Benny<br />

Jaberg, Carmen Jaquier, Jonas<br />

Meier, Tobias Nölle, Lionel Rupp,<br />

Mike Scheiwiller, Jan Gassmann,<br />

An extraordinary, dramatic film with hints of science fiction about immigration<br />

in Europe, stunningly brought together from the visions of ten directors, and<br />

tightly edited by Kaya Inan into a compelling thriller. An ominous dark storm<br />

cloud appears over Switzerland and persistently grows over days, stopping at<br />

the country’s borders and bringing chaos to the country. As services are brought<br />

to halt, power fails and media reports on the crisis create panic. Some continue<br />

with their work, while others head for the border in an attempt to escape. The<br />

storylines are excitingly interweaved, bringing to the fore attitudes towards<br />

immigrants, many of whom we depend on, and the things that would drive us to<br />

leave our homeland. A compelling experience.<br />

One of the greatest of all Spanish films, Victor Erice’s spellbinding follow-up to The Spirit<br />

of the Beehive has been little seen since its original release. Growing up in the 1950s in<br />

a small Northern town, Estrella feels a strong affinity with her sensitive, talented father<br />

to receive his son’s report card as a responsible parent.<br />

with English subtitles.<br />

who was raised in Andalusia but left for mysterious reasons which she suspects may<br />

Director Alexis Alexiou<br />

Director Víctor Erice<br />

be connected with the Spanish Civil War. Disturbed and intrigued by his strange moods<br />

Starring Stelios Mainas, Dimistris Tzoumakis, Adam<br />

Starring Omero Antonutti, Sonsoles and unexplained absences, she attempts – maybe unwisely – to uncover the secrets<br />

Bousdoukos<br />

captivating as he talks about his great friend.<br />

Aranguren, Icíar Bollaín he keeps so carefully hidden. Exquisitely shot, with a haunting use of music and subtly<br />

the screening.<br />

PRINT SOURCE Loco <strong>Film</strong>s<br />

Michael Krummenacher<br />

Director Alex Infascelli<br />

PRINT SOURCE BFI<br />

compelling performances, El Sur reminds us how hard it is truly to know our parents,<br />

Director Jesse Nesser<br />

Starring Peter Jecklim, Michèle Schaub-<br />

PRINT SOURCE RAI<br />

however close our bond with them may be.<br />

Jackson, Liana Hangartner,<br />

PRINT SOURCE Overseas Cowboy <strong>Film</strong>s<br />

PRINT SOURCE Wide Management<br />

95 minutes of emotions so intense that you’re left breathless.<br />

Nicolas Bachmann<br />

PEDRO ALMODÓVAR<br />

12 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | ? www.camfilmfest.com Box office: 0871 902 5720 Main Features & Documentaries | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 13<br />

APH Wed 26 | 5.30


Eye on <strong>Film</strong>s (EoF) is a support platform for the<br />

diffusion of first and second feature films which gathers<br />

numerous film professionals (festivals, distributors,<br />

exhibitors, media, institutions, VoD platforms) and<br />

which guarantees the circulation and exploitation of<br />

the films enrolled in the EoF label.<br />

CAMERA<br />

Catalonia<br />

By popular demand we are continuing our focus of films from Catalonia. Camera<br />

Catalonia, now in its fifth season, is dedicated to contemporary Catalan cinema<br />

and highlights the varied and creative output arising from one of Europe’s oldest<br />

cultures. As a special celebration we are premiering two of the most successful box<br />

office comedies in recent years, both set in gorgeous Barcelona: Barcelona, Summer<br />

Night and the sequel Barcelona Christmas Night. Other highlights include the screening<br />

of a fascinating documentary about Xavier Cugat, a Catalan musician during the<br />

golden years of Hollywood, entitled Sex, Maracas & Chihuahuas; and The Virus of Fear<br />

by legendary Catalan film director Ventura Pons. We hope to welcome some of the<br />

filmmakers at the screenings, so keep in touch with the festival website for updates.<br />

APH Sun 23 | 8.45 APH Tue 25 | 12.00<br />

AWAITING | CFF 15<br />

L’adopció<br />

Catalonia/Lithuania 2015. 96 mins. Catalan with<br />

English subtitles.<br />

Inspired by the director’s own experience, this is a harrowing<br />

depiction of the international adoption process. Natalia (Nora<br />

Navas) and Daniel (Francesc Garrido) are a well-to-do couple,<br />

but their life is incomplete. So they travel to Eastern Europe<br />

hoping to adopt a child; but all their hopes, expectations and<br />

their relationship are being put to the test as they face a web<br />

of red tape, poverty and corruption. We are proud to continue<br />

highlighting the superb acting work of Nora Navas, who again<br />

shines in her portrayal of a woman who is desperate to adopt a<br />

child. The beautiful widescreen photography captures the snowy<br />

and gelid surroundings, which mirror the locals’ attitude towards<br />

the couple, slowly cracking away in the bleak surroundings.<br />

Director Daniela Féjerman<br />

Starring Nora Navas, Francesc Garrido, Larissa Kalpokaite<br />

PRINT SOURCE Latido <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

APH Sat 22 | 5.45<br />

BARCELONA,<br />

CHRISTMAS NIGHT | CFF 15<br />

Barcelona, nit d’hivern<br />

Catalonia 2015. 95 mins. Catalan/Spanish with<br />

English subtitles.<br />

Winter in Barcelona can be magical. Romantic love is in the air,<br />

sometimes crazy, sometimes funny, sometimes bittersweet.<br />

After the success of Barcelona Summer Night, the production<br />

team returns with six new stories, this time over Christmas. A<br />

few characters from the first film return but most of them are<br />

new. This time, the stories are not only about young people and<br />

the tragicomic tone is more evident. The mixture of some risqué<br />

sexual jokes, romance and emotions will please admirers of Judd<br />

Apatow. A rare example of a sequel which is regarded as even<br />

better than the original, and another box office success.<br />

BARCELONA,<br />

SUMMER NIGHT | CFF 15<br />

Barcelona, nit d’estiu<br />

Catalonia 2015. 95 mins. Catalan/<br />

Spanish with English subtitles.<br />

Director Dani de la Orden<br />

Starring Miki Esparbé, Joan Dausà,<br />

Claudia Vega<br />

PRINT SOURCE <strong>Film</strong>ax International<br />

We hope to welcome director Dani de la<br />

Orden to the screening.<br />

APH Mon 24 | 10.15<br />

APH Fri 21 | 10.45<br />

APH Sun 23 | 3.30<br />

APH Sat 22 | 10.00am<br />

Although it was released in 2013, it remains unseen in the UK and it is the first film<br />

in a diptych about Barcelona that we are premiering this year. It has often been<br />

compared to Love Actually, but set in Barcelona, and there are certainly similarities in<br />

the structure and with love stories being the main ingredient in both films, although<br />

Barcelona Summer Night focuses on the romantic problems and joys of a younger<br />

generation. On the night of the 18th August 2013, Barcelona’s skyline was illuminated<br />

by the passing of the comet Rose, a spectacle that will not be seen again for several<br />

hundreds of years. On that same night, new relationships came into bloom while others<br />

faded away. Whispers of sweet nothings, throes of passion, love and tears… all played<br />

their part. That night there were 567 love stories being played out under the Barcelona<br />

sky – the film includes six of them. This is a fresh and joyful film that was a massive<br />

success in Spain and struck a chord with young audiences. It is the first feature of Dani<br />

de la Orden, who succeeds in uniting all the different stories cohesively.<br />

UK<br />

PREMIERE<br />

APH Tue 25 | 10.30am<br />

SEX, MARACAS<br />

& CHIHUAHUAS | CFF15<br />

Sexe, maraques i chihuahues<br />

Catalonia <strong>2016</strong>. 87 mins. English/Catalan/Spanish with<br />

English subtitles.<br />

Xavier Cugat left Catalonia at a very young age for Cuba,<br />

where he immersed himself in the tropical rhythms that made<br />

him one of the originators of the Latin sound that became so<br />

popular in the USA and around the world. Cugat’s relationship<br />

with Hollywood is a fascinating one, from playing music so<br />

Rodolfo Valentino could properly dance a tango in the silent film<br />

The Four Horsemen of the Apocalypse to being a permanent<br />

staple in Hollywood musicals, alongside Carmen Miranda, Rita<br />

Hayworth, Fred Astaire and most famously with Esther Williams<br />

and her MGM musicals. Some of his recordings have been used<br />

by Wong Kar-wai in his films. This is a captivating documentary<br />

for anyone who loves cinema and its origins, full of little known<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

APH Wed 26 | 11.50am<br />

THE VIRUS OF FEAR | CFF 15<br />

El virus de la por<br />

Catalonia 2015. 75 mins. Catalan with English subtitles.<br />

The day a group of children start their swimming lessons, Jordi,<br />

one of the monitors, is accused of kissing a child. The parents<br />

react hysterically. The versions about the kiss do not match<br />

and suspicions, doubts and fears come to the surface. Ventura<br />

Pons returns to one of his favourite sources of inspiration, the<br />

theatre, adapting one of the most successful, recent, Catalan<br />

plays, The Archimedes’ Principle. The play was coetaneous to<br />

the film The Hunt; both premiered within one month in 2012,<br />

and both tackle the same difficult subject matter, the sexual<br />

abuse of children. Pons’s very interesting use of a non-lineal<br />

narrative and sober direction rewards the intelligence of the<br />

audience in the best tradition of European cinema.<br />

We hope to welcome a member of the artistic team to<br />

WORLD<br />

PREMIERE<br />

APH Wed 26 | 5.00<br />

THE INTERROGATION | CFF 15<br />

Israel/Germany <strong>2016</strong>. 80 mins. German/Polish with<br />

English subtitles.<br />

In 1946, Rudolf Franz Ferdinand Höss, the longest<br />

serving commander of Auschwitz concentration camp,<br />

was awaiting trial in a Polish prison. With frustration<br />

mounting in Israel that Höss has not confessed, a<br />

young and successful investigative judge is appointed<br />

to gain the confession. In, what is essentially a twohander,<br />

the tense exchanges dissect the nature of<br />

those who were in charge of the extermination camps<br />

and their self-justification. A hugely impressive debut<br />

from Erez Pery, drawing excellent performances from<br />

his two leads, as well as writing a powerful script based<br />

on Höss’s book Commandant of Auschwitz.<br />

We hope to welcome director Erez Pery to the screening.<br />

Director Erez Pery<br />

Starring Romanus Fuhrmann, Maciej Marczewski,<br />

Jacek Brzostynski, Shira Dotan<br />

PRINT SOURCE Eye On <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

APH Thu 27 | 4.15<br />

NAKOM | CFF 15<br />

Ghana/USA <strong>2016</strong>. 90 mins. Kusaal/English with<br />

English subtitles.<br />

After his father’s sudden death, Iddrisu, a talented<br />

medical student, returns to his home village of Nakom in<br />

northern Ghana. Now the head of the family and faced<br />

with a debt that could destroy them all, Iddrisu has to<br />

turn their farm and fortunes around. He confronts both<br />

the tragedy and beauty of village life, and must finally<br />

choose between two very different futures. Nakom paints<br />

an intimate portrait of a region too often dismissed or<br />

stigmatized, striving for a story that feels universal: one<br />

young person’s journey to reconcile the lifestyle of his<br />

forefathers with his own interests and future.<br />

Directors Kelly Daniela Norris, T.W. Pittman<br />

Starring Jacob Ayanaba, Grace Ayariga, Justina<br />

Kulidu, Shetu Musah, Thomas Kulidu<br />

PRINT SOURCE Eye On <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

CineMobile Tue 25 | 5.30<br />

ONE OF US | CFF 15<br />

Einer von uns<br />

Austria 2015. 86 mins. German with English subtitles.<br />

A huge supermarket is the only social meeting point<br />

for the inhabitants of an industrialised suburb in<br />

Austria. This is where Julian, a lively 14-year-old,<br />

meets 16-year-old misfit Mark. Fresh emotions of<br />

brotherhood, affection and thrill encourage their<br />

urge to break out of suburban boredom. One night,<br />

brimming with youthful enthusiasm, they break into<br />

the supermarket. It is a brief moment of adolescent<br />

freedom, which ends abruptly in a moment of harsh<br />

grown-up reality with Julian’s death in a long aisle full<br />

German<br />

CONTEMPORARY<br />

Cinema<br />

Contemporary German Cinema has been an integral part of the <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong> for many years, with the festival championing films from<br />

newcomers as well as established filmmakers. This year we are delighted<br />

to be screening two films by festival stalwarts: Maren Ade’s latest film Toni<br />

Erdmann and Monika Treut’s Zona Norte. Newcomers to the festival are<br />

Thomas Stuber and his debut feature A Heavy Heart and Asli Özge with All<br />

of a Sudden, her first German-language feature film for the cinema. Next<br />

Generation Short Tiger <strong>2016</strong> presents the diversity of forms,<br />

genres and subjects on a high level that international audiences<br />

are used to expect from German short filmmaking.<br />

APH Thu 20 | 8.30 APH Fri 21 | 12.15<br />

ALL OF A SUDDEN | CFF 12<br />

Auf Einmal<br />

Germany <strong>2016</strong>. 112 mins. German with English subtitles.<br />

After the party in Karsten’s apartment, everybody leaves<br />

except Anna. Admiringly, Karsten approaches this mysterious<br />

woman. How could he have known that in a moment of<br />

weakness, his well-established life would spiral out of control<br />

and turn into a disaster? In this small provincial German<br />

town, disappointment soon fuels anger, justice hides behind<br />

hypocrisy, and evil gradually unfolds.<br />

We hope to welcome director Asli Özge to the screening.<br />

Director Asli Özge<br />

Starring Sebastian Hülk, Julia Jentsch, Hanns Zischler,<br />

Sascha Alexander Gersak, Luise Heyer<br />

PRINT SOURCE Memento <strong>Film</strong>s International<br />

APH Tue 25 | 8.00<br />

TONI ERDMANN | CFF 15<br />

Germany/Austria/Switzerland <strong>2016</strong>. 162 mins. German with<br />

English subtitles.<br />

Marian Ade’s Toni Erdmann was undoutedly the stand<br />

out film at Cannes, where it won the FIPRESCI Best <strong>Film</strong><br />

award. A broad comedy about the titular father and strained<br />

relationship with his high-flying daughter, it’s a film about<br />

dysfunction and the coping mechanisms people adopt to<br />

deal with disappointment. Peter Simonischek and Sandra<br />

Hüller are sensational in the central roles. A recent highlight<br />

of contemporary world cinema, it’s a poignant, moving and<br />

CineMobile Tue 25 | 3.00 APH Wed 26 | 2.30<br />

A HEAVY HEART | CFF 12<br />

Herbert<br />

Germany 2015. 111 mins. German with English subtitles.<br />

Former Eastern German boxing champ Herbert has not been<br />

a winner in life since the fall of the Berlin Wall. Now a hard-up<br />

bouncer and debt collector, he tries to revive the past by coaching<br />

his young boxing protégé, Eddy. After a training session, Herbert<br />

suddenly collapses with spasms of pain; however, he initially<br />

chooses to ignore the signs. When his physical deficiencies<br />

become more and more apparent, Herbert is ultimately<br />

diagnosed with a fatal neural disease. With not much time left,<br />

Herbert struggles with himself and the hard outer shell he‘s<br />

cultivated over time. Not much really matters to him apart from<br />

his ‘lost’ daughter Sandra, whom he abandoned when the family<br />

fell apart. Now a mother herself, Sandra is still deeply hurt and<br />

afraid of allowing her dying father to be a part of her life again.<br />

Director Thomas Stuber<br />

Starring Peter Kurth, Lina Wendel, Lena Lauzemis, Edin<br />

Hasanovic<br />

PRINT SOURCE Picture Tree International<br />

APH Wed 26 | 8.30<br />

ZONA NORTE | CFF PG<br />

Germany <strong>2016</strong>. 89 mins. Portuguese/English with English<br />

and German subtitles.<br />

15 years after Monika Treut’s award-winning documentary<br />

Warrior of Light, the portrait of internationally acclaimed<br />

human rights activist Yvonne Bezerra de Mello and her<br />

work with street kids in Rio, Zona Norte is investigating the<br />

development and sustainability of de Mello’s project. Over the<br />

years Yvonne has developed a new alternative educational<br />

project that helps children who are traumatized by violence to<br />

overcome their experiences and the resulting learning problems.<br />

The children portrayed 15 years ago are now young adults.<br />

They report from their lives in the most dangerous favela in the<br />

north of the city. They are the living proof that an alternative<br />

education is capable of breaking the vicious circle of poverty<br />

and violence.<br />

We are delighted to welcome director Monika Treut to<br />

With Next Generation Short Tiger <strong>2016</strong>, German <strong>Film</strong>s and the FFA invite you to discover<br />

new film trends and young talents early on.<br />

The program presents deeply personal as well as way of life and presenting us with new perspectives. This<br />

universal stories told from different angles and in a program confirms again that short film is an independent<br />

variety of styles. The filmmakers masterfully apply art form deserving of the big screen and the awareness of<br />

cinematic means to their subjects - often in a reflective audiences. We hope you share our enthusiasm and help<br />

manner scanning deeply under the surface of today’s us spread the word. Please come and enjoy!<br />

Germany <strong>2016</strong>. 88 mins. Screening courtesy of German <strong>Film</strong>s. CineMobile Wed 26 | 5.30<br />

