Web_Designer_UK__May_2018
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ANGELIC AIRPLANES<br />
INTO THE FOLD<br />
So the core idea that underpins the<br />
finished site was established early and<br />
very much from all that initial creative<br />
brainstorming. This work in idea<br />
generation was however also informed<br />
by some competitor analysis that<br />
confirmed certain things that the client<br />
wanted to avoid. “We came through<br />
dozens of sites looking for good<br />
solutions,” confirms Lomov. “And after<br />
that we realised that all the investment<br />
websites are absolutely similar. Given<br />
that the client had already said they<br />
didn’t want to have a classic investment<br />
website, we centred around the take-off<br />
theme most enthusiastically.”<br />
The freedom Red Collar had to pursue<br />
this direction was aided by an admirably<br />
loose reign from Inculerate, who<br />
encouraged the team to go its own way<br />
throughout the project. Such an open<br />
attitude was made even more refreshing<br />
given the long-distance proximity<br />
between client and agency – an<br />
international relationship that hasn’t<br />
always been so trusting. “After the brief<br />
our Junior <strong>Designer</strong> made sketches and<br />
we showed them to our client,”<br />
continues Lomov. “It’s important to say<br />
that the company is from the USA and<br />
we’re in Russia, but in spite of different<br />
state of mind we managed to establish a<br />
very good and trusting relationship.<br />
They trusted in our professionalism and<br />
let us create at our discretion. They liked<br />
our idea and so we started to implement<br />
sketches into a real website. On every<br />
stage of design and front-end<br />
development we presented what we did<br />
and the client was really excited.”<br />
That front-end work would involve<br />
some inventive animation work, with<br />
lots of attention paid to creating an<br />
atmosphere with the visuals and sound<br />
too. Visitors to the finished site today<br />
will immediately appreciate the<br />
dedication to an idea, the choice of<br />
colours and the stop-motion gestures all<br />
performed lovingly by the team.<br />
HOVER CRAFTING<br />
The front-end development of the site<br />
was all written in PixiJS with the images<br />
and animations etc rendered onto<br />
Canvas. This approach consciously<br />
ensures that the content is displayed<br />
using the fastest and most flexible 2D<br />
rendering of <strong>Web</strong>GL while ensuring<br />
consistency across devices. “PixiJS<br />
allows us to make cross-platform sites<br />
that open on almost any device and<br />
browser, so the site is 100% optimised<br />
for all these types of devices,” Lomov<br />
confirms. The main interaction with the<br />
site of course happens via an interactive<br />
“THE FRONT-END DEVELOPMENT OF THE SITE WAS<br />
ALL WRITTEN IN PIXIJS WITH THE IMAGES AND<br />
ANIMATIONS ETC RENDERED ONTO CANVAS”<br />
slider, dragging a point on the screen to<br />
symbolise the ‘do-it-yourself’ effort<br />
associated with a startup. This makes<br />
the whole site more like an interactive<br />
story; in a few steps a paper plane is<br />
folded and launched like a business. “We<br />
have thought out all the details to make<br />
the UI most effective,” says Lomov.<br />
“When you hover the cursor to the start<br />
point it sticks to the element like a<br />
magnet because of a 60-pixel invisible<br />
hover zone around the starting point. To<br />
not confuse the user we created a<br />
‘running’ light spot on the guideline in<br />
order to direct visitor’s interaction. The<br />
stop-motion shots automatically play<br />
thanks to TweenMax (GSAP) technology<br />
ABOVE: No red collars and<br />
no trousers for a few<br />
members of the team<br />
design diary _________________________________________29