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Viva Lewes Issue #150 March 2019

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COLUMN<br />

Chloë King<br />

Words with feeling<br />

I’m walking along the<br />

river at Tesco when<br />

I am stopped in my<br />

tracks at the sight<br />

of what was once a<br />

much enjoyed – and<br />

possibly <strong>Lewes</strong>’s<br />

last – underground<br />

venue. Gasp! It’s only<br />

being smashed to<br />

smithereens!<br />

I had my wedding<br />

reception in that<br />

building – once<br />

known as Café des<br />

Artistes or, more amusingly, Arthole – barely<br />

five years ago.<br />

“It really is an art hole now,” I think, as I<br />

scrabble to take photos of those two giant<br />

cranes dancing together in front of it like<br />

stumbling drunks crooning into each others’<br />

necks. The entire riverside elevation has been<br />

removed and you can see right into it like you<br />

might a doll’s house. I can make out the old<br />

graffiti to the right, and to the left, the former<br />

infinity room, now very much finite.<br />

My reminiscence is soon interrupted by two<br />

smiley faces, one of whom I recognise.<br />

“Oh hi!” she says, kindly. “How are you?”<br />

“Sad!” I blurt out, trying to fight back that<br />

ungenerous tendency I have to emit the<br />

expression, “can’t you tell I’m occupied?”<br />

I don’t register that, to any normal person,<br />

idling around photographing a building site<br />

from afar does not constitute ‘urgent business’,<br />

no matter how intense the look on one’s face.<br />

“I got married in there and now look at it!” I say.<br />

“You couldn’t get married in it now,” comes an<br />

unfamiliar voice.<br />

“No,” I say, feeling a<br />

little hurt. “But to be<br />

honest, it wasn’t too tidy<br />

when we did.”<br />

There is much laughter,<br />

and I wonder: who<br />

wants a neat place to be<br />

messy in anyway? I feel<br />

awkward now, looking<br />

upon this momentous<br />

demolition.<br />

“Will you be putting the<br />

photos on Facebook?”<br />

“Yes,” I say, forlornly.<br />

“For my friends to laugh<br />

at, no doubt.” Sad face.<br />

At this, my companions take their leave. I<br />

wonder whether they’re wondering why I’m<br />

not more personable? Or why I wanted to<br />

hold my wedding reception inside a heap of<br />

corrugated iron? Different strokes for different<br />

folks, I think. It’s exposing to select a wedding<br />

venue that’s more Poundland-Warhol than<br />

Cornershop-Rees-Mogg.<br />

And then, all of a sudden, I’m reminded of that<br />

crumby Charlotte Rampling quote I heard on<br />

BBC Radio Sussex while parking the car.<br />

“If words don’t have vibration behind them,<br />

and a real feeling behind them, then they’re<br />

just words.”<br />

“Just words, eh?” I thought at the time.<br />

“Snarf!” (It’s this rather loose grasp of<br />

reasonable argument that led to my dropping<br />

out of A-level Philosophy.)<br />

You see, now, for want of a better way of<br />

putting it, it strikes me that Charlotte may have<br />

made a half-decent point. For if a warehouse<br />

doesn’t have vibration behind it, a real feeling<br />

behind it, then it’s just prime brownfield site.<br />

Illustration by Chloë King<br />

31

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