Monday, January 27, 2020—CAMA Presents the Royal Philharmonic Orchestra with Pinchas Zukerman—International Series at The Granada Theatre, Santa Barbara

Presenting the world’s finest classical artists since 1919 

Gustavo Dudamel | © Citizens of Humanity, 

courtesy of the Los Angeles Philharmonic Association 

a ROYAL 

ANNIVERSARY SEASON 

orld’s finest classical artists since 1919 

COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC.

Nell Campbell photo ©2019 

We invite you to join the CAMA Board of Directors by 

participating in CAMA’s historic and remarkable 100th Anniversary 

Concert and Season with a Centennial Celebration Gift. Together 

we will secure CAMA’s future as we move into our second century. 

Robert K. Montgomery, President 

Deborah Bertling, First Vice-President & Chair, Centennial Celebration Committee

INTERNATIONAL SERIES 

AT THE GRANADA THEATRE 

SEASON SPONSORSHIP: SAGE PUBLISHING 

Photo by Cheryl Mazak 

ROYAL PHILHARMONIC 

ORCHESTRA 

Pinchas Zukerman conductor and violin 

Monday, January 27, 2020, 8:00 PM 

The Granada Theatre, Santa Barbara

Santa Barbara Debut 

Michael Barenboim 

and the West-Eastern 

Divan Ensemble 

Sat, Mar 7 / 4 PM / Hahn Hall 

$40 / $9 UCSB students 

Program 

Schubert: Rondo in A Major, D. 438 

Tartini: Violin Sonata in G minor (“Devil’s Trill”) 

Benjamin Attahir: 117:2c 

Mendelssohn: String Octet in E-flat Major, op. 20 

Photo: Marcus Höhn 

In honor of the renowned West-Eastern Divan Orchestra’s 20th year, violinist and concertmaster 

Michael Barenboim extends its youthful energy, unique personality and profound message – “Equal 

in Music” – to an intimate chamber formation. The Ensemble’s outstanding young Palestinian and 

Israeli musicians will perform a diverse program that draws inspiration from both the West and East. 

Up Close & Musical Series Sponsor: Dr. Bob Weinman 

Special Thanks: 

Corporate Season Sponsor: 

(805) 893-3535 

www.ArtsAndLectures.UCSB.edu


MASTERSERIES 

AT THE LOBERO THEATRE 

SEASON SPONSORSHIP: 

ESPERIA FOUNDATION 

Photo by Fadi Kheir 

FEBRUARY 

14 

FRI, 8:00 PM 

2020 

SÉRGIO & 

ODAIR ASSAD guitars 

Sérgio & Odair Assad, the guitar-playing brothers from São Paulo, began playing Brazilian folk 

melodies, and transitioned to classical guitar in their teens, training under the most prominent 

instructors in Brazil. The Washington Post has referred to the brothers as “the best two-guitar 

team in existence, maybe even in history,” while the Boston Globe has stated they perform with 

“telepathic unity.” 

Their Valentine’s Day concert in 2020 is not to be missed! 

PROGRAM 

Works by Giuliani, Albéniz, Piazzolla, Rodrigo, Villa-Lobos, Jobim, Gismonti, and Sérgio Assad 

Sponsors: Bitsy & Denny Bacon and The Becton Family Foundation 

Concert Partners: Robert & Christine Emmons • Lois Sandra Kroc 

TICKETS (805) 963-0761 lobero.com

INTERNATIONAL SERIES 

AT THE GRANADA THEATRE 

ROYAL 

PHILHARMONIC 

ORCHESTRA 

JANUARY 27, 2020 

Sponsors 

Alison & Jan Bowlus 

Hollis Norris Fund 

Judith L. Hopkinson 

The Elaine & Herbert 

Kendall Charitable Trust 

Sara Miller McCune 

Co-Sponsors 

Elizabeth & Andrew Butcher 

Louise & Michael Caccese 

Jocelyne & William Meeker 

Barbara & Sam Toumayan 

100 TH ANNIVERSARY CONCERT 

LOS ANGELES 

PHILHARMONIC 

MARCH 6, 2020 

Principal Sponsor 

The Elaine F. Stepanek Foundation 

Primary Sponsor 

The Samuel B. And Margaret C. 

Mosher Foundation 

Northern Trust 

Sponsor 

Anonymous 

Bob & Val Montgomery 

The Shanbrom Family Foundation 

Towbes Fund for the 

Performing Arts 

Co-Sponsor 

Bitsy & Denny Bacon and The Becton 

Family Foundation 

Robert & Christine Emmons 

Stephen J.M. & Anne Morris 

4 CAMA'S 101ST CONCERT SEASON


ROTTERDAM 

PHILHARMONIC 

MARCH 26, 2020 

Sponsor 



Michele & Andre Saltoun 

Co-Sponsor 

Geri & Jerry Bidwell 


Fran & John Nielsen 

George & Judy Writer 

CHINEKE! 

APRIL 14, 2020 

LES VIOLONS 

DU ROY 

APRIL 28, 2020 

Sponsor 

Marta Babson 

Co-Sponsor 

Edward DeLoreto 


LOS ANGELES 

CHAMBER 

ORCHESTRA 

with Sheku Kanneh-Mason 

MAY 18, 2020 

Sponsors 

Marta Babson 

Bitsy & Denny Bacon and 

The Becton Family Foundation 

Meg & Dan Burnham 

John & Ellen Pillsbury 

Co-Sponsors 


CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA 

5

MASTERSERIES 

AT THE LOBERO THEATRE 

SEASON SPONSORSHIP: ESPERIA FOUNDATION 

STEPHEN 

HOUGH, PIANO 

OCTOBER 29, 2019 

Co-Sponsors 

Anonymous 


The Becton Family 

Foundation 


Elizabeth Karlsberg & 

Jeff Young 


PAMELA 

FRANK, VIOLIN 

AND STEPHEN 

PRUTSMAN, PIANO 

DECEMBER 11, 2019 

Principal Sponsor 

The Stephen & Carla 

Hahn Foundation 

Co-Sponsors 

Anonymous 


Craig & Ellen Parton 

EMANUEL 

AX, PIANO 

JANUARY 13, 2020 

Co-Sponsors 

Anonymous 




Concert Partners 

Deborah & Peter Bertling 

Bob Boghosian & Beth 

Gates-Warren 

Bridget B. Colleary 

Dorothy & John Gardner 

Raye Haskell Melville 

SERGIO 

AND ODAIR 

ASSAD, GUITARS 

FEBRUARY 14, 2020 

Sponsors 


The Becton Family 


Concert Partners 


Lois Sandra Kroc 

BENJAMIN 

GROSVENOR, PIANO 

MARCH 13, 2020 

Co-Sponsors 



Concert Partner 

Stephen Cloud 

Concert Sponsors as of January 2019 


PERSONALIZED AND PASSIONATE REPRESENTATION 

Bertling Law Group provides compassionate and committed 

representation in cases involving employment law, elder abuse, 

serious and catastrophic personal injuries, wrongful death, 

sexual harassment and medical malpractice for veterans. 

