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J Magazine Spring 2018

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“<br />

Old buildings are unique. They have a place character,<br />

and Downtown is on the verge of losing its character.”<br />

Sherry Magill, president of the of the Jessie Ball duPont Fund<br />

And there’s another balance to be struck between repairing<br />

something with historic value or replacing it.<br />

“If something like a window is too far gone, there are guidelines<br />

for replacement. That’s a big challenge, finding companies<br />

and craftsmen that can do that type of work,” Suttles said.<br />

The Barnett building, for instance, has bronze work around the<br />

arched windows that needs to be restored. The only company that<br />

does that kind of work is in Maryland.<br />

“If you get into ceilings that need plaster repair,<br />

you don’t have a lot of people who do Portland<br />

cement plaster. That’s not something<br />

young people go into. For the Ribault<br />

Clubhouse, we did the plaster work<br />

ourselves because there were no<br />

subcontractors.<br />

“Our goal, especially in Jacksonville,<br />

is to keep everything as<br />

local as possible. When we did<br />

duPont, one of the tile setters<br />

had been an apprentice on the<br />

original project,” Suttles said.<br />

“There are really good companies<br />

and craftsman that do this<br />

kind of work, but they’re getting<br />

harder to find.”<br />

As the redevelopment of<br />

Downtown takes shape, Suttles<br />

said he thinks Jacksonville is beginning<br />

to realize the value of adapting<br />

and reusing its historic buildings.<br />

“They can be phenomenal places to<br />

conduct business,” Suttles said. “These<br />

buildings can be saved and saved on a<br />

Before renovating historic buildings, Danis Building Construction<br />

budget, but it does take the right kind<br />

Company researches as much original information as possible. In<br />

of owner. Historic restoration adds the case of the Jessie Ball duPont Center project, that research<br />

a level of difficulty for everyone involved.”<br />

included the original plans for the Haydon Burns Library.<br />

Sherry Magill, president of the Jessie Ball duPont Fund, said she<br />

wanted to build something from scratch in LaVilla 10 years ago,<br />

but that didn’t pan out. But over that decade she said she watched<br />

as old buildings were renovated, and one day in 2012 she was driving<br />

past the Haydon Burns Library and saw the “for sale” sign.<br />

“Serendipity is underrated,” she said.<br />

Several efforts had been made to do something with the mosaic-clad<br />

building famous for its “fins” and floor-to-ceiling windows,<br />

but they didn’t survive the Great Recession.<br />

Magill arranged a tour with owner Bill Cesery.<br />

“When I walked in the building, I fell in love with the lighting,”<br />

she said. “I was predisposed to stay Downtown. The duPont Fund<br />

78 J MAGAZINE | SPRING <strong>2018</strong><br />

has always been located on the Northbank. It’s our home, our<br />

neighborhood.”<br />

The trustees were open to the idea of using the building as office<br />

space for nonprofits, and Magill began researching what it<br />

would take to make it happen.<br />

She said she was encouraged by other “adaptive reuses” like the<br />

conversion of an old furniture store into the Jake M. Godbold Annex,<br />

a $10 million project by the Police and Fire Pension<br />

Fund, and the makeover of the Kress five & dime<br />

by the Farah & Farah law firm.<br />

Both projects were done by Danis.<br />

In 2013, the trustees decided that<br />

buying and renovating the old library<br />

“was the responsible thing for du-<br />

Pont to do. It aligned with our values.<br />

We decided to put our money<br />

where our mouth is.”<br />

When the duPont Center<br />

opened in June 2015, the fund<br />

had invested $25 million.<br />

The center is often held up<br />

as an example of what can be<br />

done Downtown.<br />

“Old buildings are unique.<br />

They have a place character,<br />

and Downtown is on the verge of<br />

losing its character,” Magill said. “I<br />

don’t think we love what we have.<br />

We’re never developing it for the people<br />

who live here. We’re always looking<br />

for people outside Jacksonville. I<br />

don’t share those assumptions.”<br />

Magill said she thinks there’s a<br />

shared sense that things are starting<br />

to move in Downtown Jacksonville.<br />

“The Chophouse, the Laura Street<br />

Trio, all of that adds up to something,”<br />

she said.<br />

Suttles agrees. He thinks the Barnett and Laura Street Trio<br />

projects — a combined investment of $90 million — is the most<br />

significant project in Downtown history.<br />

“As people see more and more of these projects getting done,<br />

our hope is that it builds momentum,” Suttles said.<br />

Marilyn Young contributed to this report.<br />

Lilla Ross is a freelance writer in Jacksonville. She worked<br />

for The Florida Times-Union for more than 30 years as a<br />

writer and editor. She lives in San Marco.<br />

THE FLORIDA TIMES-UNION

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