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February 2018 - Sneak Peek

The American Philatelist is the monthly journal of the American Philatelic Society, the world's largest organization for stamp collectors and enthusiasts. Members receive the printed magazine and can access the digital edition as a benefit of membership in the Society. Please enjoy this sneak peek. We're confident that once you see all that we offer, you'll want to join the APS today.

The American Philatelist is the monthly journal of the American Philatelic Society, the world's largest organization for stamp collectors and enthusiasts. Members receive the printed magazine and can access the digital edition as a benefit of membership in the Society. Please enjoy this sneak peek. We're confident that once you see all that we offer, you'll want to join the APS today.

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Hitler Youth – The<br />

Generations of Lost<br />

Innocence<br />

St. Helena Postal<br />

History, From<br />

Napoleon to the UPU<br />

Paul von Lettow-<br />

Vorbeck<br />

Montserrat:<br />

Postal History of a<br />

Caribbean Island<br />

How the Post<br />

Facilitated Distribution<br />

of the Printed Word,<br />

1775-1870<br />

Aside from WSP awards, many of the exhibits<br />

also garnered other honors. As an example, Andrews’<br />

von Lettow-Vorbeck won an APS Congress<br />

award for written text, and, among others,<br />

awards from the Germany Philatelic Society,<br />

Military Postal History Society, the American<br />

Topical Association and several show awards.<br />

Most of the books include an introduction<br />

of sorts by the exhibitor that was not part of the<br />

original exhibit. There, they can explain a bit<br />

about the process and the material before the<br />

viewer sees the exhibit pages as they appeared in<br />

award-winning form.<br />

“I started the Montserrat collection of postal<br />

history at Pacific 97 in San Francisco where I<br />

purchased six key items which still today are a<br />

cornerstone of the exhibit,” writes McCann. “I<br />

never saw any of the six items for purchase again.<br />

It has taken 20 years to put together what is the<br />

finest compilation of Montserrat postal history<br />

that has ever existed.” My only complaint is that<br />

since the book shows the exhibit as it was presented,<br />

a novice such as myself can only guess at<br />

what those six cornerstone items are and study<br />

why they are so important to the exhibit.<br />

Zwillinger notes that to accommodate an exhibit<br />

into book format, a few adjustments must<br />

occasionally be made. For example, in Cipolla’s<br />

book we find the following note in the front:<br />

“In order to make double pages appear as<br />

close as possible to how they appeared in the<br />

exhibit frames, they must appear on two facing<br />

pages. One page of the exhibit had its placement<br />

shifted in this book in order for all the double<br />

pages to appear as facing pages. The shift has not<br />

changed the sequence of thoughts.”<br />

Not everything is perfect. Some of the reproduction<br />

is soft, and in a couple of cases, a bit<br />

blurry. For example, although most of it is quite<br />

clear, text on a handful of “Paul von Lettow-<br />

Vorbeck” and “Hitler Youth” pages is a bit hard<br />

to read. But, overall, having these available at an<br />

affordable price is a true gift to philately.<br />

It would be silly for me to review or comment<br />

on the material shown in these books.<br />

They’re grand award winners! Now, instead of<br />

just glimpsing them at a show, you can spend as<br />

much time as you want with them thanks to this<br />

series of books.<br />

Here is a Q and A with Zwillinger about the<br />

project:<br />

You have created the Exhibitors Press for<br />

this project. Is there a specific name for the series?<br />

I started with an intent to publish a series<br />

of exhibits that were awarded grand awards.<br />

Things have gone so well I am now working on<br />

three series: Grand Award Winners (which includes<br />

Champion-of-Champion exhibits), Editor’s<br />

Choice, which are good exhibits that I think warrant<br />

increased exposure, have not won a grand<br />

and are in some cases slightly esoteric; and a series<br />

of U.S. single stamp exhibits tentatively titled<br />

Library of U.S. Philately. Six books have been<br />

published in the first series and I am working on<br />

manuscripts in the other two series. My goal is to<br />

have at least eight additional volumes this year<br />

with volumes in all three series.<br />

The concept is to publish current awardwinning<br />

philatelic exhibits, is that correct?<br />

What is the overriding goal?<br />

The concept is to print great exhibits. Most are<br />

current exhibits. Some older exhibits have great<br />

material or reflect a great approach. The goal is to<br />

print great exhibits so that readers, postal historians,<br />

exhibitors or scholars have the opportunity<br />

to study these exhibits in depth.<br />

When and how did you come up with this<br />

idea?<br />

The idea of publishing these exhibits was a<br />

result of events and conversations that occurred<br />

between June and August 2016.<br />

At World Stamp Show-New York 2016 I attended<br />

the release ceremony for one of the volumes<br />

in the Edition D’Or series. This series,<br />

prepared by the Global Philatelic Network, reproduces<br />

international gold medal exhibits. The<br />

production values are high with hard covers, high<br />

quality paper and excellent illustrations. They are<br />

not inexpensive; I was able to afford one although<br />

I would have liked to purchase several.<br />

I have always liked looking at exhibits. These<br />

volumes are a magnificent way to show exhibits. I<br />

think they set the standard for what can be done.<br />

Then I saw Edward Bergen’s book, The Pictorial<br />

Story of Walt Disney’s First Superstar: Mickey<br />

Mouse (Historical Philatelic and Printed Image<br />

Collection), which included elements of his exhibit<br />

in a book for sale at a very attractive price.<br />

I talked to him about his production process and<br />

he made me aware of the Amazon subsidiary CreateSpace,<br />

which is a print-on-demand publisher<br />

that makes book publication easier than I thought<br />

was possible.<br />

Two months later, I attended StampShow and<br />

talked with a buddy about the still undefined idea<br />

of publishing exhibits using CreateSpace. Through<br />

a series of conversations, we were able to narrow<br />

my focus to something concrete. The Global Philatelic<br />

Network publishes exhibits of international<br />

174 AMERICAN PHILATELIST / FEBRUARY <strong>2018</strong>

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