Viva Lewes Issue #150 March 2019
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COLUMN<br />
Chloë King<br />
Words with feeling<br />
I’m walking along the<br />
river at Tesco when<br />
I am stopped in my<br />
tracks at the sight<br />
of what was once a<br />
much enjoyed – and<br />
possibly <strong>Lewes</strong>’s<br />
last – underground<br />
venue. Gasp! It’s only<br />
being smashed to<br />
smithereens!<br />
I had my wedding<br />
reception in that<br />
building – once<br />
known as Café des<br />
Artistes or, more amusingly, Arthole – barely<br />
five years ago.<br />
“It really is an art hole now,” I think, as I<br />
scrabble to take photos of those two giant<br />
cranes dancing together in front of it like<br />
stumbling drunks crooning into each others’<br />
necks. The entire riverside elevation has been<br />
removed and you can see right into it like you<br />
might a doll’s house. I can make out the old<br />
graffiti to the right, and to the left, the former<br />
infinity room, now very much finite.<br />
My reminiscence is soon interrupted by two<br />
smiley faces, one of whom I recognise.<br />
“Oh hi!” she says, kindly. “How are you?”<br />
“Sad!” I blurt out, trying to fight back that<br />
ungenerous tendency I have to emit the<br />
expression, “can’t you tell I’m occupied?”<br />
I don’t register that, to any normal person,<br />
idling around photographing a building site<br />
from afar does not constitute ‘urgent business’,<br />
no matter how intense the look on one’s face.<br />
“I got married in there and now look at it!” I say.<br />
“You couldn’t get married in it now,” comes an<br />
unfamiliar voice.<br />
“No,” I say, feeling a<br />
little hurt. “But to be<br />
honest, it wasn’t too tidy<br />
when we did.”<br />
There is much laughter,<br />
and I wonder: who<br />
wants a neat place to be<br />
messy in anyway? I feel<br />
awkward now, looking<br />
upon this momentous<br />
demolition.<br />
“Will you be putting the<br />
photos on Facebook?”<br />
“Yes,” I say, forlornly.<br />
“For my friends to laugh<br />
at, no doubt.” Sad face.<br />
At this, my companions take their leave. I<br />
wonder whether they’re wondering why I’m<br />
not more personable? Or why I wanted to<br />
hold my wedding reception inside a heap of<br />
corrugated iron? Different strokes for different<br />
folks, I think. It’s exposing to select a wedding<br />
venue that’s more Poundland-Warhol than<br />
Cornershop-Rees-Mogg.<br />
And then, all of a sudden, I’m reminded of that<br />
crumby Charlotte Rampling quote I heard on<br />
BBC Radio Sussex while parking the car.<br />
“If words don’t have vibration behind them,<br />
and a real feeling behind them, then they’re<br />
just words.”<br />
“Just words, eh?” I thought at the time.<br />
“Snarf!” (It’s this rather loose grasp of<br />
reasonable argument that led to my dropping<br />
out of A-level Philosophy.)<br />
You see, now, for want of a better way of<br />
putting it, it strikes me that Charlotte may have<br />
made a half-decent point. For if a warehouse<br />
doesn’t have vibration behind it, a real feeling<br />
behind it, then it’s just prime brownfield site.<br />
Illustration by Chloë King<br />
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