Viva Brighton Issue #62 April 2018
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Photos by Lucy Limage, @lucylimage<br />
MY SPACE<br />
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Jo Sweeting<br />
Sculptor and letter carver<br />
“There’s a lovely word, ‘smeuse’,” answers<br />
sculptor Jo Sweeting, when I ask her what<br />
her favourite old English word is. “It means<br />
an exit made by animals through hedges and<br />
brambles. And the thing is, once you know<br />
a word for something, you start to see it<br />
everywhere. Ever since I learnt that word, I<br />
keep noticing those smeuses.”<br />
Jo’s interest in words is the source of inspiration<br />
for much of her work. “It often starts with<br />
poetry or from reading,” she says. “There’s a<br />
poem called In Memoriam (Easter 1915) by<br />
Edward Thomas, which has inspired a few<br />
of my sculptures. There’s a line that says ‘the<br />
flowers left thick at nightfall in the wood’, and<br />
it’s about the fact that the men didn’t return<br />
and the women therefore didn’t pick the spring<br />
flowers.” One sculpture shows Thomas’ face,<br />
on one side surrounded by the open flowers in<br />
the morning, on the other side looking back as<br />
the flowers have shut at dusk. “It’s about that<br />
brief moment,” she explains.<br />
Many of Jo’s pieces seek to celebrate language<br />
which is in danger of being lost. “One of my big<br />
influences is a man called Robert Macfarlane,<br />
who wrote The Old Ways and a number of<br />
other books. His belief is that in order for<br />
us to take care of the environment that we<br />
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