BUZZOYO November 2019
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REVIEW<br />
<strong>BUZZOYO</strong> NOV <strong>2019</strong><br />
Book Review<br />
Movie Review<br />
JOKER<br />
“What happens when you cross a mental ill loner and a society that abandons him and<br />
treats him like crap?”<br />
- Arthur Fleck<br />
This review is especially difficult to write,<br />
considering I might not do justice to this<br />
piece of art. The movie was just utterly<br />
overwhelming, goose-bump inducing and<br />
astonishingly graceful. In the simplest<br />
of terms, this was a character study of<br />
Arthur Fleck—Joker. A very different sort of<br />
character study…<br />
QUICHOTTE<br />
AUTHOR: SALMAN RUHIDIE<br />
This is what one calls a<br />
smorgasbord. Multiple genres<br />
intertwined within each other<br />
to create a lengthy spectacle<br />
that sometimes goes nowhere.<br />
Yet, you want to plod on.<br />
Quichotte, the protagonist,<br />
is originally known as Ismail<br />
Smile. A travelling salesman of<br />
Indian origin now in the United<br />
States of America. Quichotte<br />
loses a grip on reality after a<br />
stroke. He falls in love with a<br />
talk show host, Salma R, who<br />
is considered to be Oprah 2.0.<br />
Quichotte writes love letters to<br />
Salma R and decides to travel<br />
across America to win over his<br />
lady love. His companion on<br />
this quest is his imaginary son<br />
called Sancho, a Pinocchioinspired<br />
character who wants<br />
to be a real boy. And along<br />
the way, they encounter many<br />
threads that epitomize modernday<br />
America. Reality television<br />
lovers meet racism, an opioid<br />
crisis and even talking crickets.<br />
These merging of themes<br />
continue spiralling out of<br />
control. But wait. There’s more.<br />
There is a story within a story.<br />
Quichotte’s story is being<br />
written by Brother, an author<br />
(who writes under the name of<br />
Sam duChamp). He hopes to<br />
build bridges with his estranged<br />
Son and Sister; the latter is in<br />
London, dying of cancer.<br />
What works: Occasionally,<br />
Quichotte pulls at the<br />
heartstrings. His take on the<br />
world is innocent, and his<br />
belief in love is fantastical. The<br />
layering of the story within the<br />
story is interesting. The novel<br />
is a satire on the era of fake<br />
news, Donald Trump, ‘anythingis-possible’,<br />
internet-addicted<br />
world. Sometimes it feels like<br />
Rushdie is holding a mirror to<br />
our reality.<br />
Would’ve liked: When a<br />
picaresque novel also has<br />
elements of magical realism<br />
and is a sci-fi thriller. When it<br />
weaves themes of migrants,<br />
love, loss, packing in so much...<br />
there is a sense of feeling<br />
overwhelmed. The heavily<br />
peppered references also have<br />
an almost tragi-comic effect:<br />
Men in Black, Candy Crush<br />
Saga, Shakespeare seem to<br />
constantly inundate the reader.<br />
Occasionally, one can get lost.<br />
This retelling of Cervantes’<br />
Don Quixote could have been<br />
shorter, and less verbose.<br />
Verdict: Quichotte takes you on<br />
a wild adventure that dares to<br />
challenge the styles of narrative.<br />
It challenges your imagination.<br />
However, a word of caution:<br />
Kind reader, do suspend your<br />
beliefs, and practice some<br />
patience. You will wonder where<br />
you’re going but keep reading.<br />
Salman Rushdie does weave his<br />
magic, however it comes in a<br />
little late.<br />
- Resha Patel<br />
For long time followers of the Batman<br />
universe, seeing a new rendition of the Joker<br />
is no cause for alarm. This one however,<br />
did something to us all. We all know the<br />
Joker, but we did not know THIS Joker. This<br />
is an origin story that slowly unravels the<br />
motivations and rationales that conspire to<br />
create the barbarous and sinister nature of<br />
the inexplicable Joker.<br />
Every scene is veiled with a morose sort of<br />
loom, hanging over the viewers, keeping<br />
them hooked by the neck. Backed by the<br />
perfectly sullen and rousing soundtrack,<br />
Joaquin Phoenix has out performed all his<br />
predecessors. No Joker of the past has<br />
evoked the sense of revolt and uprising in<br />
his fans the way Phoenix has managed to.<br />
Come Oscar season, this man is sure to<br />
have his arms full.<br />
Todd Phillips, director of 2009 The<br />
Hangover, has reimagined the comic book<br />
figure of Joker in the most disturbing and<br />
compelling manner, in the process, creating<br />
a timeless piece of history. This film, to me,<br />
personally, is the best performance and<br />
direction to have graced us in a long time.<br />
A moving performance, a chilling plot,<br />
a perverse and realistic depiction of our<br />
world. This one is a winner.<br />
Aching for something similar? Check out<br />
Scorsese’s Taxi Driver (1976), and The King<br />
of Comedy (1983). Phillips, in an interview<br />
attested to being inspired by these.<br />
Happy Watching!<br />
- Cherisha Sonawala<br />
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