Please call Peter Bertling for a free consultation (844) 295-7558 

BERTLINGLAWGROUP.COM 


7


BOARD OF DIRECTORS 

(As of October 9, 2019) 

ROBERT K. MONTGOMERY 

President 

DEBORAH BERTLING 

First Vice-President & Chair, Centennial Celebration Committee 

Rosalind Amorteguy-Fendon 

Marta Babson 

Isabel Bayrakdarian 

Bitsy Becton Bacon 

Edward Birch 

Jan Bowlus 

Daniel P. Burnham 

Andy Chou 

Stephen Cloud 

NancyBell Coe 


Christine B. Emmons 

Jill Felber 

CRAIG A. PARTON 

Second Vice-President 

WILLIAM MEEKER 

Treasurer 

JOAN R. CROSSLAND 

Secretary 

Joanne C. Holderman 


Elizabeth Karlsberg 


George Messerlian 

Stephen J.M. (Mike) Morris 

Patti Ottoboni 

Carl Perry 

Judith F. Smith 

Judith H. Writer 

Deborah Bertling, 

President, CAMA Women’s Board 

Emeritus Directors 

(As of October 24, 2019) 

Russell S. Bock* 

Dr. Robert J. Emmons 

Dr. Robert M. Failing* 

Mrs. Maurice E. Faulkner* 

Léni Fé Bland* 

Arthur R. Gaudi 

Stephen Hahn* 

Dr. Melville H. Haskell, Jr.* 

Mrs. Richard Hellmann* 

Dr. Dolores M. Hsu* 

James H. Hurley, Jr. 

Herbert J. Kendall 

Robert M. Light* 

Mrs. Frank R. Miller, Jr.* 


Mary Lloyd Mills 

Mrs. Ernest J. Panosian* 

Kenneth W. Riley* 

Andre Saltoun 

Mrs. John G. Severson* 

Nancy L. Wood 

* Deceased 

Administration 

(As of June 27, 2019) 

Mark E. Trueblood 

Executive Director 

Elizabeth Alvarez 

Director of Development 

Michael Below 

Office Manager/ 

Subscriber Services 

Justin Rizzo-Weaver 

Director of Operations 

2060 Alameda Padre Serra, Suite 201 Santa Barbara, CA 93103 Tel (805) 966-4324 Fax (805) 962-2014 info@camasb.org

Special Events 

Gala 100 th Anniversary Concert: 

LA Phil + CAMA 

100 years to the date since the LA Phil's 

first performance in Santa Barbara on 

March 6, 1920! 

Gustavo Dudamel | © Citizens of Humanity, 

courtesy of the Los Angeles Philharmonic Association 

Friday Evening, March 6, 2020 

5:15–5:55 – Pre-concert Lecture on the 

shared history of CAMA + LA Phil with 

Hattie Beresford, New Vic Theatre 

6:00–6:55 – Red Carpet Reception at 

The Granada Theatre for all ticket holders 

7:00–9:00 – 100 th Anniversary Concert 

Los Angeles Philharmonic at 

The Granada Theatre

e h a v e d e s i g n e d + p r o d u c e d o v e r 

W 

0 0 f l a w l e s s e v e n t s f o r o u r d e l i g h t e d 

3 

Felici Events 

t s 

c l i e n t s o v e r t h e l a s t 1 2 y e a r s . 

www.felicievents.com 

805.895.3402


INTERNATIONAL SERIES at the GRANADA THEATRE 


Patron: HRH The Duke of York, KG 

ROYAL PHILHARMONIC ORCHESTRA 

Pinchas Zukerman conductor and violin 

Monday, January 27, 2020, 8:00 PM 

The Granada Theatre, Santa Barbara 

PYOTR ILYICH 

TCHAIKOVSKY “Polonaise,” from Eugene Onegin, Op.24 (4 minutes) 

(1840–1893) 

WOLFGANG 

AMADEUS MOZART Violin Concerto No.5 in A Major, K.219, “Turkish” (29 minutes) 

(1756–1791) I. Allegro aperto 

II. Adagio 

III. Rondeau: Tempo di minuetto 

INTERMISSION 

(20 minutes) 

PYOTR ILYICH 

TCHAIKOVSKY Symphony No.5 in E Minor, Op.64 (50 minutes) 

(1840–1893) I. Andante—Allegro con anima 

II. Andante cantabile, con alcuna licenza 

III. Valse: Allegro moderato 

IV. Andante maestoso—Allegro vivace 

Program subject to change. 

www.rpo.co.uk 

Tour Direction: Columbia Artist Management LLC, 5 Columbus Circle at 1790 Broadway, New York, NY 10019 

www.columbia-artists.com 

CAMA thanks our generous sponsors who have made this evening’s performance possible: 

International Series Season Sponsor: SAGE Publishing 

Sponsors: Alison & Jan Bowlus • Hollis Norris Fund • Judith L. Hopkinson 

Elaine and Herbert Kendall Charitable Trust • Sara Miller McCune 

Co-Sponsors: Elizabeth & Andrew Butcher • Louise & Michael Caccese 

Jocelyne & William Meeker • Barbara & Sam Toumayan 

We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing 

or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited. 


11

Photo by Neil Campbell

www.rpo.co.uk 

As the Royal Philharmonic Orchestra (RPO) 

approaches its seventy-fifth anniversary in 

2021, its mission to enrich lives through 

orchestral experiences that are uncompromising 

in their excellence and inclusive in 

their appeal, places the RPO at the forefront 

of music-making in the UK. Performing 

approximately 200 concerts each season 

and with a worldwide audience of more 

than half-a-million people, the Orchestra 

embraces a broad repertoire that enables it 

to reach the most diverse audience of any 

British symphony orchestra. Whilst artistic 

integrity remains paramount, its aspiration 

to be an orchestra for the modern world, 

unafraid to push boundaries, means that 

the RPO is equally at home recording video 

game, film and television soundtracks and 

working with pop stars, as it is performing 

the great symphonic repertoire. 

The RPO collaborates with the most 

inspiring artists and looks forward to welcoming 

its new Music Director, Vasily Petrenko, 

in September 2021. Vasily Petrenko 


13

IT’S NOT JUST ABOUT TRAVEL . . . 

For over 70 years, Santa Barbara Travel has been committed to supporting 

our community and arts organizations who enrich our lives. 

