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BeatRoute Magazine AB Edition March 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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LiVE<br />

MUSiC<br />

Pokey Lafarge<br />

BLOCK HEATER<br />

MUSIC FEST<br />

February 21 – 23<br />

Calgary Folk Music Fest’s<br />

3-day winter extravaganza<br />

did not dissappoint<br />

By MIKE DUNN<br />

Photos by LENORA BENDER<br />

THURSDAY NIGHT,<br />

FESTIVAL HALL<br />

Snotty Nose Rez Kids<br />

and Cartel Madras<br />

Calgary Folk Fest’s fourth annual Block<br />

Heater winter festival kicked off at Festival<br />

Hall with a blast of highly conscious<br />

hip-hop from two of western Canada’s<br />

best developing artists. Both Snotty<br />

Nose Rez Kids from the Haisla Nation<br />

on B.C.’s northern coast, and Calgary’s<br />

Cartel Madras put the packed house in<br />

Inglewood on blast, with not only jacked<br />

up beats and thick bass grooves, but<br />

with a consciousness that is often missing<br />

in contemporary folk music.<br />

Cartel Madras led off the night, and<br />

their tight, harmonized flow was a<br />

revelation. The ability to spit rhymes with<br />

airtight phrasing was a demonstration of<br />

the skills that have made Cartel Madras<br />

Calgary’s most well-received hip-hop<br />

export.<br />

Snotty Nose Rez Kids hold nothing<br />

back in a time where artists are increasingly<br />

conscious of how their words will<br />

be received. On tracks like “Savages”<br />

and the rallying cry of “SKODEN,” their<br />

straight-from-the-street hip-hop has<br />

more than supplanted traditional folk<br />

styles as the voice of the under-represented<br />

and marginalized. SNRK’s beats<br />

were big and infectious, and they laid<br />

down blazing, pointed rhymes creating<br />

one of the festival’s best moments<br />

early on. Heading into the crowd, Yung<br />

Trybez staged a sit down while Young D<br />

let the crowd know that when the beat<br />

dropped to hit their feet and bounce<br />

hard. It brought the room together, a<br />

visceral sharing of music and truth in the<br />

line, “Y’all say we all look the same, and I<br />

can’t remember my name.”<br />

36 BEATROUTE MARCH <strong>2019</strong>

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