AMOUR FOU by Florian Werzinski<br />

CHAY By Charlotte A. Rolfes<br />

The Mona Lisa is stolen from the<br />

Louvre by a fan madly in love with<br />

the painting. Told from the thief’s<br />

perspective, the audience goes on<br />

a thrilling ride with him as he tries<br />

to escape the police chasing him<br />

throughout the city of Paris.<br />

An Iranian family mourns the loss<br />

of the father who was murdered<br />

by right-wing extremists. Ali, his<br />

son, flees into hatred and fantasies<br />

of revenge, instead of taking<br />

care of his mother and siblings.<br />

Nevertheless, the bond between<br />

son and father is strong enough to<br />

save him in a crucial moment.<br />

EAT MY DREAM By Jessica Dürwald<br />

Impressions of a Norwegian fish<br />

factory.<br />

We are delighted to welcome<br />

director Jessica Dürwald to the<br />

screening.<br />

EMILY MUST WAIT By Christian Wittmoser<br />

When Europe turns to chaos, Emily<br />

must hold out in her apartment<br />

in hope of reuniting with her loved<br />

one. The promise to wait becomes<br />

increasingly difficult to keep,<br />

as desperation grows and hope<br />

dwindles.<br />

ERIC THE SOLDIER By Charlotte Funke<br />

Eric is 21 and a German marine.<br />

Instead of writing Whatsappmessages<br />

he keeps a diary. On his<br />

duffle bag, he embroidered a poem<br />

- by Goethe. Why does Eric want to<br />

be a soldier? A story about longing<br />

and the search for the true way<br />

of life.<br />

GERM-FREE by Samuel Pleitner<br />

PIANOID by Janina Putzker<br />

Earth as we know it no longer<br />

exists. Humankind had to<br />

resort to space. Generations of<br />

scientists failed in finding a new<br />

habitable planet. Finally a young<br />

researcher seems to be close to a<br />

breakthrough… And along comes a<br />

highly motivated apprentice.<br />

A talented, but narcissistic e-pianist<br />

is driven to insanity by his pet<br />

bunny.<br />

PRINCE ALFRED by Mingus Ballhaus<br />

Prince Alfred wakes up too late<br />

to bother about going to school<br />

today. So he kills time at home<br />

until he reluctantly decides to ride<br />

into town after all.<br />

WHO WILL PAY THE BILL?<br />

by Daniel Nocke<br />

Three experts give us their insights<br />

on a highly explosive subject. If<br />

expert number four will be invited<br />

back is to be doubted.<br />

SWEEPER’S PRIDE by Matthias Koßmehl<br />

Night after night, Bodo sweeps<br />

the empty city streets. Dirty<br />

work that no one notices.<br />

Attracted by electronic basses<br />

and gleaming lights he comes<br />

across a vernissage. A strange<br />

world in which he makes a familiar<br />

discovery and decides not to be<br />

invisible anymore.<br />

WHAT HAPPENS IN YOUR BRAIN<br />

IF YOU SEE A GERMAN WORD<br />

LIKE...? by Zora Rux<br />

The German language is very<br />

EYE FOR AN EYE By Steve Bache, Mahyar<br />

flexible, simply stringing words<br />

Goudarzi, Louise Peter<br />

together to create new ones. Director<br />

laugh-out loud work of wonder, insight and originality.<br />

Zora Rux blends animation and liveaction<br />

in order to make a humorous<br />

Director Maren Ade<br />

Frederick Baer spent over a decade<br />

Starring Peter Simonischek, Sandra Hüller, Michael<br />

in the Indiana State Prison, still<br />

account of what happens inside the<br />

of products. The film is inspired by true events.<br />

Wittenborn, Thomas Loibl, Trystan Pütter<br />

waiting for his death penalty<br />

brain of a man reading an extremely<br />

to be executed. A hand-drawn<br />

We hope to welcome director Dani de la Orden to the screening.<br />

Director Stephan Richter<br />

PRINT SOURCE Soda Pictures<br />

complex word. Gently mocking<br />

the screening.<br />

Starring Jack Hofer, Simon Morzé, Christopher<br />

documentary about a murderer’s<br />

intellectual language, the film<br />

Director Dani de la Orden<br />

the screening.<br />

time on death row and the conflicts<br />

stories and footage from the golden years of Hollywood.<br />

Director Ventura Pons<br />

Schaerf, Dominic Marcus Singer<br />

investigates how different language<br />

Starring Alberto San Juan, Montserrat Carulla, Vicky Luengo<br />

Director Monika Treut<br />

with his guilt and destiny.<br />

Starring Roser Batalla, Rubén de Eguía, Albert Ausellé<br />

structures affect the way we think.<br />

Director Diego Mas Trelless<br />

PRINT SOURCE Eye On <strong>Film</strong>s<br />

PRINT SOURCE <strong>Film</strong>ax International<br />

PRINT SOURCE Movies for <strong>Festival</strong>s<br />

PRINT SOURCE Els films de la Rambla<br />

PRINT SOURCE Hyena <strong>Film</strong>s<br />

14 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | Camera Catalonia www.camfilmfest.com Box office: 0871 902 5720<br />

Contemporary German Cinema | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 15<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE


THU 20 OCT FRI 21 OCT SAT 22 OCT SUN 23 OCT<br />

Arts Picturehouse<br />

Screen 1<br />

7.30 I, Daniel Blake 5<br />

10.30 Korean Train To Busan 13<br />

Screen 2<br />

8.30 Making It 11<br />

10.40 ShortFusion Adaptation 29<br />

Screen 3<br />

8.30 GER All Of A Sudden 15<br />

10.45 LATE Scherzo Diabolico 24<br />

Emmanuel<br />

4.00 ShortFusion Nostalgia? 28<br />

6.15 Parole 12<br />

8.30 The Final Reel 7<br />

Arts Picturehouse<br />

Screen 1<br />

10.00 I, Daniel Blake 5<br />

12.30 El Sur 12<br />

3.00 On The Other Side 12<br />

5.30 Chocolat 7<br />

8.00 Sully & Shortreel Award 13<br />

10.30 LATE Johnny Frank Garret’s 24<br />

Last Word<br />

Screen 2<br />

12.15 GER All Of A Sudden 15<br />

3.30 Don’t Be Bad 7<br />

6.30 CAFF The Unseen 20<br />

8:15 The Fabulous Nicholas Brothers 7<br />

10.45 CAT Barcelona Summer Night 14<br />

Screen 3<br />

10.00 The Final Reel 7<br />

12.15 Re: A Pier 12<br />

2.30 ShortFusion Glass Ceiling 28<br />

5.00 Homo Sapiens 9<br />

10.00 ShortFusion <strong>Film</strong> Hub Central East 28<br />

Emmanuel<br />

2.00 Tbc<br />

4.15 Bergman In Her Own Words 19<br />

6.30 Silent Destiny 18<br />

8.45 Harmonium 8<br />

Guildhall<br />

7.00 Syd A Very Special Thing To Me 25<br />

9.00 Syd GATA: Get All That, Ant? 25<br />

& San Francisco<br />

Arts Picturehouse<br />

Screen 1<br />

10.00 CAT Barcelona Summer Night 14<br />

12.15 Revolution: New Art For A New World 12<br />

2.30 Daughter 7<br />

5.00 The Light Between Oceans 10<br />

8.00 Paterson 12<br />

10.30 LATE Attack Of The 24<br />

Lederhosen Zombies<br />

Screen 2<br />

10.00 FFF Shepreth Wildlife Park: 26<br />

Get To Know Your Bugs! Free Event<br />

11.00 FFF Microcosmos 26<br />

1.30 Stormy Weather 13<br />

3.30 Alfredo Bini, Unexpected Guest 6<br />

5.45 CAT Barcelona Christmas Night 14<br />

8.00 Future Baby 8<br />

10.30 A Great Day In Harlem & A Year 8<br />

Along The Abandoned Road<br />

Screen 3<br />

10.00 FFF Peter Rabbit- The Unexpected 26<br />

Discovery & Sing-Along Bitziboos<br />

11.30 FFF Harriet’s Army 26<br />

2.00 Bergman Intermezzo 19<br />

4.15 Bodkin Ras 6<br />

6.30 CAFF Things Of The Aimless Wanderer 20<br />

9.00 A Brilliant Genocide 6<br />

11.00 ShortFusion Contravention 29<br />

Arts Picturehouse Bar<br />

AM FFF Bright Ideas Craft Table 27<br />

Emmanuel<br />

12.00 Homo Sapiens 9<br />

4.00 FFF Neil Brand Presents 26<br />

Keaton For Kids!<br />

6.15 Silent Arsenal 18<br />

9.15 Silent Wonder Of Creation 18<br />

Parkside Pool<br />

8.00 The Cameraman & The High Sign 17<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 FFF Finding Dory 26<br />

1.30 A Brilliant Genocide 6<br />

3.30 CAT The Virus Of Fear 14<br />

5.30 Light Years 10<br />

8.00 Letters From Baghdad 9<br />

10.30 Paterson 12<br />

Screen 2<br />

11.00 FFF Who Killed Nelson Nutmeg? 26<br />

1.00 FFF Willy Wonka 26<br />

and the Chocolate Factory<br />

4.00 micro Microcinema: Programme 1 22<br />

6.30 CAFF The Endless River 20<br />

8.45 CAT Awaiting 14<br />

10.45 LATE Beyond The Gates 24<br />

Screen 3<br />

10.00 FFF Sing-Along Bitziboos 26<br />

11.00 FFF Safiya Flies Across The Ocean 27<br />

& Litterbugs<br />

12.00 Mattress Men 11<br />

2.00 Bergman A Woman’s Face 19<br />

4.20 Silent Salome 18<br />

6.00 Silent Two Timid Souls 18<br />

8.15 micro Jennifer & Athos 22<br />

10.00 ShortFusion Adaptation 29<br />

Arts Picturehouse Bar<br />

AM FFF Zoe Chamberlain – Zoeetropes 26<br />

And Flickbooks Workshop<br />

AM FFF Bright Ideas Craft Table 27<br />

MON 24 OCT<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 FFF Keep On Wombling 26<br />

with Mike Batt & Orinoco<br />

12.30 FFF News From Planet Mars 26<br />

2.30 Tomorrow 13<br />

5.00 Ukrainian Sheriffs 13<br />

7.30 Manchester By The Sea 11<br />

10.45 LATE Francesca 24<br />

Screen 2<br />

11.00 FFF Dogtanian & The 3 Muskehounds 26<br />

1.00 micro Public House 23<br />

3.30 Letters From Baghdad 9<br />

6.00 Oleg And The Rare Arts 12<br />

8.00 Brothers Of The Night 7<br />

10.15 CAT Sex, Maracas & Chihuahuas 14<br />

Screen 3<br />

10.30 FFF Secret Of Kells 26<br />

12.30 FFF Almost Naked Animals 26<br />

2.30 Ingrid Bergman: Four Companions 19<br />

5.00 <strong>Festival</strong> of Ideas Shorts 30<br />

7.30 micro The Kingdom Of Shadows 23<br />

& The Remembered <strong>Film</strong><br />

9.30 Korean The Handmaiden 8<br />

Arts Picturehouse Bar<br />

AM FFF Secret Of Kells – Illuminate 26<br />

Your Name With Fitz Families<br />

AM FFF Bright Ideas Craft Table 27<br />

Emmanuel<br />

10.00 FFF Pete Harmer Super Hero Smack 26<br />

Down Workshop (Harrods Room, to 4.00)<br />

2.00 Tbc<br />

4.15 Silent Harmonious Rhythms 18<br />

6.30 Silent Around China With A Camera 18<br />

8.45 S Is For Stanley 12<br />

Cinemobile<br />

11.00 ShortFusion Nostalgia? 28<br />

12.45 Bergman In Her Own Words 19<br />

3.00 The Dreamed Ones 7<br />

5.30 Boris Without Beatrice 6<br />

8.00 Olympic Pride, American Prejudice 12<br />

The Heong Gallery At Downing<br />

College<br />

3.30 Then And Now Round Table 23<br />

Discussion (to 6.30)<br />

Divinity School<br />

6.30 CAFF Life Is Waiting 21<br />

TUE 25 OCT WED 26 OCT THU 27 OCT<br />

Arts Picturehouse<br />

Screen 1<br />

10.30 CAT Sex, Maracas & Chihuahuas 14<br />

12.30 Korean Train To Busan 13<br />

3.00 Curtiz Casablanca Introduced 21<br />

by Adam Feinstein<br />

5.30 In The Last Days Of The City 9<br />

8.00 GER Toni Erdmann 15<br />

11.00 LATE Warrior Road 24<br />

Screen 2<br />

10.00 FFF Safiya Flies Across The Ocean 27<br />

& Litterbugs<br />

12.00 CAT Awaiting 14<br />

2.00 Love Is Thicker Than Water 10<br />

4.15 From Afar 7<br />

6.30 CAFF Zura Taekwondo Fighter 20<br />

& Zanzibar Soccer Dreams<br />

8.30 Walk With Me: The Trials of 13<br />

Damon J. Keith<br />

10.50 ShortFusion Glass Ceiling 28<br />

Screen 3<br />

10.00 FFF Button Moon 27<br />

11.30 FFF The Adventures Of Robin Hood 27<br />

introduced By Adam Feinstein<br />

2.30 Inversion 9<br />

5.00 Curtiz Rediscovering Michael Curtiz 21<br />

With Adam Feinstein (Talk)<br />

7.30 Bergman June Night 19<br />

9.30 Korean The Bacchus Lady 6<br />

Arts Picturehouse Bar<br />

FFF Litterbugs Director Talk And Junk 27<br />

Modelling Workshop<br />

AM FFF Bright Ideas Craft Table 27<br />

Cinemobile<br />

11.00 ShortFusion <strong>Film</strong> Hub Central East 28<br />

12.45 Bodkin Ras 6<br />

3.00 GER A Heavy Heart 15<br />

5.30 Eye On <strong>Film</strong>s One Of Us 14<br />

9.30 Numb 11<br />

Arts Picturehouse<br />

Screen 1<br />

10.00 Big Scream El Sur 12<br />

11.50 CAT The Virus Of Fear 14<br />

1.45 Wednesday 04.45 13<br />

4.00 Brothers 7<br />

5.30 Wonderland 13<br />

8.00 Between Sea And Land 6<br />

10.30 LATE The Love Witch 24<br />

Screen 2<br />

10.00 FFF Story Time Fairy 27<br />

11.30 Big Scream tbc<br />

1.45 Curtiz The Breaking Point 21<br />

Introduced By Adam Feinstein<br />

4.00 Cloudy Sunday 7<br />

6.30 CAFF Shorts: Dare To Dream 20<br />

8.30 GER Zona Norte 15<br />

10.50 Personal Affairs 12<br />

Screen 3<br />

10.00 FFF Wallace & Gromit 27<br />

11.30 FFF The BFG 27<br />

2.30 GER A Heavy Heart 15<br />

5.00 Eye On <strong>Film</strong>s Interrogation 14<br />

7.15 Crash & Always (Crashing) 21<br />

10.00 LATE Frankenstein (1931) 24<br />

Arts Picturehouse Bar<br />

FFF Waterstone/TTS Stall/ 27<br />

Fairy Meet And Greet<br />

AM FFF Bright Ideas Craft Table 27<br />

Cinemobile<br />

10.30 <strong>Cambridge</strong> Cinema Shorts: 29<br />

Documentaries Workshop<br />

12.45 The Long Night Of Francisco Sanctis 10<br />

3.00 A Good American 8<br />

5.30 GER Next Generation 15<br />

Short Tiger <strong>2016</strong><br />

8.00 Mattress Men 11<br />

Arts Picturehouse<br />

Screen 1<br />

10.00 FFF Halloween Shorts 27<br />

12.30 Mimosas 11<br />

2.30 Arrival 6<br />

5.00 A Quiet Passion 5<br />

8.00 Into The Inferno 5<br />

10.45 It’s Only The End Of The World 10<br />

Screen 2<br />

11.00 FFF Young Frankenstein 27<br />

1.00 Gog 3-D & Bob Furmanek 5<br />

3.30 Fukushima: A Nuclear Story 8<br />

5.30 Alba 6<br />

8.00 Gog 3-D & Bob Furmanek 5<br />

11.00 Late Night Surprise: tbc<br />

Screen 3<br />

10.00 FFF Scooby Doo On Zombie Island 27<br />

12.00 FFF Corpse Bride 27<br />

2.00 Numb 11<br />

4.15 Eye On <strong>Film</strong>s Nakom 14<br />

6.15 Illegitimate 9<br />

10.00 S For Stanley 12<br />

Arts Picturehouse Bar<br />

FFF Black Shuck <strong>Cambridge</strong> Ghost 27<br />

Tours Spooky Selfies And Unlucky Dip<br />

AM FFF Bright Ideas Craft Table 27<br />

Cinemobile<br />

10.30 tbc<br />

12.45 Between Sea And Land 6<br />

3.00 Harmonium 8<br />

5.30 United States Of Love 13<br />

8.00 ShortFusion Contravention 29<br />

Emmanuel<br />

6.30 CAFF As I Open My Eyes 20<br />

BOOKING TICKETS<br />

Advance tickets can be purchased for all venues from any<br />

of the following:<br />

FESTIVAL TICKET PRICES<br />

Ticket prices have been simplified this<br />

year to offer great value across all the<br />

screenings. There is also a fantastic<br />

Buy 1 get 1 free offer for all students.<br />

Adult ................................................. £11.00<br />

Adult Member ................................. £9.00<br />

Student/Retired .......................... £10.00<br />

Student/Retired Member ........... £8.00<br />

Child ................................................... £6.50<br />

£4.00<br />

for all tickets<br />

(children and<br />

adults) at Family<br />

<strong>Film</strong> <strong>Festival</strong> screenings.<br />

To Build a Fire page 29 Barcelona Summer Night page 14 Harriet's Army page 26 The Virus of Fear page 14 From Afar page 7 A Good American page 8 United States of Love page 13<br />

ONLINE<br />

www.camfilmfest.com<br />

FESTIVAL VENUES<br />

IN PERSON at any till at the Arts Picturehouse<br />

BY TELEPHONE 0871 902 5720 (9:30am – 8:30pm | 10p a minute from a landline)<br />