— Charles de L'Arbre and David de L'Arbre 

Let our professional travel advisors take care of all the details. With decades 

of expertise and global relationships Santa Barbara Travel is your best 

resource for your next vacation or business trip. Work with a local and 

trusted travel company that will understand your needs and deliver the 

perfect experience. 

Ask us about exclusive cruise and hotel amenities we can offer you 

as a member of the elite luxury travel network Virtuoso. 

Santa Barbara 

1028 State St. 

805.966.3116 

email: info@sbtravel.com 

www.sbtravel.com 

Montecito 

1485 E. Valley Rd. 

805.969.7746 

CST#1009257

will join a roster of titled conductors that 

includes Pinchas Zukerman (Principal 

Guest Conductor), Alexander Shelley (Principal 

Associate Conductor) and Grzegorz 

Nowak (Permanent Associate Conductor). 

Cadogan Hall in London has been the 

Royal Philharmonic Orchestra’s home since 

2004. Here it performs an annual season of 

concerts, many of which are subsequently 

toured to its seven principal residency venues 

in the UK. In addition, the Orchestra 

promotes more than forty-five concerts 

each season at partnership venues across 

the country, several of which are in areas 

where access to live orchestral music is 

very limited. In London, the Orchestra also 

promotes a season of symphonic concerts 

at Southbank Centre’s Royal Festival Hall 

and a popular series at the iconic Royal 

Albert Hall, where it has recently been appointed 

as the Hall’s Associate Orchestra. 

As a respected cultural ambassador, 

the RPO enjoys a busy schedule of international 

touring, performing in the world’s 

great concerts halls and at prestigious international 

festivals. At the start of 2019 

the Orchestra undertook a critically acclaimed 

tour of Germany’s major cities and 

went on to make its debut in Kuwait, where 

it performed three concerts at the recently 

opened Sheikh Jabar Al-Ahmed Cultural 

Centre. This season’s touring highlights 

include visits to Belarus, Slovakia and a 

three-week tour of the USA. 

The RPO is recognised as being the 

UK’s most in-demand orchestra, an accolade 

that would have pleased Sir Thomas 

Beecham, who founded the RPO in 1946, 

The result was a 

stirring, memorable 

performance of 

an exceptionally 

interesting and difficult 

work — just the kind 

of thing that has 

made the RPO such 

a welcome presence 

in Santa Barbara 

throughout the years. 

becoming its first Principal Conductor. 

His mission was to lead a vital revival of 

UK orchestras after World War II and form 

an ensemble that comprised the finest 

musicians in the country. Sir Thomas succeeded, 

and since then the Orchestra has 

attracted a glittering list of principal conductors, 

including Rudolf Kempe, Antal 

Doráti, Walter Weller, André Previn, Vladimir 

Ashkenazy, Yuri Temirkanov, Daniele Gatti 

and Charles Dutoit. 

—Santa Barbara Independent 

The RPO aims to place orchestral music 

at the heart of contemporary society, 

collaborating with creative partners to 

foster a deeper engagement with communities 

to ensure that live orchestral music 

is accessible to as inclusive and diverse 

an audience as possible. To achieve this, 

in 1993 the Orchestra launched RPO Resound, 

which has grown to become the 

most innovative and respected orchestral 


15

Supporting the Arts in our Community 

J P. B 

A L 

Real Estate, Trust and Probate 

Litigation 

Artist Thomas Van Stein 

329 East Anapamu Street 

Santa Barbara California 

(805) 962-2201 

jpb@ballantinelaw.com

Photo by Chris Christodoulou 

community and education programme in 

the UK and internationally. The programme 

delivers pioneering education, community 

and talent development projects to 

a wide range of participant groups, including 

homeless people, children, young 

people and stroke survivors. Each project 

is bespoke and is designed to meet the 

needs of the participant group, but always 

with the overarching objective to leave a 

lasting legacy. 

The Royal Philharmonic Orchestra has 

always been entrepreneurial and in 1986 

it was the first UK orchestra to launch its 

own record label. The RPO has gone on 

to embrace advances in digital technology 

and now achieves nearly thirty million 

downloads of its recorded music each 

year. In 2017 the Orchestra collaborated 

with the concert-enhancing app EnCue by 

Octava, to offer concert attendees realtime 

programme notes on their mobile or 

tablet devices. The Orchestra is increasingly 

active on social media providing audiences 

with the opportunity to engage 

with the RPO on Facebook and Twitter 

(@rpoonline) and to enjoy ‘behind-thescenes’ 

film clips and photographs on the 

RPO website (www.rpo.co.uk), YouTube 

(RPOOnline) and Instagram (@RPOOnline). 

Passion, versatility and uncompromising 

artistic standards are the Royal Philharmonic 

Orchestra’s hallmarks, and as it 

looks forward to an exciting future with its 

new Music Director, Vasily Petrenko, it will 

continue to be recognised as one of the 

world’s most open-minded, forward-thinking 

and accessible symphony orchestras. 

For more information, please visit: 

www.rpo.co.uk 

Registered Charity No. 244533 


17

36 million people 

around the world 

are blind. 

27 million 

don’t have to be. 

89% live in developing 

countr ies with little to no 

access to care. 

be the reason 

someone can see 

seeintl.org

Photo by Fred Cattroll 

PINCHAS ZUKERMAN 

Violin, Conductor 

With a celebrated career encompassing 

five decades, Pinchas Zukerman reigns 

as one of today's most sought-after and 

versatile musicians—violin and viola soloist, 

conductor, and chamber musician. 

He is renowned as a virtuoso, admired for 

the expressive lyricism of his playing, singular 

beauty of tone, and impeccable musicianship, 

which can be heard throughout 

his discography of over 100 albums for 

which he gained two Grammy ® awards and 

21 nominations. 

Highlights of the 2019/2020 season 

include tours with the Vienna Philharmonic 

and Royal Philharmonic Orchestra, as well 

as guest appearances with the Boston, Dallas 

and Prague Symphonies, Berlin Staatskapelle 

and Israel Philharmonic Orchestra. 

In his fifth season as Artist-in-Residence 

of the Adelaide Symphony Orchestra, 

he tours with the ensemble to China and 

Korea, and recently premiered Avner Dorman’s 

Double Concerto for Violin and Cello, 

written for Zukerman and cellist Amanda 


19

Forsyth. Subsequent performances of the 

important new work take place at Tanglewood 

with the Boston Symphony, Ottawa 

with the National Arts Centre Orchestra, 

where Zukerman serves as Conductor 

Emeritus, and with the Israel Philharmonic. 

In chamber music, he travels with the 

Zukerman Trio for performances throughout 

North and South America, Europe and 

Asia, and joins longtime friend and collaborator 

Daniel Barenboim for a cycle of 

the complete Beethoven Sonatas for Violin 

and Piano, presented in a three-concert 

series in Berlin. 

