Photo Live Issue 3
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
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We want to build an innovative<br />
photo management platform that<br />
will allow people to quickly access<br />
their images, pick what they like and<br />
make them better. We want these<br />
images to be secured and safe. We<br />
also want to make sure people don’t<br />
waste time figuring out how the<br />
software works, or waiting for the<br />
image to get imported.<br />
As I said, we want to build<br />
something that others could not<br />
create, and that takes a lot of time.<br />
But we will definitely launch the<br />
photo management module to<br />
Luminar for Mac and PC by autumn<br />
this year.<br />
Q: I like the look of many of the<br />
offered filters like Accent AI<br />
and Cross Processing, will there<br />
be more filters in the future<br />
after release?<br />
Accent AI is a unique filter. It is the<br />
first product that came from our<br />
research lab, and it’s the one of a<br />
kind filter. It’s not something you can<br />
create in bulks. There will be more<br />
AI powered filters in Luminar for<br />
portraits and landscapes, but they<br />
will come later this year.<br />
There will also be more filters that<br />
give photos a certain signature look<br />
that doesn’t exist in other software.<br />
We will also introduce more smart<br />
filters that will not require extra<br />
efforts but will effectively fix the<br />
photo.<br />
Layers too! One thing I’ve been a<br />
bit frustrated with is finding a great<br />
preset with Lightroom but not being<br />
able to simply tone it down a bit.<br />
Lightroom is a software that’s almost<br />
10 years old. Luminar is a new<br />
software written from scratch.<br />
There are a lot of things in Lr that<br />
were impressive back in the days, but<br />
we feel that now it misses so many<br />
things that modern photographers<br />
would enjoy.<br />
Layers is an obvious thing, and there<br />
are many more. We speak to many<br />
photographers around the world,<br />
and hear their frustration about many<br />
things.<br />
I don’t say that Luminar fully<br />
addresses all their needs, but we<br />
are definitely getting there. It’s an<br />
evolving process and we are still very<br />
young. You’ll be impressed with what<br />
Luminar will become soon.<br />
Q: Switching direction a bit<br />
— are many of your team<br />
photographers?<br />
Everyone is a photographer these<br />
days, shooting with a smartphone<br />
or a digital camera. About half of<br />
the team take photos on regular<br />
basis with mirrorless cameras or<br />
DSLRs. We also have a number of<br />
professional photographers on the<br />
team, including Scott Bourne, who<br />
is the worlds top bird photographer<br />
and Olympus visionary; also Evgeny<br />
Tchebotarev - founder of 500px.com,<br />
Richard Harrington - professional<br />
photographer, <strong>Photo</strong>focus publisher<br />
and probably the world’s best<br />
photography educators. There are<br />
more world-class photographers<br />
who join our team, and we will<br />
announce this soon.<br />
Q: Are you working with<br />
photographers on new ideas,<br />
new updates?<br />
We work ONLY with photographers<br />
to come up with new ideas and<br />
solutions. We are constantly<br />
searching for innovation. That’s why<br />
we asked Matthew Jordan Smith,<br />
Joel Grimes, Dixie Dixon, Trey<br />
Ratcliff, Jerry Ghionis to help us<br />
make Luminar a true game changer.<br />
I don’t think any other photography<br />
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