THE ARTS PICTUREHOUSE EMMANUEL COLLEGE<br />

PICTUREHOUSE CINEMOBILE GUILDHALL<br />

PARKSIDE POOL<br />

Silver<br />

Screen<br />

Buy 1 get 1 free<br />

for students on all films<br />

starting before 4:45pm or<br />

after 9:45pm. Just present<br />

a valid Student ID when<br />

purchasing tickets in person<br />

at the Arts Picturehouse.<br />

£6.00 £8.00<br />

for all over 60s, for tickets for<br />

screenings on Tuesday and<br />

Thursday starting before 5.00pm<br />

at the Arts Picturehouse – with<br />

a complimentary hot drink and<br />

free biscuits!<br />

BIG<br />

SCREAM<br />

<strong>Festival</strong> Pass<br />

The <strong>Festival</strong> pass is a great<br />

way to see the films you love<br />

and save money. You pay<br />

just £30.00 for the pass and<br />

it buys you £40.00 worth of<br />

<strong>Festival</strong> tickets.<br />

for an exclusive screening for<br />

adults with babies under one<br />

year old (infants free) taking<br />

place on the morning of<br />

Weds 26th October.<br />

A1303<br />

A603<br />

A1134<br />

QUEEN’S RD<br />

CASTLE ST<br />

A1134<br />

NEWNHAM RD<br />

SILVER ST<br />

NORTHAMPTON ST<br />

MAGDALENE ST BRIDGE ST<br />

Guildhall<br />

THE FEN CAUSEWAY<br />

SIDNEY ST<br />

CORN EXCHANGE ST<br />

P<br />

Arts<br />

Picturehouse<br />

TRUMPINGTON ST<br />

CHESTERTON RD<br />

DOWNING ST<br />

TENNIS COURT RD<br />

TRUMPINGTON RD<br />

JESUS<br />

GREEN<br />

BUS<br />

STATION<br />

DRUMMER ST<br />

ST ANDREW’S ST<br />

CHRIST’S<br />

PIECES<br />

REGENT ST<br />

LENSFIELD RD<br />

PARKER’S<br />

PIECE<br />

HILLS RD<br />

MIDSUMMER<br />

COMMON<br />

MAIDS CAUSEWAY<br />

Emmanuel<br />

College<br />

PARKSIDE MILL RD<br />

P<br />

NEWMARKET RD<br />

GONVILLE PLACE EAST RD<br />

A1307<br />

Parkside<br />

Pool<br />

STATION RD<br />

P<br />

STATION<br />

A603<br />

A1134<br />

38-39 St Andrew’s Street, <strong>Cambridge</strong>,<br />

CB2 3AR | www.picturehouses.co.uk<br />

The Arts Picturehouse screens a year-round<br />

programme of the best in new and classic<br />

cinema over three screens (including one<br />

THX-certificated for best quality sound and<br />

another RealD 3D enabled). All screens are<br />

licensed, so you can take your drink from<br />

the café-bar in with you. You do not have<br />

to be a member to view films at the Arts<br />

Picturehouse, but if you are you’ll receive<br />

discounts on tickets, free preview screenings<br />

and priority booking for the <strong>Festival</strong>.<br />

Book tickets in advance for ALL venues<br />

through the Arts Picturehouse.<br />

Emmanuel College, <strong>Cambridge</strong> CB2 3AP<br />

www.emma.cam.ac.uk<br />

Founded in 1584, Emmanuel College is<br />

one of the larger colleges in <strong>Cambridge</strong><br />

and boasts beautiful gardens and building<br />

ranging from the medieval to the very<br />

modern. Perfectly located on St Andrew’s<br />

Street opposite the Arts Picturehouse,<br />

screenings and events take place in the<br />

Queen’s Building auditorium, which was<br />

voted ‘Building of the Year’ when it opened<br />

in 1995.<br />

Anywhere, The UK.<br />

The Cinemobile brings “The Incredible<br />

Moving Picturehouse” to the <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong>.<br />

An amazing 18 wheel, 36 tonne lorry which<br />

at the push of a button transforms into<br />

a fully equipped, temperature controlled<br />

100 seat cinema. During the <strong>Festival</strong> the<br />

Cinemobile will be located on Parker’s<br />

Piece, less than 300 yards from the<br />

Arts Picturehouse and will offer a truly<br />

extraordinary cinema experience.<br />

Market Square, <strong>Cambridge</strong>, CB2 3QJ<br />

www.cambridgelivetrust.co.uk/guildhall<br />

<strong>Cambridge</strong> Guildhall was designed in 1939<br />

by Charles Cowles-Voysey, and is situated<br />

on the market square in the centre of the<br />

city. It includes two halls, The Large Hall<br />

is used throughout the year for a range of<br />

events such as conferences, craft fairs, live<br />

music and even weddings.<br />

During the <strong>Film</strong> <strong>Festival</strong> this ornate hall<br />

will be converted into a fully functioning<br />

cinema in order to screen Syd on <strong>Film</strong>.<br />

Part of the "Syd Barrett - A Celebration"<br />

events, Syd on <strong>Film</strong> is being presented in<br />

partnership with <strong>Cambridge</strong> Live.<br />

Gonville Place, <strong>Cambridge</strong>, CB1 1LY<br />

www.better.org.uk/leisure/parksidepools<br />

First opened in 1963 Parkside Pool has been<br />

one of the city’s main leisure facilities ever<br />

since. Situated next to Parker’s Piece just a<br />

stone’s throw from <strong>Cambridge</strong> City Centre<br />

and a short walk from the Arts Picturehouse,<br />

Parkside Pool is one of the most accessible<br />

leisure buildings in <strong>Cambridge</strong>.<br />

During the <strong>Festival</strong> there will be a<br />

special screening of Buster Keaton's The<br />

Cameraman & The High Sign on Saturday<br />

22 October at 8pm, using the swimming<br />

pool space and its spectator seating to<br />

create an extraordinary cinema experience.<br />

16 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | <strong>Festival</strong> diary<br />

www.camfilmfest.com Box office: 0871 902 5720 <strong>Festival</strong> diary | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 17


Silent<br />

Cinema<br />

Rediscoveries<br />

The Early Years<br />

AROUND CHINA WITH A MOVIE<br />

CAMERA: A JOURNEY FROM<br />

BEIJING TO SHANGHAI | PG<br />

UK/China 1900–48. 68 mins.<br />

Cinematic time travel at its most magical: this marvellous<br />

compendium of rare travelogues, newsreels and home<br />

movies from the collections of the BFI National Archive<br />

offers a fascinating insight into the lost world of prerevolutionary<br />

China. Scenes range from the bustling street<br />

life of cosmopolitan Shanghai in 1900, to footage shot by<br />

missionaries in remote rural Yunnan Province in the late 1940s.<br />

An atmospheric soundtrack by Ruth Chan is inspired by a<br />

wide range of Chinese music blended with western classical<br />

influences, electronica and jazz. Whether or not you have<br />

visited China, this remarkable filmic journey is a must.<br />

The screening will be introduced by BFI curator Edward<br />

Anderson and composer Ruth Chan.<br />

Director Various<br />

PRINT SOURCE BFI<br />

Emma Mon 24 | 6.30<br />

APH Sun 23 | 4.20<br />

SALOMÉ | CFF PG<br />

USA 1922. 72 mins. Russian intertitles with English subtitles.<br />

Salomé is a provocative silent film adaptation of an Oscar<br />

Wilde play considered so risqué it was banned on the English<br />

stage. Starring (and largely directed by) the Russian star Alla<br />

Nazimova, this film portrays the fatal consequences of a<br />

young Salomé’s violent love for John the Baptist, held captive<br />

by her father, Herod. Wilde made Salomé’s ‘dance of the seven<br />

veils’ infamous and Nazimova's adaptation gives it a playful<br />

1920s update. With androgynous art nouveau costumes, this<br />

is a startlingly modern work that challenged received wisdoms<br />

about gender and sexuality upon its release.<br />

We are delighted that the screening will have live musical<br />

accompaniment by The Hermes Experiment.<br />

Director Charles Bryant<br />

Starring Alla Nazimova, Mitchell Lewis, Rose Dione, Earl<br />

Schenck, Nigel de Brulier<br />

PRINT SOURCE <strong>Film</strong>verleih Deutsches <strong>Film</strong>institut<br />

Emma Sat 22 | 6.15<br />

ARSENAL | PG<br />

Soviet Union 1928. 86 mins. Russian intertitles with<br />

English subtitles.<br />

One of the early giants of Soviet cinema, Oleksandr Dovzhenko<br />

is renowned for his radical, strikingly poetic style of filmmaking.<br />

His anti-war masterpiece Arsenal, set in his native<br />

Ukraine, follows events leading to the Bolshevik uprising of<br />

January 1918. Timosh, a recently demobbed soldier, returns<br />

to his hometown of Kyiv and challenges the local authorities<br />

by calling for the Soviet system to be adopted. With its stark<br />

symbolic imagery, stylized acting and expressionistic lighting,<br />

Arsenal viscerally evokes the chaos and horror of war.<br />

With thanks to the National Oleksandr Dovzhenko Centre and<br />

the State <strong>Film</strong> Agency of Ukraine.<br />

We are delighted that the screening will have live musical<br />

accompaniment by Bronnt Industries Kapital.<br />

Director Oleksandr Dovzhenko<br />

Starring Semen Svashenko, Amvrosii Buchma, Dmytro<br />

Erdman<br />

PRINT SOURCE Oleksandr Dovzhenko National Centre<br />

APH Sun 23 | 6.00<br />

TWO TIMID SOULS | U<br />

Les Deux Timides<br />

France 1928. 87 mins.<br />

A diffident young lawyer suffers professional and amorous<br />

frustrations as a result of his shyness, but he eventually<br />

secures the object of his affections and even succeeds in<br />

producing some firmness of purpose in his future father-in-law,<br />

an equally timid soul.<br />

Two Timid Souls harks back to an earlier age of film comedy,<br />

reworking the styles of Max Linder, Charlie Chaplin and<br />

Mack Sennett into something new and elegant. At the same<br />

time, the restoration of this sublime farce reveals it as a silent<br />

classic in its own right. SIGHT & SOUND<br />

We are delighted that the screening will have live piano<br />

accompaniment by Neil Brand.<br />

Director René Clair<br />

Starring Pierre Batcheff, Jim Gérald, Véra Flory<br />

PRINT SOURCE BFI Archive<br />

Emma Fri 21 | 6.30<br />

DESTINY | PG<br />

Der müde Tod<br />

Germany 1921. 98 mins. German intertitles with English subtitles.<br />

Fritz Lang’s first real masterpiece is a ballad-like tale of Death<br />

and the Maiden, inspired by German Romanticism. A young<br />

woman, suddenly widowed, pleads with Death (the memorably<br />

sinister Bernhard Goetzke) to return her husband. She is led into<br />

a vast hall of flickering flames, each of which represents a human<br />

life. Three of these are close to extinction, but if she can succeed<br />

in saving just one of them, Death will grant her wish. Destiny is<br />

justly renowned for its spooky gothic imagery, its magical special<br />

effects, and the witty, exotic creations of Germany’s foremost set<br />

designers. Now that the film’s original tints and tones have been<br />

restored, we are at last able to see it as Lang intended.<br />

We are delighted that the screening will have live piano<br />

accompaniment by Stephen Horne.<br />

Director Fritz Lang<br />

Starring Bernhard Goetzke, Lil Dagover, Rudolf Klein-Rogge<br />

PRINT SOURCE Friedrich-Wilhelm-Murnau-Stiftung<br />

Eureka<br />

Emma Sat 22 | 9.15<br />

WONDER OF CREATION | U<br />

Wunder der Schöpfung<br />

Germany 1925. 92 mins. German intertitles with English<br />

subtitles.<br />

A trip to the stars 1925-style, this ground-breaking<br />

documentary is 'the nearest we have to a silent forerunner of<br />

2001: A Space Odyssey' (Bryony Dixon). Fifteen special effects<br />

experts and nine cameramen were involved in the production<br />

of this beautifully tinted and toned film which combines<br />

documentary scenes, fiction elements, animation sequences<br />

and historical documents.<br />

Presented with live performance of a new score by Stu Brown<br />

and Paul Harrison aka Herschel 36.<br />

The score is a HippFest commission supported by Falkirk<br />

Community Trust and Creative Scotland. This performance is<br />

supported by <strong>Film</strong> Hub Central East.<br />

Director Hanns Walter Kornblum<br />

Starring Paul Bildt, Willy Kaiser-Heyl, Theodor Loos<br />

PRINT SOURCE Munich <strong>Film</strong> Museum<br />

Emma Mon 24 | 4.15<br />

HARMONIOUS RHYTHMS:<br />

DANCE AND SILENT FILM | CFF PG<br />

France/USA 1922–1945. 90 mins.<br />

Attempting to articulate her vision for the cinema in an<br />

essay of 1927, the French director Germaine Dulac wrote:<br />

‘I conjure up a dancer! A woman? No. A leaping line of<br />

harmonious rhythms.’ In different but interconnected<br />

ways, the two female directors showcased in this<br />

screening use the idea of dance to make films driven<br />

by movement and rhythm. Dulac’s three abstract short<br />

films construct a visual music based on the compositions<br />

of Chopin and Debussy, creating a beautiful<br />

choreography of machines, bodies, and nature. Similarly,<br />

in her Ritual in Transfigured Time, Maya Deren stages a<br />

transfixing encounter between camera and performer by<br />

tracing the fluid movements and gestures of the human<br />

body New York Times critic John Martin coined the term<br />

“choreocinema” to describe this kind of filmmaking,<br />

which delights in the musicality of silent images.<br />

We are delighted that the screening will have live piano<br />

accompaniment by John Sweeney.<br />

THÈMES ET VARIATIONS<br />

France 1929. 11 mins.<br />

PRINT SOURCE<br />

Director Germaine Dulac Light Cone<br />

With Lilian Constantini<br />

UNE ÉTUDE CINÉGRAPHIQUE<br />

SUR UNE ARABESQUE<br />

France 1929. 8 mins.<br />

PRINT SOURCE<br />

Director Germaine Dulac Light Cone<br />

With Marie-Anne Malleville<br />

DISQUE 957<br />

France 1929. 6 mins.<br />

Director Germaine Dulac<br />

PRINT SOURCE<br />

Light Cone<br />

RITUAL IN TRANSFIGURED TIME<br />

USA 1946. 14 mins. PRINT SOURCE<br />

Director Maya Deren Lux Artists' Moving Image<br />

With Maya Deren, Rita Christiani,<br />

Anaïs Nin, Frank Westbrook<br />

Ingrid Bergman is world-renowned for her starring roles in Casablanca, Notorious and Journey to<br />

Italy, but the films of her formative, pre-Hollywood years – made in Sweden and Germany – remain<br />

little known. Only 18 when she abandoned drama school to go into movies, Bergman was rapidly<br />

acclaimed as Sweden’s most promising young actress. Stardom, however, held little attraction<br />

for her compared with the opportunity to play a range of complex and demanding roles. Even at<br />

this early stage, Bergman’s performances reveal remarkable subtlety and psychological depth,<br />

especially in the portrayal of multi-layered characters with mysterious pasts. Also already<br />

evident is her trademark naturalness, fostered by Gustaf Molander, the director credited with<br />

her discovery. He conceived Intermezzo as a vehicle for her, a heart-rending love story which<br />

brought her to the attention of Hollywood producer David O. Selznick. The rest, as they say, is<br />

history, but Bergman’s early work – represented here by three of her finest Swedish films plus<br />

her one German-speaking role – also deserves the spotlight.<br />

APH Sat 22 | 2.00<br />

INTERMEZZO | PG<br />

Sweden 1936. 96 mins. Swedish with English subtitles.<br />

A promising young pianist (Bergman) embarks on a passionate<br />

affair with a celebrated concert violinist (Gösta Ekman), much<br />

to the distress of his devoted wife who has long played second<br />

fiddle to her brilliant, egotistical spouse. The 20-year-old<br />

Bergman was greatly in awe of her distinguished co-star,<br />

now best remembered for his role as Faust in F.W. Murnau’s<br />

silent masterpiece. But it was Bergman’s engagingly natural,<br />

exquisitely understated performance that caused a sensation<br />

at home and abroad. David O. Selznick bought up the rights<br />

to the script, and three years later Bergman appeared in her<br />

first Hollywood film, a remake of Intermezzo co-starring Leslie<br />

Howard. Although the two versions have much in common,<br />

the Swedish original is distinctly edgier – a beautifully crafted<br />

romance with a hard inner core of realism.<br />

Director Gustaf Molander<br />

Starring Ingrid Bergman, Gösta Ekman, Inga Tidblad, Erik<br />

Berglund, Hasse Ekman<br />

PRINT SOURCE Swedish <strong>Film</strong> Institute<br />

' I've gone from saint<br />

to whore and back to<br />

saint again – all in<br />

one lifetime.'<br />

With thanks to the Swedish <strong>Film</strong> Institute, the Friedrich-Wilhelm-Murnau-Stiftung and the<br />

