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Caribbean Beat — March/April 2019 (#156)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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As for Destra, she may have a bigger impact regionally and in<br />

the diaspora than at home in Trinidad. The Fader, the high-profile<br />

music magazine based in New York City, noted in a 2016 review<br />

of her career that Destra “tours globally year-round, connecting<br />

with her international fan base via trilingual capabilities <strong>—</strong> she<br />

speaks English, Spanish, and French <strong>—</strong> and the universal<br />

language of wining.” That universal appeal is endorsed by her<br />

tireless touring <strong>—</strong> in 2017, she fell from a stage in Bermuda,<br />

breaking her ankle, but continued touring and performing, wearing<br />

a cast. She has headlined festivals and other events in the<br />

US and Canada, the Netherlands, every island in the <strong>Caribbean</strong><br />

archipelago, Guyana and Venezuela on the South American<br />

mainland, and even in Dubai. The global marketplace is her<br />

oyster, and soca is her ticket to the world.<br />

Destra went to primary and secondary school in Woodbrook<br />

and then St James, on the other side of Port of Spain, and in<br />

that milieu, she excelled at singing calypsos in the various<br />

competitions organised for school children by organisations like<br />

the National Carnival Commission. She remembers that initial<br />

breakthrough. “My teacher, Janice Roach, was the one that<br />

found I had a good voice, a good tone, and she found that I was<br />

brave. She wrote my very first calypso, ‘Common Entrance’, and<br />

entered me in the primary schools’ competition. And I won. My<br />

Born and raised in the tough Laventille district of east Port<br />

of Spain, Destra Garcia is both a product of her community<br />

and a patient student of an industry that rewards the<br />

deserving and confines the ordinary to the pages of journeyman<br />

chronicles. The late V.S. Naipaul wrote that “small places with<br />

simple economies bred small people with simple destinies.” Some<br />

<strong>Caribbean</strong> people <strong>—</strong> like Destra <strong>—</strong> take such a statement as a<br />

challenge, rather than an indictment.<br />

The reach of Destra’s influence has<br />

made this soca star a music icon<br />

outside of her native country, even<br />

dwarfing her local reputation<br />

52 WWW.CARIBBEAN-BEAT.COM

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