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Caribbean Beat — March/April 2019 (#156)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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closeup<br />

Queen<br />

of queens<br />

She’s the self-proclaimed Queen of<br />

Bacchanal, and a reliable favourite on<br />

T&T’s Carnival scene. But, twenty years<br />

into her career, local fans and critics still<br />

underestimate the unstoppable Destra<br />

Garcia, writes Nigel A. Campbell. As<br />

the music industry evolves, he argues,<br />

it’s time to rethink what we mean by<br />

“biggest” and “best” <strong>—</strong> and acknowledge<br />

Destra’s international reputation<br />

Photography by Frame Photography,<br />

courtesy Bamboo Entertainment<br />

Last October, the US National Public<br />

Radio website published an essay<br />

declaring Trinidadian soca star Destra<br />

Garcia the “liberator of revelry.” That<br />

essay was part of a series “dedicated<br />

to recasting the popular music canon<br />

in more inclusive <strong>—</strong> and accurate <strong>—</strong> ways” in order<br />

to “challenge the usual definitions of influence.”<br />

Destra is “broadening the sound of soca,”<br />

argued writer Keryce Chelsi Henry <strong>—</strong> an external<br />

viewpoint that illustrates something taken for<br />

granted in Trinidad and Tobago: Destra Garcia<br />

is the bellwether among women soca artists in<br />

the music industry. The reach of her influence,<br />

I’d argue, has made this soca star a music icon<br />

outside her native country, even dwarfing her local<br />

reputation. And that influence is no longer centred<br />

on Trinidad Carnival. Destra is now international<br />

and perennial.<br />

To suggest subjective classifications like “best”<br />

or “biggest,” it’s useful to have the imprimatur of<br />

some objective measurements. In this modern<br />

age of music, when data is king and “likes” and<br />

“follows” matter more than universally diminishing<br />

record sales, Destra <strong>—</strong> with her entire catalogue<br />

on all the major digital music platforms <strong>—</strong> has the<br />

numbers that matter. They make a solid case for her<br />

ascension beyond her self-declared role as “Queen<br />

of Bacchanal” to the more apt title “Queen of Soca.”<br />

Looking at the numbers on popular social media<br />

platforms like Instagram and Facebook, Destra is<br />

indeed the queen, with metrics beyond other women<br />

soca stars like Alison Hinds and Fay-Ann Lyons,<br />

rising talent Nailah Blackman, or even calypso<br />

legend Calypso Rose. Only soca superstar Machel<br />

Montano betters her on Instagram, while Destra is<br />

the clear leader on Facebook among all performing<br />

soca artists worldwide, with over 323,000 followers,<br />

as of December 2018. That includes a strong fan<br />

base in the <strong>Caribbean</strong> diaspora worldwide.<br />

Even so, soca’s popularity, and the stars who<br />

make this music regional if not global, are still<br />

operating within confined niche markets, even<br />

as the sound and rhythm of soca are tapped by<br />

today’s urban pop stars as a sonic bed for charttopping<br />

hits. The social media numbers for the<br />

most popular soca artists pale in comparison to the<br />

major artists of other genres: Bajan Rihanna has<br />

close to 80 million followers on Facebook, while<br />

Trinidad-born Nicki Minaj has 41 million, and<br />

Cardi B <strong>—</strong> of Trinidadian and Dominican parents,<br />

and arguably the hottest thing right now <strong>—</strong> is just<br />

beginning, notching just over six million followers<br />

on the platform.<br />

50 WWW.CARIBBEAN-BEAT.COM

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