BeatRoute Magazine BC Edition September 2018
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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WORD VANCOUVER<br />
NOT JUST FOR THE LITERATE<br />
DAYNA MAHANNAH<br />
Word puts an emphasis on creating a sense of community in literary circles of all kinds.<br />
Novel readers and comic-book skimmers, zine<br />
collectors and poetry lovers, writers of all kinds:<br />
Word Vancouver is the place to rub shoulders<br />
with anyone interested in the written word. Held<br />
from <strong>September</strong> 26-30 around Vancouver, Western<br />
Canada’s largest literary festival will coax 25,000<br />
people to its curation of events, workshops, readings,<br />
and industry panels – entirely free of charge.<br />
Now in its 24th year, Word is still a burgeoning<br />
festival. Bonnie Nish, who first experienced Word in<br />
2001 and has since been involved as a reader, host,<br />
CHRYSALIS SOCIETY<br />
CELEBRATING 30 YEARS OF RECOVERY AND CARE<br />
MAGGIE MCPHEE<br />
Photo by Monica Miller<br />
volunteer, and collaborator, stepped in as Interim<br />
Festival Manager on July 12. It’s been a bustling<br />
summer for Nish, coordinating the program after<br />
an unexpected resignation from the newly hired<br />
executive director at the end of June. Not to be<br />
derailed by time constraints, the festival has grown<br />
to be ever more inclusive.<br />
“We have community groups bringing in readers<br />
so they can get exposure to the public as well,” Nish<br />
says.<br />
In the four days leading up to the festival, satellite<br />
events will pop up around the city. Workshops on<br />
self-publishing, performing your work (with literary<br />
vet Hal Wake), writing as therapy, and journal<br />
writing all build up to the main event on Sunday —<br />
an explosion of Vancouver’s diverse, creative, and<br />
word-obsessed. Poet laureates George McWhirter,<br />
Brad Cran, and Evelyn Lau grace the opening stage.<br />
Dozens of vendors and exhibitors will showcase<br />
everything book-related and offer their skills in the<br />
literary field, accompanied by a slew of pros covering<br />
topics ranging from graphic novel writing to the<br />
magazine industry to nuanced topics, like complex<br />
women in YA fiction (Eileen Cook). “One panel I’m<br />
excited for is about engaging in digital media and<br />
how it affects your writing,” Nish adds.<br />
She emphasizes that the sense of community<br />
Word creates is important for people involved in the<br />
literary world in any capacity. “As a writer, it can be<br />
very isolating. To be able to go out and talk to other<br />
people who are doing the same thing, it makes you<br />
feel less alone. Other people are doing this. And it’s<br />
possible to do it. I think the greatest thing is that we<br />
all realize that what we say matters. And it can affect<br />
people.”<br />
Word Vancouver runs from <strong>September</strong> 26-30 at<br />
various locations.<br />
CITY<br />
In 2017, 80 per cent of Vancouver<br />
street drugs tested positive for<br />
fentanyl, resulting in a record 1,420<br />
deaths by overdose in the city. The<br />
Canadian government responded by<br />
investing in front-line harm-reduction<br />
initiatives, but has done little to<br />
address the systemic issues that cause<br />
addiction and leave women especially<br />
vulnerable.<br />
Chrysalis Society, <strong>BC</strong>’s only<br />
gender-specific, long-term residential<br />
addiction and mental health care<br />
facility for women, tries to meet this<br />
complex crisis with a proportionately<br />
holistic and integrated solution.<br />
This <strong>September</strong>, they celebrate<br />
30 years of serving more than 3,000<br />
women. <strong>BeatRoute</strong> spoke with<br />
executive director Shannon Skilton<br />
about the broader socio-political<br />
problems – systemic oppression,<br />
sexism, gendered violence, an<br />
irresponsible medical system – and<br />
Chrysalis’s role in combating these<br />
problems to assist the 80 or so women<br />
who secure a spot in one of their three<br />
homes every year.<br />
“There are real barriers within our<br />
system of healthcare for persons with<br />
addiction issues,” Skilton explains.<br />
“The majority of women who access<br />
[our] services have had challenges<br />
with prescription drug use because<br />
doctors readily prescribe women<br />
benzodiazepines.” At walk-in clinics,<br />
patients can only address a single<br />
issue, and doctors prioritize quick<br />
fixes over the big picture, prescribing<br />
medication to symptoms that are<br />
actually side effects from other<br />
medication. “We’ve had women come<br />
in on 16 different medications. Our<br />
house doctor works to stabilize the<br />
woman, so she no longer feels like she’s<br />
in a chemical straitjacket.”<br />
Sexism prevails at every point in a<br />
woman’s route to recovery, whether<br />
it’s the smaller number of recovery<br />
beds allotted to her, or the gendered<br />
violence she is statistically more likely<br />
to have experienced in her lifetime.<br />
This year, 96 per cent of the women<br />
who entered Chrysalis reported<br />
histories of violence.<br />
“There are very few resources<br />
for women that are feminist based,<br />
meaning the lens is anti-oppressive,”<br />
Skilton says. “We see things<br />
intersectionally – it’s not one thing<br />
that has created any one situation for<br />
a woman. Addiction doesn’t happen in<br />
a vacuum and neither does recovery.<br />
That holistic, broad lens is really<br />
important.”<br />
Chrysalis works with each woman<br />
to build up an individualized recovery<br />
plan, respecting her autonomy in her<br />
healing. The women are supported<br />
to “identify what is and is not healthy<br />
and then determine whether they<br />
want to continue to live with some<br />
of that,” Skilton says. “We do not tell<br />
them one way or the other.” But the<br />
house is a safe space for the women to<br />
rediscover their independence.<br />
Chrysalis’s programs provide<br />
women opportunity to create and<br />
sustain community with each other,<br />
while they are in residence and<br />
afterwards. Half the staff are alumni<br />
of the programs, and anyone who has<br />
ever resided in Chrysalis’s homes for<br />
any length of time is respected as an<br />
alumnus, regardless of her process or<br />
outcomes. Rather than vilify, Chrysalis<br />
normalizes and supports relapse, for<br />
harm reduction purposes.<br />
“We do not penalize women for<br />
choosing to leave when they choose to<br />
leave,” Skilton says. “We are just seed<br />
planters.”<br />
If Chrysalis are seed planters, they<br />
are planting in infertile soil, and each<br />
flower that blooms is a miracle.<br />
The Chrysalis Society celebrates its<br />
30th anniversary on <strong>September</strong> 16 at<br />
Heritage Hall.<br />
Chrysalis provides a strong support network for women in need.<br />
<strong>September</strong> <strong>2018</strong> 9