A devoted teacher and champion of 

young musicians, he has served as chair 

of the Pinchas Zukerman Performance 

Program at the Manhattan School of Music 

for over 25 years, and has taught at 

prominent institutions throughout the 

United Kingdom, Israel, China and Canada, 

among others. As a mentor he has inspired 

generations of young musicians who have 

achieved prominence in performing, teaching, 

and leading roles with music festivals 

around the globe. Mr. Zukerman has received 

honorary doctorates from Brown 

University, Queen’s University in Kingston, 

Ontario, and the University of Calgary, as 

well as the National Medal of Arts from 

President Ronald Reagan. He is a recipient 

of the Isaac Stern Award for Artistic Excellence 

in Classical Music. 

Zukerman again seemed 

the forever-young 

virtuoso: expressively 

resourceful, infectiously 

musical, technically 

impeccable, effortless. 

As usual, it was a 

joy to be in his 

musical company. 

Photo by Cheryl Mazak 

—The Los Angeles Times 


21

Lending Banking Investing 

NOTES 

on the program 

Pyotr Ilyich Tchaikovsky 

(1840–1893) 

“Polonaise,” from Eugene 

Onegin, Op.24 (4 minutes) 

Of Pyotr Ilyich Tchaikovsky’s eleven operas, 

only The Queen of Spades (1890) and 

Eugene Onegin (1877-8) have maintained a 

regular place in the performing repertoire. 

Given that he was an inspired orchestrator 

and melodist, and possessed a dramatic 

flair second-to-none, it is easy to understand 

why Tchaikovsky should have found 

the idea of operatic composition so attractive. 

Yet he often became so self-absorbed 

in his own problems that he found it difficult 

to empathise with personalities substantially 

different from his own. 

As a result, although Tchaikovsky’s 

operas contain a great deal of highly attractive 

music, as convincing dramatic 

structures they fall rather short. The reason 

that Eugene Onegin works so well is no 

doubt a reflection of the composer’s personal 

circumstances at the time. Following 

his disastrous marriage to a psychologically 

wayward admirer of his, he had 

fallen into a deep depression and made 

a half-hearted attempt at suicide. As a 

result, he felt a strong sense of personal 

identification with the plight of the opera’s 

central character. 


At the opera opens, Eugene Onegin, a 

world-weary aristocrat, inspires the love 

of the innocent Tatyana, who stays up all 

night to write him a passionate letter. Eugene 

replies with cold disdain. After flirting 

with his poet friend Lensky’s fiancée (Tatyana’s 

sister) at their engagement party, he 

unwillingly fights a duel and kills Lensky. 

Returning from a spell abroad, Eugene’s 

words of love and remorse tempt Tatyana 

to run away with him, but she is now 

married and duty prevails. The famous 

Polonaise opens Act III: several years after 

the ill-fated duel, there is a party in full 

swing at the house of Prince Gremin. Onegin 

is introduced by Gremin to his beloved 

wife—none other than Tatyana! 

Note ©2020, Julian Haylock 


23

An historic treasure 

with contemporary comforts 

in the heart of Santa Barbara 

50 Guest Rooms & Suites

Wolfgang Amadeus Mozart 

(1756–1791) 

Violin Concerto No.5 in A 

Major, K.219, “Turkish” 

(29 minutes) 

Despite the fact that Wolfgang Amadeus 

Mozart was taught to play the violin from a 

very early age by his expert teacher-father, 

Leopold, the boy genius apparently hardly 

touched the instrument between lessons. 

Nevertheless, shortly after his seventh 

birthday, Mozart still went on to make his 

sensational concerto debut with the court 

orchestra in Salzburg. It is a sign of his 

all-embracing creative gift that in later life 

Mozart’s prodigious talent for the violin 

and viola was reduced to little more than 

an enjoyable pastime. 

The received wisdom for many years 

was that Mozart’s five authenticated violin 

concertos—K.207 in B-flat major, K.211 in 

D major, K.216 in G major, K.218 in D major 

and K.219 in A major (‘Turkish’)—were 

composed during an eight-month period 

between April and December 1775. Alan Tyson’s 

paper studies and Wolfgang Plath’s 

detailed examination of the original manuscripts 

now suggest, however, that K.207 

actually dates from two years earlier. 

No one is exactly certain what compelled 

Mozart to show such unprecedented 

enthusiasm for the genre at this time. 

It is therefore more than likely that he 

simply composed the concertos for himself 

to play as an act of ingratiation for 

his powerful employer, the Archbishop of 

Salzburg. The concertos were extremely 

well received, so much so that the following 

year the newly-appointed leader of the 

Archbishop's orchestra, Antonio Brunetti, 

eagerly took them under his wing. 

Finest of all is K.219, whose opening 

Allegro aperto is notable both for its exuberant 

melodic invention and the soloist’s 

very first entry, which opens with a sixbar 

Adagio interlude as though it were the 

most natural thing in the world. Another 

striking feature is the finale’s ‘noisy’ third 

episode in A minor, composed in the then 

fashionable Janissary (‘alla turca’) style, 

with cellos and double basses instructed 

to play with the wood of their bows. Apparently 

the audiences of the time found the 

intensity of feeling generated by the central 

Adagio so perplexing that the following 

year Brunetti requested Mozart compose a 

substitute. The result is the magical Adagio 

in E major, K.261. 


Wolfgang Amadeus Mozart 

INTERVAL 


25


(1840–1893) 

Symphony No.5 in E 

Minor, Op.64 (50 minutes) 

Composed the very same year as Richard 

Strauss’ Don Juan, Pyotr Ilyich Tchaikovsky’s 

Fifth Symphony is the most 

popular of all his symphonies. Its string 

of unforgettable melodies, breath-taking 

emotional power and sense of a glorious 

triumph won in the face of adversity has 

guaranteed it an immortal place in the history 

of the genre. Yet Tchaikovsky had severe 

doubts about the piece to begin with, 

being convinced that it represented the 

start of a creative decline. However, having 

witnessed the thunderous applause 

that greeted the work wherever it was performed, 

he later confided to his nephew, 

Lev Davidov: ‘I like it far better now.’ 

Tchaikovsky was blessed with one of 

the most profoundly instinctive of creative 

gifts. Far from merely representing the 

self-indulgent outpourings of an emotionally 

unstable personality, the often painful 

immediacy of his deeply introspective and 

volatile soundworld was to touch a whole 

generation of composers as disparate in 

technique as Puccini, Sibelius and Berg. 

