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THEATRE ............................. Glengarry Glen Ross Mark ‘The Machine’ Benson I’ve heard that the David Mamet play Glengarry Glen Ross – also, of course, a Hollywood movie – contains so many swear words, that in the acting world it’s acquired the nickname ‘Death of a F*****g Salesman’. “We counted how many swear words were used,” says Mark Benson, who plays the role of Shelley ‘The Machine’ Levene, so memorably performed by Jack Lemmon in the movie. “I had the most. It came to 74.” If you don’t know who Mark is, you probably haven’t watched much TV over the last 20 years. He played Eddie in Early Doors, Howard in Northern Lights, and Chalky in Waterloo Road. He hosted the game show The Edge, starred in the 2017 Marks & Spencer Christmas ad, and reached round ten of the 2013 edition of Strictly Come Dancing. More recently, he’s played the private detective Frank Hathaway in the BBC series Shakespeare & Hathaway. He’s big, he’s scruffy, and, hailing from Teesside, he’s irrevocably northern. But not in Glengarry Glen Ross. “The play is set in the cut-throat world of salesmen, selling plots of land, near Chicago,” he says, “so I’ve learnt to do a Chicago accent… The David Mamet script has us all speaking really fast – like people do in real life – so it’s been really hard to learn. It’s probably the hardest part I’ve ever had to do on stage: but when we get it right it’s brilliant, it just goes like a train.” Mark is the most recognisable name in a cast of seven, but he feels that this is very much an ‘ensemble’ production. “What’s nice about it,” he says, “are that there are no egos at work. Everyone has their moment to shine, so everybody’s satisfied, everybody’s happy with what they’ve got to do. We’re like a little gang, going round the country.” Mark’s character is in trouble: Shelley Levene used to be the top man in the sales team, but he’s having a run of bad luck, his leads are lousy, and he’s facing the sack. Meanwhile, his daughter’s ill, and the medical bills are mounting. I wonder how easy Mark finds it to unburden himself of his character’s problems, once he’s finished performing the role. Or has he been taking all Levene’s pent-up frustrations home with him? “That could be a problem, he says, “especially with a heavy role, like this one. But I’ll tell you what. When I’d just started out, I worked with Mike Leigh. You improvised with Mike, and he always had a cut-off point where he said ‘come out of character.’ So you’d come out of character, and then you’d talk about that character, objectively. From then on, I’ve been able to become myself again when I wanted to.” So did all the profanities not leak into Mark’s day-to-day conversations? “Oh, that. It became second nature, to tell you the truth. I went home once, after rehearsals, and my wife said: ‘would you please stop swearing so much?’ It took a while to get back to normal.” Alex Leith Theatre Royal, <strong>April</strong> 22nd-27th ....55....