Photo Live Issue 3
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
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I do think so, but there also is<br />
nothing wrong with taking photos<br />
merely for the enjoyment of a<br />
subject or the documentation of<br />
memories.<br />
Personally I’m still trying to grow in<br />
the way of being able to photograph<br />
with a sense of story and purpose. I<br />
think good photos should be made<br />
for others, and should have multiple<br />
elements that come together rather<br />
than just a single aesthetic aspect.<br />
The photos I enjoy the most illicit<br />
some kind of response in me for<br />
having seen them, and that is the<br />
kind of ability I’d like to achieve.<br />
I think a good tip is to simply ask<br />
yourself “what am I saying with this<br />
photo” or “what reading or response<br />
do I want the viewer to have”.<br />
Also to look at something in more<br />
than one way and dig deeper... “what<br />
underlying elements are present in a<br />
situation that someone may not see<br />
at first sight?”<br />
Q: What’s a film camera you really<br />
want but don’t yet have and<br />
why?<br />
I am actually quite satisfied with what<br />
I have at the moment. If I had to pick<br />
something I’d say a Contax 645,<br />
but they are really overpriced in the<br />
current market!<br />
Q: OK to wrap up - where can our<br />
readers go to find out more<br />
about you and your channels..?<br />
We can be found as “pushingfilm” on<br />
Youtube, Instagram, and Twitter. We<br />
also have an article on the website<br />
“Australian Film <strong>Photo</strong>graphers<br />
Scene” (afps.blog)<br />
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