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ZOOM | Spring 2019

A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.

A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.

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Claire Folstad has loved glass for a<br />

long time. When travelling, she used<br />

to gaze at church stained glass with<br />

longing. She took some classes<br />

when she found the time. But back<br />

when her restaurant business took up all of her<br />

attention, she found mosaic work to be fussy, and<br />

other glasswork required too much patience.<br />

“My time was not my own back then,” she says, “but<br />

every time I would stop, glass was present in some<br />

form. I seemed to be surrounding myself with it more<br />

and more. It always caught my eye and made me be<br />

present.”<br />

The Sunshine Coast caught Claire’s eye too, largely<br />

because of its vibrant arts community. When she<br />

sold her business and moved here, she set off on a<br />

creative journey. Knowing that she wanted to work<br />

differently, and with no more than an inner glimmer<br />

of where she was headed, she began to dabble.<br />

“I began very small [with] a tiny little hobby kiln in<br />

which I would play and experiment. I knew what I<br />

wanted but not how to create it, how to manipulate<br />

the glass, capture the light.”<br />

Glasswork can be powerfully transformative. That’s<br />

what fire does. This excites Claire: “I take these plain<br />

sheets of glass . . . lifeless . . . break them down<br />

into tiny pieces, then fire them back together into<br />

something vibrant and alive.”<br />

And her work is full of life! Splashy, vibrant, exuberant,<br />

delicate, so beautiful that there’s a hint of sadness.<br />

She feels that each piece has a story, tells a story.<br />

And she has been slowly moving her practice away<br />

from being bound by function to more purely for art.<br />

“So now, practical function is not the top priority. I am<br />

learning to let go of control. I am finding beauty in the<br />

imperfections. It is very satisfying.”<br />

Claire’s work has an organic kind of vibrancy, and<br />

she is learning what the glass needs from her. “I love<br />

a flow, a continuity. It is freedom to me. Also it is<br />

necessary to help the glass glow to its best potential.<br />

I started creating more sculptural pieces, art pieces,<br />

just letting the emotions flow from my hands and<br />

heart.”<br />

She is compiling pieces and hopes for her first<br />

independent show this year. She now shows at One<br />

Flower One Leaf Gallery in Gibsons.<br />

WORDS ONE FLOWER | NANCY ONE PINCOMBE LEAF GALLERY IS LOCATED IMAGE AT | 436 ROGER MARINE HANDLING DRIVE<br />

IN GIBSONS LANDING.<br />

spring <strong>2019</strong> 17

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