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BUZZOYO November 2019

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REVIEW<br />

<strong>BUZZOYO</strong> NOV <strong>2019</strong><br />

Book Review<br />

Movie Review<br />

JOKER<br />

“What happens when you cross a mental ill loner and a society that abandons him and<br />

treats him like crap?”<br />

- Arthur Fleck<br />

This review is especially difficult to write,<br />

considering I might not do justice to this<br />

piece of art. The movie was just utterly<br />

overwhelming, goose-bump inducing and<br />

astonishingly graceful. In the simplest<br />

of terms, this was a character study of<br />

Arthur Fleck—Joker. A very different sort of<br />

character study…<br />

QUICHOTTE<br />

AUTHOR: SALMAN RUHIDIE<br />

This is what one calls a<br />

smorgasbord. Multiple genres<br />

intertwined within each other<br />

to create a lengthy spectacle<br />

that sometimes goes nowhere.<br />

Yet, you want to plod on.<br />

Quichotte, the protagonist,<br />

is originally known as Ismail<br />

Smile. A travelling salesman of<br />

Indian origin now in the United<br />

States of America. Quichotte<br />

loses a grip on reality after a<br />

stroke. He falls in love with a<br />

talk show host, Salma R, who<br />

is considered to be Oprah 2.0.<br />

Quichotte writes love letters to<br />

Salma R and decides to travel<br />

across America to win over his<br />

lady love. His companion on<br />

this quest is his imaginary son<br />

called Sancho, a Pinocchioinspired<br />

character who wants<br />

to be a real boy. And along<br />

the way, they encounter many<br />

threads that epitomize modernday<br />

America. Reality television<br />

lovers meet racism, an opioid<br />

crisis and even talking crickets.<br />

These merging of themes<br />

continue spiralling out of<br />

control. But wait. There’s more.<br />

There is a story within a story.<br />

Quichotte’s story is being<br />

written by Brother, an author<br />

(who writes under the name of<br />

Sam duChamp). He hopes to<br />

build bridges with his estranged<br />

Son and Sister; the latter is in<br />

London, dying of cancer.<br />

What works: Occasionally,<br />

Quichotte pulls at the<br />

heartstrings. His take on the<br />

world is innocent, and his<br />

belief in love is fantastical. The<br />

layering of the story within the<br />

story is interesting. The novel<br />

is a satire on the era of fake<br />

news, Donald Trump, ‘anythingis-possible’,<br />

internet-addicted<br />

world. Sometimes it feels like<br />

Rushdie is holding a mirror to<br />

our reality.<br />

Would’ve liked: When a<br />

picaresque novel also has<br />

elements of magical realism<br />

and is a sci-fi thriller. When it<br />

weaves themes of migrants,<br />

love, loss, packing in so much...<br />

there is a sense of feeling<br />

overwhelmed. The heavily<br />

peppered references also have<br />

an almost tragi-comic effect:<br />

Men in Black, Candy Crush<br />

Saga, Shakespeare seem to<br />

constantly inundate the reader.<br />

Occasionally, one can get lost.<br />

This retelling of Cervantes’<br />

Don Quixote could have been<br />

shorter, and less verbose.<br />

Verdict: Quichotte takes you on<br />

a wild adventure that dares to<br />

challenge the styles of narrative.<br />

It challenges your imagination.<br />

However, a word of caution:<br />

Kind reader, do suspend your<br />

beliefs, and practice some<br />

patience. You will wonder where<br />

you’re going but keep reading.<br />

Salman Rushdie does weave his<br />

magic, however it comes in a<br />

little late.<br />

- Resha Patel<br />

For long time followers of the Batman<br />

universe, seeing a new rendition of the Joker<br />

is no cause for alarm. This one however,<br />

did something to us all. We all know the<br />

Joker, but we did not know THIS Joker. This<br />

is an origin story that slowly unravels the<br />

motivations and rationales that conspire to<br />

create the barbarous and sinister nature of<br />

the inexplicable Joker.<br />

Every scene is veiled with a morose sort of<br />

loom, hanging over the viewers, keeping<br />

them hooked by the neck. Backed by the<br />

perfectly sullen and rousing soundtrack,<br />

Joaquin Phoenix has out performed all his<br />

predecessors. No Joker of the past has<br />

evoked the sense of revolt and uprising in<br />

his fans the way Phoenix has managed to.<br />

Come Oscar season, this man is sure to<br />

have his arms full.<br />

Todd Phillips, director of 2009 The<br />

Hangover, has reimagined the comic book<br />

figure of Joker in the most disturbing and<br />

compelling manner, in the process, creating<br />

a timeless piece of history. This film, to me,<br />

personally, is the best performance and<br />

direction to have graced us in a long time.<br />

A moving performance, a chilling plot,<br />

a perverse and realistic depiction of our<br />

world. This one is a winner.<br />

Aching for something similar? Check out<br />

Scorsese’s Taxi Driver (1976), and The King<br />

of Comedy (1983). Phillips, in an interview<br />

attested to being inspired by these.<br />

Happy Watching!<br />

- Cherisha Sonawala<br />

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