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yournetsolution

BIENNALE INTERNAZIONALE

DELL’ANTIQUARIATO DI FIRENZE


Guido Marussig

(Trieste 1885 - Gorizia 1972)

The Sowing

Oil on canvas, 260 x 300 cm

1920’s

Signed bottom right: ‘Guido / Marussig’

Provenance

Lecco, Private Collection

800/900 ARTSTUDIO

Via Roma 63-67

57126 Livorno

Tel. +39 0586 815 200

Via del Battistero 22/24

55100 Lucca

post@800artstudio.com

www.800artstudio.com

800 900 ART STUDIO


Oscar Ghiglia

(Livorno 1876 - Florence 1945)

Self-portrait

Oil on cardboard, 19 x 15 cm

1900-1902

On the reverse, a stamp from

La Stanzina gallery of the F.lli Tassi

Provenance

Florence, Galleria La Stanzina

Novara, Private Collection

800/900 ARTSTUDIO

Via Roma 63-67

57126 Livorno

Tel. +39 0586 815 200

Via del Battistero 22/24

55100 Lucca

post@800artstudio.com

www.800artstudio.com

800 900 ART STUDIO


Giovanni Boldini

(Ferrara 1842 - Paris 1931)

Woman with a Hat

Verso: Nude Woman Seated

Watercolour on Paper, 49 x 35.5 cm

circa 1905

Signed lower left: “Boldini”

Verso

AL FINE ART ANTONACCI LAPICCIRELLA

Via Margutta 54

00187 Roma

Tel. +39 06 4543 3036

info@alfineart.com

www.alfineart.com

AL FINE ART ANTONACCI LAPICCIRELLA


Alessandro Magnasco

(Genoa 1667 – 1749)

Calefactorium (Friars Warming Themselves)

Oil on canvas. 93 × 72 cm

circa 1725

Provenance

Milan, Cavenaghi Collection

Venice, Italico Brass Collection (1870-1943)

Florence, Private Collection

Bibliography

Geiger 1949, p. 146; Morassi in Genoa 1949, p. 37, n. 45, fig. 50;

Nicco Fasola 1950, p. 233; Roli 1964, pl. X; Franchini Guelfi 1977,

p. 193, pls. XXI-XXIII; Muti-De Sarno Prignano 1994, p. 261, n. 356,

fig. 350 (with preceding bibliography) Proni 2014, p. 103, n. 8.

Exhibitions

Mostra della pittura italiana del Sei e Settecento, Florence, Palazzo

Pitti, 1922, Rome-Milan-Florence 1922.

Il Settecento italiano Venice, Palazzo delle Biennali ai Giardini

Pubblici, 18 July - 10 October 1929, Venice 1929.

L’Art italien, Paris, Petit Palais, 1935.

Da Caravaggio a Tiepolo: pittura italiana del XVII e XVIII secolo,

São Paolo, Brazil, September-October 1954 / Rome 1954.

AL FINE ART ANTONACCI LAPICCIRELLA

Via Margutta 54

00187 Roma

Tel. +39 06 4543 3036

info@alfineart.com

www.alfineart.com

AL FINE ART ANTONACCI LAPICCIRELLA


Benedetto da Rovezzano

(Canapale 1474 - Vallombrosa 1554)

Saint John the Baptist

Terracotta with the original wooden

base, 74 x 44 x 31 cm

Provenance

Collection of Cardinal Giulio Rospigliosi (Pope Clemente IX,

1667-1669), 1899

Florence, Stefano Bardini Collection, 1900-02

Bibliography

W. Bode, Ein Florentiner Thonbildner vom Anfang der

Hochrenaissance, in “Zeitschrift fűr bildende Kunst”, pp.1-4; 1902.

W. Bode, Florentiner Bildhauer der Renaissance, pp.312-316 fig.

139.

Christie’s, Sale of the Bardini Collection, London 27 May 1902, lot

55 p. 91.

Christie’s Catalogue, London 27 May 1902, lot 554 p. 88.

L. Planiscig, Toscnische Plastiken des Quattrocento in “Jahrbuch

der Kunsthistorischen Sammlungen in Wien” p. 83 fig. 85.

