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Viva Brighton Issue #62 April 2018

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DESIGN<br />

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Banksy<br />

UNGA<br />

“In 20 years of Penguin it’s probably one of my<br />

finest moments - it’s such a good brand, you can<br />

play with it.”<br />

I ask whether the artists read the books but,<br />

surprisingly, John tells me he didn’t encourage<br />

it. “I wanted to take the narrative out… The<br />

idea was to get something eye-catching, iconic,<br />

immediate.”<br />

“If you’re going to someone like Banksy or Intro,”<br />

he says, “I can’t give them a brief, because that’s<br />

not what they do. All I can say is that I can tailor<br />

where I think we should be pitching our ball.”<br />

The unsung skill of a great Art Director is<br />

finding the right person for the job, which, for<br />

John, is usually someone with an individual<br />

and challenging style. “I want a cover to look<br />

completely unique,” he says. “If it was going<br />

to look like a book jacket, I’d get a book jacket<br />

designer to do it.” Chloë King<br />

ditchlingmuseumartcraft.org.uk<br />

There will be ten new Essentials published by<br />

Penguin on the 7th June.<br />

Angie Lewin<br />

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