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Founder’s <strong>Favourites</strong><br />
Issue 8-<strong>Sep</strong>t 20<strong>19</strong><br />
Alex Phuong<br />
Annejo Geijteman<br />
Debbie Richard<br />
Fabrice B. Poussin<br />
Gaiyle J. Connolly<br />
J L Higgs<br />
John Grey<br />
R. Gerry Fabian<br />
Rhema Sayers<br />
Stella Mazur Preda
How to<br />
become a<br />
Founder’s<br />
Favourite<br />
Content contains anything I find<br />
memorable, creative, unique, visual,<br />
or even simple. Accepted<br />
contributors will most likely write<br />
about things that are emotionally<br />
moving. Not sure I will like your<br />
submission? Take a chance! You<br />
have nothing to lose. And who<br />
knows? You may end up being<br />
among the founder's favourites!<br />
Submit today!<br />
http://foundersfavourites.blogspot.com
Founder’s <strong>Favourites</strong><br />
Issue 8-<strong>Sep</strong>t 20<strong>19</strong> | Monique Berry, Hamilton ON Canada<br />
Contributors<br />
Debbie Richard<br />
4 Dayspring<br />
5 Rebirth<br />
Stella Mazur Preda<br />
6 A Soldier’s Prayer<br />
7 The Farmer<br />
Gaiyle J. Connolly<br />
8 Against All Odds<br />
9 Variation<br />
Fabrice B. Poussin<br />
10 Infinite Echo<br />
11 Secrets of the Seasons<br />
12 Conversation<br />
14 Exhuming Relics<br />
Alex Phuong<br />
13 Kate Winslet<br />
Rhema Sayers<br />
15 The Monster under the Bed<br />
John Grey<br />
16 The Rose<br />
Annejo Geijteman<br />
17 Haiku (2)<br />
J L Higgs<br />
<strong>19</strong> Tikkun Olam<br />
My <strong>Favourites</strong><br />
Dayspring; Rebirth Debbie Richard—<br />
Warm tones of Dayspring and the phrase<br />
“trespasses submerged” in Rebirth.<br />
A Soldier’s Prayer; The Farmer Stella<br />
Mazur Preda—The prayer speaks of<br />
emotion and honesty. The Farmer reveals a<br />
rough image but beauty and strength of<br />
survival.<br />
Against All Odds; Variation Gaiyle J.<br />
Connolly—I find the journey from the title<br />
to the last line satisfying. Variation brings<br />
tension but ends in a positive light.<br />
Infinite Echo; Secrets of the Seasons;<br />
Conversation; Exhuming Relics Fabrice<br />
B. Poussin—I find comfort finding new<br />
beginnings of deep mysteries. Next, the title<br />
and visuals in Secrets of the Seasons. A<br />
creative way to describe the facets of words.<br />
And I love the atmosphere of the attic and<br />
the finding of letters.<br />
Kate Winslet Alex Phuong—Love the<br />
memory collage of her movies.<br />
The Monster under the Bed Rhema<br />
Sayers—Brings me back to my childhood<br />
and the forgotten era of nighttime monsters.<br />
The Rose John Grey—I love the small as a<br />
child’s teacup visual and the odor it invokes<br />
in me at the end.<br />
Haiku Annejo Geijteman—I enjoyed<br />
learning a new word “floof.” And the<br />
coolness of the fan in the second one.<br />
Tikkun Olam J L Higgs—The Jewish<br />
theme is new for me. And being instructed<br />
to show kindness is refreshing.
