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Viva Brighton Issue #62 April 2018

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Photos by Lucy Limage, @lucylimage<br />

MY SPACE<br />

...........................................<br />

Jo Sweeting<br />

Sculptor and letter carver<br />

“There’s a lovely word, ‘smeuse’,” answers<br />

sculptor Jo Sweeting, when I ask her what<br />

her favourite old English word is. “It means<br />

an exit made by animals through hedges and<br />

brambles. And the thing is, once you know<br />

a word for something, you start to see it<br />

everywhere. Ever since I learnt that word, I<br />

keep noticing those smeuses.”<br />

Jo’s interest in words is the source of inspiration<br />

for much of her work. “It often starts with<br />

poetry or from reading,” she says. “There’s a<br />

poem called In Memoriam (Easter 1915) by<br />

Edward Thomas, which has inspired a few<br />

of my sculptures. There’s a line that says ‘the<br />

flowers left thick at nightfall in the wood’, and<br />

it’s about the fact that the men didn’t return<br />

and the women therefore didn’t pick the spring<br />

flowers.” One sculpture shows Thomas’ face,<br />

on one side surrounded by the open flowers in<br />

the morning, on the other side looking back as<br />

the flowers have shut at dusk. “It’s about that<br />

brief moment,” she explains.<br />

Many of Jo’s pieces seek to celebrate language<br />

which is in danger of being lost. “One of my big<br />

influences is a man called Robert Macfarlane,<br />

who wrote The Old Ways and a number of<br />

other books. His belief is that in order for<br />

us to take care of the environment that we<br />

....83....

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