BeatRoute Magazine AB Edition May 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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MUSiC CONCERT PREVIEWS<br />
MARC DE VINCI<br />
ORAL MORALS<br />
Hip-hop duo Snotty<br />
Nose Rez Kids think<br />
ahead and look back<br />
to the future with<br />
responsibility<br />
By SAFIYA HOPFE<br />
Fast-rising West Coast rappers Darren<br />
“Young D” Metz and Quinton<br />
“Yung Trybez” Nyce remember when<br />
their relatives in Kitimat would call<br />
them “snotty nosed kids from the<br />
rez” with endearment– carefree kids<br />
who wouldn’t let a few boogers get<br />
in their way. Now, they go by “Snotty<br />
Nose Rez Kids” to honour being a little<br />
rough around the edges, and that<br />
this is what makes them beautiful.<br />
The journey of the last couple of<br />
years has been wild, and in many<br />
ways unexpected– but they say it’s a<br />
dream come true.<br />
Since their 2017 debut, they’ve<br />
been nominated for the Polaris, a<br />
Juno, and best hip-hop album at the<br />
Indigenous Music Awards.<br />
But Nyce says, they’re not<br />
in it for that. “At the end<br />
of the day, it’s just to have<br />
a positive impact on people.”<br />
The project started as<br />
a vision when the two<br />
were in school preparing<br />
to work nine-to-five<br />
jobs. Since then, each album<br />
has had what Metz<br />
calls a “snowball effect.”<br />
SNOTTY NOSE<br />
REZ KIDS<br />
Vancouver:<br />
Thursday, <strong>May</strong> 30<br />
Fortune Sound Club<br />
Victoria:<br />
Friday, June 7<br />
Capital<br />
Calgary:<br />
Tuesday, <strong>May</strong> 21<br />
Commonwealth<br />
“With each project” says Metz, “trying<br />
to get up there, trying to define<br />
ourselves and our style, we healed<br />
in ways that we thought we couldn’t<br />
heal. And not just that, but helping<br />
others heal.”<br />
In late 2017, The Average Savage<br />
marked Nyce and Metz’s emergence<br />
from their shells. This sparked a<br />
healing journey as they explored<br />
their roots and their power through<br />
verse. New record Traplines, signifies<br />
that they now have their confidence.<br />
It was this confidence in their collective<br />
voice that brought it into being.<br />
Last summer, the two wanted to<br />
make a mixtape, Rez Bangers & Koolapops,<br />
but realized a project of that<br />
scale wouldn’t be true to them. They<br />
wanted to make a full-length record–<br />
and they wanted it to have a message.<br />
And the time really couldn’t be<br />
riper. After all, as Nyce points out,<br />
our planet is dying, slowly but surely.<br />
Describing the album, he says, “It’s<br />
a reminder to people that the land<br />
we come from comes with responsibility.<br />
Our ancestors upheld those<br />
responsibilities and passed those responsibilities<br />
down to us.”<br />
He adds, “People need inspiration<br />
from an outside source, not necessarily<br />
holding them up on the frontlines.<br />
We give them a different energy. We<br />
Edmonton:<br />
Wednesday, <strong>May</strong> 22<br />
99ten<br />
Tix: $15, Ticketweb.ca<br />
make anthems for that<br />
sort of thing.”<br />
Although forward-thinking<br />
action is<br />
definitely a focus of theirs,<br />
Snotty Nose Rez Kids are<br />
far from forgetting where<br />
they came from. Having<br />
been raised in a culture<br />
and an environment<br />
where oral storytelling<br />
is pivotal, their work is<br />
in many ways shaped by<br />
what their grandparents, parents,<br />
aunties and uncles shared with them<br />
in hours spent at the dinner table. “A<br />
lot of the stuff on Trapline, is a lot of<br />
just that,” says Nyce.. “My mum’s on<br />
the opening skit, she’s telling us exactly<br />
what our traplines are and what<br />
they mean, letting us know that we<br />
don’t own these traplines we don’t<br />
own this land, but we have a responsibility<br />
to preserve it, protect it, and<br />
pass it onto the next generation for<br />
us to survive. So we give and we take,<br />
when it comes to storytelling.”<br />
They aim to speak not only for<br />
themselves but for all of those who<br />
came before them. Nyce describes<br />
this as a relationship of responsibility.<br />
“Without us, there’s a missing link.<br />
The generation before us can’t have<br />
that information passed on to the<br />
generation after us without our link.”<br />
Metz says the plan for the future<br />
is to keep building, and do whatever<br />
they can to make a difference.<br />
“Whether or not that means being<br />
the first people to run through the<br />
brick wall, you know, cause the first<br />
one’s always the bloodiest. All we<br />
want to do is start a ripple effect.” He<br />
finishes on a note of hope. “We want<br />
to help heal this one so the next generation<br />
comes up stronger.” ,<br />
ON TOUR<br />
<strong>May</strong> 4 Vancouver KW Studios<br />
<strong>May</strong> 8 Calgary The King Eddy<br />
<strong>May</strong> 10 Edmonton The Sewing Machine Factory<br />
<strong>May</strong> 12 Winnipeg Forth<br />
“as comforting as it is uncompromising”<br />
PITCHFORK (8/10)<br />
FLEMISHEYE.COM<br />
MAY <strong>2019</strong> BEATROUTE 29