H&N Issue 36 September 2019
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THOMAS H GREEN - MUSICAL TIME MACHINE<br />
Back in the mid-<br />
1960s, if you’d<br />
popped into The<br />
Dragoon pub for a<br />
pint (Market Street,<br />
demolished at the<br />
start of the 70s<br />
to make way for<br />
the Guildbourne<br />
Centre), you might<br />
have tapped a toe<br />
to the band there.<br />
JED ARMSTRONG, ON<br />
DRUMS, was at the beginning<br />
of a career that would crisscross<br />
the globe, although he<br />
little knew it then.<br />
“I wanted to see the world,” he<br />
says wistfully. “I used to sit out<br />
by the bandstand in Worthing,<br />
looking at the moonlight hitting<br />
the waves at night, wondering<br />
whether I’d ever be able to see<br />
what was at the end of these<br />
vast oceans.”<br />
WAVE JUST AFTER THE IRANIAN REVOLUTION,<br />
FEATURING JED ON THE RIGHT AND SINGER YVONNE TURNER<br />
Drummer<br />
Jed Armstrong<br />
1960s - 1980s<br />
JED (LEFT) WITH<br />
KEITH EMERSON<br />
AND GODFREY<br />
SHEPPARD<br />
OUTSIDE THE<br />
RICHARD<br />
COBDEN PUB<br />
CIRCA 2011<br />
Born in Surrey in 1942,<br />
Armstrong’s family moved to<br />
Worthing as his father’s London antique business<br />
slumped during World War II. While his dad rose to<br />
become the top carpet salesman in Bentalls (now<br />
Beales), Jed developed a fascination with skiffle. His<br />
grandmother bought him a snare drum and he built up<br />
his own kit from there, briefly playing with Worthing<br />
outfit The Faraways.<br />
He lived in London in 1962 and became friendly with<br />
Chris Karan, drummer with the Dudley Moore Trio. He<br />
recalls great times at Peter Cook’s club The<br />
Establishment, but soon<br />
moved back<br />
to Worthing.<br />
Not long<br />
afterwards<br />
he hooked<br />
up with the<br />
Worthing Swing<br />
Orchestra,<br />
where he met<br />
keyboard player<br />
Keith Emerson<br />
32 | <strong>September</strong> <strong>2019</strong> | HERE & NOW ADVERTISE NOW 01903 686100