Viva Brighton Issue #62 April 2018
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DESIGN<br />
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Banksy<br />
UNGA<br />
“In 20 years of Penguin it’s probably one of my<br />
finest moments - it’s such a good brand, you can<br />
play with it.”<br />
I ask whether the artists read the books but,<br />
surprisingly, John tells me he didn’t encourage<br />
it. “I wanted to take the narrative out… The<br />
idea was to get something eye-catching, iconic,<br />
immediate.”<br />
“If you’re going to someone like Banksy or Intro,”<br />
he says, “I can’t give them a brief, because that’s<br />
not what they do. All I can say is that I can tailor<br />
where I think we should be pitching our ball.”<br />
The unsung skill of a great Art Director is<br />
finding the right person for the job, which, for<br />
John, is usually someone with an individual<br />
and challenging style. “I want a cover to look<br />
completely unique,” he says. “If it was going<br />
to look like a book jacket, I’d get a book jacket<br />
designer to do it.” Chloë King<br />
ditchlingmuseumartcraft.org.uk<br />
There will be ten new Essentials published by<br />
Penguin on the 7th June.<br />
Angie Lewin<br />
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