ZOOM | Spring 2019
A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.
A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.
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Claire Folstad has loved glass for a<br />
long time. When travelling, she used<br />
to gaze at church stained glass with<br />
longing. She took some classes<br />
when she found the time. But back<br />
when her restaurant business took up all of her<br />
attention, she found mosaic work to be fussy, and<br />
other glasswork required too much patience.<br />
“My time was not my own back then,” she says, “but<br />
every time I would stop, glass was present in some<br />
form. I seemed to be surrounding myself with it more<br />
and more. It always caught my eye and made me be<br />
present.”<br />
The Sunshine Coast caught Claire’s eye too, largely<br />
because of its vibrant arts community. When she<br />
sold her business and moved here, she set off on a<br />
creative journey. Knowing that she wanted to work<br />
differently, and with no more than an inner glimmer<br />
of where she was headed, she began to dabble.<br />
“I began very small [with] a tiny little hobby kiln in<br />
which I would play and experiment. I knew what I<br />
wanted but not how to create it, how to manipulate<br />
the glass, capture the light.”<br />
Glasswork can be powerfully transformative. That’s<br />
what fire does. This excites Claire: “I take these plain<br />
sheets of glass . . . lifeless . . . break them down<br />
into tiny pieces, then fire them back together into<br />
something vibrant and alive.”<br />
And her work is full of life! Splashy, vibrant, exuberant,<br />
delicate, so beautiful that there’s a hint of sadness.<br />
She feels that each piece has a story, tells a story.<br />
And she has been slowly moving her practice away<br />
from being bound by function to more purely for art.<br />
“So now, practical function is not the top priority. I am<br />
learning to let go of control. I am finding beauty in the<br />
imperfections. It is very satisfying.”<br />
Claire’s work has an organic kind of vibrancy, and<br />
she is learning what the glass needs from her. “I love<br />
a flow, a continuity. It is freedom to me. Also it is<br />
necessary to help the glass glow to its best potential.<br />
I started creating more sculptural pieces, art pieces,<br />
just letting the emotions flow from my hands and<br />
heart.”<br />
She is compiling pieces and hopes for her first<br />
independent show this year. She now shows at One<br />
Flower One Leaf Gallery in Gibsons.<br />
WORDS ONE FLOWER | NANCY ONE PINCOMBE LEAF GALLERY IS LOCATED IMAGE AT | 436 ROGER MARINE HANDLING DRIVE<br />
IN GIBSONS LANDING.<br />
spring <strong>2019</strong> 17