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Viva Brighton Issue #74 April 2019

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ART<br />

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Kitchen Still Life, 1948 by William Scott<br />

© Estate of William Scott <strong>2019</strong>, Image courtesy of Southampton Art Gallery<br />

In Colour - Sickert to Riley<br />

Exhibition at Charleston<br />

In Colour – Sickert to Riley is the second exhibition<br />

in the new Wolfson Gallery at Charleston.<br />

Curated by the textile designer Cressida Bell, it<br />

runs until the 26th of August. Thirty one paintings<br />

by thirty one twentieth century British artists,<br />

all engaging with colour in their sometimes very<br />

different ways.<br />

While evoking ‘a grey dusty withered evening<br />

in London city’ in Our Mutual Friend, Dickens<br />

conjures up a wonderful phrase – ‘the national<br />

dread of colour’. And indeed, we often seem<br />

to have had an ambivalent attitude to colour.<br />

Reviewing the 1910 New English Art Club<br />

exhibition, Huntley Carter identifies and praises<br />

a small group of ‘colourists’ within the club’s<br />

ranks – Lucien Pissarro, Harold Gilman, Robert<br />

Bevan and Spencer Gore (the last two also feature<br />

in Cressida Bell’s show). However, he then<br />

cautions that ‘three fourths of the human race<br />

are unaffected by colour, except in a hostile form.<br />

Pure, clean colour arouses in their honest bosoms<br />

an exasperation only equalled by that called forth<br />

by the so-called indecent forms of art.’<br />

I don’t know whether Cressida Bell would agree.<br />

<strong>Viva</strong> Lewes readers may remember the (very colourful)<br />

cover she did for the February <strong>2019</strong> issue.<br />

In the accompanying interview with Joe Fuller, she<br />

expressed a wish that people would try wearing<br />

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