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BeatRoute Magazine BC Edition - November 2019

BeatRoute Magazine is a music monthly and website that also covers: fashion, film, travel, liquor and cannabis all through the lens of a music fan. Distributed in British Columbia and Alberta, Ontario edition coming Thursday, October 4, 2019. BeatRoute’s Alberta edition is distributed in Calgary, Edmonton, Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a music monthly and website that also covers: fashion, film, travel, liquor and cannabis all through the lens of a music fan. Distributed in British Columbia and Alberta, Ontario edition coming Thursday, October 4, 2019. BeatRoute’s Alberta edition is distributed in Calgary, Edmonton, Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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Reviews<br />

ALBUM<br />

TR/ST<br />

The Destroyer - Part 2<br />

Grouch/ House Arrest<br />

Arriving as the twin flame to The Destroyer<br />

released earlier this year, The<br />

Destroyer - Part 2 is the second album<br />

of <strong>2019</strong> by Toronto darkwave outfit TR/<br />

ST and functions as its necessary sequel.<br />

In the five years since the release<br />

of 2014’s Joyland, the project’s anchoring<br />

member Robert Alfons has taken<br />

inventory of himself by deconstructing<br />

the concept of shame, and addressing<br />

it head on.<br />

The result is an exploration into<br />

interiority, emotion and memory told<br />

through lo-fi vocals with an emphasis<br />

on atmosphere. The Destroyer - Part 2<br />

establishes a new landscape from its<br />

predecessor by masterfully emphasizing<br />

ambiance and control. It’s a collection<br />

of contemplative, energetic, and<br />

sometimes sparse tracks that unfold<br />

like micro vignettes.<br />

Though consistent, the album features<br />

similar thematic audio cues, like<br />

the repetitive use of slow, echoing, and<br />

hypnotic keys. “Enduring Chill” serves<br />

as an overture to the album, and exists<br />

as a wash of sound hinting at the peaks<br />

and troughs of the album’s sonic ambition.<br />

Elsewhere, “Darling” is dark and<br />

beautifully harrowing, providing lyrical<br />

robustness, and a spirit of experimentation.<br />

The slow-moving interlude “Cor”<br />

is held together with an almost-idiosyncratic<br />

melody.<br />

“Iris,” however, is the album’s<br />

electro-pop standout. Executed as a<br />

hopeful, multi-layered track, it’s fitted<br />

with plenty of spacey synth lines that<br />

burst with energy and glimmer like<br />

confetti. You want to dance, but maybe<br />

by yourself.<br />

The dynamic range of tracks on<br />

the album feels intentional. Together,<br />

they offer a vivid lens to understand<br />

the complexities of the album’s titular<br />

theme and contrasting emotions. On<br />

Part 2, Alfons refuses to shy away from<br />

the reality of these experiences, but<br />

attempts to explore how they often<br />

function together.<br />

Best Track: Iris<br />

Dora Boras<br />

NOVEMBER <strong>2019</strong> BEATROUTE 23

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