October Issue 06
Editor-in-chief, creative director
Editor-in-chief, creative director
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FRONT<br />
Only in LA<br />
Fr anz Szony<br />
TAKING PHOTOGRAPHY AND FASHION<br />
TO UNEXPECTED PLACES<br />
HOW DO YOU<br />
DEFINE YOURSELF,<br />
PHOTOGRAPHER,<br />
ARTIST, FINE-ART<br />
PHOTOGRAPHER,<br />
TABLEAU-IST?<br />
I have a difficult time labeling what it<br />
is I do, can I say yes to all of the above?<br />
I’d like to identify simply as an “artist”<br />
although I know this word has become<br />
somewhat vague... especially in a city like<br />
Los Angeles. Ultimately I’m a storyteller,<br />
and use photography to illustrate. I<br />
studied illustration before becoming<br />
a photographer, so I still calculate my<br />
photography work as if it was being<br />
illustrated.<br />
YOUR SELF PORTRAIT (PICTURED)<br />
DRAWS INSPIRATION FROM VIKTOR<br />
+ROLF, TELL US WHAT INSPIRED YOU...<br />
Viktor and Ralph are incredible designers - I’ve<br />
admired them for years for their striking silhouettes<br />
and concepts. They recently created an instagram<br />
contest which asked participants to draw inspiration<br />
from their current collection ( structural frame/<br />
canvas dresses that can hang on the wall when<br />
not being worn). I took inspiration from this as<br />
well as past seasons, and put my own spin on<br />
it. What I especially love that Viktor and Ralp’s<br />
designs speak as strong from far as they do close.<br />
They’re so bold and architectural that the viewer<br />
doesn’t lose details even if seen from a distance.<br />
I used an old frame encrusted with Swarovski<br />
crystal and a piece of red nylon. Those two<br />
ingredients made it quite easy to be avant guard.<br />
32 The LA FASHION MAGAZINE<br />
CAN YOU SPEAK ABOUT<br />
YOUR OTHER PROJECTS?<br />
DISNEY, ETC.<br />
I’ve spent the last couple<br />
months working on a<br />
few personal pieces. I’m<br />
currently finishing a piece of<br />
art entitled “Worlds Apart”<br />
with the beautiful Shaun<br />
Ross as the main figure. I’ve<br />
also been proposing ideas<br />
to Disney and have met with<br />
several heads of their fine art<br />
department. I’ve long been<br />
inspired by Disney, as well as<br />
Marc Davis, who was one of<br />
the brilliant conceptualizer<br />
for Disneyland. He had an<br />
uncanny approach to humor<br />
and glamour, something I<br />
truly admire. Should I get the<br />
honor of working with Disney,<br />
I will create interpretations<br />
of some of my favorite<br />
visuals and characters.<br />
FASHION CLEARLY HAS A ROLE IN<br />
YOUR VISION, WHAT ARE YOUR<br />
THOUGHTS ON FASHION THESE DAYS?<br />
Fashion and costuming play a huge<br />
part in the work I create, as well as my<br />
personal life. I love clothing. We get these<br />
wonderful physical bodies on this Earth<br />
to express ourselves with... and fashion<br />
allows us to treat our physical identity as<br />
something transient and ever-evolving. I’m<br />
happy to see that fashion is becoming less<br />
about trends and gender “norms”. They’ve<br />
always been a ridiculous concept for me...<br />
especially in clothing, so I’m happy to see<br />
WILL YOU BE MOVING INTO FILM<br />
ANY TIME IN THE FUTURE?<br />
I’ve done several small art films, mostly they are<br />
heightened looks at the making of my pieces<br />
of art. I would absolutely love to translate my<br />
photography into the realm of music video or<br />
feature film. That being said, I still love the<br />
challenge of creating a full story with high detail<br />
into one singular photograph. When a viewer can<br />
get lost in one of my photographs the same way<br />
they would in a film, that is what I strive to create.