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Cambridge Film Festival 2019 Brochure

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Contents<br />

Stop Press 4<br />

Opening & Closing <strong>Film</strong>s 5<br />

Special Events 6<br />

International <strong>Festival</strong> Highlights 8<br />

Preview Heaven 10<br />

Longing & Belonging 12<br />

Human Rights 14<br />

World Documentaries 16<br />

Focus on Greek & Cypriot Cinema 19<br />

Camera Catalonia 20<br />

Timetable, venues, and tickets 22<br />

Restorations & Rediscoveries 24<br />

microcinema 28<br />

<strong>Cambridge</strong> African <strong>Film</strong> <strong>Festival</strong> 30<br />

Focus on Latin America 33<br />

Environmental Art Documentaries 33<br />

<strong>Cambridge</strong> Family <strong>Film</strong> <strong>Festival</strong> 34<br />

ShortFusion 38<br />

ShortReel 41<br />

Supporters 42<br />

Index of fi lms and events 43<br />

STOP PRESS<br />

Please look out for Late Additions to the programme<br />

- see the festival website for updates.<br />

Reel Women celebrates the work of female fi lmmakers. Look out for their<br />

logo to see which fi lms in the programme have women directors.<br />

THE ADDAMS<br />

FAMILY CFF PG<br />

USA, <strong>2019</strong>, 107 mins.<br />

DIRECTORS Greg Tiernan & Conrad<br />

WITH<br />

SAT<br />

10.00 THU<br />

13.30<br />

WED<br />

20.30 Thu<br />

13.00<br />

WED<br />

20.30 WED<br />

20.45<br />

FRI<br />

13.30<br />

19 LIGHT 24 APH<br />

23 LIGHT 23<br />

APH<br />

LIGHT<br />

Vernon<br />

Oscar Isaac, Charlize<br />

Theron, Chloe Grace<br />

Moretz, Finn Wolfhard<br />

Get ready to click your fi ngers!<br />

The Addams Family is back on the<br />

big screen in the fi rst animated<br />

comedy about the kookiest family<br />

on the block. Funny, outlandish,<br />

and completely iconic, the Addams<br />

Family redefines what it means to be<br />

a good neighbour.<br />

Print Source Universal<br />

Pictures International<br />

23 APH 24<br />

Light<br />

Atlantics CFF 15<br />

Atlantique<br />

France/Senegal/Belgium, <strong>2019</strong>,<br />

107 mins.<br />

French/Wolof with English subtitles.<br />

DIRECTOR<br />

WITH<br />

Mati Diop<br />

Mama Sané, Amadou<br />

Mbow, Ibrahima Traoré<br />

Ada, 17, is in love with Souleiman,<br />

a young construction worker. But<br />

she has been promised to another<br />

man. Harnessing fantasy and social<br />

relevancy in this haunting tale of<br />

love, fi lmmaker Mati Diop made<br />

history, earlier this year, when<br />

Atlantics became the fi rst fi lm made<br />

by a woman of African descent to<br />

screen at Cannes.<br />

Print Source Netflix<br />

4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2019</strong> Contents & Stop Press<br />

THE LIGHTHOUSE<br />

CFF 15<br />

USA/Canada, <strong>2019</strong>, 110 mins<br />

DIRECTOR<br />

WITH<br />

Robert Eggers<br />

Willem Dafoe, Robert<br />

Pattinson, Valeriia<br />

Karaman<br />

The hypnotic and hallucinatory tale<br />

of two lighthouse keepers on a remote<br />

and mysterious island in the 1890s.<br />

In gripping performances thick<br />

with fl avourful period dialect and jolts<br />

of ever-intensifying insanity soaked in<br />

rum, Willem Dafoe and Robert<br />

Pattinson play the seasoned keeper<br />

and his new junior mate, stuck in<br />

isolation on a craggy Maine island for<br />

a four-week posting that stretches on<br />

and on as the elements grow more<br />

hostile. HOLLYWOOD REPORTER<br />

Print Source Universal<br />

Pictures International<br />

18<br />

THE CHAMBERMAID<br />

15<br />

Mexico, <strong>2019</strong>, 102 mins.<br />

Spanish with English subtitles.<br />

DIRECTOR<br />

WITH<br />

Lila Aviles<br />

Gabriela Cartol, Teresa<br />

Sánchez<br />

Lila Avillés’ impressive debut looks<br />

at the working environment of a<br />

chambermaid in one of Mexico<br />

City’s most luxurious hotels.<br />

With a spare script and nuanced<br />

direction, Gabriela Carol’s breakout<br />

performance brings charisma and<br />

warmth to Eve, a conscientious<br />

maid with a broad smile and<br />

kind demeanour.<br />

A terrifically assured feature<br />

debut. PETER BRADSHAW’S FILM<br />

OF THE WEEK, THE GUARDIAN<br />

Print source New Wave <strong>Film</strong>s

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