Monday, January 27, 2020—CAMA Presents the Royal Philharmonic Orchestra with Pinchas Zukerman—International Series at The Granada Theatre, Santa Barbara

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MONDAY, JANUARY 27, 2020, 8:00PM / CAMA Presents the Royal Philharmonic Orchestra / Pinchas Zukerman, conductor and violin soloist / CAMA’s International Series rings in 2020 with the welcome return of London’s ever-popular Royal Philharmonic Orchestra. Formed in 1946 by Sir Thomas Beecham, it has been at the forefront of music-making in Britain for over seven decades, recognized worldwide as one of the United Kingdom’s most prodigious orchestras. In 1966, Queen Elizabeth conferred the title of “Royal” unconditionally on the orchestra. In its self-appointed role as Britain’s national orchestra, the RPO has toured in more than thirty countries across the globe, as well as performing annual concert series at both London’s Royal Festival Hall and Royal Albert Hall. In a career spanning five decades, Pinchas Zukerman (Principal Guest Conductor of the RPO) is universally respected as a virtuoso violinist, violist, conductor and chamber musician with over 100 recordings released to date earning 21 Grammy® nominations. / PROGRAM:
TCHAIKOVSKY: “Polonaise” from Eugene Onegin / MOZART: Violin Concerto No.5 in A major, K.219, “Turkish” / TCHAIKOVSKY: Symphony No.5 in E minor, Op.64

Presenting the world’s finest classical artists since 1919

Gustavo Dudamel | © Citizens of Humanity,

courtesy of the Los Angeles Philharmonic Association

a ROYAL

ANNIVERSARY SEASON

orld’s finest classical artists since 1919

COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC.


Nell Campbell photo ©2019

We invite you to join the CAMA Board of Directors by

participating in CAMA’s historic and remarkable 100th Anniversary

Concert and Season with a Centennial Celebration Gift. Together

we will secure CAMA’s future as we move into our second century.

Robert K. Montgomery, President

Deborah Bertling, First Vice-President & Chair, Centennial Celebration Committee


INTERNATIONAL SERIES

AT THE GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

Photo by Cheryl Mazak

ROYAL PHILHARMONIC

ORCHESTRA

Pinchas Zukerman conductor and violin

Monday, January 27, 2020, 8:00 PM

The Granada Theatre, Santa Barbara


Santa Barbara Debut

Michael Barenboim

and the West-Eastern

Divan Ensemble

Sat, Mar 7 / 4 PM / Hahn Hall

$40 / $9 UCSB students

Program

Schubert: Rondo in A Major, D. 438

Tartini: Violin Sonata in G minor (“Devil’s Trill”)

Benjamin Attahir: 117:2c

Mendelssohn: String Octet in E-flat Major, op. 20

Photo: Marcus Höhn

In honor of the renowned West-Eastern Divan Orchestra’s 20th year, violinist and concertmaster

Michael Barenboim extends its youthful energy, unique personality and profound message – “Equal

in Music” – to an intimate chamber formation. The Ensemble’s outstanding young Palestinian and

Israeli musicians will perform a diverse program that draws inspiration from both the West and East.

Up Close & Musical Series Sponsor: Dr. Bob Weinman

Special Thanks:

Corporate Season Sponsor:

(805) 893-3535

www.ArtsAndLectures.UCSB.edu


Presenting the world’s finest classical artists since 1919

MASTERSERIES

AT THE LOBERO THEATRE

SEASON SPONSORSHIP:

ESPERIA FOUNDATION

Photo by Fadi Kheir

FEBRUARY

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FRI, 8:00 PM

2020

SÉRGIO &

ODAIR ASSAD guitars

Sérgio & Odair Assad, the guitar-playing brothers from São Paulo, began playing Brazilian folk

melodies, and transitioned to classical guitar in their teens, training under the most prominent

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team in existence, maybe even in history,” while the Boston Globe has stated they perform with

“telepathic unity.”

Their Valentine’s Day concert in 2020 is not to be missed!

PROGRAM

Works by Giuliani, Albéniz, Piazzolla, Rodrigo, Villa-Lobos, Jobim, Gismonti, and Sérgio Assad

Sponsors: Bitsy & Denny Bacon and The Becton Family Foundation

Concert Partners: Robert & Christine Emmons • Lois Sandra Kroc

TICKETS (805) 963-0761 lobero.com


INTERNATIONAL SERIES

AT THE GRANADA THEATRE

ROYAL

PHILHARMONIC

ORCHESTRA

JANUARY 27, 2020

Sponsors

Alison & Jan Bowlus

Hollis Norris Fund

Judith L. Hopkinson

The Elaine & Herbert

Kendall Charitable Trust

Sara Miller McCune

Co-Sponsors

Elizabeth & Andrew Butcher

Louise & Michael Caccese

Jocelyne & William Meeker

Barbara & Sam Toumayan

100 TH ANNIVERSARY CONCERT

LOS ANGELES

PHILHARMONIC

MARCH 6, 2020

Principal Sponsor

The Elaine F. Stepanek Foundation

Primary Sponsor

The Samuel B. And Margaret C.

Mosher Foundation

Northern Trust

Sponsor

Anonymous

Bob & Val Montgomery

The Shanbrom Family Foundation

Towbes Fund for the

Performing Arts

Co-Sponsor

Bitsy & Denny Bacon and The Becton

Family Foundation

Robert & Christine Emmons

Stephen J.M. & Anne Morris

4 CAMA'S 101ST CONCERT SEASON


SEASON SPONSORSHIP: SAGE PUBLISHING

ROTTERDAM

PHILHARMONIC

MARCH 26, 2020

Sponsor

Alison & Jan Bowlus

Bob & Val Montgomery

Michele & Andre Saltoun

Co-Sponsor

Geri & Jerry Bidwell

Jocelyne & William Meeker

Fran & John Nielsen

George & Judy Writer

CHINEKE!

