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BeatRoute Magazine AB Edition May 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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MUSiC CONCERT PREVIEWS<br />

MARC DE VINCI<br />

ORAL MORALS<br />

Hip-hop duo Snotty<br />

Nose Rez Kids think<br />

ahead and look back<br />

to the future with<br />

responsibility<br />

By SAFIYA HOPFE<br />

Fast-rising West Coast rappers Darren<br />

“Young D” Metz and Quinton<br />

“Yung Trybez” Nyce remember when<br />

their relatives in Kitimat would call<br />

them “snotty nosed kids from the<br />

rez” with endearment– carefree kids<br />

who wouldn’t let a few boogers get<br />

in their way. Now, they go by “Snotty<br />

Nose Rez Kids” to honour being a little<br />

rough around the edges, and that<br />

this is what makes them beautiful.<br />

The journey of the last couple of<br />

years has been wild, and in many<br />

ways unexpected– but they say it’s a<br />

dream come true.<br />

Since their 2017 debut, they’ve<br />

been nominated for the Polaris, a<br />

Juno, and best hip-hop album at the<br />

Indigenous Music Awards.<br />

But Nyce says, they’re not<br />

in it for that. “At the end<br />

of the day, it’s just to have<br />

a positive impact on people.”<br />

The project started as<br />

a vision when the two<br />

were in school preparing<br />

to work nine-to-five<br />

jobs. Since then, each album<br />

has had what Metz<br />

calls a “snowball effect.”<br />

SNOTTY NOSE<br />

REZ KIDS<br />

Vancouver:<br />

Thursday, <strong>May</strong> 30<br />

Fortune Sound Club<br />

Victoria:<br />

Friday, June 7<br />

Capital<br />

Calgary:<br />

Tuesday, <strong>May</strong> 21<br />

Commonwealth<br />

“With each project” says Metz, “trying<br />

to get up there, trying to define<br />

ourselves and our style, we healed<br />

in ways that we thought we couldn’t<br />

heal. And not just that, but helping<br />

others heal.”<br />

In late 2017, The Average Savage<br />

marked Nyce and Metz’s emergence<br />

from their shells. This sparked a<br />

healing journey as they explored<br />

their roots and their power through<br />

verse. New record Traplines, signifies<br />

that they now have their confidence.<br />

It was this confidence in their collective<br />

voice that brought it into being.<br />

Last summer, the two wanted to<br />

make a mixtape, Rez Bangers & Koolapops,<br />

but realized a project of that<br />

scale wouldn’t be true to them. They<br />

wanted to make a full-length record–<br />

and they wanted it to have a message.<br />

And the time really couldn’t be<br />

riper. After all, as Nyce points out,<br />

our planet is dying, slowly but surely.<br />

Describing the album, he says, “It’s<br />

a reminder to people that the land<br />

we come from comes with responsibility.<br />

Our ancestors upheld those<br />

responsibilities and passed those responsibilities<br />

down to us.”<br />

He adds, “People need inspiration<br />

from an outside source, not necessarily<br />

holding them up on the frontlines.<br />

We give them a different energy. We<br />

Edmonton:<br />

Wednesday, <strong>May</strong> 22<br />

99ten<br />

Tix: $15, Ticketweb.ca<br />

make anthems for that<br />

sort of thing.”<br />

Although forward-thinking<br />

action is<br />

definitely a focus of theirs,<br />

Snotty Nose Rez Kids are<br />

far from forgetting where<br />

they came from. Having<br />

been raised in a culture<br />

and an environment<br />

where oral storytelling<br />

is pivotal, their work is<br />

in many ways shaped by<br />

what their grandparents, parents,<br />

aunties and uncles shared with them<br />

in hours spent at the dinner table. “A<br />

lot of the stuff on Trapline, is a lot of<br />

just that,” says Nyce.. “My mum’s on<br />

the opening skit, she’s telling us exactly<br />

what our traplines are and what<br />

they mean, letting us know that we<br />

don’t own these traplines we don’t<br />

own this land, but we have a responsibility<br />

to preserve it, protect it, and<br />

pass it onto the next generation for<br />

us to survive. So we give and we take,<br />

when it comes to storytelling.”<br />

They aim to speak not only for<br />

themselves but for all of those who<br />

came before them. Nyce describes<br />

this as a relationship of responsibility.<br />

“Without us, there’s a missing link.<br />

The generation before us can’t have<br />

that information passed on to the<br />

generation after us without our link.”<br />

Metz says the plan for the future<br />

is to keep building, and do whatever<br />

they can to make a difference.<br />

“Whether or not that means being<br />

the first people to run through the<br />

brick wall, you know, cause the first<br />

one’s always the bloodiest. All we<br />

want to do is start a ripple effect.” He<br />

finishes on a note of hope. “We want<br />

to help heal this one so the next generation<br />

comes up stronger.” ,<br />

ON TOUR<br />

<strong>May</strong> 4 Vancouver KW Studios<br />

<strong>May</strong> 8 Calgary The King Eddy<br />

<strong>May</strong> 10 Edmonton The Sewing Machine Factory<br />

<strong>May</strong> 12 Winnipeg Forth<br />

“as comforting as it is uncompromising”<br />

PITCHFORK (8/10)<br />

FLEMISHEYE.COM<br />

MAY <strong>2019</strong> BEATROUTE 29

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