Caribbean Beat — March/April 2019 (#156)
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
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closeup<br />
Queen<br />
of queens<br />
She’s the self-proclaimed Queen of<br />
Bacchanal, and a reliable favourite on<br />
T&T’s Carnival scene. But, twenty years<br />
into her career, local fans and critics still<br />
underestimate the unstoppable Destra<br />
Garcia, writes Nigel A. Campbell. As<br />
the music industry evolves, he argues,<br />
it’s time to rethink what we mean by<br />
“biggest” and “best” <strong>—</strong> and acknowledge<br />
Destra’s international reputation<br />
Photography by Frame Photography,<br />
courtesy Bamboo Entertainment<br />
Last October, the US National Public<br />
Radio website published an essay<br />
declaring Trinidadian soca star Destra<br />
Garcia the “liberator of revelry.” That<br />
essay was part of a series “dedicated<br />
to recasting the popular music canon<br />
in more inclusive <strong>—</strong> and accurate <strong>—</strong> ways” in order<br />
to “challenge the usual definitions of influence.”<br />
Destra is “broadening the sound of soca,”<br />
argued writer Keryce Chelsi Henry <strong>—</strong> an external<br />
viewpoint that illustrates something taken for<br />
granted in Trinidad and Tobago: Destra Garcia<br />
is the bellwether among women soca artists in<br />
the music industry. The reach of her influence,<br />
I’d argue, has made this soca star a music icon<br />
outside her native country, even dwarfing her local<br />
reputation. And that influence is no longer centred<br />
on Trinidad Carnival. Destra is now international<br />
and perennial.<br />
To suggest subjective classifications like “best”<br />
or “biggest,” it’s useful to have the imprimatur of<br />
some objective measurements. In this modern<br />
age of music, when data is king and “likes” and<br />
“follows” matter more than universally diminishing<br />
record sales, Destra <strong>—</strong> with her entire catalogue<br />
on all the major digital music platforms <strong>—</strong> has the<br />
numbers that matter. They make a solid case for her<br />
ascension beyond her self-declared role as “Queen<br />
of Bacchanal” to the more apt title “Queen of Soca.”<br />
Looking at the numbers on popular social media<br />
platforms like Instagram and Facebook, Destra is<br />
indeed the queen, with metrics beyond other women<br />
soca stars like Alison Hinds and Fay-Ann Lyons,<br />
rising talent Nailah Blackman, or even calypso<br />
legend Calypso Rose. Only soca superstar Machel<br />
Montano betters her on Instagram, while Destra is<br />
the clear leader on Facebook among all performing<br />
soca artists worldwide, with over 323,000 followers,<br />
as of December 2018. That includes a strong fan<br />
base in the <strong>Caribbean</strong> diaspora worldwide.<br />
Even so, soca’s popularity, and the stars who<br />
make this music regional if not global, are still<br />
operating within confined niche markets, even<br />
as the sound and rhythm of soca are tapped by<br />
today’s urban pop stars as a sonic bed for charttopping<br />
hits. The social media numbers for the<br />
most popular soca artists pale in comparison to the<br />
major artists of other genres: Bajan Rihanna has<br />
close to 80 million followers on Facebook, while<br />
Trinidad-born Nicki Minaj has 41 million, and<br />
Cardi B <strong>—</strong> of Trinidadian and Dominican parents,<br />
and arguably the hottest thing right now <strong>—</strong> is just<br />
beginning, notching just over six million followers<br />
on the platform.<br />
50 WWW.CARIBBEAN-BEAT.COM