APRIL 14, 2020

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DU ROY

APRIL 28, 2020

Sponsor

Marta Babson

Co-Sponsor

Edward DeLoreto

Jocelyne & William Meeker

LOS ANGELES

CHAMBER

ORCHESTRA

with Sheku Kanneh-Mason

MAY 18, 2020

Sponsors

Marta Babson

Bitsy & Denny Bacon and

The Becton Family Foundation

Meg & Dan Burnham

John & Ellen Pillsbury

Co-Sponsors

Jocelyne & William Meeker

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

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MASTERSERIES

AT THE LOBERO THEATRE

SEASON SPONSORSHIP: ESPERIA FOUNDATION

STEPHEN

HOUGH, PIANO

OCTOBER 29, 2019

Co-Sponsors

Anonymous

Bitsy & Denny Bacon and

The Becton Family

Foundation

Alison & Jan Bowlus

Elizabeth Karlsberg &

Jeff Young

Stephen J.M. & Anne Morris

PAMELA

FRANK, VIOLIN

AND STEPHEN

PRUTSMAN, PIANO

DECEMBER 11, 2019

Principal Sponsor

The Stephen & Carla

Hahn Foundation

Co-Sponsors

Anonymous

Jocelyne & William Meeker

Craig & Ellen Parton

EMANUEL

AX, PIANO

JANUARY 13, 2020

Co-Sponsors

Anonymous

Alison & Jan Bowlus

Bob & Val Montgomery

Stephen J.M. & Anne Morris

Concert Partners

Deborah & Peter Bertling

Bob Boghosian & Beth

Gates-Warren

Bridget B. Colleary

Dorothy & John Gardner

Raye Haskell Melville

SERGIO

AND ODAIR

ASSAD, GUITARS

FEBRUARY 14, 2020

Sponsors

Bitsy & Denny Bacon and

The Becton Family

Foundation

Concert Partners

Robert & Christine Emmons

Lois Sandra Kroc

BENJAMIN

GROSVENOR, PIANO

MARCH 13, 2020

Co-Sponsors

Alison & Jan Bowlus

Jocelyne & William Meeker

Concert Partner

Stephen Cloud

Concert Sponsors as of January 2019

6 CAMA'S 101ST CONCERT SEASON


PERSONALIZED AND PASSIONATE REPRESENTATION

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CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

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Presenting the world’s finest classical artists since 1919

BOARD OF DIRECTORS

(As of October 9, 2019)

ROBERT K. MONTGOMERY

President

DEBORAH BERTLING

First Vice-President & Chair, Centennial Celebration Committee

Rosalind Amorteguy-Fendon

Marta Babson

Isabel Bayrakdarian

Bitsy Becton Bacon

Edward Birch

Jan Bowlus

Daniel P. Burnham

Andy Chou

Stephen Cloud

NancyBell Coe

Bridget B. Colleary

Christine B. Emmons

Jill Felber

CRAIG A. PARTON

Second Vice-President

WILLIAM MEEKER

Treasurer

JOAN R. CROSSLAND

Secretary

Joanne C. Holderman

Judith L. Hopkinson

Elizabeth Karlsberg

Raye Haskell Melville

George Messerlian

Stephen J.M. (Mike) Morris

Patti Ottoboni

Carl Perry

Judith F. Smith

Judith H. Writer

Deborah Bertling,

President, CAMA Women’s Board

Emeritus Directors

(As of October 24, 2019)

Russell S. Bock*

Dr. Robert J. Emmons

Dr. Robert M. Failing*

Mrs. Maurice E. Faulkner*

Léni Fé Bland*

Arthur R. Gaudi

Stephen Hahn*

Dr. Melville H. Haskell, Jr.*

Mrs. Richard Hellmann*

Dr. Dolores M. Hsu*

James H. Hurley, Jr.

Herbert J. Kendall

Robert M. Light*

Mrs. Frank R. Miller, Jr.*

Sara Miller McCune

Mary Lloyd Mills

Mrs. Ernest J. Panosian*

Kenneth W. Riley*

Andre Saltoun

Mrs. John G. Severson*

Nancy L. Wood

* Deceased

Administration

(As of June 27, 2019)

Mark E. Trueblood

Executive Director

Elizabeth Alvarez

Director of Development

Michael Below

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Special Events

Gala 100 th Anniversary Concert:

LA Phil + CAMA

100 years to the date since the LA Phil's

first performance in Santa Barbara on

March 6, 1920!

Gustavo Dudamel | © Citizens of Humanity,

courtesy of the Los Angeles Philharmonic Association

Friday Evening, March 6, 2020

5:15–5:55 – Pre-concert Lecture on the

shared history of CAMA + LA Phil with

Hattie Beresford, New Vic Theatre

6:00–6:55 – Red Carpet Reception at

The Granada Theatre for all ticket holders

7:00–9:00 – 100 th Anniversary Concert

Los Angeles Philharmonic at

The Granada Theatre


e h a v e d e s i g n e d + p r o d u c e d o v e r

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Presenting the world’s finest classical artists since 1919

INTERNATIONAL SERIES at the GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

Patron: HRH The Duke of York, KG

ROYAL PHILHARMONIC ORCHESTRA

Pinchas Zukerman conductor and violin

Monday, January 27, 2020, 8:00 PM

The Granada Theatre, Santa Barbara

PYOTR ILYICH

TCHAIKOVSKY “Polonaise,” from Eugene Onegin, Op.24 (4 minutes)

(1840–1893)

WOLFGANG

AMADEUS MOZART Violin Concerto No.5 in A Major, K.219, “Turkish” (29 minutes)

(1756–1791) I. Allegro aperto

II. Adagio

III. Rondeau: Tempo di minuetto

INTERMISSION

(20 minutes)

PYOTR ILYICH

TCHAIKOVSKY Symphony No.5 in E Minor, Op.64 (50 minutes)

(1840–1893) I. Andante—Allegro con anima

II. Andante cantabile, con alcuna licenza

III. Valse: Allegro moderato

IV. Andante maestoso—Allegro vivace

Program subject to change.

www.rpo.co.uk

Tour Direction: Columbia Artist Management LLC, 5 Columbus Circle at 1790 Broadway, New York, NY 10019

www.columbia-artists.com

CAMA thanks our generous sponsors who have made this evening’s performance possible:

International Series Season Sponsor: SAGE Publishing

Sponsors: Alison & Jan Bowlus • Hollis Norris Fund • Judith L. Hopkinson

Elaine and Herbert Kendall Charitable Trust • Sara Miller McCune

Co-Sponsors: Elizabeth & Andrew Butcher • Louise & Michael Caccese

Jocelyne & William Meeker • Barbara & Sam Toumayan

We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing

or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

11


Photo by Neil Campbell


www.rpo.co.uk

As the Royal Philharmonic Orchestra (RPO)

approaches its seventy-fifth anniversary in

2021, its mission to enrich lives through

orchestral experiences that are uncompromising

in their excellence and inclusive in

their appeal, places the RPO at the forefront

of music-making in the UK. Performing

approximately 200 concerts each season

and with a worldwide audience of more

than half-a-million people, the Orchestra

embraces a broad repertoire that enables it

to reach the most diverse audience of any

British symphony orchestra. Whilst artistic

integrity remains paramount, its aspiration

to be an orchestra for the modern world,

unafraid to push boundaries, means that

the RPO is equally at home recording video

game, film and television soundtracks and

working with pop stars, as it is performing

the great symphonic repertoire.