Dayspring<br />
By Debbie Richard<br />
To never tire of the crashing waves<br />
upon the distant shore,<br />
Or watch the great ball of fire<br />
arise from a blue abyss,<br />
Like a tangled web of seaweed<br />
pulls creatures from the ocean floor,<br />
Look skyward toward the heavenly light<br />
and be clothed in the warmth of nature’s kiss.<br />
Allen G.—stock.adobe.com<br />
Debbie Richard is listed in the Directory of Poets & Writers as both a poet and creative nonfiction writer. She was<br />
shortlisted for Best Poem in Adelaide Literary Award for Poetry, 2018. Her poems have appeared in Torrid Literature<br />
Journal, Adelaide Literary Magazine, Scarlet Leaf Review, WestWard Quarterly, Halcyon Days, and others. For more<br />
information, visit her website: www.debbierichard.com
Rebirth (Haiku)<br />
By Debbie Richard<br />
Waterfalls cascade.<br />
Wise men cleanse impurities,<br />
Trespasses submerged.<br />
Totojang<strong>19</strong>77 | stock.adobe.com
A Soldier’s Prayer<br />
By Stella Mazur Preda<br />
Let my heart never forget<br />
how to love<br />
though hate may surface at times<br />
Give me the strength and courage<br />
to endure<br />
though life may not be spared<br />
Grant that my soul and spirit<br />
survive<br />
though my body may be dead<br />
Allow our children and theirs<br />
to sample<br />
life without bloodshed and hate<br />
Guide us to the peace we seek<br />
open our<br />
eyes and hearts to those in need<br />
Help us now to understand<br />
teach us<br />
tolerance and compassion<br />
Shower blessings on this world<br />
forgive us<br />
for the destruction we cause<br />
Fotos 593 | stock.adobe.com
The Farmer<br />
By Stella Mazur Preda<br />
Skin like well-worn leather,<br />
the face maps stories of his life;<br />
wrong turns and dead-ends<br />
scored deep into skin once supple.<br />
Lengthy grooves conceal sad secrets.<br />
The creases that tug at the corners<br />
of his mouth when he smiles<br />
raised six strapping sons.<br />
Furrows – chin to cheekbones<br />
ingrained through perils of drought.<br />
Nestled deep in the bumpy terrain<br />
azure eyes – like two sunlit lagoons;<br />
fresh folds at the corners – reflect<br />
recent loss of his wife of fifty years.<br />
Paths of life are mirrored in his face,<br />
trophies of ultimate survival.<br />
Martins Vanags | stock.adobe.com
Against All Odds<br />
By Gaiyle J. Connolly<br />
She shouldn't have made it.<br />
Alone, months at a time<br />
neglected<br />
no shelter<br />
little food.<br />
Scarcely a drink.<br />
Inclement weather,<br />
overnight chill,<br />
heat of the sun.<br />
Against all odds,<br />
sheer will<br />
kept her alive<br />
in the harsh surroundings<br />
of the inner city.<br />
Still, she can be seen<br />
between the cracks<br />
on the twelfth floor<br />
condo terrace . . .<br />
a persistent petunia.<br />
Jogerken | stock. Adobe.com
Variation<br />
by Gaiyle J. Connolly<br />
Blue sky<br />
chilled wine<br />
French bread<br />
Brie cheese<br />
cold meats.<br />
Oh no!<br />
Dark clouds<br />
downpour<br />
but then<br />
sunshine again.<br />
Like Orpheus music<br />
their love made<br />
the sun<br />
come out.<br />
Africa Studio | stock.adobe.com
Infinite Echo<br />
By Fabrice B. Poussin<br />
So often have I traveled through the waves<br />
seeking beginnings of deep mysteries.<br />
Particle erring in an unknown realm<br />
on its own I only find another stop.<br />
I might rest above the hopeful clouds<br />
upon a setting sun to contemplate a destiny.<br />
Mighty for a brief moment I pound the cage<br />
powerful in this dream of immunity.<br />
There, is infinite silence except for a sound<br />
like the eternal drums of a dying heart.<br />
Klavdiya Krinichnaya—stock.adobe.com<br />
Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in<br />
Kestrel, Symposium, The Chimes, <strong>Founder's</strong> Favorites and many other magazines. His photography has been published in The<br />
Front Porch Review, the San Pedro River Review as well as other publications.