Bundesarchiv Berlin.<br />

APH Sun 23 | 2.00<br />

A WOMAN'S FACE | PG<br />

En kvinnas ansikte<br />

Sweden 1938. 100 mins. Swedish with English subtitles.<br />

In this dark psychological drama, Bergman stars as Anna<br />

Holm, a cold-blooded blackmailer whose terrible facial<br />

disfigurement is the result of a childhood accident. Deeply<br />

emotionally damaged, she envies ‘normal’ people (especially<br />

women) and ruthlessly exploits their weaknesses, not least<br />

those connected with passion and lust. Unexpectedly, she has<br />

the opportunity to change her life but can she change how she<br />

feels inside? Throughout her career, Bergman fought to avoid<br />

being typecast as an innocent beauty, and here she distorts<br />

her features with a painful brace designed by her dentist<br />

husband. It could have been over-the-top, but Bergman’s<br />

portrayal of Anna’s spiritual journey is subtle and credible,<br />

revealing her remarkable versatility. Suspenseful and stylishly<br />

shot, Molander’s film was later remade by MGM, with Joan<br />

Crawford in the starring role.<br />

Director Gustaf Molander<br />

Starring Ingrid Bergman, Tore Svennberg, Anders<br />

Henrikson, Hilda Borgström<br />

PRINT SOURCE Swedish <strong>Film</strong> Institute<br />

INGRID BERGMAN:<br />

IN HER OWN WORDS | PG<br />

Jag är Ingrid<br />

Sweden/Germany/The Netherlands/Finland/Norway<br />

2015. 114 mins.<br />

Director Stig Björkman<br />

Starring Isabella Rossellini, Ingrid Rossellini, Roberto<br />

Rossellini, Pia Lindström, Liv Ullmann<br />

PRINT SOURCE Soda, UK<br />

Cine<br />

EMMA<br />

Mobile<br />

Fri 21<br />

Mon 24<br />

4.15<br />

12.45<br />

APH Mon 24 | 2.30<br />

THE FOUR COMPANIONS | PG<br />

Die vier Gesellen<br />

Germany 1938. 95 mins. German with English subtitles.<br />

Bergman had a German mother and she was fluent in the<br />

language, having spent many summers with her relatives in<br />

Hamburg. This, her only film made in Nazi Germany, casts<br />

her as one of four female students of graphic design who,<br />

upon graduation, find themselves unemployed owing to male<br />

prejudice against women in the workplace. So the four set<br />

up their own advertising agency and, by dint of concealing<br />

their gender, manage to win commissions. They are talented<br />

and ambitious, yet increasingly feel the pressure to conform<br />

to feminine stereotypes, especially when romance comes<br />

calling. An intriguing portrait of pre-war Berlin with some great<br />

location shooting, this slick and charming comedy gives little<br />

hint of the poisonous political atmosphere which Bergman<br />

found so oppressive.<br />

Director Carl Froelich<br />

Starring Ingrid Bergman, Hans Söhnker, Carsta Löck,<br />

Sabine Peters, Leo Slezak<br />

PRINT SOURCE Bundesarchiv-<strong>Film</strong>archiv, Berlin<br />

JUNE NIGHT | PG<br />

Juninatten<br />

Sweden 1940. 89 mins. Swedish with English subtitles.<br />

Described by Swedish film historian Jon Wengström as ‘the<br />

closest Swedish cinema ever got to film noir’, June Night stars<br />

Bergman (who had just made her Hollywood debut) as a<br />

small-town girl who tries to escape her scandalous past and<br />

deranged former lover by moving to Stockholm and adopting<br />

a new identity. Though desperate to keep a low profile, she<br />

attracts the attention of all sorts of men whose fascinated<br />

curiosity threatens to blow her cover. Her air of mystery is<br />

simply irresistible, her face a barometer of complex, cryptic<br />

emotions. Combining romantic, thrillerish and comic elements<br />

– and featuring some of the most ravishing close-ups of<br />

Bergman ever filmed – June Night was her last Swedish film<br />

before embarking on her long-term Hollywood career.<br />

Director Per Lindberg<br />

Starring Ingrid Bergman, Marianne Löfgren, Olof Widgren,<br />

Gunnar Sjöberg, Hasse Ekman<br />

PRINT SOURCE Swedish <strong>Film</strong> Institute<br />

‘I’ve gone from saint to whore and back to saint again – all in one lifetime.’ Making use of newsreel<br />

footage, TV clips, screen tests and, most remarkably, Bergman’s own home movies (including<br />

fascinating scenes of her childhood), Stig Björkman offers a uniquely intimate insight into the<br />

controversial star whose glittering Hollywood career erupted into scandal when she left her husband and<br />

child to enter into a turbulent romantic and professional relationship<br />

with director Roberto Rossellini. Extracts from her diaries and<br />

letters are supplemented by engagingly frank interviews with her<br />

four children, while Michael Nyman’s lyrical score tugs at our<br />

heartstrings. Most striking, ultimately, is Bergman’s voracious<br />

appetite for work and life, best expressed in her own words:<br />

‘I don’t demand much, I just want everything …’<br />

Please see page 21 for special screening of Casablanca (US 1942) starring Ingrid Bergman in her most famous role.<br />

APH Tue 25 | 7.30<br />

18 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | Silent Cinema Rediscoveries<br />

www.camfilmfest.com Box office: 0871 902 5720 Ingrid Bergman: The Early Years | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 19


APH Wed 26 | 6.30<br />

DARE TO DREAM | CFF 15 79 mins<br />

Exhibiting the sheer diversity of films being made across<br />

the continent, these five short films from Nigeria, Kenya,<br />

Egypt, Ethiopia and the Western Sahara represent a<br />

range of countries and genres, unified by the common<br />

theme of identity and seeking fulfillment and destiny.<br />

Together, the films tell of the challenges, difficulties and<br />

passions experienced by the youngest generations of<br />

Africa. United by the theme of destiny, these shorts<br />

contemplate surroundings, history, and experiences<br />

and expectations.<br />

HONEY<br />

Nigeria <strong>2016</strong>. 5 mins.<br />

Director<br />

Leyla Bouzid<br />

PRINT SOURCE ?<br />

TALES FROM THE SLUMS<br />

Kenya 2015. 19 mins.<br />

Director Kelvin Kimanthi<br />

PRINT SOURCE ?<br />

JAREEDY<br />

Egypt <strong>2016</strong>. 30 mins. Nubian with English subtitles.<br />

Director Mohamed Hisham<br />

PRINT SOURCE ?<br />

THE SHOE MAKER PAGES<br />

Ethiopia <strong>2016</strong>. 9 mins. Amharic with English subtitles.<br />

Director Girum Ermyas<br />

PRINT SOURCE ?<br />

AS I OPEN MY EYES | CFF 15<br />

France/Tunisia/Belgium 2015. 102 mins. Arabic/French with<br />

English subtitles.<br />

On the brink of Tunisia’s revolution in 2010, we experience life<br />

in Tunis through the eyes of Farah, a young woman on the<br />

cusp of adulthood. Farah’s family desires for her to become a<br />

doctor, but Farah is irresistibly drawn to music, her outlet for<br />

expressing herself. She has a zest for life, sings in a band and<br />

is discovering love and her city by night, all to the worry of her<br />

mother. As I Open My Eyes is an uplifting, endearing story of<br />

the Arab spring as experienced by a gentle teenage girl making<br />

sense of the pressures that surround her.<br />

Director Leyla Bouzid<br />

Starring Baya Medhaffer<br />

PRINT SOURCE ?<br />

Emma Thu 27 | 6.30<br />

UK<br />

PREMIERE<br />

APH Fri 21 | 6.30<br />

THE UNSEEN | CFF 15<br />

Namibia <strong>2016</strong>. 70 mins. English/Afrikaans with English subtitles.<br />

With its radiant black-and-white images and open,<br />

conversational structure, The Unseen shifts between<br />

documentary precision and fictional movements. It<br />

empathetically follows the stories of three people as they<br />

navigate the emotional and physical realities of post-colonial<br />

Namibia: Marcus, an African American actor tasked with<br />

portraying one of Namibia’s historical leaders; Anu, a talented<br />

local musician who is having trouble negotiating between his<br />

influences and identity; and Sara, a depressed young woman<br />

uncertain of whether or not her environment provides anything<br />

worth living for. In the wake of the recent movements around the<br />

world calling for renewed decolonisation and the recognition that<br />

“Black Lives Matter”, The Unseen is an exhilarating, poetic and<br />

BATTALION TO MY BEAT<br />

Western Sahara <strong>2016</strong>. 15 mins. Arabic with English<br />

personal exploration of urgent global themes that affect us all.<br />

subtitles.<br />

Director Perivi Katjavivi<br />

Director Eimi Imanishi<br />

Starring Antonio David Lyons, Senga Brockerhoff,<br />

PRINT SOURCE ?<br />

Mathew Ishitile<br />

PRINT SOURCE ?<br />

20 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | <strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong><br />

APH Sun 23 | 6.30<br />

THE ENDLESS RIVER | CFF 15<br />

South Africa/France 2015. 108 mins.<br />

The third film by visionary South African filmmaker Oliver<br />

Hermanus, The Endless River is a gripping and beautifully<br />

made thriller that also works as a sophisticated and meditative<br />

study of how cycles of violence continue through people’s<br />

presumptions and projections. The lives of a French man and a<br />

South African woman become dangerously intertwined in the<br />

small South African town of Riviersonderend (Endless River)<br />

after the French man’s wife and children are murdered. Moving<br />

beyond his previous cinematic focus only on South African<br />

characters through his French protagonist, Hermanus raises<br />

vital, confrontational questions about race, gender and power<br />

- questions that remind us of our mutual entanglements,<br />

wherever we come from and wherever we are going to.<br />

Director Oliver Hermanus<br />

Starring Nicolas Duvauchelle, Crystal-Donna Roberts,<br />

Clayton Evertson, Denise Newman, Darren Kelfkens<br />

PRINT SOURCE ?<br />

APH Sat 22 | 6.30<br />

THINGS OF THE AIMLESS<br />

WANDERER | CFF 15<br />

UK/Rwanda 2015. 78 mins.<br />

Mzungu: the aimless wanderer. This Bantu term, now commonly<br />

used for white people, originally referred to the propensity of<br />

early European explorers to get lost, literally and metaphorically,<br />

in African lands. Ruhorahoza weaves together a series of<br />

encounters between an African woman and a variety of male<br />

figures – from a 19th-century explorer to a contemporary Western<br />

journalist to a Rwandan working for a shadowy surveillance<br />

agency. As each encounter leads to a disappearance, the film<br />

offers a scathing, if at times cryptic, indictment of continuing<br />

objectification and misapprehensions between ‘locals’ and<br />

‘Westerners’. With a hypnotic score and arresting visual style,<br />

this film exposes dangerous layers of authenticity, tradition,<br />

authoritarianism and colonial legacies in contemporary Africa.<br />

Director Kivu Ruhorahoza<br />

Starring Grace Nikuze, Ramadhan Bizimana, Justin<br />

Mullikin, Matt Ray Brown, Eliane Umuhire<br />

PRINT SOURCE ?<br />

APH Tue 25 | 6.30<br />

ZURA TAEKWONDO FIGHTER + ZANZIBAR SOCCER DREAMS | CFF U<br />

ZURA TAEKWONDO<br />

FIGHTER<br />

Rwanda <strong>2016</strong>. 11 mins. Swahili with English subtitles.<br />

Following the living dreams of Zura Mushambokazi, this<br />

short documentary introduces us to a young female<br />

taekwondo fighter who sees the martial art as a means to an<br />

alternative future. Already hailed as the finest talent in the<br />

region, Zura must skilfully contend with society’s taboos and<br />

her parents’ fear for her life whilst coming to terms with what<br />

a professional sporting career entails. A revealing short film<br />

offering a positive insight into Rwandan society.<br />

Director Jean Baptiste Nyabyenda<br />

PRINT SOURCE ?<br />

<strong>Cambridge</strong><br />

African<br />

FILM FESTIVAL<br />

The <strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong> (CAFF) is the longest running<br />

festival of its kind in the United Kingdom and this year, celebrating its<br />

15th anniversary, CAFF is partnering with the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

to bring the best in contemporary African film. To find out more, visit:<br />

www.cambridgeafricanfilmfestival.org.uk<br />

ZANZIBAR SOCCER DREAMS<br />

Tanzania/UK <strong>2016</strong>. 70 mins. English/Swahili with English<br />

subtitles.<br />

A sequel to the successful documentary Zanzibar Soccer<br />

Queens (2007), this film fast forwards to the lives of some of<br />

the women who embraced football both as an expression of<br />

self, but equally as a vision for society. We see likeable, funny<br />

and intelligent women describe how they were once labelled<br />

‘hooligans’ but are now ambassadors representing their<br />

country on state and international visits. In this energetic<br />

film, we see how sport is helping to challenge the taboos of<br />

gender, religion and culture.<br />

Director Florence Ayisi & Catalin Brylla<br />

PRINT SOURCE ?<br />

Mon 24 | 6.30<br />

ST JOHN’S COLLEGE OLD DIVINITY SCHOOL, ALL SAINTS PASSAGE, CB2 1TP<br />

LIFE IS WAITING: REFERENDUM AND RESISTANCE<br />

IN WESTERN SAHARA<br />

Movement is the last thing we usually associate with a refugee camp. But it is that precise<br />

combination – of stasis and motion – that makes Life is Waiting (2015, 59mins) such an<br />

inspiring documentary. Set in the Saharawi refugee camps near Tindouf, South West Algeria<br />

(which have existed since 1975, when Morocco began occupying Western Sahara), the film<br />

focuses on ordinary people’s everyday, non-violent resistance to their oppression through art<br />

and creativity. Music, painting and calligraphy dance across the screen as the history of the<br />

Saharawi people’s plight is brought to life.<br />

The screening will be followed by a discussion with Saharawi cultural activist and filmmaker<br />

Brahim Buhaia, human rights activist Sidi Ahmed, and social anthropologist Alice Wilson. This<br />

event is co-hosted with the <strong>Festival</strong> of Ideas and the University of <strong>Cambridge</strong> Language Centre.<br />

JASON WOOD<br />

ON J G BALLARD<br />

APH<br />

Wed 26<br />

7.15<br />

THE ADVENTURES OF ROBIN HOOD | PG<br />

USA 1938. 102 mins.<br />

Nearly eighty<br />

years after this<br />

magnificent film<br />

was made, children<br />

and adults still thrill<br />

to the exploits of the<br />

best-loved bandit of all<br />

time, Robin Hood, played<br />

here with irresistible<br />

charm and panache<br />

by Errol Flynn. The casting is perfect throughout: lovely Olivia de Havilland<br />

as Maid Marian; Claude Rains wonderfully despicable as Prince John; Basil<br />

Rathbone smoothly villainous as Sir Guy of Gisbourne. Robin’s fellow outlaws<br />

are just as memorable, including Alan Hale, Eugene Pallette and Herbert Mundin.<br />

The film was shot in gorgeous Technicolour by cinematographers Tony Gaudio<br />

and Sol Polito, working hand-in-glove with art director Carl Jules Weyl. Michael<br />

Curtiz took over as director when the studio, Warner Brothers, thought William<br />

Keighley was slowing down the action. Sure enough, Curtiz (who would go on<br />

to make Casablanca four years later) ensures that the swashbuckling action<br />

rarely lets up, except in the moments of romance and quieter dialogue. The<br />

sparklingly witty script is by Norman Reilly Raine and Seton Miller and<br />

the unforgettable music was composed by Erich Wolfgang Korngold (his<br />

gloriously rousing score rightly won an Oscar).<br />

Director Michael Curtiz, William Keighley<br />

Starring Errol Flynn, Olivia de Havilland, Basil Rathbone<br />

PRINT SOURCE Park Circus<br />

<strong>Cambridge</strong><br />

African<br />

FILM FESTIVAL<br />

CRASH | 18<br />

USA 1996. 100 mins.<br />

Cronenberg’s wholly effective adaptation of Ballard’s seminal novel<br />

caused widespread controversy on release for its treatment of sex<br />

and violence. It’s a work of great intelligence and intellect, at the<br />

heart of which lies James Spader’s icy Ballard and Elias Koteas’s<br />

unfathomable Vaughn.<br />

Director David Cronenberg<br />

Starring James Spader, Holly Hunter, Elias Koteas<br />

ALWAYS (CRASHING) | 12A<br />

UK <strong>2016</strong>. 14 mins.<br />

In this mysterious film, loosely adapted from a Ballard short story, a car drives<br />

around a carpark in the half light, sometimes darker sometimes lighter, its<br />

driver never visible, accompanied by snatches of radio sound and ambient<br />

music. The old Saab and the stained concrete speak to the obsolescence of<br />

some of the things and spaces Ballard is so obsessed with, whilst the car’s<br />

circular movements recall the intractability of the problems he has left us with:<br />

how do we relate to technology, mass media, corporate spaces, without being<br />

crushed by the power relations that seem to make these capitalist things more<br />

powerful than the subjects who use them and sometimes resist them?<br />

Director Jason Wood<br />

PRINT SOURCE Jason Wood<br />

Seductive and mesmerising.<br />

ATOM EGOYAN<br />

Evocative and atmospheric.<br />

PETER STRICKLAND<br />

APH<br />

Tue 25<br />

11.30am<br />

Introducing the film,<br />

Curtiz authority Adam<br />

Feinstein will shed<br />

light on the fascinating<br />

background to the<br />

making of this timeless,<br />

enchanting movie.<br />

AN ILLUSTRATED TALK BY ADAM FEINSTEIN<br />

MICHAEL CURTIZ WAS NOT JUST THE MAN WHO DIRECTED CASABLANCA. HE<br />

MADE SOME OF HOLLYWOOD’S GREATEST SWASHBUCKLERS, GANGSTER FILMS,<br />

MUSICALS AND MELODRAMAS, INCLUDING THE ADVENTURES OF ROBIN HOOD,<br />

ANGELS WITH DIRTY FACES, MYSTERY OF THE WAX MUSEUM, YANKEE DOODLE<br />

DANDY AND MILDRED PIERCE.<br />

Nor did he ‘lose his touch’ in the 1950s (as many<br />

film historians claim), after his heyday in the 1930s<br />

and 1940s. Yet despite his mastery of so many<br />

cinematic genres, Curtiz remains a neglected figure.<br />

This presentation by Adam Feinstein aims to redress<br />

the balance.<br />

It will first trace Curtiz’s fascinating life: his mysterious<br />

beginnings in Budapest; the early, formative silents<br />

in Europe; his arrival in Hollywood and his tangled<br />

emotional life. Feinstein will go on to identify several<br />

THE BREAKING POINT | CFF 15<br />

USA 1950. 97 mins.<br />

Michael Curtiz’s 1950 masterpiece, The Breaking<br />

Point, is a neglected version of Hemingway’s novel,<br />

To Have and Have Not. Indeed, in the opinion of<br />

Curtiz authority Adam Feinstein, it is not only<br />

superior to Howard Hawks’ 1944 screen adaptation<br />

starring Humphrey Bogart and Lauren Bacall but<br />

may be among the greatest literary adaptations<br />

in cinema history. Hemingway himself considered<br />

The Breaking Point the finest film version of any of<br />

his books. Everything gels perfectly: from the cast<br />

(John Garfield, Patricia Neal, Phyllis Thaxter), to the<br />

hard-boiled screenplay (Ranald McDougall), the<br />

startling cinematography (Ted McCord) and, finally,<br />

Curtiz’s own outstanding direction<br />

which drives the film’s overwhelming<br />

pacing and poignancy.<br />

Director Michael Curtiz<br />

Starring John Garfield, Patricia<br />

Neal, Phyllis Thaxter<br />

PRINT SOURCE<br />

Park Circus / Warner<br />

This special screening will<br />

be introduced by Adam<br />

Feinstein who will discuss<br />

the making of the film<br />

and underline some of<br />

the themes and qualities<br />

so characteristic of<br />

Curtiz’s work.<br />

little-acknowledged, but crucial, themes and styles in<br />

Curtiz’s cinema, with illustrative sequences from some<br />

of his classic films.<br />

Finally, he will attempt to demonstrate why the<br />

reputation of the later, under-valued movies deserves<br />

serious reassessment, using clips from, among others,<br />

The Breaking Point (one of the finest of all Curtiz’s<br />

films); The Proud Rebel and The Hangman (two very<br />

different and highly unusual Westerns) and King<br />

Creole (Elvis Presley’s best screen performance).<br />

CASABLANCA | U<br />

USA 1942. 102 mins.<br />

Casablanca is one of the most celebrated, and bestloved,<br />

of all Hollywood films - from the 1940s or any<br />

other decade. It boasts a perfect cast, screenplay,<br />

cinematography and music. Yet few people today<br />

can recall the name of the man who pulled all these<br />

strands so magically together and won an Oscar<br />

for his efforts: the film’s director, Hungarian-born<br />

Michael Curtiz.<br />

Director Michael Curtiz<br />

Starring Humphrey Bogart, Ingrid Bergman, Paul<br />

Henreid, Peter Lorre, Claude Rains<br />

PRINT SOURCE Park Circus / Warner<br />

This special screening will be introduced by Curtiz<br />

authority Adam Feinstein who will provide fresh and<br />

illuminating insights into the background to the film,<br />

including previously unpublished anecdotes about<br />

its often chaotic production and<br />

details of his conversation with<br />

Ingrid Bergman’s daughter,<br />

Isabella Rossellini.<br />

www.camfilmfest.com Box office: 0871 902 5720 Rediscovering Michael Curtiz | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 21<br />