The RPO collaborates with the most

inspiring artists and looks forward to welcoming

its new Music Director, Vasily Petrenko,

in September 2021. Vasily Petrenko

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

13


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will join a roster of titled conductors that

includes Pinchas Zukerman (Principal

Guest Conductor), Alexander Shelley (Principal

Associate Conductor) and Grzegorz

Nowak (Permanent Associate Conductor).

Cadogan Hall in London has been the

Royal Philharmonic Orchestra’s home since

2004. Here it performs an annual season of

concerts, many of which are subsequently

toured to its seven principal residency venues

in the UK. In addition, the Orchestra

promotes more than forty-five concerts

each season at partnership venues across

the country, several of which are in areas

where access to live orchestral music is

very limited. In London, the Orchestra also

promotes a season of symphonic concerts

at Southbank Centre’s Royal Festival Hall

and a popular series at the iconic Royal

Albert Hall, where it has recently been appointed

as the Hall’s Associate Orchestra.

As a respected cultural ambassador,

the RPO enjoys a busy schedule of international

touring, performing in the world’s

great concerts halls and at prestigious international

festivals. At the start of 2019

the Orchestra undertook a critically acclaimed

tour of Germany’s major cities and

went on to make its debut in Kuwait, where

it performed three concerts at the recently

opened Sheikh Jabar Al-Ahmed Cultural

Centre. This season’s touring highlights

include visits to Belarus, Slovakia and a

three-week tour of the USA.

The RPO is recognised as being the

UK’s most in-demand orchestra, an accolade

that would have pleased Sir Thomas

Beecham, who founded the RPO in 1946,

The result was a

stirring, memorable

performance of

an exceptionally

interesting and difficult

work — just the kind

of thing that has

made the RPO such

a welcome presence

in Santa Barbara

throughout the years.

becoming its first Principal Conductor.

His mission was to lead a vital revival of

UK orchestras after World War II and form

an ensemble that comprised the finest

musicians in the country. Sir Thomas succeeded,

and since then the Orchestra has

attracted a glittering list of principal conductors,

including Rudolf Kempe, Antal

Doráti, Walter Weller, André Previn, Vladimir

Ashkenazy, Yuri Temirkanov, Daniele Gatti

and Charles Dutoit.

Santa Barbara Independent

The RPO aims to place orchestral music

at the heart of contemporary society,

collaborating with creative partners to

foster a deeper engagement with communities

to ensure that live orchestral music

is accessible to as inclusive and diverse

an audience as possible. To achieve this,

in 1993 the Orchestra launched RPO Resound,

which has grown to become the

most innovative and respected orchestral

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

15


Supporting the Arts in our Community

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Photo by Chris Christodoulou

community and education programme in

the UK and internationally. The programme

delivers pioneering education, community

and talent development projects to

a wide range of participant groups, including

homeless people, children, young

people and stroke survivors. Each project

is bespoke and is designed to meet the

needs of the participant group, but always

with the overarching objective to leave a

lasting legacy.

The Royal Philharmonic Orchestra has

always been entrepreneurial and in 1986

it was the first UK orchestra to launch its

own record label. The RPO has gone on

to embrace advances in digital technology

and now achieves nearly thirty million

downloads of its recorded music each

year. In 2017 the Orchestra collaborated

with the concert-enhancing app EnCue by

Octava, to offer concert attendees realtime

programme notes on their mobile or

tablet devices. The Orchestra is increasingly

active on social media providing audiences

with the opportunity to engage

with the RPO on Facebook and Twitter

(@rpoonline) and to enjoy ‘behind-thescenes’

film clips and photographs on the

RPO website (www.rpo.co.uk), YouTube

(RPOOnline) and Instagram (@RPOOnline).

Passion, versatility and uncompromising

artistic standards are the Royal Philharmonic

Orchestra’s hallmarks, and as it

looks forward to an exciting future with its

new Music Director, Vasily Petrenko, it will

continue to be recognised as one of the

world’s most open-minded, forward-thinking

and accessible symphony orchestras.

For more information, please visit:

www.rpo.co.uk

Registered Charity No. 244533

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

17


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Photo by Fred Cattroll

PINCHAS ZUKERMAN

Violin, Conductor

With a celebrated career encompassing

five decades, Pinchas Zukerman reigns

as one of today's most sought-after and

versatile musicians—violin and viola soloist,

conductor, and chamber musician.

He is renowned as a virtuoso, admired for

the expressive lyricism of his playing, singular

beauty of tone, and impeccable musicianship,

which can be heard throughout

his discography of over 100 albums for

which he gained two Grammy ® awards and

21 nominations.

Highlights of the 2019/2020 season

include tours with the Vienna Philharmonic

and Royal Philharmonic Orchestra, as well

as guest appearances with the Boston, Dallas

and Prague Symphonies, Berlin Staatskapelle

and Israel Philharmonic Orchestra.

In his fifth season as Artist-in-Residence

of the Adelaide Symphony Orchestra,

he tours with the ensemble to China and

Korea, and recently premiered Avner Dorman’s

Double Concerto for Violin and Cello,

written for Zukerman and cellist Amanda

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

19


Forsyth. Subsequent performances of the

important new work take place at Tanglewood

with the Boston Symphony, Ottawa

with the National Arts Centre Orchestra,

where Zukerman serves as Conductor

Emeritus, and with the Israel Philharmonic.

In chamber music, he travels with the

Zukerman Trio for performances throughout

North and South America, Europe and

Asia, and joins longtime friend and collaborator

Daniel Barenboim for a cycle of

the complete Beethoven Sonatas for Violin

and Piano, presented in a three-concert

series in Berlin.

