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May Newsletter

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ARTS AND RECREATION<br />

ART events<br />

GALLERY HOURS<br />

Monday-Friday 8:30 a.m.-4:30 p.m.<br />

Saturday 10 a.m.-4 p.m.<br />

CURTIS CENTER FOR THE ARTS • 2349 EAST ORCHARD ROAD, GREENWOOD VILLAGE, CO 80121 • 303-797-1779<br />

THE CURTIS CENTER FOR THE ARTS<br />

TO HOST EXHIBIT FROM FORMER<br />

GREENWOOD VILLAGE RESIDENT<br />

AND WORLD-RENOWNED ARTIST<br />

JOELLYN DUESBERRY<br />

WHEN: MAY 12-JUNE 30<br />

RECEPTION: SATURDAY, MAY 12, 6-8 P.M.<br />

CURATOR’S TALK: SATURDAY, JUNE 2, 1 P.M.<br />

WHERE: CURTIS CENTER FOR THE ARTS<br />

Nationally recognized for her dynamic landscape paintings,<br />

Joellyn Duesberry’s canvases are remarkable with rich and<br />

intense use of color and distinct balance of geometric surface<br />

and depth of various cityscapes and landscapes around the<br />

world. Her use of light, shadow, scale and texture culminates<br />

in paintings that are both visually and emotionally arresting.<br />

Duesberry passed after a battle with pancreatic cancer in<br />

August 2016.<br />

A self-taught oil painter, Duesberry’s long and distinguished<br />

career took her around the world while establishing herself as<br />

a regionalist. Although the Duesberry studio is located in<br />

Greenwood Village, she painted plein-air around the world<br />

for 40 plus years. Exhibited in this show are both well-known<br />

landscapes and rarely seen works that reveal the subjects that<br />

continually inspired Duesberry to revisit them on the canvas<br />

and in person. Her plein-air locales focused on the northeast<br />

and western United<br />

States, while utilizing<br />

the winter months to<br />

create monotypes to<br />

experiment with<br />

abstraction.<br />

An Exploration in Medium examines Duesberry’s prolific<br />

output from the mid-1970s to 2015, including paintings,<br />

monotypes and drawings. Exploring the planes of rural<br />

architecture, exotic land, rock, and water forms for the pull<br />

of unfamiliar geometries, it became obvious that her<br />

consistent choices of color and structure was a response to<br />

the world that came from deepest memory. Southwestern<br />

desert tans and reds (like Virginia hills) made her at ease with<br />

Tuscan, Californian or Spanish bright light, and its sculptural<br />

definition of forms; ancient hill towns of Europe presented<br />

aspects of the same architectonics, hand-forged irregularities,<br />

and the Virginia farmlands and its roofed structures from<br />

where she grew up.<br />

“The act of landscape painting is my most natural,<br />

challenging, and joyful experience in life. My often-quirky<br />

interpretation of Colorado vistas, corners, and waters show<br />

the magical energy of the land. The power I sense in wild<br />

places, imparts to this artist a vibrating energy and strength,<br />

which I must somehow express in every light, mood, odd<br />

angle and scale of vision.” — Joellyn T. Duesberry<br />

Duesberry’s artwork has been acquired<br />

by over 90 public collections both<br />

nationally and internationally. Available<br />

is her 50-year retrospective book titled<br />

“Elevated Perspective: The Paintings of<br />

Joellyn Duesberry,” and “Dialogue with<br />

the Artist,” a 32-minute PBS<br />

documentary film on her process of<br />

painting and monotypes.<br />

This exhibit is curated by Brenda LaBier,<br />

Director of Estate and Gift Planning of<br />

the Joellyn Duesberry Collection. GV<br />

PG. 20 GV NEWSLETTER | MAY 2018

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