APH<br />

Wed 26<br />

1.45<br />

APH<br />

Tue 25<br />

5.00<br />

APH<br />

Tue 25<br />

3.00


Programme 01 |<br />

Sun 23rd, 4.00 | <strong>Cambridge</strong> Arts Picturehouse<br />

microcinema<br />

This year marks the 50th anniversary of the founding of the London <strong>Film</strong>-Makers' Co-op and microcinema is marking this by presenting a new<br />

and exciting group of moving image works over four programmes and a moving image installation at the Heong Gallery, Downing College. This is<br />

complemented by a round table discussion with the artists looking at where moving image is now. Several of the artists taking part were past active<br />

members of the LFMC, and in the case of Ian Bourn: London Video Arts, before its closure in 1999 and transformation into LUX. Part of the discussion<br />

will focus on the contextual differences between then and now and the development of artist’s moving image in the UK.<br />

NEW<br />

ARTIST’S<br />

MOVING<br />

IMAGE<br />

UNTITLED – AN INSTALLATION BY STEVE FARRER | CFF U<br />

UK 2015. Looped sequence (installation).<br />

This exhibition, shown as an immersive installation,<br />

is a new commission by the artist and experimental<br />

filmmaker Steve Farrer. Best known for his work related<br />

to the notions around expanded cinema - which<br />

offers an alternative perspective in filmmaking by<br />

reinterpreting the given conditions of the cinematic<br />

medium - Farrer’s work opens up questions around the<br />

spectator’s construction of time/space relations and<br />

activates the live context of watching.<br />

Shot in Bexhill’s De La Warr Pavilion auditorium, the<br />

principle sequence is based on the mesmerizing and<br />

dream-like scene, The Kingdom of the Shades, from the<br />

Notions of film and painting<br />

Ian Bourn + Clement Page + Cordelia Swann<br />

French choreographer Marius Petipa’s La Bayadère,<br />

first performed in 1877. The long and slow repeatedarabesque<br />

sequence involves the entire corps de ballet,<br />

dancing one by one, in formal articulation across the<br />

stage in perfect accumulated unison. The orientation<br />

grids of the sequence are revisited in Farrer’s work; the<br />

Programme 02 |<br />

Sun 23rd, 8.15 | <strong>Cambridge</strong> Arts Picturehouse<br />

Nina Danino<br />

+ Sarah Wood<br />

Thu 20th– Tue 25th every day | Heong Gallery, Downing College<br />

massed ranks of the corps replicated in the multiple<br />

exposure of a single performer’s gesture, repeated and<br />

looped through the camera and projector. The work<br />

interrogates an accepted cinematic experience, giving<br />

it a new perspective and engaging the speculation of<br />

the audience. (from the De La Warr website)<br />

Programme 03 |<br />

Mon 24th, 1.00 | <strong>Cambridge</strong> Arts Picturehouse<br />

PUBLIC HOUSE | CFF 15<br />

UK 2015. 98 mins.<br />

Sarah Turner<br />

Sarah Turner’s Public House, a genre-blending<br />

documentary that turns community action into a<br />

participatory opera. In 2012, the Ivy House pub in Peckham<br />

was sold to property developers as part of the ongoing<br />

gentrification of south London. The locals opposed it.<br />

The film weaves verbatim testament into folk operatic form<br />

with the pub itself, embodied and imagined as a central<br />

character and inhabited by the memories of the generations<br />

who have passed through its doors. Turner films the<br />

community’s creative reanimation of the mourned pub through<br />

dance, poetry and song, reimagined as ritualised invocation,<br />

which both records and creates a vision of social possibility.<br />

Here, the ‘real people’ are not actors; they are performers and writers. The activism that saved the pub is a metaphor for<br />

social and creative agency. This is not just a film about resistance; it is a film that itself refuses categorisation, reinventing<br />

documentary reality as a polyphonic clamour of musical subjectivities.<br />

THEN AND NOW ROUND TABLE DISCUSSION<br />

Mon 24th, 3.30 to 6.00, Heong Gallery, Downing College<br />

Discussion on the state of artist’s moving image work today, by reference to the London <strong>Film</strong>-Makers' Co-op.<br />

Join microcinema film-makers, former LFMC members, curators and critics to discuss the challenges and<br />

opportunities facing experimental film today.<br />

Programme 04 |<br />

Mon 24th, 7.30 | <strong>Cambridge</strong> Arts Picturehouse<br />

Daniel Fawcett & Clara Pais<br />

+ Vicky Thornton<br />

THE DEFINITIVE BOX SET<br />

OF EARLY RECORDINGS, PERFORMANCES<br />

AND COLLECTABLES<br />

RELEASED 11.11.16<br />

26+ hours of material / 27 discs<br />

42 collectables / 100 photos<br />

5 vinyl singles<br />

.......................................................................................................................<br />

* Also available 2CD Pink Floyd - Cre/ation - The Early Years 1967-----1972<br />

.......................................................................................................................<br />

pinkfloyd.com • facebook.com/pinkfloyd • youtube.com/pinkfloyd • twitter.com/pinkfloyd<br />

Marketed and Distributed by Parlophone Records<br />

2-MIRROR SELF PORTRAIT (VERSION 4, ‘CORNERED’) | CFF 15<br />

UK 2015. 11 mins.<br />

In 2-Mirror Self Portrait (version 4, ‘Cornered’) by Ian<br />

Bourn, an artist works on a self-portrait seen from behind<br />

by using two mirrors. The framing of his composition is<br />

such that the ‘painting’ and side mirror depicted within his<br />

painting are part of what recreates this same view he has<br />

of himself.<br />

Watching and recording his own actions, the painter is<br />

caught in a never-ending game of catch-up, in which every<br />

new brush stroke applied triggers yet further modifications,<br />

as each ‘picture within the picture’ has to be updated.<br />

LIGHT THAT OBSCURES | CFF 15<br />

UK 2015. 21 mins.<br />

HOLD YOUR BREATH | CFF 15<br />

UK 2010. 21 mins.<br />

DER ENGEL | CFF 15<br />

UK 1981. 3 mins.<br />

Clement Page’s Light That Obscures, explores the<br />

intimate world of Isabella, a young female artist, living<br />

in Berlin, who develops an extreme fear of light (or<br />

photophobia). The film focuses on the optical disturbances<br />

and fantasies which accompany her fear.<br />

As an artist Isabella takes great pleasure in looking and all<br />

things visual. When she begins to experience a stabbing pain<br />

in her eyes and blurred vision she fears she may be going blind.<br />

She becomes obsessed with avoiding light and goes to great<br />

lengths to block every ray of light from entering her room.<br />

Hold Your Breath, by Clement Page, is based on Sigmund<br />

Freud’s case history, ‘The Wolf-Man: From the History of an<br />

Infantile Neurosis’. The film explores the mind of a five year<br />

old boy Sergei, whose enigmatic character is transformed<br />

one summer when he develops a phobia (fear) of animals.<br />

The film looks at the origins of Sergei's fear in relation to his<br />

emerging sexual curiosity.<br />

Der Engel (Cordelia Swann) utilises imagery connected<br />

with 50s and 60s Cold War Berlin - creating an icon of a city<br />

frozen in time …<br />

In 1980, at Check Point Charlie in Berlin, I bought a<br />

composite souvenir photo of two portraits of 18 year old<br />

Peter Fechter. One portrait is formal the other was taken of<br />

him bleeding to death after a failed attempt to escape over<br />

the Berlin Wall in 1962. Der Engel beatifies both, with a shade<br />

of cynicism, by painting the original photo with red ink, gold<br />

leaf and light - accompanied by Der Engel, from Richard<br />

Wagner’s Wesendonck Lieder. CORDELIA SWANN<br />

JENNIFER | CFF 15<br />

UK 2015. 72 mins.<br />

ATHOS | CFF 15<br />

UK <strong>2016</strong>. 13 mins.<br />

With Jennifer, Nina Danino continues the work<br />

begun with Now I am Yours (1992) and Temenos<br />

(1997). Jennifer is an enclosed Carmelite nun. Within<br />

the monastery, the cloistered community live out an<br />

ideal of work and prayer as a creative life following the<br />

Discalced Carmelite Rule.<br />

This film centres on Jennifer and takes us through<br />

the chores and rituals of daily life. She has recreation<br />

time but most of her day is spent in prayer. In<br />

two interviews she talks about what brought her<br />

to this way of life. The interior of the monastery<br />

itself becomes a presence; its rooms enfold the<br />

reverberations of this total world. But there are<br />

porous boundaries between the monastery and<br />

its surroundings through sound and light and the<br />

comings and goings of the world outside at the<br />

turnstile door.<br />

The film gives us rare access into enclosed life. Enclosure<br />

is a choice, but what does it mean to live this life? What<br />

are the difficulties of this “sublime endeavour” as St.<br />

Teresa calls it and what are its rewards?<br />

Sarah Wood’s Athos looks back to 1929, when eight<br />

thousand men are living in the monastic community<br />

of Mount Athos. For a thousand years no female has<br />

been allowed to set foot there. No hen. No cow. No<br />

she-goat – and certainly no women. Then Maryse<br />

Choisy, undercover reporter, smuggles herself onto the<br />

mountain disguised as a man.<br />

The resulting book, Un Mois Chez Les Hommes<br />

was a sensation in France. But the book also<br />

hinted at a more serious project, one that extended<br />

over the course of Choisy’s life in the form of a<br />

mercurial dialogue between the liberated findings<br />

of psychoanalysis and the conservatism of religious<br />

life. In it, she writes: ‘I wanted to get out of myself,<br />

be another. No matter who, no matter what. But no<br />

longer myself, what a pleasure. To be in another skin.’<br />

<strong>2016</strong>: Almost a century later, orthodoxy in religion<br />

is again asserting the definition of male and female<br />

as polarities. While gender fluidity, the possibility of<br />

expressing an identity beyond binary oppositions, of<br />

literally living in another skin, has revolutionised what<br />

gender really means. For Athos, Choisy’s argument<br />

between liberation and orthodoxy will frame a playful<br />

visual essay about the possibilities of multiplicity.<br />

THE KINGDOM OF SHADOWS | CFF 15<br />

Europe <strong>2016</strong>. 70 mins.<br />

The latest film from underground filmmakers Daniel<br />

Fawcett & Clara Pais, The Kingdom Of Shadows is an<br />

epic cinematic experience which stirs from the darkness<br />

the spirits of our ancestors and reawakens the horror of<br />

unresolved crimes and denied desires. Shot on location<br />

in Portugal with an international cast, The Kingdom Of<br />

Shadows is a surrealist vision inspired by dreams, biblical<br />

myths, alchemy and family history. A family trapped<br />

in a house are tormented by unseen forces, a lost figure<br />

desperately attempts to escape his crimes, two lovers drift<br />

in eternal darkness and a hooded alchemist seeks the key<br />

to transformation. All are connected, each of their actions<br />

sends ripples through the dimensions. In order to heal one<br />

all must be healed.<br />

Fawcett & Pais have been collaborating on films and<br />

moving image work since 2011. Their work is defined by a<br />

rigorous craft and an interest in the expression of dreams<br />

and visions through cinematic language. The Kingdom<br />

Of Shadows is one of three feature films made in <strong>2016</strong>,<br />

all of which explore the themes of mythical wastelands,<br />

darkness and the quest for personal inner transformation.<br />

In a manifesto published earlier this year, they discuss their<br />

approach to filmmaking as “striving towards a cinema that<br />

reveals what is hidden, cinema's power is not in capturing<br />

reality but in expressing the inner life.” They believe that our<br />

thoughts and feelings are projected onto the world around<br />

us and that cinema and art can be tools for taking charge<br />

of these projections. The Kingdom Of Shadows confronts<br />

these projections and reaches deep into the darkness to<br />

reveal what is hidden. What is found may be akin to a<br />

nightmare but we must go through the shadows in order to<br />

reach the light.<br />

THE REMEMBERED FILM | CFF 15<br />

UK 2013. 25 mins.<br />

Vicki Thornton’s The Remembered <strong>Film</strong> is an intimate<br />

double portrait of the striking Château-de-Sacy and its<br />

owner, Hermine Demoriane – a singer, writer, performance<br />

artist and former tightrope walker.<br />

In Thornton’s film, allusions to domestic scenes in films<br />

from Marguerite Duras, Alain Resnais and Chantal<br />

Akerman complicate Demoriane’s own performance of<br />

domesticity, her evocation of previous performances and<br />

maintenance of the château as an artwork in itself. JOHN<br />

BLOOMFIELD<br />

22 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | microcinema<br />

www.camfilmfest.com<br />

Box office: 0871 902 5720


ATTACK OF THE<br />

LEDERHOSENZOMBIES<br />

| 15<br />

Angriff der Lederhosen Zombies<br />

Austria <strong>2016</strong>. 78 mins.<br />

Director Dominik Hartl<br />

Starring Gabriela Marcinková, Laurie<br />

Calvert, Margarete Tiesel<br />

PRINT SOURCE Music <strong>Film</strong> Network<br />

APH Mon 24 | 10.45<br />

FRANCESCA | CFF 18<br />

Spain 2015. 80 mins. Italian with English subtitles.<br />

Fifteen years ago Francesca, the daughter of Vittorio Visconti,<br />

disappeared without trace. Now a leather-gloved maniac in a red<br />

coat is stalking the city, intent on cleaning the streets of “impure<br />

and damned souls” and teasing the police with cryptic notes.<br />

Detective Succo and Inspector Moretti are hot on his heels, and<br />

it quickly dawns on them that the killer is using Dante’s Divine<br />

Comedy as an inspiration. But who is the masked murderer,<br />

and how can they end his trail of terror? Francesca is the Onetti<br />

brothers’ second attempt at classic Italian giallo, and it’s every<br />

bit as strikingly authentic as their debut, Sonno Profondo. It lives<br />

and breathes the spirit of the Italian slashers of the 70s, down to<br />

the last drop of blood. Francesca dishes up an unpretentious and<br />

affectionate throwback to the classic subgenre, saturated with a<br />

garish glamour that will leave you giddy.<br />

Director Luciano Onetti<br />

Starring Luis Emilio Rodriguez, Gustavo Dalessanro, Raul<br />

Gederlini<br />

PRINT SOURCE Jinga<br />

FRANKENSTEIN | CFF PG<br />

USA 1931. 70 mins.<br />

This iconic horror film follows the obsessed scientist Dr. Henry<br />

Frankenstein (Colin Clive) as he attempts to create life by<br />

assembling a creature from body parts of the deceased.<br />

Frankenstein succeeds in animating his monster (Boris Karloff),<br />

but, confused and traumatised, it escapes into the countryside<br />

and begins to wreak havoc. Frankenstein searches for the elusive<br />

being, and eventually must confront his tormented creation.<br />

Karloff gives one of the great performances of all time as<br />

the monster whose mutation from candour to chill<br />

savagery is mirrored only through his limpid eyes. The film's<br />

great imaginative coup is to show the monster 'growing up' in<br />

all too human terms. The film is unique in Whale's work in<br />

that the horror is played absolutely straight, and it has a<br />

weird fairytale beauty not matched until Cocteau made<br />

La Belle et la Bête. TIME MAGAZINE<br />

Director James Wales<br />

Starring Boris Karloff<br />

PRINT SOURCE Universal<br />

APH Sat 22 | 10.30<br />

Steve, a young professional snowboarder, ruins a photoshoot with a silly prank,<br />

causing him, his girlfriend Branka and fellow snowboarder Josh to be stranded<br />

on a mountain. They seek shelter in a garish, loud aprés-ski tavern that is<br />

hosting an all-night party for the last night of the season. Things go from<br />

bad to worse when a scientific experiment conducted by a local entrepreneur<br />

unleashes an epidemic of zombies and mutant wildlife, but this is mostly lost<br />

on the local drunkards who are themselves not so easy to distinguish from<br />

zombies! Steve, Branka and Josh have to find a way to survive this hellish night.<br />

Finally, Steve, Branka, and Josh’s epic battle for survival leads to them using<br />

their snowboarding skills to defeat the raging undead once and for all. Look out<br />

for glorious homages to horror classics including The Thing, Re-Animator and<br />