A devoted teacher and champion of

young musicians, he has served as chair

of the Pinchas Zukerman Performance

Program at the Manhattan School of Music

for over 25 years, and has taught at

prominent institutions throughout the

United Kingdom, Israel, China and Canada,

among others. As a mentor he has inspired

generations of young musicians who have

achieved prominence in performing, teaching,

and leading roles with music festivals

around the globe. Mr. Zukerman has received

honorary doctorates from Brown

University, Queen’s University in Kingston,

Ontario, and the University of Calgary, as

well as the National Medal of Arts from

President Ronald Reagan. He is a recipient

of the Isaac Stern Award for Artistic Excellence

in Classical Music.

Zukerman again seemed

the forever-young

virtuoso: expressively

resourceful, infectiously

musical, technically

impeccable, effortless.

As usual, it was a

joy to be in his

musical company.

Photo by Cheryl Mazak

The Los Angeles Times

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

21


Lending Banking Investing


NOTES

on the program

Pyotr Ilyich Tchaikovsky

(1840–1893)

“Polonaise,” from Eugene

Onegin, Op.24 (4 minutes)

Of Pyotr Ilyich Tchaikovsky’s eleven operas,

only The Queen of Spades (1890) and

Eugene Onegin (1877-8) have maintained a

regular place in the performing repertoire.

Given that he was an inspired orchestrator

and melodist, and possessed a dramatic

flair second-to-none, it is easy to understand

why Tchaikovsky should have found

the idea of operatic composition so attractive.

Yet he often became so self-absorbed

in his own problems that he found it difficult

to empathise with personalities substantially

different from his own.

As a result, although Tchaikovsky’s

operas contain a great deal of highly attractive

music, as convincing dramatic

structures they fall rather short. The reason

that Eugene Onegin works so well is no

doubt a reflection of the composer’s personal

circumstances at the time. Following

his disastrous marriage to a psychologically

wayward admirer of his, he had

fallen into a deep depression and made

a half-hearted attempt at suicide. As a

result, he felt a strong sense of personal

identification with the plight of the opera’s

central character.

Pyotr Ilyich Tchaikovsky

At the opera opens, Eugene Onegin, a

world-weary aristocrat, inspires the love

of the innocent Tatyana, who stays up all

night to write him a passionate letter. Eugene

replies with cold disdain. After flirting

with his poet friend Lensky’s fiancée (Tatyana’s

sister) at their engagement party, he

unwillingly fights a duel and kills Lensky.

Returning from a spell abroad, Eugene’s

words of love and remorse tempt Tatyana

to run away with him, but she is now

married and duty prevails. The famous

Polonaise opens Act III: several years after

the ill-fated duel, there is a party in full

swing at the house of Prince Gremin. Onegin

is introduced by Gremin to his beloved

wife—none other than Tatyana!

Note ©2020, Julian Haylock

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

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An historic treasure

with contemporary comforts

in the heart of Santa Barbara

50 Guest Rooms & Suites


Wolfgang Amadeus Mozart

(1756–1791)

Violin Concerto No.5 in A

Major, K.219, “Turkish”

(29 minutes)

Despite the fact that Wolfgang Amadeus

Mozart was taught to play the violin from a

very early age by his expert teacher-father,

Leopold, the boy genius apparently hardly

touched the instrument between lessons.

Nevertheless, shortly after his seventh

birthday, Mozart still went on to make his

sensational concerto debut with the court

orchestra in Salzburg. It is a sign of his

all-embracing creative gift that in later life

Mozart’s prodigious talent for the violin

and viola was reduced to little more than

an enjoyable pastime.

The received wisdom for many years

was that Mozart’s five authenticated violin

concertos—K.207 in B-flat major, K.211 in

D major, K.216 in G major, K.218 in D major

and K.219 in A major (‘Turkish’)—were

composed during an eight-month period

between April and December 1775. Alan Tyson’s

paper studies and Wolfgang Plath’s

detailed examination of the original manuscripts

now suggest, however, that K.207

actually dates from two years earlier.

No one is exactly certain what compelled

Mozart to show such unprecedented

enthusiasm for the genre at this time.

It is therefore more than likely that he

simply composed the concertos for himself

to play as an act of ingratiation for

his powerful employer, the Archbishop of

Salzburg. The concertos were extremely

well received, so much so that the following

year the newly-appointed leader of the

Archbishop's orchestra, Antonio Brunetti,

eagerly took them under his wing.

Finest of all is K.219, whose opening

Allegro aperto is notable both for its exuberant

melodic invention and the soloist’s

very first entry, which opens with a sixbar

Adagio interlude as though it were the

most natural thing in the world. Another

striking feature is the finale’s ‘noisy’ third

episode in A minor, composed in the then

fashionable Janissary (‘alla turca’) style,

with cellos and double basses instructed

to play with the wood of their bows. Apparently

the audiences of the time found the

intensity of feeling generated by the central

Adagio so perplexing that the following

year Brunetti requested Mozart compose a

substitute. The result is the magical Adagio

in E major, K.261.

Note ©2020, Julian Haylock

Wolfgang Amadeus Mozart

INTERVAL

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

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Pyotr Ilyich Tchaikovsky

(1840–1893)

Symphony No.5 in E

Minor, Op.64 (50 minutes)

Composed the very same year as Richard

Strauss’ Don Juan, Pyotr Ilyich Tchaikovsky’s

Fifth Symphony is the most

popular of all his symphonies. Its string

of unforgettable melodies, breath-taking

emotional power and sense of a glorious

triumph won in the face of adversity has

guaranteed it an immortal place in the history

of the genre. Yet Tchaikovsky had severe

doubts about the piece to begin with,

being convinced that it represented the

start of a creative decline. However, having

witnessed the thunderous applause

that greeted the work wherever it was performed,

he later confided to his nephew,

Lev Davidov: ‘I like it far better now.’

Tchaikovsky was blessed with one of

the most profoundly instinctive of creative

gifts. Far from merely representing the

self-indulgent outpourings of an emotionally

unstable personality, the often painful

immediacy of his deeply introspective and

volatile soundworld was to touch a whole

generation of composers as disparate in

technique as Puccini, Sibelius and Berg.

