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malibusurfsidenews.com life & arts<br />

Malibu surfside news | January 10, 2019 | 19<br />

Giving reason to the rhymes<br />

Poetry Open<br />

Mic welcomes,<br />

encourages<br />

creative minds<br />

Barbara Burke<br />

Freelance Reporter<br />

Viva Padilla’s poetry is<br />

edgy, yet eloquent; provocative,<br />

yet peaceful; intimate,<br />

yet inclusive.<br />

Her poems moved attendees<br />

at the Malibu<br />

Library’s Saturday, Jan.<br />

5 Poetry Open Mic, at<br />

which she was the featured<br />

guest.<br />

“A lot of people like me<br />

who live in South Central<br />

LA try to help our community,<br />

which lacks art resources,”<br />

Padilla said. “We<br />

try to create a space that<br />

doesn’t otherwise exist so<br />

that artists can find a voice<br />

and that’s why I started<br />

drylandla.org and my literary<br />

journal.”<br />

Padilla shared that she is<br />

a Chicana whose parents<br />

came from Mexico, that<br />

her mother fled Colima —<br />

a Mexican state entrenched<br />

in crime, its citizens the<br />

victims of drug cartel wars<br />

— and that her parents<br />

became naturalized<br />

citizens.<br />

She read her poems in<br />

both English and beautiful,<br />

flowing Spanish. Although<br />

many attendees did not<br />

speak Spanish, they appreciated<br />

the beautiful, universal<br />

cadence in Padilla’s<br />

heartfelt poems.<br />

Next, Doug Rucker read<br />

a piece from his book,<br />

“Moving Through.”<br />

“This is a piece I wrote<br />

after an unhappy divorce,”<br />

he said. “My wife had a<br />

picture of two large Mayan<br />

warriors over our bed.”<br />

The audience laughed at<br />

his irony and candor, and<br />

laughed even more heartily<br />

when he added “I told<br />

her the subject matter disturbed<br />

me, but the picture<br />

stayed there anyway.”<br />

Perkin Monk, a newcomer<br />

to the open mic,<br />

read a moving piece titled<br />

“What Are We Going to<br />

Eat?” At first blush, one<br />

might think the prose was<br />

lighthearted. However, like<br />

many poems, it surprised.<br />

It was a lament about<br />

grieving.<br />

“I wake up to the loudest<br />

sound of silent,” Monk<br />

began. “The echoes in my<br />

ears, No one to ask how<br />

did you sleep? No one to<br />

warm my feet. No one to<br />

ask ‘What are we going to<br />

eat?’”<br />

Professor John Struloeff,<br />

who directs the creative<br />

writing program at Pepperdine,<br />

shared “Particle<br />

Position,” a somewhat<br />

esoteric poem, that read in<br />

part “particles do not have<br />

defined positions until they<br />

are observed.”<br />

Einstein plays a pivotal<br />

part in that prose.<br />

The work, however, also<br />

is somewhat universal<br />

and eternal, as it speaks<br />

of fleeting glances, of<br />

possible romance, and of<br />

momentary, mesmerizing<br />

movements.<br />

“A dark and rainy night,<br />

storefront lights glistening<br />

on the sidewalk,” he<br />

continued. “As he exits<br />

the party, a woman’s smile<br />

haunting his thoughts.<br />

Would he see that face<br />

again? Would she touch<br />

his hand in passing while<br />

reaching for wine to make<br />

the signal as clear as his favorite<br />

memories?”<br />

The lovely afternoon<br />

ended with works by<br />

three of Malibu’s own:<br />

Ann Buxie, Ellen Reich<br />

and outgoing Malibu Poet<br />

Laureate Ricardo Means<br />

Ybarra.<br />

“My name is Ann,”<br />

Buxie read. “A-N-N is an<br />

acronym, an artificial neural<br />

network, my cover’s<br />

blown. Let me introduce<br />

myself. I am an algorithm,<br />

a disrupter. I blurt random<br />

advice.”<br />

Poetry is meant to define<br />

the intricacies of imagery,<br />

to disrupt the natural sequence<br />

of things so as to<br />

challenge those who hear<br />

it to explore the contours<br />

of creations, of reality, of<br />

justice.<br />

It also is meant to heal,<br />

as both Reich and Ybarra<br />

alluded to when they noted<br />

how discombobulating the<br />

Woolsey Fire was for Malibuites.<br />

“When I was evacuated,<br />

I did not know if my house<br />

was OK or not,” Reich<br />

said. “I was so happy to<br />

get back home and to find<br />

that my poetry did not burn<br />

up.”<br />

Ybarra shared his poem,<br />

“On a Ridge of the Santa<br />

Monica Mountains.”<br />

“Sunset hangs around<br />

like the dog waiting for me<br />

to throw his Frisbee,” he<br />

began.<br />

Ybarra, too, will still be<br />

hanging around Malibu.<br />

He will, however, soon<br />

pass the torch to someone<br />

new, as his term as Malibu<br />

Poet Laureate is ending.<br />

He does not intend to<br />

rest on his literary laurels.<br />

Rather, he is venturing<br />

toward new aspirations.<br />

He announced his next<br />

project. Ybarra, Malibu<br />

photographer Dave<br />

Teel and visual arts<br />

teacher Nicole Fisher are<br />

spearheading a community<br />

art collection and are<br />

calling artists of all ages,<br />

from all mediums, to<br />

submit an original work of<br />

art that tells a story of their<br />

community after the fire.<br />

For more information, or<br />

to submit pieces for editorial<br />

consideration, email<br />

ricardomeans@gmail.com<br />

by Jan. 31.<br />

Malibu Newsstand<br />

25 Years in Business. #MalibuStrong<br />

Thanks to all the brave emergency personnel<br />

and volunteers, for their tireless work<br />

protecting our beloved city.<br />

It’s devastating to lose a<br />

home, but most importantly<br />

many lives were saved.<br />

MALIBU IS<br />

RESILIENT.<br />

Poet Perkin Monk reads her piece, titled “What Are We<br />

Going To Eat?” during the Saturday, Jan. 5 Poetry Open<br />

Mic in Malibu. Suzy Demeter/22nd Century Media<br />

Malibu Newsstand 23717 ½Malibu Rd. in the ColonyShopping Center |310.456.1519 |Malibu.newsstand@gmail.com

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