Tormented throughout his life by feelings 

of guilt regarding his homosexuality (referred 

to simply as ‘Z’ in his correspondence), 

it is a bitter irony that as little as 

twenty years after Tchaikovsky’s death, 

the great impresario Serge Diaghilev could 

write from the admittedly racy artistic circles 

of Paris: ‘Tchaikovsky thought of committing 

suicide for fear of being discovered 

a homosexual; but today, if you are a composer 

and not a homosexual, you might as 

well put a bullet through your head.’ Tchaikovsky’s 

early musical progress was constantly 

hampered by his father’s blinkered 

desire to see him enter the legal profession. 

Despite composing his first song setting at 

the age of four and subsequently showing 

signs of exceptional talent (none of the local 

teachers could keep pace with him), six 

years later Tchaikovsky was packed off to 

the School of Jurisprudence. This caused 

him such deep distress that on the day of 

his arrival he had to be forcibly torn away 

from his mother, and then clung onto the 

wheels of her carriage in an effort to prevent 

her leaving. He graduated in 1859, immediately 

obtained a job with the Ministry 

of Justice in St Petersburg, but after three 

Tchaikovsky coin. Photo ©Andreasg Dreamstime.com. 

Licensed. 


27

years of inexorable tedium, the twentytwo-year-old 

wrote to his father informing 

him that he was going to make music 

his career. 

Enrolling at the Conservatory in 1863, 

Tchaikovsky’s progress was fairly spectacular. 

Having composed little more than 

a handful of piano pieces and songs up 

to this point, within five years he had the 

remarkably assured First Symphony (‘Winter 

Daydreams’) under his belt. In addition, 

he had been taken on as a lecturer at the 

newly founded Moscow Conservatory, and 

then in 1869 produced the first version of 

his seminal Romantic masterpiece, the 

Romeo and Juliet Fantasy Overture. 

Despite recurring fits of depression 

brought about by his natural insecurity 

and homosexuality, this opened the floodgates 

to a stream of compositions over the 

following seven years which indisputably 

established Tchaikovsky as Russia’s greatest 

living composer, including the Second 

(‘Little Russian’) and Third (‘Polish’) 

Symphonies, the First Piano Concerto, 

the ballet Swan Lake and the Variations on 

a Rococo Theme for cello and orchestra. 

That same year, Tchaikovsky began exchanging 

letters with a wealthy widower, 

Nadezhda von Meck, who offered to support 

him financially (and emotionally) on 

the rather strange condition that neither 

of them should ever meet. Overwhelmed 

by her generosity, he responded with three 

axiomatic, storm-tossed masterworks: 

the symphonic fantasia Francesca da 

The grave of Tchaikovsky. 

Photo by Steven N. Severinghaus. 

Rimini, the Fourth Symphony and the 

opera Eugene Onegin. 

At the very height of his powers, Tchaikovsky 

then took the appallingly ill-advised 

step of marrying a psychologically 

wayward admirer of his, Antonina Milyukova. 

Tormented and repulsed, after only 

a few weeks he escaped to the Caucases 

where he suffered a nervous collapse having 

made a bungled attempt at suicide. It 

took him nearly ten years to recover fully 

artistically, for whilst a number of works 

he composed during the early/mid 1880s 

are highly popular today (the Capriccio Italien, 

Serenade for Strings and 1812 Overture, 

in particular), the music of this period, 


29

despite many felicities and moments of 

burning inspiration, only occasionally manages 

to live up the supreme promise of his 

earlier work. Whatever his mild creative 

shortcomings, Tchaikovsky’s reputation 

continued to blossom both at home and 

abroad (including North America), where 

he went on tour conducting his own music 

and was warmly welcomed by many of his 

most distinguished musical colleagues, 

including Dvořák, Grieg, Fauré and Brahms 

(who actually had little time for his music). 

In 1892, no less a figure than Gustav 

Mahler was at the helm of a celebrated 

Hamburg production of Eugene Onegin. 

Tchaikovsky’s final years witnessed a 

glorious affirmation of his extraordinary 

creative prowess, highlighted by the ballets 

The Sleeping Beauty and The Nutcracker, and 

the Fifth and Sixth (‘Pathétique’) Symphonies, 

the latter completed in the year of his 

death, 1893. The official version of Tchaikovsky’s 

sudden passing was that having 

drunk unboiled water, he subsequently 

contracted an extremely virulent form of 

typhoid. However, it is now widely held that 

a private court of honour had met to decide 

the outcome of a potentially embarrassing 

liaison that Tchaikovsky had formed with 

the nephew of a Russian nobleman—it was 

apparently resolved that the only course of 

action open to the composer was for him 

to take his own life. In these more enlightened 

times, it seems barely conceivable 

that in order to protect the reputation of 

a singularly anonymous member of the 

Russian aristocracy, one of the greatest 

musical talents of the nineteenth century 

was ruthlessly silenced. More than in any 

other of his symphonies, Tchaikovsky attempted 

to impart a sense of unity to the 

Fifth by the use of a ‘fate’ motif that we 

hear announced at the very opening by 

clarinets and bassoons over the subdued 

tread of accompanying strings. This reemerges 

in the slow movement, most potently 

towards the end where the brass, 

underpinned by a massive timpani roll, 

throttle the music almost to the point of 

extinction. In the waltz-like third movement 

‘fate’ emerges ghost-like from the 

clarinet in the closing bars, while the finale 

opens and closes with major-key versions 

of the motif, sending one’s spirits soaring 

into the night sky. 



31

Santa Barbara County’s 

PHILANTHROPIC 

ADVISORS 

CREATE YOUR IMPACT 

Let the Santa Barbara Foundation help you 

establish your personalized giving plan. 

Join us in our 90-year journey connecting those 

who give to those in need and all who dream 

of a better Santa Barbara County. 