Shaun of the Dead in this great new zomedy with added Tyrolean hats!<br />

APH Wed 26 | 10.00<br />

APH Sun 23 | 10.45<br />

BEYOND THE GATES | CFF PG<br />

USA <strong>2016</strong>. 84 mins.<br />

If you love the slick bargain-bin mumblecore of Kevin Smith, the<br />

darkly comic fantasy of Stranger Things, and the sheer pantwetting<br />

terror of ghost trains at the funfair, you should definitely<br />

take a candy coloured trip Beyond the Gates: where Hellraiser<br />

meets Jumanji. Following the unexplained disappearance of their<br />

father, two estranged brothers reunite to liquidate his business:<br />

an independent video shop. As nerdy neurotic Gordon and sofasurfing<br />

slacker John rummage around their dad’s back office,<br />

they find an interactive VHS board game that seems to offer<br />

a portal to a perilous other-world. Staring into the void of the<br />

haunted gateway, the brothers realise that they must risk their<br />

lives to save their father’s soul. Sit back and enjoy the throwback<br />

to all your 90s favourites, and look out for some inventive riffs on<br />

the usual corn-syrup carnage - and a guest appearance from the<br />

mesmeric horror legend Barbara Crampton.<br />

Director Jackson Stewart<br />

Starring Barbara Crampton, Brea Grant, Ryan Kunert<br />

PRINT SOURCE Jinga<br />

APH Fri 21 | 10.30<br />

JOHNNY FRANK GARRETT'S<br />

LAST WORD | CFF 18<br />

USA <strong>2016</strong>. 95 mins.<br />

Based on an incredible true story, this is a terrifying tale of<br />

vengeance from beyond the grave. On Halloween night 1981,<br />

a Catholic nun is savagely murdered. In a haze of fear, the<br />

authorities in Amarillo, Texas, feel compelled to solve the<br />

case quickly amidst widespread panic and lynch mob anger.<br />

Soon a suspect emerges: 18-year-old Johnny Frank Garrett is<br />

arrested and put on trial. Overlooking evidence that could have<br />

cleared his name, the jury passes swift judgment and Garrett<br />

is sentenced to death. But Garrett professes his innocence until<br />

his last breath, and following his execution a letter is found in<br />

his cell promising retribution and cursing the souls of anyone<br />

connected with his demise. Within weeks of his execution,<br />

Johnny's terrifying prophecy is unleashed as a series of<br />

unexplained deaths strike down those involved in the cover-up…<br />

Director Simon Rumley<br />

Starring Sean Patrick Flanery, Erin Cummings, Mike Doyle<br />

PRINT SOURCE Simon Rumley<br />

SYD BARRETT<br />

A CELEBRATION<br />

FILM NIGHT AT CAMBRIDGE GUILDHALL<br />

The 36th <strong>Cambridge</strong> <strong>Film</strong><br />

<strong>Festival</strong> is teaming up with<br />

<strong>Cambridge</strong> Live to present a<br />

specially curated film night<br />

including archival music promos<br />

and documentaries featuring<br />

GATA: GET ALL THAT, ANT? + SAN FRANCISCO<br />

UK 2015. 82 mins. + UK 1968 15 mins. Directed by Anthony Stern.<br />

Anthony Stern was a good<br />

friend of Syd Barrett’s, exhibiting<br />

paintings alongside those of the<br />

Floyd leader at the Lion and Lamb<br />

pub in Milton, <strong>Cambridge</strong>shire<br />

in the early 1960s. Stern also<br />

worked with cult director Peter<br />

Whitehead, and he shot a series of his own vibrant, playful 16mm<br />

works, all infused both with the energy of the psychedelic lightshow<br />

and the spirit of French New Wave. Tonight we present GATA: Get All<br />

That, Ant?, an intense new trip into the heart of the most swinging of<br />

classic sixties performances as well as the UK premiere of Get All<br />

That Ant?, a free form documentary made by Barrett’s former<br />

school friend and fellow art student, Anthony Stern, featuring<br />

unique documentary footage and images of the 60s that have<br />

never been seen before. Please note the film does not feature music<br />

from any of the bands featured in the film.<br />

A VERY SPECIAL THING TO ME:<br />

SYD BARRETT AND THE EARLY PINK FLOYD ON FILM c.90 mins<br />

Don’t miss this unique, one-off film programme, celebrating the<br />

maverick psychedelic renegade, Syd Barrett. Fusing catchy, natural<br />

melodies with jagged experimental guitar play in extended jams with<br />

the nascent Pink Floyd, Barrett was a true sonic innovator, and a<br />

whimsical lyricist, burning briefly but oh so brightly before fading from<br />

public view. But tonight we see his beautiful face once again! Classic<br />

early Floyd promos, raw live BBC appearances, lysergic underground<br />

psychedelic films and rare pieces made by close friends in the London<br />

counter-culture will all be writ large on the big screen, taking us that<br />

bit closer to how the Sixties Floyd were meant to be experienced – as a<br />

spectacular, bold, bright audio-visual phenomenon. Of special note to<br />

Barrett fans will be Psychedelia. Kevin Whitney’s Andy Warhol-esque<br />

two-screen film featuring the fragile flower child in 1969, plus Anthony<br />

Stern’s Iggy the Eskimo Girl where you will see red double-deckers<br />

whizzing by as Barrett’s then-girlfriend cavorts joyously in the bright<br />

Fri 21<br />

7.00pm<br />

summer sun. Come hear the sounds! Come see the sights! One of<br />

<strong>Cambridge</strong>’s very own, we miss you, Syd – and salute you.<br />

Introduced and programmed by William Fowler, curator BFI<br />

National Archive.<br />

Pink Floyd London 1966/67<br />

Directed by Peter Whitehead.<br />

Iggy the Eskimo Girl<br />

Directed by Anthony Stern.<br />

Psychedelia<br />

Directed by Kevin Whitney.<br />

Arnold Layne<br />

Directed by Derek Nice.<br />

Plus more to be confirmed.<br />

9.00pm<br />

decades – as visualised through Stern’s stunning archive. Pulsing,<br />

kinetic 16mm memories collide with candid photographs of far out<br />

friends and ace faces including Cream, Jagger, Hendrix, Morrison, plus<br />

incredible unseen footage of The Floyd at the UFO club, all relaxed and<br />

showing off the sharp psychedelic fashions of the age. Richly reflecting<br />

a pleasurable personal view that is extremely evocative and generous,<br />

Stern’s new work burrows deep into the brain, drawing out distinct<br />

feelings of wonder, but also loss. Join us for its very special, first ever<br />

public screening tonight. Also included is the Stern’s mind-bending<br />

San Francisco from 1968, featuring a driving, unreleased version of the<br />

Floyd’s seminal Interstellar Overdrive.<br />

APH Wed 26 | 10.30<br />

APH Thu 20 | 10.45<br />

APH Tue 25 | 11.00<br />

24 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | Lates @ APH<br />

THE LOVE WITCH | CFF 18<br />

USA <strong>2016</strong>. 120 mins.<br />

Elaine, a beautiful young witch, is determined to find a man<br />

to love her. In her gothic Victorian apartment she makes<br />

spells and potions, and then picks up men and seduces them.<br />

However, her spells work too well, and she ends up with a string<br />

of hapless victims. When she finally meets the man of her<br />

dreams, her desperation to be loved will drive her to the brink<br />

of insanity and murder. With a visual style that pays tribute to<br />

Technicolor thrillers of the '60s, The Love Witch explores female<br />

fantasy and the repercussions of pathological narcissism.<br />

Suffusing its genre conventions with sly feminist commentary<br />

on the relations between the sexes, the pic offers as much<br />

for the mind as the eye. Every visual aspect is absolutely<br />

gorgeous, from the brilliant use of color to the painterly<br />

compositions to the gloriously lush sets and costumes that<br />

Biller herself designed. THE HOLLYWOOD REPORTER<br />

Director Anna Biller<br />

Starring Elle Evans, Samantha Robinson, Jeffrey Vincent<br />

Parise<br />

PRINT SOURCE Icon <strong>Film</strong> Distribution<br />

SCHERZO DIABOLICO | CFF 18<br />

USA <strong>2016</strong>. 91 mins. Spanish with English subtitles.<br />

This psycho-drama cum revenge fantasy stars Francisco<br />

Barreiro as Aram, a bored accountant. We see the world<br />

through his eyes, as he struggles to break free from the<br />

shackles of his meaningless life. He sees the women in his<br />

life as caricatures - the shrewish wife, the sexpot secretary,<br />

the innocent schoolgirl he stalks in his spare time. Once he's<br />

captured his prisoner, his life starts to turn around, but he's not<br />

the only worm who's about to turn... Aram soon realises that<br />

he has created a predator even more brutal than himself, and<br />

kicked off a chain of events that will ruin many lives. Pitching<br />

the tone somewhere between A Simple Plan and The Collector,<br />

and inspired by the Korean thrillers of the last 15 years, director<br />

Adrián García Bogliano subverts conventions of pace and tone<br />

in an innovative way that will delight and disgust genre fans in<br />

equal measure.<br />

Director Adrián García Bogliano<br />

Starring Francisco Barreiro, Daniela Soto Vell, Jorge Molina<br />

PRINT SOURCE Jinga<br />

WARRIOR ROAD | CFF 15<br />

USA <strong>2016</strong>. 84 mins.<br />

Three young men in the waterlands of South Carolina rob a<br />

backwoods juke joint and flee up the coast to Myrtle Beach,<br />

armed with a souped-up Oldsmobile and a thirst for adventure.<br />

But for one of them, shy writer Joseph (Lorenzo James Henrie,<br />

Fear The Walking Dead), the journey becomes a quest for strength<br />

and courage in the face of a painful past. Writer/Director Brad<br />

Jayne’s passion project is a throwback to films such as Easy<br />

Rider, The Outsiders and Stand By Me: a road movie with a<br />

spiritual theme. A fundamental quest story unfolds within 24<br />

hours in this rich geography of maritime forests, tidal creeks<br />

and rivers, and fossilized ruins and culture. A dream-like visual<br />

aesthetic conveys Joseph’s search for contentment and courage<br />

with complete emotional authenticity, sweeping audiences up in<br />

the young man's evolution from philosopher to warrior.<br />

Director Brad Jayne<br />

Starring Lorenzo James Henrie, Kristopher Higgins, Eddie<br />

Hassell<br />

PRINT SOURCE Shoreline<br />

www.camfilmfest.com


Family <strong>Film</strong> <strong>Festival</strong><br />

SAT<br />

22<br />

PETER RABBIT:<br />

THE UNEXPECTED DISCOVERY | U<br />

Ireland <strong>2016</strong>. 23 mins.<br />

We are celebrating the 150th birthday of Beatrix Potter with this animated<br />

short. When Benjamin is accidentally taken inside Mr. McGregor's house, Peter<br />

and Lily bravely venture inside to rescue him. Not only do they save their<br />

friend, but Peter is rewarded with something he never imagined he would see.<br />

Starring Connor Fitzgerald, Danny Price, Harriet Perring<br />

+ SING-ALONG BITZIBOOS | U<br />

UK 2015/<strong>2016</strong>. 15 mins (3 episodes).<br />

After the adventure with Peter Rabbit, you will meet the Bitziboos: Bluboo,<br />

Loubyboo, Dobbyboo and Ookieboo who will be sharing 3 songs with you.<br />

Suitable for very young children aged 1-3 years.<br />

SHEPRETH WILDLIFE PARK<br />

Experience some animal adventures with Shepreth Wildlife Park, who’ll be<br />

showcasing some of their amazing animals in the<br />

auditorium before the start of Microcosmos. Some<br />

limited animal handling will take place - but sadly we<br />

can’t guarantee everyone in the audience will get this<br />

opportunity.<br />

MICROCOSMOS | U<br />

France/Switzerland/Italy 1996. 80 mins.<br />

For anyone who has taken a magnifying glass and<br />

spotters’ guide to any of <strong>Cambridge</strong>’s green spaces<br />

then Microcosmos is the film for you! Celebrating<br />

its 20th anniversary, Microcosmos takes you on a<br />

journey into the world of mini beasts and offers a<br />

visual experience full of wonder!<br />

Directors Claude Nuridsany, Marie Pérennou<br />

Starring Kristin Scott Thomas<br />

HARRIET’S ARMY | PG<br />

UK 2014. 90 mins.<br />

14-year-old Harriet is a girl who doesn't quite fit in, and when she's kicked out<br />

of the Girl Guides for fighting, her father doesn't know what to do with her. As<br />

war breaks out and the Scouts and Guides are volunteered to support the war<br />

effort at home, Harriet decides to form her own army of misfits, mounting<br />

their own patrols to track down German spies.<br />

Director Stewart Svaasand<br />

Starring Ciara Baxendale, Ben-Ryan Davies,<br />

Sophie Wright<br />

10.00<br />

am<br />

10.00<br />

am<br />

11.00<br />

am<br />

11.30<br />

am<br />

4.00<br />

Emma<br />

KEATON FOR KIDS with Neil Brand | U<br />

USA 1924. 45 mins.<br />

Acclaimed musician, broadcaster (BBC4’s The Sound of Cinema and The<br />

Sound of Song, and BBC Radio 4’s The <strong>Film</strong> Programme) and Family <strong>Film</strong><br />

<strong>Festival</strong> favourite Neil Brand returns with a special show celebrating the<br />

magic of deadpan comic genius Buster Keaton. Suitable for all - whether<br />

you’re accompanying a child or not - and if you’ve never seen Buster live<br />

before then this is the perfect way to do it!<br />

Featuring Buster Keaton<br />

Not to be missed!<br />

SUN<br />

23<br />

BITZIBOOS | U<br />

UK 2015/<strong>2016</strong>. 30 mins (6 episodes).<br />

Meet the Bitziboos, the well-loved toys belonging to Kit<br />

and Flo. One day a little bit of magic happened and the<br />

Bitziboos came to life. Now you can all play with them<br />

too! Suitable for very young children aged 1-3 years.<br />

FINDING DORY | PG<br />

USA <strong>2016</strong>. 97 mins.<br />

Missed Finding Dory at the cinema this summer? Here's your chance to see<br />

it at the special Family <strong>Film</strong> <strong>Festival</strong> ticket price of £4! Join Dory, Marlin,<br />

Nemo and the gang for an unforgettable journey where everyone learns a<br />

few things about the real meaning of family.<br />

Directors Andrew Stanton, Angus MacLane<br />

Starring Ellen DeGeneres, Albert Brooks, Ed O'Neill<br />

WHO KILLED NELSON NUTMEG? | PG<br />

UK 2015. 82 mins.<br />

Four kids on holiday at a summer camp suspect the park's much-loved<br />

mascot has been murdered, so they set out to investigate who killed Nelson<br />

Nutmeg. Starring Bonnie Wright (Ginnie Weasley from the Harry Potter<br />

films) this is a great whodunnit for families!<br />

Directors Tim Clague, Danny Stack<br />

Starring Bonnie Wright, Hattie Gotobed, Jamie Lee-Hill<br />

SAFIYAH FLIES ACROSS THE<br />

OCEAN | PG + LITTERBUGS | PG<br />

See entry on facing page for Tuesday 25th.<br />

WILLY WONKA AND THE<br />

CHOCOLATE FACTORY | PG<br />

USA 1971. 100 mins.<br />

A classic family movie loved by generations. Willy Wonka and the Chocolate<br />

Factory has a surprise round every corner. Always with a gleam in his eye,<br />

Gene Wilder's Wonka is enigmatic, devious, childlike and slightly sinister.<br />

This screening is a homage to the wonderful Gene Wilder, who died in<br />

August this year.<br />

Director Mel Stuart<br />

Starring Gene Wilder, Jack Albertson, Peter Ostrum<br />

10.00<br />

am<br />

11.00<br />

am<br />

11.00<br />

am<br />

1.00<br />

pm<br />

ZOË CHAMBERLAIN - ZOETROPES<br />

AND FLICKBOOKS WORKSHOP<br />

Bring your drawings to life! Make your own animation in minutes! Follow<br />

in the footsteps of the earliest pioneers of film and make your own flick<br />

books and zoetropes. Learn how to make a simple film with no camera<br />

or specialist equipment! No experience required.<br />

Drop in and have a go at creating your<br />

own kineographs and zoetropes. Suitable<br />

for all ages. Workshop run by artist Zoë<br />

Chamberlain, a public artist and<br />

producer from <strong>Cambridge</strong>.<br />

APH<br />

bar<br />

11.00<br />

am<br />

MON<br />

24<br />

THE SECRET OF KELLS | PG<br />

France/Belgium/Ireland 2009. 75 mins.<br />

This highly applauded film tells the story of a young boy in remote Irish<br />

woods and his adventure when a celebrated master illuminator arrives with<br />

an ancient book, brimming with secret wisdom and powers.<br />

Directors Tomm Moore, Nora Twomey<br />

Starring Evan McGuire, Brendan Gleeson, Mick Lally<br />

SECRET OF KELLS – ILLUMINATE YOUR NAME<br />

WITH FITZ FAMILIES<br />

APH<br />

bar<br />

In conjunction with the Fitzwilliam Museum’s<br />

COLOUR exhibition, and after The Secret of Kells<br />

screening, you can illuminate the initial letters of<br />

your name with the Fitzwilliam Museum team.<br />

KEEP ON WOMBLING WITH MIKE<br />

BATT AND ORINOCO! | U<br />

UK 1973/<strong>2016</strong>. 32 minutes (4 episodes) plus Q&A.<br />

Keep on Wombling! Take a potter around Wimbledon Common with the<br />

Wombles as they gather and sort rubbish everyday folks leave behind.<br />

Using stop-motion animation, and charmingly narrated by Bernard<br />

Cribbins, the Wombles are a delight. In the dark of the cinema auditorium<br />

you can almost imagine you are in the underground tunnels… And as a<br />

special treat you will be the first audience in the world to see episodes from<br />

the new series of the Wombles developed by songwriter and TV Producer<br />

Mike Batt. Mike will explain how the Wombles are about to resurface…<br />

Starring Bernard Cribbins, Ray Winstone<br />

DOGTANIAN AND THE<br />

THREE MUSKEHOUNDS | U<br />

Spain/Japan 1985. 40 mins (2 episodes).<br />

All for one and one for all! The story, set in 17th Century France, follows the<br />

young Dogtanian who travels to Paris in order to become one of King Louis<br />

XIII's musketeers. Adventures ensue with his new friends<br />

Porthos, Athos and Aramis and the lovely Juliette, a<br />

maid-in-waiting for Queen Anne of Austria.<br />

Starring Eduardo Jover, Gloria Cámara, Manuel Peiró<br />

ALMOST NAKED ANIMALS | U<br />

Canada 2011. 66 mins (6 episodes).<br />

An irreverent, fast-paced comedy featuring a cast of underwear<br />

-clad animals. Howie is the fun-loving, hospitalitychallenged<br />

manager (with the attention span of an<br />

11-year old in a video arcade) waiting to check you in.<br />

Starring<br />

Jamie Watson, Rob Tinkler, Howard Jerome<br />

SUPER HERO SMACK DOWN | 10.00–4.00<br />

Spiderman and Superman have been on the scene for ages, it’s time for<br />

some new superheroes and it’s your mission to create them. Working with a<br />

professional filmmaker, build your own superhero and battle against others<br />

using stop-motion animation techniques in the Superhero Smackdown arena.<br />

Learn new skills, whilst making friends during this fun<br />

and creative day of model making and animation.<br />

Suitable for 8-14 year olds. £25.00. There are limited<br />

spaces so book early to avoid disappointment.<br />

10.30<br />

am<br />

NEWS FROM PLANET MARS | CFF PG<br />

France/Belgium <strong>2016</strong>. 101 mins. French.<br />

This off-the-wall comedy follows the antics of a father left in charge of<br />

his kids for the weekend as a chain of wacky events ensues, involving<br />

kidnapped frogs, reincarnated parents, spacewalks, explosives, slaughtered<br />

baby chickens and a vomiting Chihuahua. In short,<br />

pandemonium takes hold of the Mars family!<br />

Director Dominik Moll<br />

Starring François Damiens, Vincent Macaigne,<br />

Veerle Baetens<br />

11.00<br />

am<br />

11.00<br />

am<br />

12.30<br />

pm<br />

12.30<br />

pm<br />

Emma<br />

TUES<br />

25<br />

BUTTON MOON | U<br />

UK 1980. 30mins (3 episodes).<br />

A TV show from your childhood that you will love sharing with your little ones!<br />

