Photo Live Issue 3

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FINE ART PHOTOGRAPHY Renee Robyn PHOTOGRAPHER | ARTIST | TEACHER Q: How would you describe your photography? This is definitely a part of personal branding that I’ve often struggled with, I’ve never really been sure how to nail it down. It’s mostly the result of a lifetime reading fantasy novels and playing video games, expressed with photography and crushed through <strong>Photo</strong>shop. Q: How or where does the idea for an image start for you? Another question I wish was a simple answer. Images start anywhere from a dream, a book, a conversation with someone else. Sometimes I find a prop or I’ll watch a scene in a film and notice a little detail that starts this rabbit hole of a thought process. Other times I’ll be in the studio and shoot a frame and go “Oh wow, I have to build something with this one day”, or I’ll be out shooting back plates and suddenly everything just flashes into my mind and the entire concept is clear as day. The rest of the time it’s an endurance race, of just sitting down, and crushing through ideas, and it sometimes takes me a year or three to figure out what the hell to actually do. I have three images in my mind right now that have yet to be completed because what I thought was clear and simple in my mind, when I got down to it, was not any of those things at all. It can be frustrating, but I’m learning to accept that sometimes that’s just how this brain works. Q: Your post about “somebody hates you” really nailed it for me, what the heck is wrong with people? Why do even other pro’s feel the need to attack another photographer? (I’ll link to it cause I love it and think it’s important : LINK : www. reneerobynphotography.com/ somebody-hates-you/ I’m not a psychologist, so I can’t really give you anything there other than personal experience. I rarely find pro’s attacking other people’s work, they’re usually too busy working to troll, but I’m sure there’s examples. Reality is, this is our world right now, and while we can try to change it for the better, we still have to build coping mechanisms to survive what comes at us. 20
"Reality is, this is our world right now, and while we can try to change it for the better, we still have to build coping mechanisms to survive what comes at us.” 21
Page 1 and 2: PHOTOlive ISSUE THREE 2018 Cover sh
Page 3 and 4: CONTENTS 4 WELCOME! Polaroid Photog
Page 5 and 6: Photo by: Charlotte Nicholson (See
Page 7 and 8: Q: Mr Baptist, why is it important
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Page 11 and 12: Q: Tell us about your Polaroid proj
Page 13 and 14: and seeing what it can do. There’
Page 15 and 16: Q: Why is film so popular now? I th
Page 17 and 18: I do think so, but there also is no
Page 19: FIND OUT MORE Youtube: pushingfilm
Page 23 and 24: Q: Composites, why are they so hard
Page 25 and 26: FIND OUT MORE www: reneerobynphotog
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Page 31 and 32: FIND OUT MORE Facebook: /TravisBurk
Page 33 and 34: “When I first saw Mark’s work,
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Page 37 and 38: “Mark Cushway’s imagery, as zen
Page 39 and 40: Cuba Q: Are people in Turkey accept
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Page 49 and 50: FIND OUT MORE www: izdes.500px.com
Page 51 and 52: Paid work became a natural progress
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Page 55 and 56: Charlotte Nicholson FIND OUT MORE F
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Page 59 and 60: FIND OUT MORE www: johnmontes.com I
Page 61 and 62: Mihaela Noroc: The Atlas of Beauty
Page 63 and 64: mentioned, right from the start we
Page 65 and 66: software company in the world can b
Page 67 and 68: Stock Photo by freestocks.org from

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