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Photo Live Issue 3

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?

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Q: Composites, why are they so<br />

hard (for me)... I mean why<br />

do you think getting a good<br />

composite is so hard. Perhaps<br />

share a bit about how you<br />

got into them, what they are<br />

and perhaps a few tips for<br />

beginners.<br />

For some people, they think with<br />

a composite mind naturally, and<br />

others do not. That being said, I<br />

think most people can learn it. I got<br />

into it because I was involved in a<br />

motorcycle crash and I couldn’t walk.<br />

I wanted to be anywhere other than<br />

where I was, so I would <strong>Photo</strong>shop<br />

myself into places that were not<br />

the bed I was stuck in. Composites<br />

are like entry level painting. You’ve<br />

got to understand perspective,<br />

composition, color balancing<br />

between images used, masking, lens<br />

distortion, depth of field, and so on<br />

- also just making something with an<br />

interesting story.<br />

There’s so much effort put into<br />

making compositing faster and more<br />

efficient, and I really think there<br />

are steps being skipped by taking<br />

the easy way out early on. My best<br />

composites don’t come from using<br />

quick mask... They come from being<br />

accountable for every single pixel in<br />

the image, and taking my time with<br />

each one.<br />

Q: Finally where can we find out more<br />

about you and tell us about your<br />

training...<br />

My website has a blog which is a<br />

lot of my brain thrown into words.<br />

You can also search on Creative<br />

<strong>Live</strong>, RGG EDU, and SmugMug<br />

Films for more education and some<br />

longer versions of how I got started,<br />

although I don’t recommend my<br />

method. :)<br />

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