Cambridge Film Festival 2019 Brochure
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Contents<br />
Stop Press 4<br />
Opening & Closing <strong>Film</strong>s 5<br />
Special Events 6<br />
International <strong>Festival</strong> Highlights 8<br />
Preview Heaven 10<br />
Longing & Belonging 12<br />
Human Rights 14<br />
World Documentaries 16<br />
Focus on Greek & Cypriot Cinema 19<br />
Camera Catalonia 20<br />
Timetable, venues, and tickets 22<br />
Restorations & Rediscoveries 24<br />
microcinema 28<br />
<strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong> 30<br />
Focus on Latin America 33<br />
Environmental Art Documentaries 33<br />
<strong>Cambridge</strong> Family <strong>Film</strong> <strong>Festival</strong> 34<br />
ShortFusion 38<br />
ShortReel 41<br />
Supporters 42<br />
Index of fi lms and events 43<br />
STOP PRESS<br />
Please look out for Late Additions to the programme<br />
- see the festival website for updates.<br />
Reel Women celebrates the work of female fi lmmakers. Look out for their<br />
logo to see which fi lms in the programme have women directors.<br />
THE ADDAMS<br />
FAMILY CFF PG<br />
USA, <strong>2019</strong>, 107 mins.<br />
DIRECTORS Greg Tiernan & Conrad<br />
WITH<br />
SAT<br />
10.00 THU<br />
13.30<br />
WED<br />
20.30 Thu<br />
13.00<br />
WED<br />
20.30 WED<br />
20.45<br />
FRI<br />
13.30<br />
19 LIGHT 24 APH<br />
23 LIGHT 23<br />
APH<br />
LIGHT<br />
Vernon<br />
Oscar Isaac, Charlize<br />
Theron, Chloe Grace<br />
Moretz, Finn Wolfhard<br />
Get ready to click your fi ngers!<br />
The Addams Family is back on the<br />
big screen in the fi rst animated<br />
comedy about the kookiest family<br />
on the block. Funny, outlandish,<br />
and completely iconic, the Addams<br />
Family redefines what it means to be<br />
a good neighbour.<br />
Print Source Universal<br />
Pictures International<br />
23 APH 24<br />
Light<br />
Atlantics CFF 15<br />
Atlantique<br />
France/Senegal/Belgium, <strong>2019</strong>,<br />
107 mins.<br />
French/Wolof with English subtitles.<br />
DIRECTOR<br />
WITH<br />
Mati Diop<br />
Mama Sané, Amadou<br />
Mbow, Ibrahima Traoré<br />
Ada, 17, is in love with Souleiman,<br />
a young construction worker. But<br />
she has been promised to another<br />
man. Harnessing fantasy and social<br />
relevancy in this haunting tale of<br />
love, fi lmmaker Mati Diop made<br />
history, earlier this year, when<br />
Atlantics became the fi rst fi lm made<br />
by a woman of African descent to<br />
screen at Cannes.<br />
Print Source Netflix<br />
4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2019</strong> Contents & Stop Press<br />
THE LIGHTHOUSE<br />
CFF 15<br />
USA/Canada, <strong>2019</strong>, 110 mins<br />
DIRECTOR<br />
WITH<br />
Robert Eggers<br />
Willem Dafoe, Robert<br />
Pattinson, Valeriia<br />
Karaman<br />
The hypnotic and hallucinatory tale<br />
of two lighthouse keepers on a remote<br />
and mysterious island in the 1890s.<br />
In gripping performances thick<br />
with fl avourful period dialect and jolts<br />
of ever-intensifying insanity soaked in<br />
rum, Willem Dafoe and Robert<br />
Pattinson play the seasoned keeper<br />
and his new junior mate, stuck in<br />
isolation on a craggy Maine island for<br />
a four-week posting that stretches on<br />
and on as the elements grow more<br />
hostile. HOLLYWOOD REPORTER<br />
Print Source Universal<br />
Pictures International<br />
18<br />
THE CHAMBERMAID<br />
15<br />
Mexico, <strong>2019</strong>, 102 mins.<br />
Spanish with English subtitles.<br />
DIRECTOR<br />
WITH<br />
Lila Aviles<br />
Gabriela Cartol, Teresa<br />
Sánchez<br />
Lila Avillés’ impressive debut looks<br />
at the working environment of a<br />
chambermaid in one of Mexico<br />
City’s most luxurious hotels.<br />
With a spare script and nuanced<br />
direction, Gabriela Carol’s breakout<br />
performance brings charisma and<br />
warmth to Eve, a conscientious<br />
maid with a broad smile and<br />
kind demeanour.<br />
A terrifically assured feature<br />
debut. PETER BRADSHAW’S FILM<br />
OF THE WEEK, THE GUARDIAN<br />
Print source New Wave <strong>Film</strong>s