Secrets of the Seasons<br />
By Fabrice B. Poussin<br />
What mysteries hold the light of the zenith sun<br />
not matched by the secrets of a full moon?<br />
The marvels only a lord of the heavens can see,<br />
when in the night the king of the earth stays alert.<br />
Giant of the seas, sovereign of the oceans deep<br />
and blue, expectant of the somber hurricanes.<br />
Warmth of the first flakes of a winter cold,<br />
under the last deaths of the falls past.<br />
Father to the new season of green and life,<br />
caught between the thin rain and a soft dew.<br />
And a fourth, mother of earth’s rebirth<br />
holder of treasures, creator of unending renewal.<br />
Юлия Колмогорцева | stock. Adobe.com
Conversation<br />
By Fabrice B. Poussin<br />
Speak they say, speak they beg, say something,<br />
create, make, put us together so we may rhyme;<br />
give us what we need, so we may too feel alive.<br />
They can be so demanding, from time to time<br />
impatient, rude, loud, intolerant, and pointed,<br />
those silly words, blue, sad, smelly, infinite.<br />
They want to be there on the mountain,<br />
flow with the torrents into the steams below,<br />
from the cold snow, to the warm oceans.<br />
Shall one be so delicate with these touchy creatures,<br />
or skip them like a pebble on the sheet of the lakes,<br />
and watch the ripples, wavelets, and listen to<br />
the subtle whimper they leave behind, children,<br />
disconnected, unable to find meaning on their own<br />
without their friends on the deep and lost shore?<br />
Syllables who want so much to grow older so fast,<br />
sing, play, perform, and leave a mark on eternity,<br />
building a home for the hearts they yet have to find.<br />
Better than objects, full of so many indefinite souls,<br />
they journey at a speed unfathomed, free;<br />
should they be set in stone, or remain poetic chaos?<br />
eikotsuttiy | stock.adobe.com
Kate Winslet<br />
By Alex Phuong<br />
On one Labor Day afternoon, while driving<br />
down a Revolutionary Road, a simple, all-<br />
American girl named Kate Winslet was<br />
searching for something to do for her<br />
summer vacation. After driving for several<br />
hours, she saw a billboard with the headline,<br />
“TITANIC SAILS ONCE MORE!” She<br />
hesitantly resisted the urge to buy tickets for<br />
a summer cruise because of her fear of<br />
drowning. After stopping by Laguna<br />
Beach, she went into a library to check out a<br />
copy of her favorite novel, Sense and<br />
Sensibility by Jane Austen. Kate often<br />
identified with Marianne Dashwood<br />
because of their romantic sensibilities. She<br />
also enjoyed Shakespeare, and her favorite<br />
fictional character from the Bard was<br />
Ophelia from Hamlet. After returning home<br />
from the library, she became not just A<br />
reader, but The Reader. As she read a book<br />
about Steve Jobs, she pondered what life<br />
would be like if she were to have Little<br />
Children. She also feared Carnage because<br />
she wants to live happily ever after rather<br />
than suffer a miserable demise (which could<br />
have happened if she boarded that Titanic<br />
replica). As night began to present itself,<br />
she went to bed while letting her mind<br />
expand with the Eternal Sunshine of the<br />
Spotless Mind. Curiously, this simple<br />
young woman is still nothing like the<br />
famous British actress because the<br />
Hollywood legend has green eyes while<br />
Kate’s Irises were hazel.<br />
JPDC | stock.adobe.com<br />
Alex Andy Phuong graduated from California State University-Los Angeles with his Bachelor of Arts in English in 2015<br />
and was an editor for Statement Magazine. He currently writes articles and film reviews online. His writing has appeared<br />
in The Bookends Review, Society of Classical Poets, and Wilderness House Literary Review #12/4.
Exhuming Relics<br />
By R. Gerry Fabian<br />
Sitting on a discarded chair<br />
in the attic, attempting to<br />
discard cluttered curios,<br />
I find an odd old<br />
faintly perfumed envelope.<br />
Removing the love letter,<br />
I read the most sincere<br />
attempt at affection,<br />
noting the misspellings<br />
filled with the initial innocence<br />
of hopeful hand holding<br />
and the awe of our first kiss.<br />
It is signed, Mary Jo.<br />
As I sit there,<br />
with the sunlight<br />
revealing scattering dust motes,<br />
my calcified cortex<br />
cannot reconstruct<br />
the time, or place<br />
or face<br />
belonging to these words.<br />
Eugene Kravchenko | stock.Adobe.com<br />
R. Gerry Fabian is a retired English instructor. He has been publishing poetry since <strong>19</strong>72. He is the author of Raw Dog Press and has<br />
published two books of his published poems Parallels and Coming Out of the Atlantic. Gerry is currently working on his fourth novel,<br />
Ghost Girl. Visit his webpage at https://rgerryfabian.wordpress.com.
The Monster under the Bed<br />
By Rhema Sayers<br />
There is something hiding under my bed,<br />
That growls ferociously when I come near.<br />
It’s black and hairy with eyes shining red,<br />
And its snarls are frightening to hear.<br />
But my beautiful Ariel, so gentle and sweet,<br />
A big dog of undetermined stock,<br />
Also hairy and black, will often retreat,<br />
Under the bed to chew on a sock.<br />
Sometimes I think that it’s Ariel there,<br />
Under the bed, so sweet and so shy.<br />
But it can’t be my dog, more likely a bear,<br />
That snarling beneath the bed does lie.<br />
And yet from the darkness, back near the wall,<br />
I never hear the sounds of a fight.<br />
I would think there’d be an incredible brawl<br />
That would last at least half through the night.<br />
Quietly under the bed they repose,<br />
Content with each other’s company.<br />
They get along so well, I suppose,<br />
Because they share the bed’s custody.<br />
So when it’s time for me to go to bed,<br />
I long jump, flying several feet,<br />
So that my toes are not likely to tread,<br />
On any who might those toes eat,<br />
I wonder sometimes, whether or not,<br />
Dog and monster might just be the same.<br />
But if they’re identical under the cot,<br />
Then is it real or simply a game?<br />
So is it my Ariel, gentle and sweet,<br />
Whose personality the bed does change?<br />
Are there two down there below my bed feet,<br />
Or one dog that is passingly strange?<br />
Image by Henryk Niestrój from Pixabay<br />
Rhema Sayers is a retired ER doctor who has taken up freelance writing as a second career. She has a passion for dogs and<br />
had eight at one time. Ariel, a very peculiar dog with a sense of humor, was one of the eight. Rhema lives in the Arizona desert<br />
near Tucson with three dogs and one husband.
