BeatRoute Magazine AB Edition March 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
LiVE<br />
MUSiC<br />
Pokey Lafarge<br />
BLOCK HEATER<br />
MUSIC FEST<br />
February 21 – 23<br />
Calgary Folk Music Fest’s<br />
3-day winter extravaganza<br />
did not dissappoint<br />
By MIKE DUNN<br />
Photos by LENORA BENDER<br />
THURSDAY NIGHT,<br />
FESTIVAL HALL<br />
Snotty Nose Rez Kids<br />
and Cartel Madras<br />
Calgary Folk Fest’s fourth annual Block<br />
Heater winter festival kicked off at Festival<br />
Hall with a blast of highly conscious<br />
hip-hop from two of western Canada’s<br />
best developing artists. Both Snotty<br />
Nose Rez Kids from the Haisla Nation<br />
on B.C.’s northern coast, and Calgary’s<br />
Cartel Madras put the packed house in<br />
Inglewood on blast, with not only jacked<br />
up beats and thick bass grooves, but<br />
with a consciousness that is often missing<br />
in contemporary folk music.<br />
Cartel Madras led off the night, and<br />
their tight, harmonized flow was a<br />
revelation. The ability to spit rhymes with<br />
airtight phrasing was a demonstration of<br />
the skills that have made Cartel Madras<br />
Calgary’s most well-received hip-hop<br />
export.<br />
Snotty Nose Rez Kids hold nothing<br />
back in a time where artists are increasingly<br />
conscious of how their words will<br />
be received. On tracks like “Savages”<br />
and the rallying cry of “SKODEN,” their<br />
straight-from-the-street hip-hop has<br />
more than supplanted traditional folk<br />
styles as the voice of the under-represented<br />
and marginalized. SNRK’s beats<br />
were big and infectious, and they laid<br />
down blazing, pointed rhymes creating<br />
one of the festival’s best moments<br />
early on. Heading into the crowd, Yung<br />
Trybez staged a sit down while Young D<br />
let the crowd know that when the beat<br />
dropped to hit their feet and bounce<br />
hard. It brought the room together, a<br />
visceral sharing of music and truth in the<br />
line, “Y’all say we all look the same, and I<br />
can’t remember my name.”<br />
36 BEATROUTE MARCH <strong>2019</strong>