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Photo Live Issue 3

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

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and seeing what it can do. There’s<br />

a totally different experience than<br />

shooting with Digital.<br />

Q: I’m guessing many of the<br />

people you photograph may<br />

not know much about Polaroid,<br />

do you get any interesting<br />

reactions from them?<br />

Surprisingly, I still find a lot of people<br />

who are new to the whole polaroid/<br />

instant film process! The cameras<br />

themselves are usually the first tipoff<br />

(especially the bulkier and almost<br />

brick-looking ones you’ll find from<br />

companies like Lomography) but<br />

seeing the print pop out and start<br />

developing is something that most<br />

people want to see. I’m always happy<br />

to shoot an extra shot for them to<br />

keep as a take-away!<br />

Q: Do you think instant prints have a<br />

sense of nostalgia that makes us<br />

love them?<br />

There’s definitely a sense of nostalgia.<br />

There’s also the fact that they’re far<br />

from perfect. Shots can be unerexposed,<br />

out of focus, off-center but<br />

they’re still special. While these are<br />

usually shots I’d delete on digital,<br />

having a one-of-a-kind print to look<br />

back at years down the road is really<br />

cool. There is no negative to make<br />

copies from, just the original photo<br />

itself which makes it a bit special.<br />

Q: There is a sense of simplicity<br />

about the prints, how do you<br />

go about taking the pictures?<br />

This is one of the things I really liked<br />

seeing.. every instant photographer<br />

tends to have their own process.<br />

Some get in very-close for more of a<br />

headshot, some stand further back<br />

to get a full-portrait. I usually bring a<br />

few different instant cameras with me<br />

since each one gives a very different<br />

feel (some give a more dreamy look,<br />

others give a sharper look.. some are<br />

wide-angle, others a fisheye-effect<br />

and some are more of a portrait<br />

lens), same for the films (color,<br />

monochrome, different borders)<br />

which help set the mood of different<br />

shots. It’s a lot of trial an error, but<br />

more importantly just having fun with<br />

it and trying new things. Sometimes<br />

it works and you get some really<br />

awesome shots, sometimes it<br />

doesn’t -- either way it’s always a new<br />

experience!<br />

FIND OUT MORE<br />

Q: You take hundreds - it must cost<br />

a fortune!<br />

I’ve taken probably 15,000 (if not<br />

more) over the last couple years. It<br />

definitely adds up (and I prefer not<br />

to think about it sometimes!). In the<br />

end though, it’s all about enjoying it<br />

and having fun which I definitely am.<br />

I look at it much like a hobby though.<br />

When you get some really neat shots,<br />

you don’t worry about the money. It’s<br />

when you’re not getting those shots<br />

that you start to feel the cost of them :)<br />

Q: So what’s next with the<br />

project..? Perhaps a gallery or<br />

display somewhere?<br />

I’ve recently started sharing more<br />

an more of these online. A gallery/<br />

display would be great but no<br />

plans for it quite yet. I’d love to<br />

put together a book of instant<br />

photos (either just my own work or<br />

even partnering with other instant<br />

photographers to share the different<br />

styles we shoot). There will definitely<br />

be lots more to come from the<br />

project in the future!<br />

Q: Mike - thanks for being our<br />

friend and letting us feature<br />

you, where can readers see<br />

more of the Polaroid Project??<br />

Always great to be featured with you<br />

guys! I’ve recently put together a<br />

portal to share these . . .<br />

www: instax.mikerollerson.com<br />

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