Tormented throughout his life by feelings

of guilt regarding his homosexuality (referred

to simply as ‘Z’ in his correspondence),

it is a bitter irony that as little as

twenty years after Tchaikovsky’s death,

the great impresario Serge Diaghilev could

write from the admittedly racy artistic circles

of Paris: ‘Tchaikovsky thought of committing

suicide for fear of being discovered

a homosexual; but today, if you are a composer

and not a homosexual, you might as

well put a bullet through your head.’ Tchaikovsky’s

early musical progress was constantly

hampered by his father’s blinkered

desire to see him enter the legal profession.

Despite composing his first song setting at

the age of four and subsequently showing

signs of exceptional talent (none of the local

teachers could keep pace with him), six

years later Tchaikovsky was packed off to

the School of Jurisprudence. This caused

him such deep distress that on the day of

his arrival he had to be forcibly torn away

from his mother, and then clung onto the

wheels of her carriage in an effort to prevent

her leaving. He graduated in 1859, immediately

obtained a job with the Ministry

of Justice in St Petersburg, but after three

Tchaikovsky coin. Photo ©Andreasg Dreamstime.com.

Licensed.

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

27


years of inexorable tedium, the twentytwo-year-old

wrote to his father informing

him that he was going to make music

his career.

Enrolling at the Conservatory in 1863,

Tchaikovsky’s progress was fairly spectacular.

Having composed little more than

a handful of piano pieces and songs up

to this point, within five years he had the

remarkably assured First Symphony (‘Winter

Daydreams’) under his belt. In addition,

he had been taken on as a lecturer at the

newly founded Moscow Conservatory, and

then in 1869 produced the first version of

his seminal Romantic masterpiece, the

Romeo and Juliet Fantasy Overture.

Despite recurring fits of depression

brought about by his natural insecurity

and homosexuality, this opened the floodgates

to a stream of compositions over the

following seven years which indisputably

established Tchaikovsky as Russia’s greatest

living composer, including the Second

(‘Little Russian’) and Third (‘Polish’)

Symphonies, the First Piano Concerto,

the ballet Swan Lake and the Variations on

a Rococo Theme for cello and orchestra.

That same year, Tchaikovsky began exchanging

letters with a wealthy widower,

Nadezhda von Meck, who offered to support

him financially (and emotionally) on

the rather strange condition that neither

of them should ever meet. Overwhelmed

by her generosity, he responded with three

axiomatic, storm-tossed masterworks:

the symphonic fantasia Francesca da

The grave of Tchaikovsky.

Photo by Steven N. Severinghaus.

Rimini, the Fourth Symphony and the

opera Eugene Onegin.

At the very height of his powers, Tchaikovsky

then took the appallingly ill-advised

step of marrying a psychologically

wayward admirer of his, Antonina Milyukova.

Tormented and repulsed, after only

a few weeks he escaped to the Caucases

where he suffered a nervous collapse having

made a bungled attempt at suicide. It

took him nearly ten years to recover fully

artistically, for whilst a number of works

he composed during the early/mid 1880s

are highly popular today (the Capriccio Italien,

Serenade for Strings and 1812 Overture,

in particular), the music of this period,

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

29


despite many felicities and moments of

burning inspiration, only occasionally manages

to live up the supreme promise of his

earlier work. Whatever his mild creative

shortcomings, Tchaikovsky’s reputation

continued to blossom both at home and

abroad (including North America), where

he went on tour conducting his own music

and was warmly welcomed by many of his

most distinguished musical colleagues,

including Dvořák, Grieg, Fauré and Brahms

(who actually had little time for his music).

In 1892, no less a figure than Gustav

Mahler was at the helm of a celebrated

Hamburg production of Eugene Onegin.

Tchaikovsky’s final years witnessed a

glorious affirmation of his extraordinary

creative prowess, highlighted by the ballets

The Sleeping Beauty and The Nutcracker, and

the Fifth and Sixth (‘Pathétique’) Symphonies,

the latter completed in the year of his

death, 1893. The official version of Tchaikovsky’s

sudden passing was that having

drunk unboiled water, he subsequently

contracted an extremely virulent form of

typhoid. However, it is now widely held that

a private court of honour had met to decide

the outcome of a potentially embarrassing

liaison that Tchaikovsky had formed with

the nephew of a Russian nobleman—it was

apparently resolved that the only course of

action open to the composer was for him

to take his own life. In these more enlightened

times, it seems barely conceivable

that in order to protect the reputation of

a singularly anonymous member of the

Russian aristocracy, one of the greatest

musical talents of the nineteenth century

was ruthlessly silenced. More than in any

other of his symphonies, Tchaikovsky attempted

to impart a sense of unity to the

Fifth by the use of a ‘fate’ motif that we

hear announced at the very opening by

clarinets and bassoons over the subdued

tread of accompanying strings. This reemerges

in the slow movement, most potently

towards the end where the brass,

underpinned by a massive timpani roll,

throttle the music almost to the point of

extinction. In the waltz-like third movement

‘fate’ emerges ghost-like from the

clarinet in the closing bars, while the finale

opens and closes with major-key versions

of the motif, sending one’s spirits soaring

into the night sky.

