Viva Brighton Issue #62 April 2018
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POETRY<br />
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Waterloo produce equally exquisite<br />
books. The press is run by Simon<br />
Jenner, and embraces the two wings<br />
of poetry, Modernists like Joseph<br />
Macleod and Simon Smith, and<br />
‘<strong>Brighton</strong> Naifs’ as Jenner calls<br />
them, street poets with rawer voices<br />
like the late Debo Thomas and Alf<br />
Wiltshire. The press also went on to<br />
publish poetry from Argentina to the<br />
Ukraine, and has ambitions to be the<br />
premier small press in the region.<br />
But it’s not just publishing that<br />
makes <strong>Brighton</strong> the poetry capital<br />
of the South. Nights such as those<br />
put on by Pighog and Horseplay<br />
also play a part in giving poets a<br />
voice. Michaela Ridgway is MC at<br />
Pighog, and at the rather swanky<br />
Nightingale Room at Grand Central,<br />
she introduces a mixture of old<br />
stagers like John Davies and Bob<br />
Walton and newer voices like Sea<br />
Sharp from Kansas. There’s also a<br />
bunch of very impressive poets from<br />
the floor, such as Colette Sensier, a<br />
Young Foyle winner, and Bernadette<br />
Cremin, who I think could go far.<br />
Horseplay favours the Cult of<br />
Impersonality. Here there’s no<br />
distinction between MCs and<br />
audience, with anyone who wants<br />
to read getting a fair crack at the<br />
mic. Verity Spott and Ben Graham<br />
introduce the evening, then all can<br />
have a go.<br />
I’ve not even mentioned Hammer<br />
& Tongue and newcomers Trope.<br />
Another time. For now I’ve got<br />
Rattle to finish.<br />
John O’Donoghue<br />
Pighog, Grand Central, 7.30pm 26th<br />
<strong>April</strong>, £5/3. Horseplay, Black Dove,<br />
7.30pm 26th <strong>April</strong>, free<br />
Michaela Ridgway and Bernadette Cremin Robin Lawley<br />
Sea Sharp. Photos by Andrew King<br />
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