We’re off to 1980 and Button Moon. Mr Spoon’s adventures in Blanket Sky are<br />

still as delightful today as they were 30 years ago.<br />

Narrator Robin Parkinson<br />

UK<br />

PREMIERE<br />

SAFIYAH FLIES ACROSS THE OCEAN | PG<br />

UK 2015. 14 mins.<br />

Friendship, growing pains and Middle Eastern revolution come together in this<br />

moving short film. Safiyah, a young British Egyptian girl bored in a London<br />

tenement flat, attempts to get a letter to her dad, in Egypt during the Arab<br />

Spring. Local lad Thomas may have the answer with his toy helicopter.<br />

Director Samuel de Ceccatty<br />

Starring Rebecca Herod, Lewis Fernee, Sarah Durham<br />

+ LITTERBUGS | PG<br />

UK <strong>2016</strong>. 15 mins.<br />

Helped by her self-made flying mechanical creatures, a young inventor<br />

and an enigmatic pint-sized superhero defeat the town bullies and find an<br />

unexpected friendship.<br />

Director Peter Stanley-Ward<br />

Starring James Grogan, Abigail Lowe, Leila Wetton<br />

LITTERBUGS DIRECTOR TALK AND<br />

JUNK MODELLING<br />

APH<br />

bar<br />

Join director Peter Stanley-Ward for a Q & A<br />

after the screening and have a go at making<br />

some Litterbugs of your own.<br />

THE ADVENTURES OF ROBIN HOOD | PG<br />

USA 1938. 102 mins.<br />

This is the film that defined swashbuckling! Errol Flynn is legendary as the<br />

dashing hero leading the charge in this high-spirited family adventure,<br />

full of sword fights, evil baddies, great battles, a beautiful princess and a<br />

happy ending.<br />

Directors Michael Curtiz, William Keighley<br />

Starring Errol Flynn, Olivia de Havilland,<br />

Basil Rathbone<br />

10.00<br />

am<br />

10.00<br />

am<br />

11.30<br />

am<br />

WEDS<br />

26<br />

WALLACE AND GROMIT | U<br />

A CLOSE SHAVE + A GRAND DAY OUT<br />

UK 1989/1995. 53 mins.<br />

Here's a chance to celebrate Aardman's 40th anniversary by enjoying the<br />

adventures of one of the best loved duos in animation on the big screen. In<br />

A Grand Day Out, Wallace and Gromit's quest to find cheese prompts a visit<br />

to the moon, where a strange, mechanical being isn’t happy to see Wallace<br />

eating slices of moon cheese. In A Close Shave, Wallace and Gromit’s<br />

window-cleaning service introduces Wallace to Wendolene, owner of the<br />

local wool shop – and a rather ferocious mutt named Preston.<br />

Director Nick Park<br />

Starring Peter Sallis, Anne Reid<br />

THE STORY TIME FAIRY | CFF U<br />

UK <strong>2016</strong>. 25 mins (5 episodes) plus Q&A.<br />

Meet the Storytime Fairy, plus children's authors Ruth Brown and Emma<br />

McCann after the screening. You will be able to buy their books from our<br />

Waterstones pop-up stall and have them signed.<br />

Director Peter Harmer<br />

Starring Michelle Larbey<br />

THE BFG | PG<br />

UK/Canada/USA <strong>2016</strong>. 117 mins.<br />

Celebrating 100 years since the birth of Roald Dahl, join orphan Sophie and<br />

the BFG as they come up with ways to get rid of the Fleshlumpeater, the<br />

Bonecruncher and the other giants who love to gobble up human beans.<br />

Don't gobblefunk around - book your tickets today!<br />

Director Steven Spielberg<br />

Starring Mark Rylance, Ruby Barnhill, Penelope Wilton<br />

10.00<br />

am<br />

10.00<br />

am<br />

11.30<br />

am<br />

BRIGHT IDEAS CRAFT TABLE<br />

A free craft table will be available every day for make and do activities -<br />

maybe you will feel inspired by something you have seen? Thanks to our<br />

friends at Bright Ideas:<br />

www.brightideascrafts.co.uk<br />

THU<br />

27<br />

SCOOBY DOO ON ZOMBIE ISLAND | CFF PG<br />

USA 1998. 73 mins.<br />

No Halloween is complete without a Scooby Doo adventure! The gang are<br />

visiting Moonscar Island, a place with a dark secret. Warning for parents<br />

with small children - this time the monsters are real!<br />

With introduction by animator Philip Pepper who worked for Hanna-<br />

Barbera on the original Scooby Doo.<br />

Directors Hiroshi Aoyama, Kazumi Fukushima<br />

Starring Scott Innes, Billy West, Mary Kay Bergman<br />

HALLOWEEN SHORTS<br />

| CFF PG 63 mins.<br />

ALMA<br />

Alma, a little girl, skips through the snow<br />

covered streets of a small town. Her attention is<br />

caught by a strange doll in an antique toy shop<br />

window. Fascinated, Alma decides to enter.<br />

9<br />

9 is a sentient rag doll who appears to be the last of his kind, living in the ruins<br />

of a decaying, post-apocalyptic Earth. Hunting 9 relentlessly is the Cat Beast,<br />

a mechanical monster wearing a cat's skull for a head. Will 9 survive?<br />

GRANNY O'GRIMM'S SLEEPING BEAUTY<br />

We all know the Grimm fairy tales. Granny's are<br />

grimmer! Granny O'Grimm, a seemingly sweet<br />

old lady, terrifies her little granddaughter at<br />

bedtime with her version of the Sleeping Beauty<br />

fairytale.<br />

GRIZZLY TALES FOR GRUESOME KIDS<br />

Getting a haircut? Eating spaghetti? You may think these sound like very<br />

ordinary things to do. But see just how grizzly they can really be! Frights<br />

and laughs aplenty in these cautionary tales for lovers of squeam.<br />

YOUNG FRANKENSTEIN | PG<br />

USA 1974. 106 mins.<br />

Among the top-ten funniest movies of all time, Mel Brooks' Young<br />

Frankenstein is a riotously silly spoof featuring the fantastic Gene<br />

Wilder. It will certainly leave you in stitches – though hopefully not the kind<br />

keeping Frankenstein together.<br />

Director Mel Brooks<br />

Starring Gene Wilder, Madeline Kahn, Marty Feldman<br />

CORPSE BRIDE | PG<br />

USA/UK 2005. 77 mins.<br />

This stop-motion-animated film from Tim Burton is a morbid, merry,<br />

macabre marvel! Oscar nominated for Best Animated Feature, this darkly<br />

enchanting musical fantasy film offers a great mix of horror and humour<br />

for a happy Halloween!<br />

Directors Tim Burton, Mike Johnson<br />

Starring Johnny Depp, Helena Bonham Carter, Emily Watson<br />

10.00<br />

am<br />

12.00<br />

am<br />

BLACK SHUCK CAMBRIDGE GHOST<br />

TOURS SPOOKY SELFIES AND<br />

UNLUCKY DIP<br />

Halloween is a time for cauldrons, crows, corpses<br />

APH<br />

bar<br />

10.00<br />

am<br />

11.00<br />

am<br />

- and costumes! But did you know many Ghost<br />

Hunters believe dressing up as people from the past<br />

can possibly attract real spirits? Come and try out<br />

the theory and take a 'spooky selfie' photo!<br />

Our friends at John Lewis will be joining in the <strong>Festival</strong> fun, so come<br />

and visit our Pop-Up Cinema in the children's department.<br />

26 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | Family <strong>Film</strong> <strong>Festival</strong><br />

www.camfilmfest.com Box office: 0871 902 5720 Family <strong>Film</strong> <strong>Festival</strong> | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 27


