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Photo Live Issue 3

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

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I do think so, but there also is<br />

nothing wrong with taking photos<br />

merely for the enjoyment of a<br />

subject or the documentation of<br />

memories.<br />

Personally I’m still trying to grow in<br />

the way of being able to photograph<br />

with a sense of story and purpose. I<br />

think good photos should be made<br />

for others, and should have multiple<br />

elements that come together rather<br />

than just a single aesthetic aspect.<br />

The photos I enjoy the most illicit<br />

some kind of response in me for<br />

having seen them, and that is the<br />

kind of ability I’d like to achieve.<br />

I think a good tip is to simply ask<br />

yourself “what am I saying with this<br />

photo” or “what reading or response<br />

do I want the viewer to have”.<br />

Also to look at something in more<br />

than one way and dig deeper... “what<br />

underlying elements are present in a<br />

situation that someone may not see<br />

at first sight?”<br />

Q: What’s a film camera you really<br />

want but don’t yet have and<br />

why?<br />

I am actually quite satisfied with what<br />

I have at the moment. If I had to pick<br />

something I’d say a Contax 645,<br />

but they are really overpriced in the<br />

current market!<br />

Q: OK to wrap up - where can our<br />

readers go to find out more<br />

about you and your channels..?<br />

We can be found as “pushingfilm” on<br />

Youtube, Instagram, and Twitter. We<br />

also have an article on the website<br />

“Australian Film <strong>Photo</strong>graphers<br />

Scene” (afps.blog)<br />

17

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