The Rose<br />
By John Grey<br />
A fortuitous rose,<br />
small as a child’s teacup,<br />
but a feast for senses<br />
in crimson equanimity.<br />
Deep among the thorns<br />
like rubies in soil,<br />
or the leak of blood<br />
from a fresh love wound.<br />
On my knees,<br />
in the bush’s cause,<br />
I inhale the wild ancestor,<br />
the elusive present occupant.<br />
Juhku | stock.adobe.com<br />
John Grey is an Australian poet, US resident. Recently published in That, Dunes Review, Poetry East and North Dakota Quarterly<br />
with work upcoming in Haight-Ashbury Literary Journal, Thin Air, Dalhousie Review and failbetter.
Haiku<br />
By Annejo Geijteman<br />
Spinning fan soft light<br />
Melting ice cream drips slowly<br />
A summer nights dream<br />
Haiku<br />
By Annejo Geijteman<br />
Black white tufts of floof<br />
Soft footsteps in the hallway<br />
Loki says meow<br />
Ian | stock.adobe.com<br />
Glenda Powers | stock.adobe.com<br />
Annejo Geijteman is a Dutch green haired writer and poet who loves the scent of coconut and the<br />
aftertaste of a well crafted short story. She lives with her long haired tuxedo cat Loki and an assortment of<br />
spoiled houseplants. She believes writing should always be true, even if it hurts.
xavier gallego morel | stock. Adobe.com
Tikkun Olam<br />
by J L Higgs<br />
“Benjamin!”<br />
“Coming.”<br />
Benjamin placed the Tiffany lamp back on the shelf. Then<br />
he began descending the wooden ladder attached to the rail<br />
around the second tier of the antique shop. Dusting, sweeping,<br />
whatever it required to maintain the shop was his responsibility.<br />
It was not an easy task. Especially since the shop never sold<br />
anything. Years ago, Benjamin had asked Moshe the point of<br />
such fastidious cleanliness. Moshe’s reply, “Cleanliness is next<br />
to Godliness.”<br />
Almost as tall as it was wide, the antique shop had once<br />
been a bookstore. Now, the sole book that remained was kept in<br />
the backroom. Clocks, porcelain cups, bronze lanterns, china,<br />
pitchers, and many other seemingly unremarkable items<br />
crowded the shop’s shelves. Moshe had told Benjamin they<br />
were God’s earthly stewards and all God’s creations and gifts<br />
deserved respect, honor, and preservation, even down to the<br />
least of things.<br />
Through the years, little about the shop had changed. The<br />
tiny bell that hung inside the front door still jingled just as it had<br />
the first time Benjamin entered the shop. That day, as his<br />
fingers reached toward the ancient push tab cash register next to<br />
the rotary phone on the shop’s counter, Moshe had appeared<br />
dressed in black, broom in hand.<br />
“Who are you?” he growled, his eyes narrowed to slits with<br />
suspicion.<br />
Benjamin’s initial inclination had been to run away, to<br />
escape. But he’d remained rooted in place, staring at the burly<br />
man’s bushy gray beard, side curls, and kippah. After<br />
stammering repeatedly, he finally said his name.<br />
Shoving the broom into the black teenager’s hand, Moshe<br />
had said, “You. Benjamin. Sweep.” Mimicking sweeping, the<br />
tzizits hanging from his tallit swinging back and forth, he<br />
repeated his command. Bewildered, Benjamin did as he’d been<br />
told.<br />
Stepping off the ladder’s last rung, Benjamin wiped his<br />
hands on the front of his bib apron. Despite its dearth of sales,<br />
the shop never lacked for customers. Each day, people of every<br />
race, color, creed, sex, age, etc… came to the shop from near<br />
and far. Be it children bearing broken toys or adults with<br />
something needing attention or repairs, the routine never<br />
differed. Moshe would take whatever they brought into the<br />
back room. After spending a few moments there, where he kept<br />
a copy of the Torah on a small wooden desk with a metal<br />
folding chair, he’d emerge with the item functioning perfectly<br />
and looking new. Any attempts at payment were always<br />
declined. Instead, Moshe would hand the customer their item<br />
and wish them a good day with a smile.<br />