Note ©2020, Julian Haylock

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

31


Santa Barbara County’s

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ORCHESTRA PERSONNEL

FIRST VIOLINS

Duncan Riddell

Tamás András

Sulki Yu

Shana Douglas

Eriko Nagayama

Andrew Klee

Kay Chappell

Anthony Protheroe

Erik Chapman

Sophie Mather

Esther Kim

Marciana Buta

Patrycja Mynarska

Imogen East

SECOND VIOLINS

Andrew Storey

David O'Leary

Jennifer Christie

Charlotte Ansbergs

Peter Graham

Stephen Payne

Manuel Porta

Charles Nolan

Sali-Wyn Ryan

Colin Callow

Nicola Hutchings

Sheila Law

VIOLAS

Abigail Fenna

Liz Varlow

Ugne Tiškuté

Chian Lim

Jonathan Hallett

Triona Milne

Clive Howard

Felix Tanner

Helen Picknett

Zoe Matthews

CELLOS

Richard Harwood

Jonathan Ayling

Roberto Sorrentino

Jean-Baptiste Toselli

William Heggart

Rachel van der Tang

Naomi Watts

Anna Stuart

DOUBLE BASSES

David Stark

David Gordon

Benjamin Cunningham

Ben Wolstenholme

Mark O'Leary

David FC Johnson

FLUTES

Joanna Marsh

Harry Winstanley

PICCOLO

Helen Keen

OBOES

John Roberts

Timothy Watts

CLARINETS

Benjamin Mellefont

Katy Ayling

BASSOONS

Joshua Wilson

Fraser Gordon

FRENCH HORNS

Austin Larson

Finlay Bain

Philip Woods

Jonathan Bareham

Richard Ashton

TRUMPETS

James Fountain

Adam Wright

Mike Allen

TROMBONES

Matthew Knight

Rupert Whitehead

BASS TROMBONE

Josh Cirtina

TUBA

Kevin Morgan

TIMPANI

Matt Perry

MANAGEMENT

Managing Director

James Williams

Deputy Managing

Director

Huw Davies

Concerts Director

Louise Badger

Tours Manager

Dawn Day

Tours Assistant

Charlotte Fry

Orchestra Manager

Kathy Balmain

Stage and Transport

Manager

Steve Brown

Stage Manager

Esther Robinson

Assistant Stage

Manager

Dan Johnson

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

33


Presenting the world’s finest classical artists since 1919

CAMA ENDOWMENT

CAMA’s mission is to enrich Santa Barbara’s cultural life by

bringing live performances by world-renowned classical

artists and orchestras of the highest artistic excellence to

our community and by providing creative, focused music

education programs for individuals of all ages.

CAMA thanks and honors the following members of

the CAMA community who have contributed to CAMA’s

Endowment. A commitment to CAMA’s Endowment

ensures the success of CAMA’s next 100 years. Gifts at

every level are deeply appreciated.

James H. Hurley and Judith L. Hopkinson

Co-Chairs Endowment


CONDUCTOR'S CIRCLE

$500,000 and above

Suzanne & Russell Bock

Linda Brown*

SAGE Publishing

Elaine Stepanek

Esperia Foundation

CRECENDO CIRCLE

$250,000—$499,999

The Andrew H.

Burnett Foundation

Judith L. Hopkinson

Herbert & Elaine Kendall

Mary Lloyd & Kendall Mills

CADENZA PATRONS

$100,000—$249,999

Bitsy & Denny Bacon and

The Becton Family Foundation

Mary & Raymond Freeman

The Stephen & Carla

Hahn Foundation

Shirley Ann & James H. Hurley, Jr.

Nancy & William G. Myers

Jan Severson

Judith F. Smith

The Towbes Fund for

the Performing Arts

George & Judy Writer

RONDO PATRONS

$50,000—$99,999

Ruth Appleby

Deborah & Peter Bertling

Linda & Peter Beuret

Robert & Christine Emmons

Dr. Dolores M. Hsu

Lois Sandra Kroc

The Samuel B. & Margaret C.

Mosher Foundation

Santa Barbara Bank & Trust

Nancy & Byron Kent Wood

CONCERTO PATRONS

$25,000—$49,999

Jane Catlett

Bridget B. Colleary

Suzanne Faulkner

Léni Fé Bland

Raye Haskell Melville

Joanne C. Holderman

Hutton Parker Foundation

Sara Miller McCune

Mr. & Mrs. Frank R. Miller, Jr./

The Henry E. & Lola

Monroe Foundation

Efrem Ostrow Living Trust

Craig & Ellen Parton

Diana & Roger Phillips

Linda Stafford Burrows

The Walter J. & Holly O.

Thomson Foundation

Barbara & Sam Toumayan

SONATA PATRONS

$10,000—$24,999

Rebecca & Peter Adams

Denise & Stephen Adams/

Adams Family Foundation

Else Schilling Bard

Edward & Sue Birch

Frank Blue & Lida Light Blue

Bob Boghosian &

Beth Gates-Warren

Elizabeth & Andrew Butcher

The CAMA Women's Board

Virginia Castagnola-Hunter

Margo Chapman

NancyBell Coe & William Burke

Karen Davidson, M.D.

Nancyann & Robert Failing

Rosalind Amorteguy-Fendon

& Ronald Fendon

Priscilla & Jason Gaines

Arthur R. Gaudi

Sherry & Robert Gilson

Lorraine C. Hansen

Mary & Campbell Holmes

Patricia Kaplan

Winona Fund

Mahri Kerley/Chaucer's Books

Lynn P. Kirst

Laura Kuhn

John Lundegard

Keith Mautino

Jayne Menkemeller

Betty Meyer

Mary & James Morouse

Myra & Spencer Nadler

Pat Hitchcock O'Connell

John Perry

Marjorie & Hugh Petersen

John & Ellen Pillsbury

Susannah Rake

Michele & Andre Saltoun

Anitra & Jack Sheen

Sally & Jan E.G. Smit

Anonymous

Constance Smith

The Elaine F. Stepanek

Foundation

Betty J. Stephens

Mark E. Trueblood

Marilyn Vandever

Barbara & Gary Waer

David & Lisa Wolf

Endowment gifts less than $10,000

Bernice Andron • Argonaut Charitable Foundation • Sally & Robert Arthur • John & Jean Bailey • Brad & M.J. Bakove

Helene Beaver • Joan C. Benson • Mr. Leonard S. Berman • Marlyn Bernstein • Emily Blair • Marjorie Boyle

Mrs. Louise Brant • Wendel Bruss • Ms. Hilary Burkemper • The CAMA Fellows • Mary Carpenter • Carnzu Clark

Ms. Eileen Clark • Stephen Cloud • Ms. Peggy McShane Cochrane • Ms. Catherine S. Cudlip • Ms. Julia Dawson

Samuel R. & Marcia Edwards • Mrs. Maureen H. Fialkoff • Ms. Deborah Glassman • Kay & Richard Glenn

David & Leesa Goldmuntz • Corinna Gordon • Robert Hanrahan • Ms. Nancy G. Harris • Kent Hodgetts & Latane Keeler

Elizabeth Karlsberg & Jeff Young • Ms. Joyce Koehler • Doris Kuhns • Ms. Catherine Lee • Mrs. Jean T. Leonard

Mrs. Phyllis J. Leveen • Mrs. Betty Z. Levinson • Nancy & James Lynn • Marilyn Magid • Ms. Harriet Miller

