Photo Live Issue 3
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
This issue features brilliant Street, Travel and Artistic photos plus Going Pro - how difficult is it?
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Q: Composites, why are they so<br />
hard (for me)... I mean why<br />
do you think getting a good<br />
composite is so hard. Perhaps<br />
share a bit about how you<br />
got into them, what they are<br />
and perhaps a few tips for<br />
beginners.<br />
For some people, they think with<br />
a composite mind naturally, and<br />
others do not. That being said, I<br />
think most people can learn it. I got<br />
into it because I was involved in a<br />
motorcycle crash and I couldn’t walk.<br />
I wanted to be anywhere other than<br />
where I was, so I would <strong>Photo</strong>shop<br />
myself into places that were not<br />
the bed I was stuck in. Composites<br />
are like entry level painting. You’ve<br />
got to understand perspective,<br />
composition, color balancing<br />
between images used, masking, lens<br />
distortion, depth of field, and so on<br />
- also just making something with an<br />
interesting story.<br />
There’s so much effort put into<br />
making compositing faster and more<br />
efficient, and I really think there<br />
are steps being skipped by taking<br />
the easy way out early on. My best<br />
composites don’t come from using<br />
quick mask... They come from being<br />
accountable for every single pixel in<br />
the image, and taking my time with<br />
each one.<br />
Q: Finally where can we find out more<br />
about you and tell us about your<br />
training...<br />
My website has a blog which is a<br />
lot of my brain thrown into words.<br />
You can also search on Creative<br />
<strong>Live</strong>, RGG EDU, and SmugMug<br />
Films for more education and some<br />
longer versions of how I got started,<br />
although I don’t recommend my<br />
method. :)<br />
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