At first, Benjamin found Moshe’s generosity unsettling.<br />
But his concerns were allayed when Moshe paid him that first<br />
Friday. Since then, every week as they closed the shop for<br />
Shabbat, Moshe would hand Benjamin his pay and say, “A<br />
good week, eh Benjamin. God gave us many opportunities to<br />
perform the mitzvah of tzedakah.”<br />
At that, Benjamin always shook his head. While getting<br />
paid, like Moshe’s ability to fix whatever was brought to the<br />
shop seemed like miracles, Moshe’s constant talk of God made<br />
little sense to him.<br />
“You called,” said Benjamin, entering the backroom.<br />
Moshe, seated on the metal folding chair, his back to the<br />
doorway, did not answer. Benjamin walked over, touched him<br />
on the shoulder, and Moshe slumped forward. Benjamin darted<br />
from the room, snatched up the receiver of the black rotary<br />
phone on the counter and dialed 9-1-1.<br />
An ambulance quickly arrived and the EMTs determined<br />
that Moshe had suffered a heart attack. Over their protests,<br />
Benjamin insisted on accompanying Moshe to the hospital.<br />
While Moshe was rushed into the emergency unit, Benjamin<br />
stood alone with his hopes and fears.<br />
For four whole days, Moshe teetered on a hair-thin line<br />
between life and death. Having no next of kin, no one was<br />
permitted to see him, not even Benjamin, who arrived early<br />
each morning and remained until late evening.<br />
On the fifth day, Moshe opened his eyes and asked for<br />
Benjamin. As he stood beside the bed looking at Moshe,<br />
Benjamin did not know what to say. Smiling, Moshe patted his<br />
hand. Then he asked if Benjamin had been tending to the shop.<br />
Benjamin told him the shop had remained closed.<br />
Moshe sighed. “Shop must be open, Benjamin.”<br />
“But… But people will come. I...”<br />
“Let them come. Pshaw. Give me paper and pencil,” said<br />
Moshe gesturing toward the small cabinet beside the bed. With<br />
a trembling hand, he wrote, “bhvakasha elohim. lazor lcha<br />
msharet tsanua vneeman betikun haolam.” Then he handed the<br />
paper to Benjamin.<br />
Benjamin stared at the strange words, shaking his head.<br />
“Tikkun Olam,” said Moshe. “You, Benjamin, must mend<br />
what is broken.”<br />
“But I...”<br />
“Put hand on Torah. Say words.” He tapped the paper.<br />
“Tikkun Olam,” repeated Moshe, firmly tapping the paper.<br />
“Repair of the world. Is every person’s responsibility.”<br />
“But...”<br />
“No but!” said Moshe, agitation in his voice. “Is<br />
responsibility.”<br />
“Fine!”<br />
“Good!” Moshe fell back against the sheets and closed his<br />
eyes. Standing over him, Benjamin watched Moshe’s lips<br />
move, forming words like he was chanting, but in some foreign<br />
language.<br />
Standing in front of the antique shop, Benjamin pulled out<br />
his keys and unlocked the front door. The tiny bell on the door<br />
jingled as if issuing a call. Benjamin turned on the overhead<br />
lights and headed to where he kept his apron and broom near the<br />
back room.<br />
As he approached the back room, he hesitated, then entered.<br />
Pulling the paper Moshe had written on from his pocket, he<br />
placed it on the desk beside the Torah and smoothed it out with<br />
his hand. He heard the tiny bell inside the front door jingling<br />
non-stop, summoning him. Heeding its call, he emerged from<br />
the back room. There was much work to be done.<br />
J L Higgs' short stories typically focus on life from the perspective of a black American. He has had over 40 publications and<br />
been nominated for a Pushcart Prize. Magazines publishing his work include Indiana Voice Journal, The Writing Disorder,<br />
Contrary Magazine, Rigorous, Literally Stories, and The Remembered Arts Journal. He resides outside of Boston.<br />
Facebook: https://www.facebook.com/JL-Higgs-ArtistWriter-14337116<strong>19</strong>998262
Founder’s <strong>Favourites</strong><br />
Issue 8-<strong>Sep</strong>t 20<strong>19</strong><br />
Thanks for<br />
spending time with<br />
my favourites.