Surrey Homes | SH51 | January 2019 | Wedding supplement inside
The lifestyle magazine for Surrey - Inspirational Interiors, Fabulous Fashion, Delicious Dishes
The lifestyle magazine for Surrey - Inspirational Interiors, Fabulous Fashion, Delicious Dishes
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Full English<br />
Perhaps it’s the rigour of its vertical plan, but the classic townhouse seems to<br />
inspire owners to be wonderfully bold with paint and decoration<br />
Ros Byam Shaw’s beautiful book,<br />
Perfect English Townhouse is a<br />
tribute to one of our loveliest of<br />
vernacular home styles – the multi-storeyed,<br />
terraced or semi-detached, uniquely<br />
urban dwelling that is the townhouse.<br />
The thirteen houses featured in the<br />
book date from 1670 to 1965, but<br />
while they span historic eras from the<br />
Stuarts, through Georgian, Regency<br />
and Victorian, right up to the reign<br />
of our own dear Queen, they share a<br />
special appeal: a familiarity of layout and<br />
proportion that just feels right to the eye.<br />
On top of all that is common among<br />
them, each of the houses in the book<br />
is wonderfully quirky and original,<br />
packed full of ideas to aspire to –<br />
repaying repeated visits to the pages.<br />
One theme that particularly jumped<br />
out at us as worthy of further study<br />
is the way all the houses balance very<br />
strong colour and vivid prints, with lots<br />
of art, features and collections – yet<br />
never look cluttered, messy, or hectic.<br />
We’ve come to the conclusion that the<br />
secret is having a certain proportion of<br />
balancing neutral tones in natural materials,<br />
be it in original wood floorboards, linen<br />
upholstery, sisal flooring, bamboo, rattan<br />
and wood furniture, or wicker details.<br />
Here are some of our favourite examples<br />
– followed by suggestions of how to achieve<br />
such exquisite colour balance at home. <br />
▲ This 18th century house in a South London square was restored after being<br />
previously divided into flats. Frank Hollmeyer uses this first floor room as a study.<br />
The panelling, which he put back in, is painted in Farrow & Ball’s Brassica<br />
The first floor drawing room of the<br />
same house is painted in Farrow & Ball’s<br />
Cale Green, a flattering background for<br />
the 17th century Dutch flower paintings.<br />
The cushions are made of antique Middle<br />
Eastern fabric from Susan Deliss, who also<br />
made the ikat lampshades<br />
SH Interiors Supplement<br />
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