Postclassical Narratology: Approaches and Analyses

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Story and Situation (Chambers), 230−31 The Stranger (L’étranger) (Camus), 225 The Steward of Christendom (Barry), 122, 122n13 Sturges, Robert, 201−2 Swift, Graham, 271 Tajfel, Henri, 246 Talese, Nan, 289 Talmy, Leonard, 138 The Taming of the Shrew (Shakespeare), 67 Tannen, Deborah, 13, 239, 242−43 The Temptations of Big Bear (Wiebe), 107 A Theory of Narrative (Theorie des Erzählens) (Stanzel), 45 The Thief’s Journal (Journal du voleur) (Genet), 18, 209, 219−24, 226−27, 229−30 Thomson-Jones, Katherine, 164 Todorov, Tzvetan, 2, 2n2, 177n25, 277 Tom Jones (Fielding), 40, 123 To the Lighthouse (Woolf), 151 Towards a ‘Natural’ Narratology (Fludernik), 116, 126, 259, 297n32 Travesties (Stoppard), 122 Tristram Shandy (Sterne), 107, 113 Turner, Mark, 137−39, 146 Tuval-Mashiach, Rivka, 235, 237 Ulysses (Joyce), 39, 42, 107 Unnatural Voices (Richardson), 275n3, 280n12 Unspeakable Sentences (Banfield), 14, 282 The Usual Suspects (Singer), 172 Vénus dans le cloître, ou, La religieuse en chemise: entretiens curieux (Barrin), 191−92, 197 Vertigo (Hitchcock), 52n11 Author Index 313 Vervaeck, Bart, 5 Veyne, Paul, 108 Vieux Carré (Williams), 123 Violence and the Sacred (La violence et le sacré) (Girard), 213n15 The Virgin Unmask’d: or, Female Dialogues Betwixt an Elderly Maiden Lady and her Niece (Mandeville), 191n6 Waiting for the Barbarians (Coetzee), 290 Walsh, Richard, 10n12, 14−17, 22, 109−10, 123−25, 127, 130, 169n14, 277, 280−81, 294, 296, 299n25 Warhol, Robyn, 7 Waterland (Swift), 271 Watt, Ian, 187 Werth, Paul, 146 White, Edmund, 8 White, Hayden, 109, 114n5, 269n11, 280 The Whores Rhetorick: Calculated to the Meridian of London (Pallavicino), 191n6 Wiebe, Rudy, 107 Wilde, Oscar, 62−63 Williams, Linda Ruth, 264 Williams, Tennessee, 123 Wilson, Deirdre, 251n3, 294 Wilson, George, 164 Winfrey, Oprah, 285n17, 286, 289 Wolf, Werner, 9, 13−16, 22, 116 Woolf, Virginia, 83n1, 151, 169, 173n19 Yacobi, Tamar, 216n19 “The Yellow Wallpaper” (Perkins Gilman), 201 You Only Live Once (Lang), 168 Zilber, Tamar, 235, 237 Zunshine, Lisa, 12, 22n18, 165
subject index act: cognitive, 51; communicative, 35, 42−43, 150, 175; discursive, 48; fictive, 46; linguistic, 46; narrative, 35, 38, 42−44, 261; narrational, 115, 119, 128, 154; of fictive representation, 41; of imitation, 41; of narration, 38, 40, 41, 113−14, 116, 128, 140, 148, 222−23, 226, 230; of narrative representation, 16, 36, 48, 55 action(s), 95, 106−7, 153, 155, 171, 192, 216, 236, 242−43, 247. See also event and Geschehen action movie, 165n7 adaptation, 108n3, 158n14, 174 agency, 16, 36−37, 46−47, 55 anachrony (Genette), 107 anagnorisis, 209 analepsis, 62, 108. See also flashback anti-illusionism (Wolf), 13−14 anti-mimeticism, 14−15 attribution theory, 97, 99−100 audience: authorial, 7, 10, 177, 298 author: death of (Barthes), 277; implied, 10, 10n12, 13−14, 14n14, 17, 47n9, 119, 123, 166−67, 169n13, 181, 267n5, 279; real, 10, 114, 166, 276, 286, 292−94, 292n30, 299 autobiographical pact/contract (Lejeune), 233, 270, 293 autobiography, 3−4, 9, 19−20, 73, 189, 189n4, 219, 220, 223, 223n35, 230, 255−71, 276; fictionality of, 266−70; nineteenth-century, 265; postmodern, 267 autofiction, 291, 291n28, 292, 292n30 beginning/ending, 11, 237 captions, 168, 170, 171 canon, 39, 39n4, 108, 150, 199 categorical vs. holistic, 235, 237 character(s), 7, 10, 12, 18, 36, 41, 46, 49, 50−53, 55, 73, 87, 91, 97−99, 108, 108n3, 113, 115−16, 118−26, 130, 140, 149−51, 154, 156, 159, 167, 174, 174n19, 175, 179, 181, 188, 192, 199, 206−7, 208n4, 210−11, 220, 225, 227−31, 242−43, 245, 250, 291n28, 292, 292n30, 294−95; character-narrator, 168, 171−72, 172n17, 299; character perspective, 44−45; narrating char- 315
Page 1 and 2: T h e o r y a n d I n T e r p r e T
Page 3 and 4: Copyright © 2010 by The Ohio State
Page 5 and 6: vi Contents 6 Hypothetical Intentio
Page 7 and 8: introduction Jan alber and MonIka f
Page 9 and 10: Introduction 3 development which re
Page 11 and 12: Introduction 5 ken that the discipl
Page 13 and 14: Introduction 7 Feminist narratology
Page 15 and 16: Introduction 9 guages of storytelli
Page 17 and 18: Introduction 11 Finally, it is wort
Page 19 and 20: Introduction 13 sociolinguistics, a
Page 21 and 22: Introduction 15 of logocentrism and
Page 23 and 24: Introduction 17 or perspective in r
Page 25 and 26: Introduction 19 story of the past l
Page 27 and 28: Introduction 21 tions of fictionali
Page 29 and 30: Introduction 23 development), there
Page 31 and 32: Introduction 25 Bordwell, David (19
Page 33 and 34: Introduction 27 ——— (2007) Ed
Page 35 and 36: Introduction 29 Narration: Towards
Page 37 and 38: Introduction 31 Schneider, Ralf (20
Page 39 and 40: 304 Contributors 1998; Diaspora and
Page 41 and 42: 306 Contributors riCHard walsH is s
Page 43 and 44: 308 Author Index Boothe, Brigitte,
Page 45 and 46: 310 Author Index Hernadi, Paul, 276
Page 47: 312 Author Index Pratt, Marie-Louis
Page 51 and 52: duration (Genette), 118n9 emplotmen
Page 53 and 54: 139, 142n4, 158, 167, 169, 240, 260
Page 55 and 56: 210; voice-over, 9, 121, 126, 128,
Page 57 and 58: vocalization, 37 voice (Genette), 1
Page 59 and 60: Bloodscripts: Writing the Violent S

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