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Web_Designer_UK__May_2018

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ANGELIC AIRPLANES<br />

INTO THE FOLD<br />

So the core idea that underpins the<br />

finished site was established early and<br />

very much from all that initial creative<br />

brainstorming. This work in idea<br />

generation was however also informed<br />

by some competitor analysis that<br />

confirmed certain things that the client<br />

wanted to avoid. “We came through<br />

dozens of sites looking for good<br />

solutions,” confirms Lomov. “And after<br />

that we realised that all the investment<br />

websites are absolutely similar. Given<br />

that the client had already said they<br />

didn’t want to have a classic investment<br />

website, we centred around the take-off<br />

theme most enthusiastically.”<br />

The freedom Red Collar had to pursue<br />

this direction was aided by an admirably<br />

loose reign from Inculerate, who<br />

encouraged the team to go its own way<br />

throughout the project. Such an open<br />

attitude was made even more refreshing<br />

given the long-distance proximity<br />

between client and agency – an<br />

international relationship that hasn’t<br />

always been so trusting. “After the brief<br />

our Junior <strong>Designer</strong> made sketches and<br />

we showed them to our client,”<br />

continues Lomov. “It’s important to say<br />

that the company is from the USA and<br />

we’re in Russia, but in spite of different<br />

state of mind we managed to establish a<br />

very good and trusting relationship.<br />

They trusted in our professionalism and<br />

let us create at our discretion. They liked<br />

our idea and so we started to implement<br />

sketches into a real website. On every<br />

stage of design and front-end<br />

development we presented what we did<br />

and the client was really excited.”<br />

That front-end work would involve<br />

some inventive animation work, with<br />

lots of attention paid to creating an<br />

atmosphere with the visuals and sound<br />

too. Visitors to the finished site today<br />

will immediately appreciate the<br />

dedication to an idea, the choice of<br />

colours and the stop-motion gestures all<br />

performed lovingly by the team.<br />

HOVER CRAFTING<br />

The front-end development of the site<br />

was all written in PixiJS with the images<br />

and animations etc rendered onto<br />

Canvas. This approach consciously<br />

ensures that the content is displayed<br />

using the fastest and most flexible 2D<br />

rendering of <strong>Web</strong>GL while ensuring<br />

consistency across devices. “PixiJS<br />

allows us to make cross-platform sites<br />

that open on almost any device and<br />

browser, so the site is 100% optimised<br />

for all these types of devices,” Lomov<br />

confirms. The main interaction with the<br />

site of course happens via an interactive<br />

“THE FRONT-END DEVELOPMENT OF THE SITE WAS<br />

ALL WRITTEN IN PIXIJS WITH THE IMAGES AND<br />

ANIMATIONS ETC RENDERED ONTO CANVAS”<br />

slider, dragging a point on the screen to<br />

symbolise the ‘do-it-yourself’ effort<br />

associated with a startup. This makes<br />

the whole site more like an interactive<br />

story; in a few steps a paper plane is<br />

folded and launched like a business. “We<br />

have thought out all the details to make<br />

the UI most effective,” says Lomov.<br />

“When you hover the cursor to the start<br />

point it sticks to the element like a<br />

magnet because of a 60-pixel invisible<br />

hover zone around the starting point. To<br />

not confuse the user we created a<br />

‘running’ light spot on the guideline in<br />

order to direct visitor’s interaction. The<br />

stop-motion shots automatically play<br />

thanks to TweenMax (GSAP) technology<br />

ABOVE: No red collars and<br />

no trousers for a few<br />

members of the team<br />

design diary _________________________________________29

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