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brochure in PDF - Edinburgh International Festival

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42<br />

01<br />

Music<br />

‘the LSO responded to<br />

[Gergiev’s] flutter<strong>in</strong>g<br />

gesture with amaz<strong>in</strong>g<br />

virtuosity’ ��� ���������������<br />

Nicola Benedetti Viol<strong>in</strong><br />

Szymanowski Symphony No 1<br />

Viol<strong>in</strong> Concerto No 1<br />

Brahms Symphony No 1<br />

Powerhouse conductor Valery Gergiev, the Ed<strong>in</strong>burgh <strong>International</strong><br />

<strong>Festival</strong>’s Honorary President, br<strong>in</strong>gs the London Symphony Orchestra<br />

to the festival for what promises to be a fasc<strong>in</strong>at<strong>in</strong>g four-concert<br />

residency contrast<strong>in</strong>g the glow<strong>in</strong>g nobility of Brahms with the exotic,<br />

perfumed passions of Szymanowski.<br />

It was her performance of Szymanowski’s Viol<strong>in</strong> Concerto No 1 that<br />

won Ayrshire-born viol<strong>in</strong>ist Nicola Benedetti the BBC Young Musician<br />

title <strong>in</strong> 2004 at the age of 16, and the Polish composer’s sensuous,<br />

mystical music has been <strong>in</strong> her blood ever s<strong>in</strong>ce.<br />

eif.co.uk/lso1<br />

2 hours approximately<br />

02<br />

Brahms Tragic Overture<br />

Szymanowski Symphony No 2<br />

Brahms Symphony No 2<br />

Brahms’s Second is the sunniest of the composer’s four symphonies,<br />

its cheerful, pastoral mood draw<strong>in</strong>g comparisons with Beethoven’s<br />

well-loved ‘Pastoral’ Symphony. The piece’s tender melodies and genial<br />

<strong>in</strong>timacy are only clouded by the briefest of storms <strong>in</strong> the brood<strong>in</strong>g slow<br />

movement, reveal<strong>in</strong>g the steely strength beh<strong>in</strong>d the naive charm that<br />

Brahms evokes <strong>in</strong> the work.<br />

Szymanowski’s dramatic Second Symphony, on the other hand, is a<br />

grand statement that shows the impact of Mahler and Richard Strauss,<br />

while also draw<strong>in</strong>g on the lush impressionism of Debussy. Sensuous and<br />

passionate, and scored for a huge orchestra, it has gorgeous melodies,<br />

brilliant colours and a magnificent conclusion.<br />

eif.co.uk/lso2<br />

1 hour 45 m<strong>in</strong>utes approximately<br />

Photo Joachim Ladefoged / VII

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