Dr. Jerry M. Nathan • Clarence & Anne Neal • Scott & Kathy O'Leary • Olio e Limone • David & Catherine Peri • Justyn Person

Kirk Peters & Susan Roe • Kathryn Phillips • Martha & Bruno Pilorz • Eric Boehm • Anne & C. Wesley Poulson

Hugh & Elizabeth Ralston • Ms. Mondra Randall • George & Bessie Lou Reid • Mary Louise Riley • Glenn & Claire Roberts

Russell & Winifred Roberts • Martin & Marilyn Roe • Mr. Frank Schmidt Mrs. Peter Senn • Marlene Sheehan

Cynthia Skenazi • Marion Stewart • Mr. Emil Torick • Steven Trueblood • C.M. & Laura Tull • Carol Vernon & Robert Turbin

Mr. Chip Turner • Kathleen Wall • Richard & Gloria Wascher • Marjorie K. & Roderick S. Webster • Douglas & Gerlinde White

Mrs. Elizabeth A. Whitney • Ron & Laurie Yttri • Patricia Yzurdiaga


Presenting the world’s finest classical artists since 1919

WOMEN’S

BOARD

THE CAMA WOMEN'S BOARD GRATEFULLY

THANKS THE FOLLOWING SUPPORTERS!

SYMPHONY LEVEL

$5,000

Patricia Yzurdiaga

SONATA LEVEL

$1,000

Peter & Rebecca Adams

NancyBell Coe & Bill Burke

Jill Doré Kent

Mrs. Richard H. Roberts

George & Judy Writer

RONDO LEVEL

$100–$500

Anonymous (2)

Beth Gates-Warren & Bob Boghosian

Bridget Colleary

Edward DeLoreto

Karin Nelson & Eugene Hibbs, Jr.

and Maren N. Henle

Joanne C. Holderman

Lois Sandra Kroc

Elen & Craig Parton

Andre & Michele Saltoun

Barbara & Sam Toumayan

Nancy & Byron Kent Wood


“It’s always been a

great pleasure for

me to perform on the

CAMA series, and

I’m looking forward to

many more visits.

I send you my heartiest

congratulations

on your centennial

season. Bravo!”

Lisa-Marie MAzzucco photo

—ITZHAK PERLMAN, CO-CHAIR,

CAMA CENTENNIAL

HONORARY ARTISTS COUNCIL

centennial honorary artists council

Itzhak Perlman

honorary co-chair

Sara Miller McCune

honorary co-chair

Vladimir Ashkenazy

Isabel Bayrakdarian

Joshua Bell

Alfred Brendel

Renée Fleming

Daniele Gatti

Richard Goode

Hilary Hahn

Stephen Hough

Olga Kern

Lang Lang

Jerome Lowenthal

Zubin Mehta

Anne-Sophie Mutter

Sir András Schiff

Peter Serkin

Leonard Slatkin

Christian Tetzlaff

Jean-Yves Thibaudet

Chris Thile

Michael Tilson Thomas

Dawn Upshaw

André Watts

Pinchas Zukerman


CAMA: WHO WE ARE TODAY

Beautiful music, exciting music, profound music – Community Arts Music Association has been

bringing this gift to Santa Barbara for 100 years. Today we offer the following musical treasures.

CORE PROGRAMS FOR OUR COMMUNITY

INTERNATIONAL

SERIES

at The Granada Theatre

Presenting the world’s

greatest orchestras,

conductors and soloists

from around the world

MASTERSERIES

at The Lobero Theatre

Presenting the

finest national and

international artists and

chamber ensembles

MUSIC EDUCATION

Music Matters

Docent Program to area

elementary schools

Tickets to concerts

for high school,

college students and

the underserved

Any musical organisation reaching

its 100th birthday is most likely older

than anyone performing or listening

there. Its memories are rich and, with

CAMA, its future promises to be as

cherishable. Huge congratulations on

this wonderful milestone.

–Stephen Hough

38 CAMA'S 101ST CONCERT SEASON


EACH AND EVERY GIFT

ENRICHES THE FUTURE OF CAMA!

We invite YOU to join in CAMA’S CENTENNIAL CELEBRATION – each donation works to ensure

the next 100 years of beautiful music for generations to come.

There are many ways to support CAMA's CENTENNIAL CELEBRATION

Centennial

Gift Fund

Endowment

Fund

Planned

Giving

Options

Please contact Elizabeth Alvarez, Director of Development at the CAMA office

for more information.

(805) 966-4324 x 104

Elizabeth@camasb.org

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

39


SHOW YOUR KIDS

YOU CAN LIVE ON

YOUR OWN...

SAFELY.

HAPPILY.

BEAUTIFULLY.

Musette Profant

Certified Age-In-Place Designer

USC Architecture Alumna

Licensed Contractor & Crew

Simple Hourly Rates

No Mark-Ups


Life-Changing Design!


- D.S., Montecito

PLEASE CALL FOR SPECIAL CAMA RATES!

Sterling Sites

Quick Home Facelifts & Custom Remodels

sterlingsites.com • musette@sterlingsites.com • (805) 450-2001


MUSIC EDUCATION

MUSIC EDUCATION PROGRAM

$25,000 and above

The Walter J. & Holly O. Thomson Foundation

$10,000–$24,999

Ms. Irene Stone/ Stone Family Foundation

Mary Lloyd & Kendall Mills

Mr. & Mrs. Frank R. Miller, Jr. /

The Henry E. & Lola Monroe Foundation

$1,000–$9,999

CAMA Women's Board

William H. Kearns Foundation

Stefanie L. Lancaster Charitable Foundation

Sara Miller McCune

Performing Arts Scholarship Foundation

Westmont College

$100–$999

Becky & William Banning

William S. Hanrahan

Lynn P. Kirst

James P. and Shirley F. McFarland Fund

of the Minneapolis Foundation

CAMA Education Endowment

Fund Income

$10,000 AND ABOVE William & Nancy Myers

$1,000–$4,999 Linda Stafford Burrows –

This opportunity to experience great musicians excelling is

given in honor and loving memory of Frederika Voogd Burrows

to continue her lifelong passion for enlightening young people

through music and math.