SH RT<br />

FUSI N<br />

Short filmmaking is an art<br />

form often relegated to<br />

the shadows of its more<br />

temporally demanding<br />

cousin. However, creating<br />

a good short film takes<br />

incredible skill. A well-made<br />

short film is able to create<br />

the connection, the emotion<br />

and suture of a feature in a<br />

more concentrated amount<br />

of time. Our five short film<br />

strands contain films from<br />

the UK, Ireland, Canada,<br />

Iran, USA, Australia, France,<br />

Nepal, Japan, Italy and<br />

Germany and have been<br />

selected from over 600<br />

submission entries.<br />

All screenings are at the ArtsPicturehouse<br />

unless otherwise stated.<br />

28 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | ShortFusion<br />

Fri 21<br />

2.30<br />

89 mins<br />

Tue 25<br />

10.50<br />

89 mins<br />

GLASS CEILING<br />

Fan Girl<br />

UK <strong>2016</strong>. 16 mins.<br />

Stars Steve Oram (Sightseers) with an original<br />

pop-tastic score by composer Patrick Jonsson (Bafta<br />

& Oscar-nominated Virunga). A dark coming-of-age<br />

comedy about friendship and super fandom.<br />

Director Kate Herron<br />

PRINT SOURCE Kate Herron<br />

Sarah Chong is Going to Kill Herself<br />

UK <strong>2016</strong>. 15 mins.<br />

A surreal workplace fantasy in which a maltreated<br />

receptionist decides to take matters into her own<br />

hands. Hands which may well contain grenades.<br />

Director Ella Jones<br />

PRINT SOURCE Bluebird <strong>Film</strong> Productions Ltd<br />

The Wheel<br />

UK 2015. 5 mins.<br />

Our cavewoman is a person with ideas and inventions<br />

that could change the world. All she has to do now is<br />

find a caveman to say them for her…<br />

Director Samia Rida<br />

PRINT SOURCE Samia Rida <strong>Film</strong>s<br />

By The Pool<br />

Canada <strong>2016</strong>. 15 mins. French with English subtitles.<br />

During the heat wave, swimmers flock to a municipal<br />

pool. Rain or shine, as the days pass the place takes<br />

on a life of its own, and the lifeguards, while immature<br />

at times, shoulder considerable responsibilities.<br />

Director Karine Belanger<br />

PRINT SOURCE Travelling, les films qui voyagent<br />

Single<br />

Canada <strong>2016</strong>. 9 mins. French with English subtitles.<br />

On a grey and windy day in January, Annie tries to<br />

recover from a horrible break-up by organising her new<br />

flat. She obsesses about restoring her own happiness<br />

at any cost.<br />

Director Mélanie Charbonneau<br />

PRINT SOURCE SPIRA<br />

Allhallowtide<br />

UK <strong>2016</strong>. 9 mins.<br />

It's an important night for Molly, but her feckless<br />

housemate Dan has totally forgotten. She's going to do<br />

everything in her power to remind him, but that's not<br />

easy when you've been dead for 180 years and can't talk!<br />

Director Tia Salisbury<br />

PRINT SOURCE Tia Salisbury<br />

The Mirror<br />

Iran <strong>2016</strong>. 15 mins. Persian with English subtitles.<br />

In a familiar world, a mother heading a household<br />

struggles with the dilemma of choosing between<br />

succumbing to her imminent death due to an incurable<br />

disease, and defying and fighting the disease at huge<br />

expenses for the sake of her two young children and<br />

the fate of her family.<br />

Director Tahereh Ahmadishad<br />

PRINT SOURCE Ms. Tahereh Ahmadishad and<br />

Mr. Aidin Eftekhari<br />

Drawn Together<br />

UK <strong>2016</strong>. 15 mins.<br />

Adam and Jess work for the same company, in the same<br />

building, they even sit next to each other at weekly staff<br />

meetings… yet they have never met. Not really. But they<br />

have fallen in love. Or rather their doodles have…<br />

Director Victoria Howell<br />

PRINT SOURCE Systir Productions<br />

The Dynamic Double Standard<br />

USA 2015. 5 mins.<br />

Zoey's first night as a superhero is nearly ruined when<br />

she's given a sexy and impractical uniform.<br />

Director Luke Patton<br />

PRINT SOURCE Luke Patton<br />

Fri 21<br />

10.00<br />

79 mins<br />

A Short Guide to Re-Entry<br />

UK 2015. 15 mins.<br />

Khalid has recently been released from a young<br />

offenders’ institute. He's told he needs a job and a place<br />

in the community, but fitting in isn't always that easy.<br />

Director Anwar Boulifa<br />

PRINT SOURCE Anwar Boulifa<br />

City Lights<br />

UK <strong>2016</strong>. 9 mins.<br />

The night security guard in a London office tower finds<br />

a unique way to attract the attention of a cleaner in an<br />

opposite tower.<br />

Director Ed Wiles<br />

PRINT SOURCE Wily <strong>Film</strong>s<br />

Carbon Copy<br />

UK 2015. 8 mins. Silent.<br />

Tue 25<br />

11.00am<br />

79 mins<br />

FILM HUB CENTRAL EAST<br />

A man discovers a photocopier in an isolated woodland.<br />

Director Jack Turner<br />

PRINT SOURCE Jack Turner<br />

Out of Date<br />

UK <strong>2016</strong>. 12 mins.<br />

Kevin decides to cook a burger for himself late at night.<br />

Even though the meat does not look at its best, he takes<br />

a risk and eats it. In what should be a simple case of<br />

food poisoning, Kevin unexpectedly experiences one of<br />

the most bewildering nights of his life.<br />

Director Borja Torres Sanchez<br />

PRINT SOURCE Cryogenic <strong>Film</strong>s<br />

Single To London<br />

UK <strong>2016</strong>. 5 mins.<br />

A young man takes a long ride aboard his literal train<br />

of thought and hopes to make a first impression before<br />

the end of the line.<br />

Director Ryd Cook<br />

PRINT SOURCE Project Trident/Little Victories<br />

<strong>Film</strong>s<br />

Present<br />

UK <strong>2016</strong>. 14 mins.<br />

With her sister slowly succumbing to earlyonset<br />

Alzheimer’s, Beth struggles to balance her<br />

responsibilities as a carer and a mother, whilst dealing<br />

with her own fear of developing the genetic disease.<br />

Director Meg Campbell<br />

PRINT SOURCE NFTS<br />

Gate 71<br />

UK <strong>2016</strong>. 1 min.<br />

An excerpt from a hypothetical feature film, centred<br />

around mystery and adventure. The lead character has<br />

travelled far to find this portal, and is the only one to<br />

know of its existence.<br />

Director Stefan Kliszynski<br />

PRINT SOURCE MusicImage<strong>Film</strong><br />

Cine<br />

Mobile<br />

Edith<br />

UK <strong>2016</strong>. 15 mins.<br />

Written by novelist Ray Robinson, Edith explores<br />

the heartbreaking inevitability that is old age. In<br />

his directorial debut, Christian Cooke teams with a<br />

stellar cast. Peter Mullan (Trainspotting, War Horse,<br />

Tyrannosaur) as the haunted Jake with Michelle Fairley<br />

(Game of Thrones) as his Shelia and Elliott Tittensor<br />

and Sai Bennett in supporting roles.<br />

Director Christian Cooke<br />

PRINT SOURCE Mini Productions<br />

Emma<br />

Thu 20<br />

4.00<br />

86 mins<br />

NOSTALGIA?<br />

Help! I'm Trapped in a Movie<br />

UK <strong>2016</strong>. 9 mins.<br />

A man wakes up in his dream of becoming the star<br />

of a Hollywood blockbuster, but it quickly becomes a<br />

nightmare when he finds he can't control the plot.<br />

Director Riley Madincea<br />

PRINT SOURCE Riley Madincea<br />

The Rain Collector<br />

UK 2015. 13 mins.<br />

Inspired by true events, The Rain Collector is about<br />

the women who confounded ideas of what was<br />

appropriate or expected, and got involved in science<br />

in Victorian England. This is the story of Vanessa<br />

Kentworth and the rain.<br />

Director Isabella Wing-Davey<br />

PRINT SOURCE Isabella Wing-Davey<br />

Last Laugh<br />

UK <strong>2016</strong>. 19 mins.<br />

Three legendary comedians; one very unusual dressing<br />

room. Last Laugh sees three iconic British comedians,<br />

Tommy Cooper, Eric Morecambe and Bob Monkhouse<br />

sitting in a dressing room discussing the secret<br />

of comedy.<br />

Director Paul Hendy<br />

PRINT SOURCE Paul Hendy – Evolution<br />

Productions<br />

Confection<br />

UK <strong>2016</strong>. 33 mins.<br />

Set in a sleepy English seaside town, ‘Confection’ is<br />

a comedy about a not-quite-grown-up who finds<br />

himself accidentally catapulted into the thick of a very<br />

grown-up situation.<br />

Director Ed Rigg<br />

PRINT SOURCE Misfit Inc<br />

Mon 24<br />

11.00am<br />

86 mins<br />

Refugee<br />

UK <strong>2016</strong>. 12 mins.<br />

How would it feel to be on the run from everything you<br />

know, in the hope of finding a safe place somewhere<br />

else? In this short drama we meet a young girl and<br />

her family in an unknown land, and discover how they<br />

came to be there, far away from home.<br />

Director Adam Tyler<br />

PRINT SOURCE CTVC/TrueTube<br />

Cine<br />

Mobile<br />

Thu 20<br />

10.40<br />

84 mins<br />

Sun 23<br />

10.00<br />

84 mins<br />

ADAPTATION<br />

The Song of Wandering Aengus<br />

UK <strong>2016</strong>. 4 mins. Stop-frame.<br />

An ambitious stop frame animation short created<br />

over one year. Based on W. B. Yeats poem 'The Song<br />

of Wandering Aengus', narrated by BAFTA Award<br />

Winner Liam Cunningham, with original music score<br />

from Ivor Novello Award Winner David Holmes and<br />

Keefus Ciancia.<br />

Director Matthew Lawes<br />

PRINT SOURCE Other Brother Studios<br />

Whoever Was Using This Bed<br />

Australia <strong>2016</strong>. 21 mins.<br />

A married couple is woken by a mysterious phone call<br />

that begins an unsettling journey into love and fear.<br />

Jean-Marc Barr, Radha Mitchell and Jane Birkin star<br />

in a short film based on a story by Raymond Carver<br />

(Birdman).<br />

Director Andrew Kotatko<br />

PRINT SOURCE Altaire Productions &<br />

Midnight Coffee <strong>Film</strong>s<br />

To Build A Fire<br />

France <strong>2016</strong>. 13 mins.<br />

To commemorate the 100th anniversary of Jack<br />

London’s death, filmmaker FX Goby adapts To Build<br />

a Fire - the tragic tale of a man and his dog trying<br />

to survive in the overwhelmingly freezing and hostile<br />

nature of the Yukon Territory.<br />

Director FX Goby<br />

PRINT SOURCE Composite <strong>Film</strong>s,<br />

Nexus Productions<br />

Free World Pens<br />

Canada 2015. 20 mins.<br />

Free World Pens is a film about family and solitary<br />

confinement. The film takes shape through letters from<br />

a man incarcerated in Texas, whose words echo in the<br />

mind of his sister as she walks freely through Montreal.<br />

Director Nika Khanjani<br />

PRINT SOURCE La Distributrice de <strong>Film</strong>s<br />

Parivara<br />

Nepal <strong>2016</strong>. 11 mins.<br />

Based on the true life stories of the children at<br />

the Goldungha Orphanage for the Blind in Nepal,<br />

(Parivara) is a positive and hopeful story<br />

following young Kopila through a fateful day in her<br />

life following the 2015 earthquake. It is a universal<br />

story demonstrating the beauty and resilience of the<br />

human spirit.<br />

Director Alex Lora<br />

PRINT SOURCE Wolf Circle Productions<br />

When I Grow Up...<br />

UK <strong>2016</strong>. 15 mins.<br />

Arriving at what he suspects to be a routine domestic<br />

disturbance, Police Sergeant James (Hugo Speer)<br />

instead finds a dead body… and the diary of a young<br />

girl. Through the secrets held within the diary, James<br />

is forced to confront the horrors held within the house<br />

and his own worst fears as a father.<br />

Director Jon Max Spatz<br />

PRINT SOURCE Signature Pictures Ltd<br />

Sat 22<br />

11.00<br />

91 mins<br />

CONTRAVENTION<br />

Carla in 10 Seconds<br />

Canada <strong>2016</strong>. 15 mins. French with English subtitles.<br />

During a teen party, "snapshots" of football team<br />

members gang-banging a young woman start making<br />

the rounds. Rumours immediately start flying and<br />

Gaby begins to suspect that the young woman in<br />

question might well be her best friend, Carla.<br />

Director Jeanne LeBlanc<br />

PRINT SOURCE Travelling, les films qui voyagent<br />

Blackmoor<br />

UK <strong>2016</strong>. 11 mins.<br />

A heart-breaking story of high suspense set against<br />

the backdrop of 1970s rural England: nobody is a<br />

stranger in the middle of nowhere.<br />

Director Max Pirkis<br />

PRINT SOURCE A Certain Kind<br />

Lost Youth<br />

Japan <strong>2016</strong>. 15 mins. Japanese with English subtitles.<br />

Lost Youth is a film that exposes the darker side of<br />

Tokyo and tells stories about young people in Japan,<br />

which usually go unreported by the Japanese media<br />

due to political censorship.<br />

Director Taichi Kimura<br />

PRINT SOURCE Boiler Room<br />

Cain's Shadow<br />

Italy <strong>2016</strong>. 29 mins. Italian with English subtitles.<br />

November 5th, 2025. Western metropolis. Young<br />

inspector Abel is grappling with the umpteenth<br />

disappearance: Angela, a 9-year-old girl, of whom<br />

there has been no news for two days. For more than<br />

ten years there have been many disappearances of<br />

children. Numbers assume alarming proportions; the<br />

police are indicted. Ada is a young woman of thirty<br />

whose daughter was kidnapped some years before.<br />

From that day on she has led a personal investigation<br />

searching for the truth.<br />

Director Antonio De Palo<br />

PRINT SOURCE Peperonitto <strong>Film</strong>, Inthelfilm,<br />

Hana bi<br />

The Party<br />

Ireland <strong>2016</strong>. 14 mins.<br />

Laurence welcomes his cousin and man-on-the-run<br />

Mickey to a party of drinking, dancing and young love.<br />

By morning, reality catches up with them.<br />

Director Andrea Harkin<br />

PRINT SOURCE Farah Abushwesha<br />

Thu 27<br />

8.00<br />

91 mins Cine<br />

Mobile<br />

Speechless<br />

Germany <strong>2016</strong>. 7 mins.<br />

A little boy walks through a toy store full of people<br />

talking a strange and incomprehensible language.<br />

Alone he bonds with a young mother who finds a way<br />

to communicate with him without words. He is going<br />

to tell her something that she was not ready to hear.<br />

Director Robin Polak<br />

PRINT SOURCE Farah Abushwesha<br />

ShortReel is the competition for student filmmakers in eastern and central<br />

England, run by the Arts <strong>Film</strong> Club in association with the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />

Students of all ages are invited to submit a short film in any genre or style. The winning film will be<br />

announced on Facebook and premiered at the <strong>Festival</strong> on Fri 21st October, screening alongside festival main<br />

feature Sully. The winning filmmaker will also receive a £200 cash prize to assist them in their filmmaking.<br />

The shortlisted films for <strong>2016</strong> are:<br />

www.facebook.com/artsfilmclub<br />

www.facebook.com/shortreelfilmaward<br />

The Beehive and the Bob<br />

directed by Samuel Weinberger<br />

of Trinity College, <strong>Cambridge</strong><br />

The Black Rose<br />

directed by Jemma Stribling<br />

of Anglia Ruskin University<br />

Lazarus<br />

directed by Emily O’Brien<br />

of Ousedale School, Newport Pagnell<br />

The Arts <strong>Film</strong> Club was formed in 2010 by a group of <strong>Cambridge</strong> film enthusiasts. It’s<br />

an informal, friendly community of film lovers who get together to explore and discuss<br />

some of the cinematic gems to be seen at the Arts Picturehouse.<br />

The winning film is selected<br />

by a jury chaired by local<br />

filmmaker Stefan Georgiou,<br />

director of the 2013<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

favourite, Dead Cat, and of<br />

the short film, Sexlife, which<br />

screened at last year’s<br />

<strong>Festival</strong>. Stefan has spent<br />

the last year developing<br />

his next feature film and<br />

directing television pilots.<br />

DOCUMENTARIES<br />

ARE REALLY<br />

BORING!<br />

WRONG WRONG WRONG<br />

WRONG WRONG!<br />

Documentaries constitute some of the best short films in our archive.<br />

Got an issue to air? Make a short documentary. Got a passion to share? Make a<br />

short documentary. Just want to stand and stare? Do it holding a camera. The<br />

result? It’s a documentary.<br />

We have documentaries from all over the planet, keyholes into other lives, other<br />

minds, and other worlds. And some of them will rock yours.<br />

That's a promise.<br />

Utilising this material we are holding a seminar on the art of the short<br />

documentary. Screening some excellent and varied films together with<br />

commentary and discussion, we offer a fascinating and rewarding<br />

programme to both media students and the public.<br />

Set in the intriguing Picturehouse Cinemobile we offer you an enjoyable,<br />

illuminating and memorable time.<br />

<strong>Cambridge</strong> Cinema Shorts<br />

Promoting the exhibition of short film.<br />

<strong>Cambridge</strong> Cinema Shorts Presents<br />

CineMobile<br />

Wed 26<br />

10.30am<br />

www.camfilmfest.com Box office: 0871 902 5720 ShortFusion | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2016</strong> | 29


CAMBRIDGE<br />

FESTIVAL<br />

OF IDEAS<br />

CAMBRIDGE<br />

SHORTS<br />

MON 24TH,<br />

5.00-6.30<br />

ARTS<br />

PICTUREHOUSE<br />

Pre-book your<br />

free tickets via<br />

<strong>Festival</strong> of Ideas<br />

http://cfi<strong>2016</strong>cambridgeshorts.eventbrite.co.uk<br />

www.festivalofideas.cam.ac.uk<br />

BELIEVING IS SEEING<br />

The world is full of things that human eyes can’t see unaided.<br />

To see these things, we need to be able to conceive of<br />

them; to imagine them; to make tools to bring them into<br />

focus; and to communicate them in a way that will capture<br />

other imaginations.<br />

Researchers Marcus Fantham and Ellie Chan<br />

<strong>Film</strong>maker Formulate Media Ltd<br />

DISH LIFE<br />

“It’s like having thousands of pets.” What scientists really think<br />

about looking after their stem cells.<br />

Researchers Loriana Vitillo and Karen Jent<br />

<strong>Film</strong>maker Chloe Thomas<br />

Join us for the premiere of the third edition of the <strong>Cambridge</strong> Shorts film series at<br />

this year’s <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>. The films showcase current University research<br />

in creative, cross-disciplinary collaborations between researchers and filmmakers.<br />

PAIN IN THE MACHINE<br />

A short documentary considering whether pain has any role in<br />

the future development of artificial intelligence and robotics.<br />

Could and should robots feel pain?<br />

Researchers Beth Singler and Ewan St John Smith<br />

<strong>Film</strong>makers Colin Ramsay and James Uren of Little<br />

Dragon <strong>Film</strong>s<br />

TALK WITH YOUR HANDS:<br />

COMMUNICATING ACROSS THE<br />

SENSORY SPECTRUM<br />

With insights from neuroscientists, linguists, blind and deaf<br />

individuals, this film highlights the scientific, subtle and<br />

surprising differences between spoken and sign language.<br />

Researchers Craig Pearson and Julio Song<br />

<strong>Film</strong>maker Toby Smith<br />

A Zto<br />

The Adventures of Robin Hood 21<br />

Alba 6<br />

Alfredo Bini: Unexpected Guest 6<br />

All of A Sudden 15<br />

Always (Crashing) 21<br />

Arrival 6<br />

Around China with a Camera 18<br />

Arsenal 18<br />

As I Open My Eyes (CAFF) 20<br />

Athos (microcinema 2) 22<br />

Attack of the Lederhosen Zombies 24<br />

Awaiting 14<br />

The Bacchus Lady 6<br />

Barcelona Summer Night 14<br />

Barcelona Christmas Night 14<br />

Between Sea and Land 6<br />

Beyond the Gates 24<br />

Bodkin Ras 6<br />

Boris Without Beatrice 6<br />

The Breaking Point 21<br />

A Brilliant Genocide 6<br />

Brothers 7<br />

Brothers of the Night 7<br />

<strong>Cambridge</strong> Cinema Shorts 29<br />

The Cameraman 17<br />

Casablanca 21<br />

Chocolat 7<br />

Cloudy Sunday 7<br />

Corpse Bride 27<br />

Crash 21<br />

Dare to Dream (CAFF Shorts) 20<br />

Daughter 7<br />

Destiny 18<br />

Don’t Be Bad 7<br />

The Dreamed Ones 7<br />

Der Engel (microcinema 1) 22<br />

The Endless River (CAFF) 20<br />

The Fabulous Nicholas Brothers 7<br />

<strong>Festival</strong> of Ideas -Shorts 30<br />

The Final Reel 7<br />

The Four Companions 19<br />

Francesca 24<br />

Frankenstein (1931) 24<br />

From Afar 7<br />

Fukushima- A Nuclear Story 8<br />

Future Baby 8<br />

Gata: Got All That, Ant? 25<br />

A Great Day in Harlem & A Year Along the<br />

Abandonned Road 8<br />

A Good American 8<br />

Gog 3-D 5<br />

The Handmaiden 8<br />

Harmonium 8<br />

Harmonious Rhythms: Dance and Silent <strong>Film</strong> 18<br />

A Heavy Heart 15<br />

Hold your Breath (microcinema 1) 22<br />

Homo Sapiens 9<br />

I Daniel Blake 5<br />

Illegitimate 9<br />

In The Last Days of the City 9<br />

Ingrid Bergman - In Her Own Words 19<br />

The Interrogation 14<br />

Intermezzo 19<br />

Into the Inferno 5<br />

Inversion 9<br />

It’s Only the End of the World 10<br />

Jennifer (microcinema 2) 22<br />

Johnny Frank Garrett’s Last Word 24<br />

June Night 19<br />

Keaton for Kids with Neil Brand 26<br />

The Kingdom of Shadows (microcinema 4) 23<br />

Letters From Baghdad 9<br />

Life is Waiting: Referendum<br />

and Resistance in Western Sahara (CAFF) 21<br />

The Light Between Oceans 10<br />

Light Years 10<br />

Light that Obscures (microcinema 1) 22<br />

The Long Night of Francisco Sanctis 10<br />

Love is Thicker than Water 10<br />

The Love Witch 24<br />

Making It 11<br />

Manchester by the Sea 11<br />

Mattress Men 11<br />

Mimosas 11<br />

Nakom 14<br />

Next Generation Short Tiger <strong>2016</strong> 15<br />

Numb 11<br />

Oleg and the Rare Arts 12<br />

Olympic Pride, American Prejudice 12<br />

One of Us 14<br />

On the Other Side 12<br />

Parole 12<br />

Paterson 12<br />

Personal Affairs 12<br />

Public House (microcinema 3) 23<br />

A Quiet Passion 5<br />

Re: A Pier 12<br />

Rediscovering Michael Curtiz (Talk) 21<br />

The Remembered <strong>Film</strong> (microcinema 4) 23<br />

Revolutions – New Art for a New World 12<br />

El Sur 12<br />

S is for Stanley 12<br />

Salomé 18<br />

Sex, Maracas & Chihuahuas 14<br />

Scherzo Diabolico 24<br />

ShortFusion: Adaptation 29<br />

ShortFusion: Contravention 29<br />

ShortFusion: <strong>Film</strong> Hub Central East 28<br />

ShortFusion: Glass Ceiling 28<br />

ShortFusion: Nostalgia? 28<br />

ShortReel 29<br />

Stormy Weather 13<br />

Sully 13<br />

Syd Barrett: A Very Special Thing to Me 25<br />

Then and Now (Round Table Discussion) 23<br />

Things of the Aimless Wanderer (CAFF) 20<br />

Toni Erdmann 15<br />

Train to Busan 13<br />

Two Timid Souls 18<br />

Two-Mirror Self Portrait<br />

(Version 4, ‘Cornered”) (microcinema 1) 22<br />

Tomorrow 13<br />

Ukrainian Sheriffs 13<br />

The Unseen (CAFF) 20<br />

United States of Love 13<br />

Untitled Installation – Steve Farrer 22<br />

The Virus of Fear 14<br />

Walk with Me: The Trials of Damon J Keith 13<br />

Warrior Road 24<br />

Wednesday 04.45 13<br />

A Woman’s Face 19<br />

Wonderland 13<br />

Wonder of Creation 18<br />

Zanzibar Soccer Dreams (CAFF) 20<br />

Zura Taekwondo Fighter (CAFF) 20<br />

Zona Norte 15<br />

Family <strong>Film</strong> <strong>Festival</strong> – 26+27<br />

The Adventures of Robin Hood<br />

Almost Naked Animals<br />

The BFG<br />

Bitziboo & Sing-Along<br />

Button Moon<br />

The Cameraman & The High Sign (Parkside Pool)<br />

Corpse Bride<br />

Dogtanian<br />

Finding Dory<br />

Halloween Shorts<br />

Harriet’s Army<br />

Keaton for Kids with Neil Brand<br />

Keep on Wombling with Mike Batt<br />

Litterbugs<br />

Microcosmos & Shepreth<br />

News From Planet Mars<br />

Peter Rabbit<br />

Safiya Flies Across the Ocean & Litterbugs<br />

Scooby Doo on Zombie Island<br />

The Secret of Kells<br />

The Storytime Fairy<br />

Super Hero Smack Down Workshop<br />

Wallace and Gromit<br />

Willy Wonka and the Chocolate Factory<br />

Who Killed Nelson Nutmeg?<br />

Young Frankenstein


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VENUE PARTNERS<br />

It’s not how loud you say it.<br />

It’s what you have to say.<br />

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