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Annual Report - Screen Australia

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RECOUPMENT AND<br />

PROJECT PERFORMANCE<br />

THE FILM FINANCE<br />

CORPORATION AUSTRALIA<br />

RECOUPED $9.1 MILLION IN<br />

2007/08 FROM THE SLATE OF<br />

PROJECTS IN WHICH IT HAS<br />

INVESTED. APPROXIMATELY<br />

$0.8 MILLION OF THIS AMOUNT<br />

WAS PAID TO PRODUCERS AS<br />

PART OF THE PRODUCER<br />

INCENTIVE PROGRAM.<br />

THIS RESULTED IN A NET<br />

RECOUPMENT TO THE<br />

ORGANISATION OF $8.3<br />

MILLION. THIS REPRESENTS AN<br />

INCREASE OF $1.5 MILLION ON<br />

LAST YEAR’S NET RECOUPMENT.<br />

TOTAL NET RECOUPMENT<br />

FOR THE FFC<br />

FROM INCEPTION TO<br />

JUNE 30 2008 WAS<br />

$274.2<br />

MILLION<br />

The level of recoupment to the<br />

FFC depends on the quality and<br />

marketability of the finished<br />

product, the level of presales,<br />

the degree of subordination<br />

by the FFC to other investors<br />

and how lucrative the territories<br />

are from which the FFC recoups<br />

its investment. Despite the tight<br />

international marketplace and<br />

the strong <strong>Australia</strong>n dollar, the<br />

FFC achieved an increase in net<br />

recoupment from last year.<br />

Over two-thirds of the total<br />

recoupment for 2007/08 was<br />

generated by projects contracted<br />

in 2000/01 (8.2%), 2004/05<br />

(12.1%) and 2005/06 (51.5%).<br />

The FFC’s older titles are still<br />

recouping with 14% of this year’s<br />

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recoupment coming from the<br />