Learn more at SBFoundation.org

ORCHESTRA PERSONNEL 

FIRST VIOLINS 

Duncan Riddell 

Tamás András 

Sulki Yu 

Shana Douglas 

Eriko Nagayama 

Andrew Klee 

Kay Chappell 

Anthony Protheroe 

Erik Chapman 

Sophie Mather 

Esther Kim 

Marciana Buta 

Patrycja Mynarska 

Imogen East 

SECOND VIOLINS 

Andrew Storey 

David O'Leary 

Jennifer Christie 

Charlotte Ansbergs 

Peter Graham 

Stephen Payne 

Manuel Porta 

Charles Nolan 

Sali-Wyn Ryan 

Colin Callow 

Nicola Hutchings 

Sheila Law 

VIOLAS 

Abigail Fenna 

Liz Varlow 

Ugne Tiškuté 

Chian Lim 

Jonathan Hallett 

Triona Milne 

Clive Howard 

Felix Tanner 

Helen Picknett 

Zoe Matthews 

CELLOS 

Richard Harwood 

Jonathan Ayling 

Roberto Sorrentino 

Jean-Baptiste Toselli 

William Heggart 

Rachel van der Tang 

Naomi Watts 

Anna Stuart 

DOUBLE BASSES 

David Stark 

David Gordon 

Benjamin Cunningham 

Ben Wolstenholme 

Mark O'Leary 

David FC Johnson 

FLUTES 

Joanna Marsh 

Harry Winstanley 

PICCOLO 

Helen Keen 

OBOES 

John Roberts 

Timothy Watts 

CLARINETS 

Benjamin Mellefont 

Katy Ayling 

BASSOONS 

Joshua Wilson 

Fraser Gordon 

FRENCH HORNS 

Austin Larson 

Finlay Bain 

Philip Woods 

Jonathan Bareham 

Richard Ashton 

TRUMPETS 

James Fountain 

Adam Wright 

Mike Allen 

TROMBONES 

Matthew Knight 

Rupert Whitehead 

BASS TROMBONE 

Josh Cirtina 

TUBA 

Kevin Morgan 

TIMPANI 

Matt Perry 

MANAGEMENT 

Managing Director 

James Williams 

Deputy Managing 

Director 

Huw Davies 

Concerts Director 

Louise Badger 

Tours Manager 

Dawn Day 

Tours Assistant 

Charlotte Fry 

Orchestra Manager 

Kathy Balmain 

Stage and Transport 

Manager 

Steve Brown 

Stage Manager 

Esther Robinson 

Assistant Stage 

Manager 

Dan Johnson 


33


CAMA ENDOWMENT 

CAMA’s mission is to enrich Santa Barbara’s cultural life by 

bringing live performances by world-renowned classical 

artists and orchestras of the highest artistic excellence to 

our community and by providing creative, focused music 

education programs for individuals of all ages. 

CAMA thanks and honors the following members of 

the CAMA community who have contributed to CAMA’s 

Endowment. A commitment to CAMA’s Endowment 

ensures the success of CAMA’s next 100 years. Gifts at 

every level are deeply appreciated. 

James H. Hurley and Judith L. Hopkinson 

Co-Chairs Endowment

CONDUCTOR'S CIRCLE 

$500,000 and above 

Suzanne & Russell Bock 

Linda Brown* 

SAGE Publishing 

Elaine Stepanek 

Esperia Foundation 

CRECENDO CIRCLE 

$250,000—$499,999 

The Andrew H. 

Burnett Foundation 


Herbert & Elaine Kendall 

Mary Lloyd & Kendall Mills 

CADENZA PATRONS 

$100,000—$249,999 


The Becton Family Foundation 

Mary & Raymond Freeman 

The Stephen & Carla 

Hahn Foundation 

Shirley Ann & James H. Hurley, Jr. 

Nancy & William G. Myers 

Jan Severson 

Judith F. Smith 

The Towbes Fund for 

the Performing Arts 


RONDO PATRONS 

$50,000—$99,999 

Ruth Appleby 

Deborah & Peter Bertling 

Linda & Peter Beuret 


Dr. Dolores M. Hsu 


The Samuel B. & Margaret C. 

Mosher Foundation 

Santa Barbara Bank & Trust 

Nancy & Byron Kent Wood 

CONCERTO PATRONS 

$25,000—$49,999 

Jane Catlett 


Suzanne Faulkner 

Léni Fé Bland 



Hutton Parker Foundation 


Mr. & Mrs. Frank R. Miller, Jr./ 

The Henry E. & Lola 

Monroe Foundation 

Efrem Ostrow Living Trust 

Craig & Ellen Parton 

Diana & Roger Phillips 

Linda Stafford Burrows 

The Walter J. & Holly O. 

Thomson Foundation 


SONATA PATRONS 

$10,000—$24,999 

Rebecca & Peter Adams 

Denise & Stephen Adams/ 

Adams Family Foundation 

Else Schilling Bard 

Edward & Sue Birch 

Frank Blue & Lida Light Blue 

Bob Boghosian & 

Beth Gates-Warren 

Elizabeth & Andrew Butcher 

The CAMA Women's Board 

Virginia Castagnola-Hunter 

Margo Chapman 

NancyBell Coe & William Burke 

Karen Davidson, M.D. 

Nancyann & Robert Failing 

Rosalind Amorteguy-Fendon 

& Ronald Fendon 

Priscilla & Jason Gaines 

Arthur R. Gaudi 

Sherry & Robert Gilson 

Lorraine C. Hansen 

Mary & Campbell Holmes 

Patricia Kaplan 

Winona Fund 

Mahri Kerley/Chaucer's Books 

Lynn P. Kirst 

Laura Kuhn 

John Lundegard 

Keith Mautino 

Jayne Menkemeller 

Betty Meyer 

Mary & James Morouse 

Myra & Spencer Nadler 

Pat Hitchcock O'Connell 

John Perry 

Marjorie & Hugh Petersen 

John & Ellen Pillsbury 

Susannah Rake 

Michele & Andre Saltoun 

Anitra & Jack Sheen 

Sally & Jan E.G. Smit 

Anonymous 

Constance Smith 

The Elaine F. Stepanek 


Betty J. Stephens 

Mark E. Trueblood 

Marilyn Vandever 

Barbara & Gary Waer 

David & Lisa Wolf 

Endowment gifts less than $10,000 

Bernice Andron • Argonaut Charitable Foundation • Sally & Robert Arthur • John & Jean Bailey • Brad & M.J. Bakove 

Helene Beaver • Joan C. Benson • Mr. Leonard S. Berman • Marlyn Bernstein • Emily Blair • Marjorie Boyle 

Mrs. Louise Brant • Wendel Bruss • Ms. Hilary Burkemper • The CAMA Fellows • Mary Carpenter • Carnzu Clark 

Ms. Eileen Clark • Stephen Cloud • Ms. Peggy McShane Cochrane • Ms. Catherine S. Cudlip • Ms. Julia Dawson 

Samuel R. & Marcia Edwards • Mrs. Maureen H. Fialkoff • Ms. Deborah Glassman • Kay & Richard Glenn 

David & Leesa Goldmuntz • Corinna Gordon • Robert Hanrahan • Ms. Nancy G. Harris • Kent Hodgetts & Latane Keeler 

Elizabeth Karlsberg & Jeff Young • Ms. Joyce Koehler • Doris Kuhns • Ms. Catherine Lee • Mrs. Jean T. Leonard 

Mrs. Phyllis J. Leveen • Mrs. Betty Z. Levinson • Nancy & James Lynn • Marilyn Magid • Ms. Harriet Miller 

Dr. Jerry M. Nathan • Clarence & Anne Neal • Scott & Kathy O'Leary • Olio e Limone • David & Catherine Peri • Justyn Person 

