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BeatRoute Magazine BC Print Edition May 2018

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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YOB<br />

RESURECTED AFTER A NEAR DEATH EXPERIENCE<br />

JAMILA POMEROY<br />

Photo by Orion Landau<br />

Yob return with bleeding conscious and crushing doom.<br />

After receiving what he referred to as a “courtesy call from [his]<br />

eventual death”, Mike Scheidt, vocalist and guitarist of Yob, returns<br />

with a new lease and dedication to life and music.<br />

While grocery shopping not to far from his home, in Eugene,<br />

Oregon, Scheidt was struck with a violent pain down the left side<br />

of his face. This pain lead him to discovering a severe case of acute<br />

diverticulitis, a disease that attacks the intestines. Scheidt endured<br />

multiple surgeries, near death experiences and a grueling recovery<br />

period, which put life on hold not only for himself, but for the whole<br />

band.<br />

While often barely mobile, Scheidt continued to write and play<br />

music with the help of a custom Monson guitar; the lighter guitar<br />

allowed him to play, and write, within the bounds of his weight<br />

restrictions following his surgery. He went six months without singing<br />

and had to rebuild from the beginning with a vocal coach, a delicate<br />

process, as he could herniate any of his incisions if he pushed too<br />

hard. He began experimenting with the new tricks taught by his<br />

vocal coach, to rebuild his technical range and power. “In some ways<br />

actually, my vocals are better than they have ever been,” says Scheidt.<br />

While the band approaches each album from the point in which<br />

they are at in life — lyrically, and thematically — Scheidt’s health<br />

struggles have deeply impacted the new album. “I had no guarantee<br />

any of the music I was making was going to ever see the light of day,”<br />

he says. With the potential complications of his surgeries and recovery<br />

process, Scheidt had this underlying feeling that his compositions<br />

had to be “good enough.” He explains there was an extra level of<br />

love, gratitude and dedication to intention, superimposed by his<br />

illness, both in regards to music processes and his relationships with<br />

his bandmates and family. Thematically, the feeling of losing control<br />

played a heavy roll in inspiration of the new album.<br />

Yob released “The Screen”, earlier this year, and while the song is a<br />

preview of their upcoming album, Our Raw Heart, it features some of<br />

the oldest sets of riffs on the album. The song is sonically in line with<br />

their previous heavy doom metal brutality, but on the heavier side of<br />

their sonic spectrum, which spans from meditative ambience, to skull<br />

crushing riffage. “It’s a song we’ve had around for five or six years. It<br />

just never found a place and there was no album that it seemed like it<br />

fit. Post illness, as I was writing, all of a sudden everything came into<br />

focus, and it became part of this new album” he explains. Scheidt says<br />

he is still writing about the same things, persona and sincere lyrics,<br />

driven by the pursuit of positive influence. Thematically, the band<br />

takes inspiration from eastern mysticism, shamanic practices, poetry<br />

and meditative mindfulness.<br />

Scheidt has been described previously as the zen or Yogi Master<br />

type and in speaking with him, there’s a strong imprint of that. He<br />

is calm, collected and deeply humble. While the music Yob makes is<br />

often brutal and heavy, there have always been conscious tones and a<br />

meditative quality.<br />

“I’ve spent a lot of years sitting and doing meditation. I don’t<br />

pretend to be a great practitioner, but I’m consistent,” Scheidt says.<br />

His conscious and humble attitude carries into all aspects of his life;<br />

and while always present, there is a new level of gratitude his near<br />

death experience has brought him.<br />

Yob perform as part of the Modified Ghost Festival on <strong>May</strong> 25 at the<br />

Rickshaw Theatre.<br />

22<br />

<strong>May</strong> <strong>2018</strong>

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