Postclassical Narratology: Approaches and Analyses

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Page 1 and 2: T h e o r y a n d I n T e r p r e T
Page 3 and 4: Copyright © 2010 by The Ohio State
Page 5 and 6: vi Contents 6 Hypothetical Intentio
Page 7 and 8: introduction Jan alber and MonIka f
Page 9 and 10: Introduction 3 development which re
Page 11 and 12: Introduction 5 ken that the discipl
Page 13 and 14: Introduction 7 Feminist narratology
Page 15 and 16: Introduction 9 guages of storytelli
Page 17 and 18: Introduction 11 Finally, it is wort
Page 19 and 20: Introduction 13 sociolinguistics, a
Page 21 and 22: Introduction 15 of logocentrism and
Page 23 and 24: Introduction 17 or perspective in r
Page 25 and 26: Introduction 19 story of the past l
Page 27 and 28: Introduction 21 tions of fictionali
Page 29 and 30: Introduction 23 development), there
Page 31 and 32: Introduction 25 Bordwell, David (19
Page 33: Introduction 27 ——— (2007) Ed
Page 37 and 38: Introduction 31 Schneider, Ralf (20
Page 39 and 40: 304 Contributors 1998; Diaspora and
Page 41 and 42: 306 Contributors riCHard walsH is s
Page 43 and 44: 308 Author Index Boothe, Brigitte,
Page 45 and 46: 310 Author Index Hernadi, Paul, 276
Page 47 and 48: 312 Author Index Pratt, Marie-Louis
Page 49 and 50: subject index act: cognitive, 51; c
Page 51 and 52: duration (Genette), 118n9 emplotmen
Page 53 and 54: 139, 142n4, 158, 167, 169, 240, 260
Page 55 and 56: 210; voice-over, 9, 121, 126, 128,
Page 57 and 58: vocalization, 37 voice (Genette), 1
Page 59 and 60: Bloodscripts: Writing the Violent S

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