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NZPhotographer Issue 23, September 2019

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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HOW DO YOU EDUCATE YOURSELF SO YOU<br />

CAN BETTER HELP YOUR STUDENTS?<br />

I look a lot at student work and talk to them about their<br />

interests. I then go online and see what other artists and<br />

photographers may have done in that field and how<br />

they have done it. I spend a lot of time on online forums,<br />

watching tutorials, or exploring different genres in order<br />

to better help my students. Essentially, I am constantly<br />

learning alongside them.<br />

I find it pointless to teach the same thing to everyone.<br />

Last year a student said she loved the work of Prue<br />

Stent and Masie Cousins so I went online and explored<br />

their work and their techniques with that student. We<br />

experimented making coloured cornflour paste, and<br />

Googled the ingredients for a milk bath so she could do<br />

a shoot at home. We bought glitter, and slime and found<br />

out how hard it is to clean it up after you have taken<br />

photos with it and that the glitter keeps reappearing<br />

weeks, even months later. It’s about learning, and<br />

experimenting together. This year when a student asked<br />

me about those two photographers, I was ready with<br />

answers!<br />

When you train to be a teacher, or train within your<br />

subject matter, it doesn’t mean you now know<br />

everything. You can learn as much from your students as<br />

they can learn from you if you choose to.<br />

TELL US HOW YOUR SCHOOL HAS TEAMED UP<br />

WITH EXCIO TO SHOWCASE STUDENTS’ WORK…<br />

It started with me leaving a comment on one of the<br />

<strong>NZPhotographer</strong> Magazine posts on Facebook that<br />

asked what we, as a community, wanted to see<br />

in the magazine. I was tired of seeing all the posts<br />

of landscapes and what I felt was the same style<br />

of photography again and again posted by the<br />

photographic community. I felt that it excluded the<br />

creativity and talent of our younger generation.<br />

I use this magazine as a teaching tool, and I wanted<br />

to see the magazine evolve and attract a younger<br />

generation of reader – I think this is definitely happening<br />

lately, which is awesome. Ana and I began talking<br />

about my feature on the Excio blog and I asked her<br />

if we could have an Excio account for the school as<br />

the photography the students do is fantastic, and a<br />

bit different from what we normally see showcased in<br />

photography magazines and in social media.<br />

She was immediately supportive and when she came<br />

to talk to our students she was so inspirational. She<br />

essentially voiced the message that I have been trying to<br />

get across to our students about photography telling the<br />

students that photography does not have to be about<br />

the ‘likes’, the ‘followers’ and the ‘influencers’, but it can<br />

be about doing good and communicating a message<br />

for change or just sharing a beautiful moment. I feel very<br />

grateful to have had someone like Ana in my classroom<br />

living those words with her work with Excio and NZP as<br />

an example of how a photographic community can be<br />

based on something other than the pursuit of fame and<br />

money.<br />

At the moment we have around 8 students on Excio with<br />

1–3 photos per student, but are in the process of adding<br />

more. What we are trying to do is showcase a variety of<br />

images from our students so users of the app can see<br />

how varied our students’ talents and interests are. I have<br />

put together a student team to help me administer the<br />

school collections so we can showcase as many as<br />

120 photos at a time. It’s very exciting for us, and gives<br />

students the motivation to strive hard to be innovative<br />

and creative because, in the end, it is those images that<br />

have the most impact and those are the ones we want<br />

to show. Photography as a subject is only growing at<br />

Kapiti College, and with our partnership with Excio it will<br />

only attract more students keen to be appreciated for<br />

the innovators and artists that they are.<br />

HOW DO YOU THINK PHOTOGRAPHY BENEFITS<br />

KIDS AS A WHOLE?<br />

Photography has something for kids who think and see<br />

things differently. Maybe they can’t draw or play a<br />

musical instrument but are still creative. Imagine a world<br />

without creative people, without photography, art and<br />

music, it would be a very grey world. Children paint, sing,<br />

and dance before they read, write, and calculate. It’s<br />

their way of communicating, and essentially that is what<br />

art is in its purest form; a vehicle for personal expression.<br />

Photography facilitates creativity, personal expression,<br />

communication, and changes the way kids look at the<br />

world. Once you begin to be able to communicate a<br />

message with an image, you start seeing the potential for<br />

photos, and for communication everywhere. Remember,<br />

we are a society made of kids whose first instinct is to<br />

imagine, create and explore. Why can’t we continue this<br />

into adulthood?<br />

<strong>September</strong> <strong>2019</strong><br />

19

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