Kirk Peters & Susan Roe • Kathryn Phillips • Martha & Bruno Pilorz • Eric Boehm • Anne & C. Wesley Poulson 

Hugh & Elizabeth Ralston • Ms. Mondra Randall • George & Bessie Lou Reid • Mary Louise Riley • Glenn & Claire Roberts 

Russell & Winifred Roberts • Martin & Marilyn Roe • Mr. Frank Schmidt Mrs. Peter Senn • Marlene Sheehan 

Cynthia Skenazi • Marion Stewart • Mr. Emil Torick • Steven Trueblood • C.M. & Laura Tull • Carol Vernon & Robert Turbin 

Mr. Chip Turner • Kathleen Wall • Richard & Gloria Wascher • Marjorie K. & Roderick S. Webster • Douglas & Gerlinde White 

Mrs. Elizabeth A. Whitney • Ron & Laurie Yttri • Patricia Yzurdiaga


WOMEN’S 

BOARD 

THE CAMA WOMEN'S BOARD GRATEFULLY 

THANKS THE FOLLOWING SUPPORTERS! 

SYMPHONY LEVEL 

$5,000 

Patricia Yzurdiaga 

SONATA LEVEL 

$1,000 

Peter & Rebecca Adams 

NancyBell Coe & Bill Burke 

Jill Doré Kent 

Mrs. Richard H. Roberts 


RONDO LEVEL 

$100–$500 

Anonymous (2) 

Beth Gates-Warren & Bob Boghosian 

Bridget Colleary 

Edward DeLoreto 

Karin Nelson & Eugene Hibbs, Jr. 

and Maren N. Henle 



Elen & Craig Parton 

Andre & Michele Saltoun 


Nancy & Byron Kent Wood

“It’s always been a 

great pleasure for 

me to perform on the 

CAMA series, and 

I’m looking forward to 

many more visits. 

I send you my heartiest 

congratulations 

on your centennial 

season. Bravo!” 

Lisa-Marie MAzzucco photo 

—ITZHAK PERLMAN, CO-CHAIR, 

CAMA CENTENNIAL 

HONORARY ARTISTS COUNCIL 

centennial honorary artists council 

Itzhak Perlman 

honorary co-chair 


honorary co-chair 

Vladimir Ashkenazy 

Isabel Bayrakdarian 

Joshua Bell 

Alfred Brendel 

Renée Fleming 

Daniele Gatti 

Richard Goode 

Hilary Hahn 

Stephen Hough 

Olga Kern 

Lang Lang 

Jerome Lowenthal 

Zubin Mehta 

Anne-Sophie Mutter 

Sir András Schiff 

Peter Serkin 

Leonard Slatkin 

Christian Tetzlaff 

Jean-Yves Thibaudet 

Chris Thile 

Michael Tilson Thomas 

Dawn Upshaw 

André Watts 

Pinchas Zukerman

CAMA: WHO WE ARE TODAY 

Beautiful music, exciting music, profound music – Community Arts Music Association has been 

bringing this gift to Santa Barbara for 100 years. Today we offer the following musical treasures. 

CORE PROGRAMS FOR OUR COMMUNITY 

INTERNATIONAL 

SERIES 

at The Granada Theatre 

Presenting the world’s 

greatest orchestras, 

conductors and soloists 

from around the world 

MASTERSERIES 

at The Lobero Theatre 

Presenting the 

finest national and 

international artists and 

chamber ensembles 

MUSIC EDUCATION 

Music Matters 

Docent Program to area 

elementary schools 

Tickets to concerts 

for high school, 

college students and 

the underserved 

Any musical organisation reaching 

its 100th birthday is most likely older 

than anyone performing or listening 

there. Its memories are rich and, with 

CAMA, its future promises to be as 

cherishable. Huge congratulations on 

this wonderful milestone. 

–Stephen Hough 


EACH AND EVERY GIFT 

ENRICHES THE FUTURE OF CAMA! 

We invite YOU to join in CAMA’S CENTENNIAL CELEBRATION – each donation works to ensure 

the next 100 years of beautiful music for generations to come. 

There are many ways to support CAMA's CENTENNIAL CELEBRATION 

Centennial 

Gift Fund 

Endowment 

Fund 

Planned 

Giving 

Options 

Please contact Elizabeth Alvarez, Director of Development at the CAMA office 

for more information. 

(805) 966-4324 x 104 

Elizabeth@camasb.org 


39

SHOW YOUR KIDS 

YOU CAN LIVE ON 

YOUR OWN... 

SAFELY. 

HAPPILY. 

BEAUTIFULLY. 

Musette Profant 

Certified Age-In-Place Designer 

USC Architecture Alumna 

Licensed Contractor & Crew 

Simple Hourly Rates 

No Mark-Ups 

“ 

Life-Changing Design! 

” 

- D.S., Montecito 

PLEASE CALL FOR SPECIAL CAMA RATES! 

Sterling Sites 

Quick Home Facelifts & Custom Remodels 

sterlingsites.com • musette@sterlingsites.com • (805) 450-2001

MUSIC EDUCATION 

MUSIC EDUCATION PROGRAM 

$25,000 and above 

The Walter J. & Holly O. Thomson Foundation 

$10,000–$24,999 

Ms. Irene Stone/ Stone Family Foundation 

Mary Lloyd & Kendall Mills 

Mr. & Mrs. Frank R. Miller, Jr. / 

The Henry E. & Lola Monroe Foundation 

$1,000–$9,999 

CAMA Women's Board 

William H. Kearns Foundation 

Stefanie L. Lancaster Charitable Foundation 


Performing Arts Scholarship Foundation 

Westmont College 

$100–$999 

Becky & William Banning 

William S. Hanrahan 

Lynn P. Kirst 

James P. and Shirley F. McFarland Fund 

of the Minneapolis Foundation 

CAMA Education Endowment 

Fund Income 

$10,000 AND ABOVE William & Nancy Myers 

$1,000–$4,999 Linda Stafford Burrows – 

This opportunity to experience great musicians excelling is 

given in honor and loving memory of Frederika Voogd Burrows 

to continue her lifelong passion for enlightening young people 

through music and math. 

Kathryn H. Phillips, in memory of Don R. Phillips 

Walter J. Thomson/The Thomson Trust 

$50–$999 

Lynn P. Kirst 

Keith J. Mautino 

Performing Arts Scholarship Foundation 

Marjorie S. Petersen 

IN HONOR OF 

Joan Crossland 

NancyBell Coe & Bill Burke 

Carolyn & Dennis Naiman 

Nancy Lynn 


David Malvinni 


Volunteer docents are trained by CAMA’s Education Committee Chair, Joan Crossland, to deliver this program to 

area schools monthly. Music enthusiasts are invited to learn more about the program and volunteer opportunities. 