Kathryn H. Phillips, in memory of Don R. Phillips

Walter J. Thomson/The Thomson Trust

$50–$999

Lynn P. Kirst

Keith J. Mautino

Performing Arts Scholarship Foundation

Marjorie S. Petersen

IN HONOR OF

Joan Crossland

NancyBell Coe & Bill Burke

Carolyn & Dennis Naiman

Nancy Lynn

Carolyn & Dennis Naiman

David Malvinni

Carolyn & Dennis Naiman

Volunteer docents are trained by CAMA’s Education Committee Chair, Joan Crossland, to deliver this program to

area schools monthly. Music enthusiasts are invited to learn more about the program and volunteer opportunities.

Call the CAMA office at (805) 966-4324 for more information about the docent program.

MEMORIAL GIFTS

Elaine Kendall

NancyBell Coe & William Burke

and Sara Miller McCune

Dr. Dolores M. Hsu, PhD.

Jill Felber & Paul A. Bambach

Nancy Cudahy

Betty Meyer

David Marks

Bridget Colleary

Sharon Felber Taylor

Bridget Colleary

Tita Lanning

Keith Mautino Moore

Dr. Eric Boehm

Judy Pochini

Jim Ryerson

Christine Ryerson

Dr. Robert Failing

Betty Meyer

Professor Frederick F. Lange

MaryAnn Lange

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

41


MUSIC EDUCATION PROGRAM

BUSINESS SUPPORTERS

We thank the many businesses that support

CAMA's programs and events!

Laurel Abbott, Berkshire

Hathaway Luxury Properties

Alma Rosa Winey

American Riviera Bank

Babcock Winery

James P. Ballantine

Belmond El Encanto

Bertling Law Group

Bibi Ji

Black Sheep Restaurant

Blue Star Parking

Bon Fortune Style & Events

Brander Vineyard

Wes Bredall

Heather Bryden

Ca' Dario Ristorante

Camerata Pacifica

Casa Dorinda

Cebada Wine

C'est Cheese

Chaucer's Books

Chocolats du CaliBressan

Chooket Patisserie

Cottage Health System

Custom Printing

Eye Glass Factory

Felici Events

Finch & Fork

First Republic Bank

Flag Factory of

Santa Barbara

Frequency Wine

Gainey Vineyard

Grace Design Associates

Grassini Family Vineyards

Grimm’s Bluff

Colin Hayward/

The Hayward Group

Steven Handelman Studios

Hogue & Company

Holdren's Catering

Indigo Interiors

Inside Wine Santa Barbara

Islay A/V

Kristin Jackson

Graphic Design

Jardesca

Le Sorelle

Lumen Wines

Maravilla/Senior

Resource Group

Michael's Catering

Microsoft ® Corporation

Mission Security

Montecito Bank & Trust

Montgomery Vineyard

Northern Trust

Oak Cottage of

Santa Barbara

Oceania Cruises

Olio e Limone/Olio Crudo

Bar/Olio Pizzeria

Opal Restaurant & Bar

Opera Santa Barbara

Pacific Coast

Business Times

Pali Wine Co.

Peregrine Galleries

Performing Arts

Scholarship Foundation

Pete Clements Catering

Presqu’ile Winery

Regent Seven Seas Cruises

Renaud's Patisserie & Bistro

Rose Story Farm

Sabine Myers Design

SAGE Publishing

Santa Barbara

Choral Society

Santa Barbara Foundation

Santa Barbara

Travel Bureau

Santa Barbara Winery

Stewart Fine Art

The Tent Merchant

The Upham Hotel

UCSB Arts & Lectures

Via Maestra 42

Westmont Orchestra

CAMA AT THE GRANADA THEATRE • ROYAL PHILHARMONIC ORCHESTRA

43


Presenting the world’s finest classical artists since 1919

Presenting the world’s finest classical artists since 1919

WOMEN’S

BOARD

The CAMA Women’s Board Presents

in partnership with the Santa Barbara Public Library

2020 PRE-CONCERT LECTURE SERIES

Faulkner Gallery, Santa Barbara Central Library

and a special lecture event at The New Vic

The Women’s Board has invited local musical luminaries to speak before all six of CAMA’s

International Series concerts.

Dr. Michael Shasberger, Adams Chair of Music & Worship at Westmont College. Conductor

of Westmont Orchestra and Westmont College Choir.

January 27, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM

performance by the Royal Philharmonic Orchestra; Pinchas Zucherman, conductor & violin

SPECIAL 100 TH ANNIVERSARY LECTURE AT THE NEW VIC

Hattie Beresford, Historic Researcher and Writer. Author of Celebrating CAMA’s Centennial:

Bringing the World’s Finest Classical Music to Santa Barbara.

March 6, 2020 at 5:15 PM, The New Vic, prior to the Gala 100th Anniversary Concert at

7:00 PM by the Los Angeles Philharmonic; Gustavo Dudamel, Music Director (NOTE: Early

start time for lecture and concert.)

Simon Williams, PhD, Professor Emeritus, UCSB Department of Theater & Dance, Opera &

Theater Critic.

March 26, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the

8:00 PM performance by the Rotterdam Philharmonic Orchestra; Lavi Shani, conductor;

Nelson Freire, piano

Ani Aznavoorian, Principal Cellist with Camerata Pacifica, performing and recording artist.

April 14, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM

performance by Chineke! Orchestra; Kevin John Edusei, conductor; Stewart Goodyear, piano

David Malvinni, PhD, musicologist, classical guitarist, author and creator of CAMA's

outreach program, “Music Matters.”

April 28, 2020 at 6:45 PM , Faulkner Gallery, SB Central Library, prior to the 8:00 PM

performance by Les Violons du Roy; Jonathan Cohen, conductor; Avi Avital, mandolin

Jennifer Kloetzel, cellist, Assistant Professor of Cello and Chamber Music and Head of

String Area at UCSB Department of Music, performing and recording artist.

May 18, 2020 at 6:45 PM, Faulkner Gallery, SB Central Library, prior to the 8:00 PM

performance by Los Angeles Chamber Orchestra; Jaime Martín, conductor; Sheku

Kanneh-Mason, cello

44 CAMA'S 101ST CONCERT SEASON


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Sometimes, a Round of

Applause Just Isn’t Enough.

Northern Trust is proud to support Community Arts Music

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meeting our clients’ financial needs while nurturing a culture

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