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Viva Lewes Issue #150 March 2019

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ON THIS MONTH: HATS<br />

Stephen Jones<br />

Hats at the Royal Pavilion<br />

If hats could talk, one can<br />

only imagine the conversations<br />

that might take place<br />

between those currently on<br />

display in the Royal Pavilion’s<br />

Banqueting Hall. The 26<br />

‘seated’ at the banqueting table<br />

where the Prince Regent<br />

once hosted his lavish dinner<br />

parties are – but for one – all<br />

the work of Stephen Jones, a<br />

milliner whose list of famous<br />

clients would stretch all the<br />

way down Madeira Drive.<br />

In this particular exhibit, the<br />

centrepiece of a spectacular<br />

career-spanning retrospective,<br />

Tilda Swinton (or her<br />

headpiece, at least) mingles<br />

with Cindy Crawford; Lady<br />

Gaga could swap gossip<br />

with Princess Diana, and<br />

Mick Jagger share a drink<br />

with Kate Moss. At the head<br />

of the table, of course, sits<br />

Prinny himself, in a felt<br />

hat Jones copied from the<br />

painting of the Prince Regent<br />

at the National Portrait<br />

Gallery. The only person not<br />

represented by a Stephen<br />

Jones hat is Jones himself,<br />

who has chosen instead his<br />

grandfather’s top hat: “I have<br />

a rather strange head shape,”<br />

he explains, “and obviously<br />

it comes from him because it<br />

fits me perfectly.”<br />

The exhibition, staged in<br />

partnership with Harvey<br />

Nichols and seven years in<br />

the making, spans a career<br />

of nearly four decades, from<br />

Jones’ early days partying<br />

with – and making hats for –<br />

Boy George at London’s legendary<br />

Blitz Club through his<br />

collaborations with designers<br />

including Dior, Giles Deacon<br />

and Comme des Garçons<br />

up to more recent creations<br />

The Mad Hatter 2013 and hat for Thom Browne AW14 in the Kitchen. Photos © Tessa Hallmann/Royal Pavilion & Museums, Brighton & Hove<br />

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