Call the CAMA office at (805) 966-4324 for more information about the docent program. 

MEMORIAL GIFTS 

Elaine Kendall 

NancyBell Coe & William Burke 

and Sara Miller McCune 

Dr. Dolores M. Hsu, PhD. 

Jill Felber & Paul A. Bambach 

Nancy Cudahy 

Betty Meyer 

David Marks 


Sharon Felber Taylor 


Tita Lanning 

Keith Mautino Moore 

Dr. Eric Boehm 

Judy Pochini 

Jim Ryerson 

Christine Ryerson 

Dr. Robert Failing 

Betty Meyer 

Professor Frederick F. Lange 

MaryAnn Lange 


41

MUSIC EDUCATION PROGRAM 

BUSINESS SUPPORTERS 

We thank the many businesses that support 

CAMA's programs and events! 

Laurel Abbott, Berkshire 

Hathaway Luxury Properties 

Alma Rosa Winey 

American Riviera Bank 

Babcock Winery 

James P. Ballantine 

Belmond El Encanto 

Bertling Law Group 

Bibi Ji 

Black Sheep Restaurant 

Blue Star Parking 

Bon Fortune Style & Events 

Brander Vineyard 

Wes Bredall 

Heather Bryden 

Ca' Dario Ristorante 

Camerata Pacifica 

Casa Dorinda 

Cebada Wine 

C'est Cheese 

Chaucer's Books 

Chocolats du CaliBressan 

Chooket Patisserie 

Cottage Health System 

Custom Printing 

Eye Glass Factory 

Felici Events 

Finch & Fork 

First Republic Bank 

Flag Factory of 


Frequency Wine 

Gainey Vineyard 

Grace Design Associates 

Grassini Family Vineyards 

Grimm’s Bluff 

Colin Hayward/ 

The Hayward Group 

Steven Handelman Studios 

Hogue & Company 

Holdren's Catering 

Indigo Interiors 

Inside Wine Santa Barbara 

Islay A/V 

Kristin Jackson 

Graphic Design 

Jardesca 

Le Sorelle 

Lumen Wines 

Maravilla/Senior 

Resource Group 

Michael's Catering 

Microsoft ® Corporation 

Mission Security 

Montecito Bank & Trust 

Montgomery Vineyard 

Northern Trust 

Oak Cottage of 


Oceania Cruises 

Olio e Limone/Olio Crudo 

Bar/Olio Pizzeria 

Opal Restaurant & Bar 

Opera Santa Barbara 

Pacific Coast 

Business Times 

Pali Wine Co. 

Peregrine Galleries 

Performing Arts 

Scholarship Foundation 

Pete Clements Catering 

Presqu’ile Winery 

Regent Seven Seas Cruises 

Renaud's Patisserie & Bistro 

Rose Story Farm 

Sabine Myers Design 

SAGE Publishing 


Choral Society 

Santa Barbara Foundation 


Travel Bureau 

Santa Barbara Winery 

Stewart Fine Art 

The Tent Merchant 

The Upham Hotel 

UCSB Arts & Lectures 

Via Maestra 42 

Westmont Orchestra 


43



WOMEN’S 

BOARD 

The CAMA Women’s Board Presents 

in partnership with the Santa Barbara Public Library 

2020 PRE-CONCERT LECTURE SERIES 

Faulkner Gallery, Santa Barbara Central Library 

and a special lecture event at The New Vic 

The Women’s Board has invited local musical luminaries to speak before all six of CAMA’s 

International Series concerts. 

Dr. Michael Shasberger, Adams Chair of Music & Worship at Westmont College. Conductor 

of Westmont Orchestra and Westmont College Choir. 

January 27, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM 

performance by the Royal Philharmonic Orchestra; Pinchas Zucherman, conductor & violin 

SPECIAL 100 TH ANNIVERSARY LECTURE AT THE NEW VIC 

Hattie Beresford, Historic Researcher and Writer. Author of Celebrating CAMA’s Centennial: 

Bringing the World’s Finest Classical Music to Santa Barbara. 

March 6, 2020 at 5:15 PM, The New Vic, prior to the Gala 100th Anniversary Concert at 

7:00 PM by the Los Angeles Philharmonic; Gustavo Dudamel, Music Director (NOTE: Early 

start time for lecture and concert.) 

Simon Williams, PhD, Professor Emeritus, UCSB Department of Theater & Dance, Opera & 

Theater Critic. 

March 26, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 

8:00 PM performance by the Rotterdam Philharmonic Orchestra; Lavi Shani, conductor; 

Nelson Freire, piano 

Ani Aznavoorian, Principal Cellist with Camerata Pacifica, performing and recording artist. 

April 14, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM 

performance by Chineke! Orchestra; Kevin John Edusei, conductor; Stewart Goodyear, piano 

David Malvinni, PhD, musicologist, classical guitarist, author and creator of CAMA's 

outreach program, “Music Matters.” 

April 28, 2020 at 6:45 PM , Faulkner Gallery, SB Central Library, prior to the 8:00 PM 

performance by Les Violons du Roy; Jonathan Cohen, conductor; Avi Avital, mandolin 

Jennifer Kloetzel, cellist, Assistant Professor of Cello and Chamber Music and Head of 

String Area at UCSB Department of Music, performing and recording artist. 

May 18, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM 

performance by Los Angeles Chamber Orchestra; Jaime Martín, conductor; Sheku 

Kanneh-Mason, cello 


Allow yourself to dream 

“Casa Dorinda has an engaging and fascinating culture 

rooted in a rich social life, an extraordinary estate, 

and truly superb healthcare.” 

CASA DORINDA’S MUSIC ROOM AT THE HISTORIC BLISS ESTATE 

Refined Retirement Living 

casadorinda.org | 805 969 8011 

Casa Dorinda is a private LifeCare community, type A CCRC, owned and operated by the Montecito Retirement Association, a nonsectarian, 

nonprofit, tax-exempt organization. State of California Licenses RCFE #421700160, SNF #050000112, CCRC Certificate of Authority #126.

Sometimes, a Round of 

Applause Just Isn’t Enough. 

Northern Trust is proud to support Community Arts Music 

Association of Santa Barbara. For 130 years, we’ve been 

meeting our clients’ financial needs while nurturing a culture 

of caring and a commitment to invest in the communities we 

serve. We’re proud to play a supporting role. 

TO LEARN MORE VISIT 

northerntrust.com 

WEALTH PLANNING | BANKING | TRUST & ESTATE SERVICES | INVESTING | FAMILY OFFICE

Monday, January 27, 2020—CAMA Presents the Royal Philharmonic Orchestra with Pinchas Zukerman—International Series at The Granada Theatre, Santa Barbara

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?