Viva Brighton Issue #74 April 2019
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ART<br />
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Kitchen Still Life, 1948 by William Scott<br />
© Estate of William Scott <strong>2019</strong>, Image courtesy of Southampton Art Gallery<br />
In Colour - Sickert to Riley<br />
Exhibition at Charleston<br />
In Colour – Sickert to Riley is the second exhibition<br />
in the new Wolfson Gallery at Charleston.<br />
Curated by the textile designer Cressida Bell, it<br />
runs until the 26th of August. Thirty one paintings<br />
by thirty one twentieth century British artists,<br />
all engaging with colour in their sometimes very<br />
different ways.<br />
While evoking ‘a grey dusty withered evening<br />
in London city’ in Our Mutual Friend, Dickens<br />
conjures up a wonderful phrase – ‘the national<br />
dread of colour’. And indeed, we often seem<br />
to have had an ambivalent attitude to colour.<br />
Reviewing the 1910 New English Art Club<br />
exhibition, Huntley Carter identifies and praises<br />
a small group of ‘colourists’ within the club’s<br />
ranks – Lucien Pissarro, Harold Gilman, Robert<br />
Bevan and Spencer Gore (the last two also feature<br />
in Cressida Bell’s show). However, he then<br />
cautions that ‘three fourths of the human race<br />
are unaffected by colour, except in a hostile form.<br />
Pure, clean colour arouses in their honest bosoms<br />
an exasperation only equalled by that called forth<br />
by the so-called indecent forms of art.’<br />
I don’t know whether Cressida Bell would agree.<br />
<strong>Viva</strong> Lewes readers may remember the (very colourful)<br />
cover she did for the February <strong>2019</strong> issue.<br />
In the accompanying interview with Joe Fuller, she<br />
expressed a wish that people would try wearing<br />
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