May Newsletter
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ARTS AND RECREATION<br />
ART events<br />
GALLERY HOURS<br />
Monday-Friday 8:30 a.m.-4:30 p.m.<br />
Saturday 10 a.m.-4 p.m.<br />
CURTIS CENTER FOR THE ARTS • 2349 EAST ORCHARD ROAD, GREENWOOD VILLAGE, CO 80121 • 303-797-1779<br />
THE CURTIS CENTER FOR THE ARTS<br />
TO HOST EXHIBIT FROM FORMER<br />
GREENWOOD VILLAGE RESIDENT<br />
AND WORLD-RENOWNED ARTIST<br />
JOELLYN DUESBERRY<br />
WHEN: MAY 12-JUNE 30<br />
RECEPTION: SATURDAY, MAY 12, 6-8 P.M.<br />
CURATOR’S TALK: SATURDAY, JUNE 2, 1 P.M.<br />
WHERE: CURTIS CENTER FOR THE ARTS<br />
Nationally recognized for her dynamic landscape paintings,<br />
Joellyn Duesberry’s canvases are remarkable with rich and<br />
intense use of color and distinct balance of geometric surface<br />
and depth of various cityscapes and landscapes around the<br />
world. Her use of light, shadow, scale and texture culminates<br />
in paintings that are both visually and emotionally arresting.<br />
Duesberry passed after a battle with pancreatic cancer in<br />
August 2016.<br />
A self-taught oil painter, Duesberry’s long and distinguished<br />
career took her around the world while establishing herself as<br />
a regionalist. Although the Duesberry studio is located in<br />
Greenwood Village, she painted plein-air around the world<br />
for 40 plus years. Exhibited in this show are both well-known<br />
landscapes and rarely seen works that reveal the subjects that<br />
continually inspired Duesberry to revisit them on the canvas<br />
and in person. Her plein-air locales focused on the northeast<br />
and western United<br />
States, while utilizing<br />
the winter months to<br />
create monotypes to<br />
experiment with<br />
abstraction.<br />
An Exploration in Medium examines Duesberry’s prolific<br />
output from the mid-1970s to 2015, including paintings,<br />
monotypes and drawings. Exploring the planes of rural<br />
architecture, exotic land, rock, and water forms for the pull<br />
of unfamiliar geometries, it became obvious that her<br />
consistent choices of color and structure was a response to<br />
the world that came from deepest memory. Southwestern<br />
desert tans and reds (like Virginia hills) made her at ease with<br />
Tuscan, Californian or Spanish bright light, and its sculptural<br />
definition of forms; ancient hill towns of Europe presented<br />
aspects of the same architectonics, hand-forged irregularities,<br />
and the Virginia farmlands and its roofed structures from<br />
where she grew up.<br />
“The act of landscape painting is my most natural,<br />
challenging, and joyful experience in life. My often-quirky<br />
interpretation of Colorado vistas, corners, and waters show<br />
the magical energy of the land. The power I sense in wild<br />
places, imparts to this artist a vibrating energy and strength,<br />
which I must somehow express in every light, mood, odd<br />
angle and scale of vision.” — Joellyn T. Duesberry<br />
Duesberry’s artwork has been acquired<br />
by over 90 public collections both<br />
nationally and internationally. Available<br />
is her 50-year retrospective book titled<br />
“Elevated Perspective: The Paintings of<br />
Joellyn Duesberry,” and “Dialogue with<br />
the Artist,” a 32-minute PBS<br />
documentary film on her process of<br />
painting and monotypes.<br />
This exhibit is curated by Brenda LaBier,<br />
Director of Estate and Gift Planning of<br />
the Joellyn Duesberry Collection. GV<br />
PG. 20 GV NEWSLETTER | MAY 2018