Viva Lewes Issue #150 March 2019
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ON THIS MONTH: HATS<br />
Stephen Jones<br />
Hats at the Royal Pavilion<br />
If hats could talk, one can<br />
only imagine the conversations<br />
that might take place<br />
between those currently on<br />
display in the Royal Pavilion’s<br />
Banqueting Hall. The 26<br />
‘seated’ at the banqueting table<br />
where the Prince Regent<br />
once hosted his lavish dinner<br />
parties are – but for one – all<br />
the work of Stephen Jones, a<br />
milliner whose list of famous<br />
clients would stretch all the<br />
way down Madeira Drive.<br />
In this particular exhibit, the<br />
centrepiece of a spectacular<br />
career-spanning retrospective,<br />
Tilda Swinton (or her<br />
headpiece, at least) mingles<br />
with Cindy Crawford; Lady<br />
Gaga could swap gossip<br />
with Princess Diana, and<br />
Mick Jagger share a drink<br />
with Kate Moss. At the head<br />
of the table, of course, sits<br />
Prinny himself, in a felt<br />
hat Jones copied from the<br />
painting of the Prince Regent<br />
at the National Portrait<br />
Gallery. The only person not<br />
represented by a Stephen<br />
Jones hat is Jones himself,<br />
who has chosen instead his<br />
grandfather’s top hat: “I have<br />
a rather strange head shape,”<br />
he explains, “and obviously<br />
it comes from him because it<br />
fits me perfectly.”<br />
The exhibition, staged in<br />
partnership with Harvey<br />
Nichols and seven years in<br />
the making, spans a career<br />
of nearly four decades, from<br />
Jones’ early days partying<br />
with – and making hats for –<br />
Boy George at London’s legendary<br />
Blitz Club through his<br />
collaborations with designers<br />
including Dior, Giles Deacon<br />
and Comme des Garçons<br />
up to more recent creations<br />
The Mad Hatter 2013 and hat for Thom Browne AW14 in the Kitchen. Photos © Tessa Hallmann/Royal Pavilion & Museums, Brighton & Hove<br />
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