Annual Report - Screen Australia
Annual Report - Screen Australia
Annual Report - Screen Australia
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RECOUPMENT AND<br />
PROJECT PERFORMANCE<br />
THE FILM FINANCE<br />
CORPORATION AUSTRALIA<br />
RECOUPED $9.1 MILLION IN<br />
2007/08 FROM THE SLATE OF<br />
PROJECTS IN WHICH IT HAS<br />
INVESTED. APPROXIMATELY<br />
$0.8 MILLION OF THIS AMOUNT<br />
WAS PAID TO PRODUCERS AS<br />
PART OF THE PRODUCER<br />
INCENTIVE PROGRAM.<br />
THIS RESULTED IN A NET<br />
RECOUPMENT TO THE<br />
ORGANISATION OF $8.3<br />
MILLION. THIS REPRESENTS AN<br />
INCREASE OF $1.5 MILLION ON<br />
LAST YEAR’S NET RECOUPMENT.<br />
TOTAL NET RECOUPMENT<br />
FOR THE FFC<br />
FROM INCEPTION TO<br />
JUNE 30 2008 WAS<br />
$274.2<br />
MILLION<br />
The level of recoupment to the<br />
FFC depends on the quality and<br />
marketability of the finished<br />
product, the level of presales,<br />
the degree of subordination<br />
by the FFC to other investors<br />
and how lucrative the territories<br />
are from which the FFC recoups<br />
its investment. Despite the tight<br />
international marketplace and<br />
the strong <strong>Australia</strong>n dollar, the<br />
FFC achieved an increase in net<br />
recoupment from last year.<br />
Over two-thirds of the total<br />
recoupment for 2007/08 was<br />
generated by projects contracted<br />
in 2000/01 (8.2%), 2004/05<br />
(12.1%) and 2005/06 (51.5%).<br />
The FFC’s older titles are still<br />
recouping with 14% of this year’s<br />
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recoupment coming from the<br />
projects contracted from 1988/89<br />
through to 1995/96. Feature films<br />
generated $6.19 million (68%)<br />
of the FFC’s recoupment for the<br />
year; adult television drama<br />
provided $0.47 million (5%);<br />
children’s television drama<br />
provided $1.25 million (14%) and<br />
documentary titles generated<br />
$1.15 million (13%).<br />
Overseas sales represented<br />
75.3% ($6.81 million) of the<br />
FFC’s recoupment for the year.<br />
<strong>Australia</strong>n-sourced revenue totalled<br />
$2.24 million.<br />
Qualifying for the Producer<br />
Revenue Entitlement scheme<br />
during 2007/08 were the<br />
documentaries Iraq, My Country:<br />
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<br />
NET RECOUPMENT FOR PREVIOUS FINANCIAL YEARS<br />
<br />
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<br />
An Exile’s Return to Samawa<br />
for Philippa Campey; and Shell<br />
Shocked for Jane Ramsey and the<br />
feature film Clubland for<br />
Rosemary Blight.<br />
A number of producers also<br />
received monies under the<br />
FFC’s Producer Recoupment<br />
Split initiative during the year.<br />
The scheme allows for the<br />
producer to share in the FFC’s<br />
split of recoupment funds from<br />
first dollar. It applies to all projects<br />
financed after 30 June 2004<br />
except for Evaluation projects,<br />
which fall under the PRE scheme.<br />
This initiative supports producers in<br />
building viable businesses.<br />
<br />
<br />
PROJECT PERFORMANCE 2007/08<br />
FEATURES<br />
Top FFC–financed performer at the<br />
<strong>Australia</strong>n box office for the year was<br />
Black Balloon, achieving over $2.2<br />
million at the box office. The other<br />
notable performer was Clubland,<br />
with a box office of $1.5 million.<br />
Lucky Miles screened at various<br />
festivals around the globe. The film<br />
won the Best Film award at the St<br />
Tropez Antipodean Film Festival, the<br />
Jury Award for Best New Director at<br />
the Middle East International Film<br />
Festival, the Best Script award at the<br />
Asia-Pacific International Film<br />
Festival, and the awards for Best<br />
Film and Best Producer at the Asian<br />
Festival of First Films.<br />
The Home Song Stories received<br />
numerous awards both<br />
domestically and internationally.<br />
Domestically, this included eight<br />
AFI awards – Best Direction,<br />
Best <strong>Screen</strong>play, Best Lead Actress,<br />
Best Cinematography, Best Editing,<br />
Best Original Music Score, Best<br />
Production Design and Best<br />
Costume Design; five IF awards -<br />
Best Director, Best Actor, Best<br />
Actress, Best Cinematography, and<br />
Best Production Design; and three<br />
Film Critics Circle of <strong>Australia</strong><br />
Awards (FCCA); Best Actress, Best<br />
<strong>Screen</strong>play, and Best Cinematography.<br />
