J Magazine Spring 2018
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“<br />
Old buildings are unique. They have a place character,<br />
and Downtown is on the verge of losing its character.”<br />
Sherry Magill, president of the of the Jessie Ball duPont Fund<br />
And there’s another balance to be struck between repairing<br />
something with historic value or replacing it.<br />
“If something like a window is too far gone, there are guidelines<br />
for replacement. That’s a big challenge, finding companies<br />
and craftsmen that can do that type of work,” Suttles said.<br />
The Barnett building, for instance, has bronze work around the<br />
arched windows that needs to be restored. The only company that<br />
does that kind of work is in Maryland.<br />
“If you get into ceilings that need plaster repair,<br />
you don’t have a lot of people who do Portland<br />
cement plaster. That’s not something<br />
young people go into. For the Ribault<br />
Clubhouse, we did the plaster work<br />
ourselves because there were no<br />
subcontractors.<br />
“Our goal, especially in Jacksonville,<br />
is to keep everything as<br />
local as possible. When we did<br />
duPont, one of the tile setters<br />
had been an apprentice on the<br />
original project,” Suttles said.<br />
“There are really good companies<br />
and craftsman that do this<br />
kind of work, but they’re getting<br />
harder to find.”<br />
As the redevelopment of<br />
Downtown takes shape, Suttles<br />
said he thinks Jacksonville is beginning<br />
to realize the value of adapting<br />
and reusing its historic buildings.<br />
“They can be phenomenal places to<br />
conduct business,” Suttles said. “These<br />
buildings can be saved and saved on a<br />
Before renovating historic buildings, Danis Building Construction<br />
budget, but it does take the right kind<br />
Company researches as much original information as possible. In<br />
of owner. Historic restoration adds the case of the Jessie Ball duPont Center project, that research<br />
a level of difficulty for everyone involved.”<br />
included the original plans for the Haydon Burns Library.<br />
Sherry Magill, president of the Jessie Ball duPont Fund, said she<br />
wanted to build something from scratch in LaVilla 10 years ago,<br />
but that didn’t pan out. But over that decade she said she watched<br />
as old buildings were renovated, and one day in 2012 she was driving<br />
past the Haydon Burns Library and saw the “for sale” sign.<br />
“Serendipity is underrated,” she said.<br />
Several efforts had been made to do something with the mosaic-clad<br />
building famous for its “fins” and floor-to-ceiling windows,<br />
but they didn’t survive the Great Recession.<br />
Magill arranged a tour with owner Bill Cesery.<br />
“When I walked in the building, I fell in love with the lighting,”<br />
she said. “I was predisposed to stay Downtown. The duPont Fund<br />
78 J MAGAZINE | SPRING <strong>2018</strong><br />
has always been located on the Northbank. It’s our home, our<br />
neighborhood.”<br />
The trustees were open to the idea of using the building as office<br />
space for nonprofits, and Magill began researching what it<br />
would take to make it happen.<br />
She said she was encouraged by other “adaptive reuses” like the<br />
conversion of an old furniture store into the Jake M. Godbold Annex,<br />
a $10 million project by the Police and Fire Pension<br />
Fund, and the makeover of the Kress five & dime<br />
by the Farah & Farah law firm.<br />
Both projects were done by Danis.<br />
In 2013, the trustees decided that<br />
buying and renovating the old library<br />
“was the responsible thing for du-<br />
Pont to do. It aligned with our values.<br />
We decided to put our money<br />
where our mouth is.”<br />
When the duPont Center<br />
opened in June 2015, the fund<br />
had invested $25 million.<br />
The center is often held up<br />
as an example of what can be<br />
done Downtown.<br />
“Old buildings are unique.<br />
They have a place character,<br />
and Downtown is on the verge of<br />
losing its character,” Magill said. “I<br />
don’t think we love what we have.<br />
We’re never developing it for the people<br />
who live here. We’re always looking<br />
for people outside Jacksonville. I<br />
don’t share those assumptions.”<br />
Magill said she thinks there’s a<br />
shared sense that things are starting<br />
to move in Downtown Jacksonville.<br />
“The Chophouse, the Laura Street<br />
Trio, all of that adds up to something,”<br />
she said.<br />
Suttles agrees. He thinks the Barnett and Laura Street Trio<br />
projects — a combined investment of $90 million — is the most<br />
significant project in Downtown history.<br />
“As people see more and more of these projects getting done,<br />
our hope is that it builds momentum,” Suttles said.<br />
Marilyn Young contributed to this report.<br />
Lilla Ross is a freelance writer in Jacksonville. She worked<br />
for The Florida Times-Union for more than 30 years as a<br />
writer and editor. She lives in San Marco.<br />
THE FLORIDA TIMES-UNION