projects contracted from 1988/89<br />

through to 1995/96. Feature films<br />

generated $6.19 million (68%)<br />

of the FFC’s recoupment for the<br />

year; adult television drama<br />

provided $0.47 million (5%);<br />

children’s television drama<br />

provided $1.25 million (14%) and<br />

documentary titles generated<br />

$1.15 million (13%).<br />

Overseas sales represented<br />

75.3% ($6.81 million) of the<br />

FFC’s recoupment for the year.<br />

<strong>Australia</strong>n-sourced revenue totalled<br />

$2.24 million.<br />

Qualifying for the Producer<br />

Revenue Entitlement scheme<br />

during 2007/08 were the<br />

documentaries Iraq, My Country:<br />

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<br />

NET RECOUPMENT FOR PREVIOUS FINANCIAL YEARS<br />

<br />

<br />

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<br />

An Exile’s Return to Samawa<br />

for Philippa Campey; and Shell<br />

Shocked for Jane Ramsey and the<br />

feature film Clubland for<br />

Rosemary Blight.<br />

A number of producers also<br />

received monies under the<br />

FFC’s Producer Recoupment<br />

Split initiative during the year.<br />

The scheme allows for the<br />

producer to share in the FFC’s<br />

split of recoupment funds from<br />

first dollar. It applies to all projects<br />

financed after 30 June 2004<br />

except for Evaluation projects,<br />

which fall under the PRE scheme.<br />

This initiative supports producers in<br />

building viable businesses.<br />

<br />

<br />

PROJECT PERFORMANCE 2007/08<br />

FEATURES<br />

Top FFC–financed performer at the<br />

<strong>Australia</strong>n box office for the year was<br />

Black Balloon, achieving over $2.2<br />

million at the box office. The other<br />

notable performer was Clubland,<br />

with a box office of $1.5 million.<br />

Lucky Miles screened at various<br />

festivals around the globe. The film<br />

won the Best Film award at the St<br />

Tropez Antipodean Film Festival, the<br />

Jury Award for Best New Director at<br />

the Middle East International Film<br />

Festival, the Best Script award at the<br />

Asia-Pacific International Film<br />

Festival, and the awards for Best<br />

Film and Best Producer at the Asian<br />

Festival of First Films.<br />

The Home Song Stories received<br />

numerous awards both<br />

domestically and internationally.<br />

Domestically, this included eight<br />

AFI awards – Best Direction,<br />

Best <strong>Screen</strong>play, Best Lead Actress,<br />

Best Cinematography, Best Editing,<br />

Best Original Music Score, Best<br />

Production Design and Best<br />

Costume Design; five IF awards -<br />

Best Director, Best Actor, Best<br />

Actress, Best Cinematography, and<br />

Best Production Design; and three<br />

Film Critics Circle of <strong>Australia</strong><br />

Awards (FCCA); Best Actress, Best<br />

<strong>Screen</strong>play, and Best Cinematography.<br />

The film also received the FIPRESCI<br />

International Jury Award at the<br />

Brisbane International Film Festival.<br />

Internationally, the film was<br />

awarded Best Original <strong>Screen</strong>play<br />

and Best Actress at the Golden<br />

Horse Awards (known as the<br />

‘Asian Oscars’); won the award for<br />

Best Feature and Achievement in<br />

Acting Award at the Hawaii<br />

International Film Festival, and the<br />

Best Actress award at the Torino<br />

Film Festival. The film also screened<br />

at numerous other film festivals<br />

around the world.<br />

Romulus, My Father took home<br />

four AFI awards – Best Film, Best<br />

Lead Actor, Best Supporting Actor<br />

and the Young Actor Award; two<br />

Film Critics Circle of <strong>Australia</strong><br />

Awards (FCCA) – Best Actor in a<br />

Supporting Role, and Special<br />

Acknowledgement (Kodi<br />

Smit-McPhee). The film also<br />

received the award for Best<br />

<strong>Australia</strong>n Film at the Movie<br />

Extra Filmink Awards.<br />

Clubland won the Jury Prize at the<br />

Valenciennes International Film<br />

Festival and the Audience award at<br />

the St Tropez Antipodean Film<br />

Festival. Emma Booth picked up<br />

the AFI award for Best Supporting<br />

Actress for her performance as<br />

well as the FCCA award for Best<br />

Actress in a Supporting Role. She<br />

was also named Best <strong>Australia</strong>n<br />

Newcomer at the Movie Extra<br />

Filmink Awards.<br />

Noise scooped the FCCA awards,<br />

winning six including Best Film,<br />

Best Director, Best Actor, Best<br />

Cinematography, Best Editing, Best<br />

music score. It also won the AFI<br />

award for Best Sound. The film<br />

was judged Best <strong>Australia</strong>n Film at<br />

the <strong>Australia</strong>n Film Critics<br />

Association (AFCA) Awards, and<br />

received two IF awards for Best<br />

Editing and Best Sound.<br />

Internationally, it took home the<br />

Best Actor award at the St Tropez<br />

Antipodean Film Festival.<br />

Black Balloon won the Crystal<br />

Bear award for Best Feature (gen<br />

14+) at the Berlin Film Festival.<br />

Unfinished Sky won the Audience<br />

award at the Brisbane International<br />

Film Festival, and received the Jury<br />

Prize for Best Picture at the<br />

Method Fest (USA).<br />

The feature documentary<br />

Forbidden Lie$ screened at a<br />

number of festivals, winning the<br />

prize for Best Documentary Film<br />

at the Rome Film Festival, the<br />

Golden Award – Best Feature<br />

Documentary at the Aljazeera<br />

International Documentary Film<br />

Festival, the Special Jury Prize at<br />

the San Francisco International Film<br />

Festival, and the Documentary<br />

<strong>Screen</strong>play award at Silverdocs<br />

(USA). It also received the AFI<br />

award for Best Documentary,<br />

the FCCA award for Best Feature<br />

Documentary, and Best<br />

Documentary award at the<br />

<strong>Australia</strong>n Film Critics<br />

Association Awards.<br />

TELEVISION<br />

A number of FFC adult television<br />

dramas had their premiere screenings<br />

during the year. The two outstanding<br />

ratings performers were Sea<br />

Patrol (series 1 and 2) and the<br />

mini-series Underbelly (which<br />

consistently achieved audiences of<br />

well over one million viewers<br />

despite not airing in Melbourne).<br />

On the international front, the<br />

mini-series The Circuit was<br />

awarded the Silver Hugo – Mini<br />

Series at the Hugo Television<br />

Awards (Chicago, USA), and<br />

Answered by Fire won the award<br />

for Best Picture Editing at the<br />

<strong>Annual</strong> Gemini Awards (Canada).<br />

Domestically, the telemovie Curtin<br />

was awarded the Silver Logie for<br />

Most Outstanding Drama Series,<br />

Mini–series or Telemovie. The<br />

Circuit took home the AFI award<br />

for Best Guest or Supporting Actor<br />

in Television Drama (David<br />

Ngoombujarra), and received a<br />

Logie for Most Outstanding New<br />

Talent (Tammy Clarkson). The<br />

mini–series Bastard Boys received<br />

an AWGIE for Best Television<br />

Mini–Series (Original), won the<br />

Television Script award at this<br />

year’s Queensland Premier’s Literary<br />

Awards, and picked up two AFI<br />

awards for Best <strong>Screen</strong>play and<br />

Outstanding Achievement in<br />

Television <strong>Screen</strong> Craft.<br />

FFC children’s television drama<br />

continued to be recognised with<br />

15

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