The film also received the FIPRESCI<br />
International Jury Award at the<br />
Brisbane International Film Festival.<br />
Internationally, the film was<br />
awarded Best Original <strong>Screen</strong>play<br />
and Best Actress at the Golden<br />
Horse Awards (known as the<br />
‘Asian Oscars’); won the award for<br />
Best Feature and Achievement in<br />
Acting Award at the Hawaii<br />
International Film Festival, and the<br />
Best Actress award at the Torino<br />
Film Festival. The film also screened<br />
at numerous other film festivals<br />
around the world.<br />
Romulus, My Father took home<br />
four AFI awards – Best Film, Best<br />
Lead Actor, Best Supporting Actor<br />
and the Young Actor Award; two<br />
Film Critics Circle of <strong>Australia</strong><br />
Awards (FCCA) – Best Actor in a<br />
Supporting Role, and Special<br />
Acknowledgement (Kodi<br />
Smit-McPhee). The film also<br />
received the award for Best<br />
<strong>Australia</strong>n Film at the Movie<br />
Extra Filmink Awards.<br />
Clubland won the Jury Prize at the<br />
Valenciennes International Film<br />
Festival and the Audience award at<br />
the St Tropez Antipodean Film<br />
Festival. Emma Booth picked up<br />
the AFI award for Best Supporting<br />
Actress for her performance as<br />
well as the FCCA award for Best<br />
Actress in a Supporting Role. She<br />
was also named Best <strong>Australia</strong>n<br />
Newcomer at the Movie Extra<br />
Filmink Awards.<br />
Noise scooped the FCCA awards,<br />
winning six including Best Film,<br />
Best Director, Best Actor, Best<br />
Cinematography, Best Editing, Best<br />
music score. It also won the AFI<br />
award for Best Sound. The film<br />
was judged Best <strong>Australia</strong>n Film at<br />
the <strong>Australia</strong>n Film Critics<br />
Association (AFCA) Awards, and<br />
received two IF awards for Best<br />
Editing and Best Sound.<br />
Internationally, it took home the<br />
Best Actor award at the St Tropez<br />
Antipodean Film Festival.<br />
Black Balloon won the Crystal<br />
Bear award for Best Feature (gen<br />
14+) at the Berlin Film Festival.<br />
Unfinished Sky won the Audience<br />
award at the Brisbane International<br />
Film Festival, and received the Jury<br />
Prize for Best Picture at the<br />
Method Fest (USA).<br />
The feature documentary<br />
Forbidden Lie$ screened at a<br />
number of festivals, winning the<br />
prize for Best Documentary Film<br />
at the Rome Film Festival, the<br />
Golden Award – Best Feature<br />
Documentary at the Aljazeera<br />
International Documentary Film<br />
Festival, the Special Jury Prize at<br />
the San Francisco International Film<br />
Festival, and the Documentary<br />
<strong>Screen</strong>play award at Silverdocs<br />
(USA). It also received the AFI<br />
award for Best Documentary,<br />
the FCCA award for Best Feature<br />
Documentary, and Best<br />
Documentary award at the<br />
<strong>Australia</strong>n Film Critics<br />
Association Awards.<br />
TELEVISION<br />
A number of FFC adult television<br />
dramas had their premiere screenings<br />
during the year. The two outstanding<br />
ratings performers were Sea<br />
Patrol (series 1 and 2) and the<br />
mini-series Underbelly (which<br />
consistently achieved audiences of<br />
well over one million viewers<br />
despite not airing in Melbourne).<br />
On the international front, the<br />
mini-series The Circuit was<br />
awarded the Silver Hugo – Mini<br />
Series at the Hugo Television<br />
Awards (Chicago, USA), and<br />
Answered by Fire won the award<br />
for Best Picture Editing at the<br />
<strong>Annual</strong> Gemini Awards (Canada).<br />
Domestically, the telemovie Curtin<br />
was awarded the Silver Logie for<br />
Most Outstanding Drama Series,<br />
Mini–series or Telemovie. The<br />
Circuit took home the AFI award<br />
for Best Guest or Supporting Actor<br />
in Television Drama (David<br />
Ngoombujarra), and received a<br />
Logie for Most Outstanding New<br />
Talent (Tammy Clarkson). The<br />
mini–series Bastard Boys received<br />
an AWGIE for Best Television<br />
Mini–Series (Original), won the<br />
Television Script award at this<br />
year’s Queensland Premier’s Literary<br />
Awards, and picked up two AFI<br />
awards for Best <strong>Screen</strong>play and<br />
Outstanding Achievement in<br />
Television <strong>Screen</strong> Craft.<br />
FFC children’s television drama<br />
continued to be recognised with<br />
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