F. Schottműller, Die Bildwerke in Stein, Holz, Ton und Wachs.

Zweite Auflage, vol. I. p.146

H. R. Weihrauch, Studien zum bildnerischen Werke des Jacopo

Sansovino, p. 20.

ALTOMANI & SONS

ALTOMANI & SONS

Via Borgospesso 12/14

20121 Milano

Tel. +39 02 201033

Via Baviera 18/20

61100 Pesaro

mail@altomani.com

www.altomani.com


Berto di Giovanni

(Perugia, 1497 - 1525)

Madonna and Child, Saints Francis and Clare

Tempera on panel, 44 x 37 cm

Bibliography

Todini, La Pittura Umbra, Longanesi 1989, Second Volume,

p. 583, pl. 1350.

ALTOMANI & SONS

Via Borgospesso 12/14

20121 Milano

Tel. +39 02 201033

Via Baviera 18/20

61100 Pesaro

mail@altomani.com

www.altomani.com

ALTOMANI & SONS


Plinio Nomellini

(Livorno, 1866 - Florence, 1943)

Lost in Meditation

Oil and pastel on canvas, 69.5 x 151.5 cm

Signed bottom right: Nomellini

Bibliography

Gli arredi Spicciani. Tradizione lucchese e istanze internazionali nella

produzione del mobile artistico toscano tra Ottocento e Novecento,

A. Belluomini, G. Borella, Florence 2006, p. 118-119

Exhibition

Esposizione Internazionale dell’Industria e del Lavoro, Turin 1911.

PAOLO ANTONACCI

Via Alibert 16a

00187 Roma

Tel. +39 06 326 516 79

info@paoloantonacci.com

www.paoloantonacci.com

PAOLO ANTONACCI


Italian School, Roman

(Second quarter of the XIX century)

Crater vase with double loops ending in volutes

Carrara white marble, 85 x 63 cm

As a prototype for its general lines, our crater uses a piece from

the Imperial Era, now preserved in the atrium of the Baths of

Diocletian, in the Roman Museo Nazionale. Another prototype

approached by the crater are the vases preserved in the

courtyard and staircase of Palazzo Mattei.

Provenance

Rome, Noble Palace

PAOLO ANTONACCI

Via Alibert 16a

00187 Roma

Tel. +39 06 326 516 79

info@paoloantonacci.com

www.paoloantonacci.com

PAOLO ANTONACCI


Luigi Sabatelli

(Florence 1772 – Milan 1850)

Portrait of a Lady

Blood and pencil on paper, 310 x 240 mm

1806

Signed bottom right: “Luigi Sabatelli fece 1806”

W. APOLLONI S.r.l.

Via Margutta 53B

00187 Roma

Tel. +39 06 3600 2216

marcofabioapolloni@gmail.com

wapolloni@tiscali.it

W. APOLLONI S.r.l.


Luigi Sabatelli

(Florence 1772 – Milan 1850)

Fight between Horses and Riders, ?

Indian ink on paper, 320 x 225 mm

Signed bottom left on the passepartout: “Luigi Sabatelli”

W. APOLLONI S.r.l.

Via Margutta 53B

00187 Roma

Tel. +39 06 3600 2216

marcofabioapolloni@gmail.com

wapolloni@tiscali.it

W. APOLLONI S.r.l.


Giovanni Della Robbia

(Florence 1469 – 1529)

Peace, Pietà

Glazed Terracotta, circa 6.5x 11.5 x1.8 cm

circa 1520

A nineteenth century inscription on the reverse

referencing Luca Della Robbia. The small plaque

represents “an altarpiece of smaller dimensions”

Provenance

Private Collection

Bibliography

G. Gentilini, Study by A.Bellandi in I Della Robbia-Il dialogo

tra le arti nel Rinascimento, 2009, p. 258 and 353.

GIOVANNI ASIOLI MARTINI ANTIQUARIO

Via Emilia 3

40026 Imola (Bologna)

Tel. +39 335 817 94 36

asiolimg@libero.it

GIOVANNI ASIOLI MARTINI ANTIQUARIO


M.NICOLA.LUXUTUSU (alias Nicola Lo Sciuto)

(Sciacca active from 1471)

Albarello

Maiolica, circa 29.8 cm

between 1471 and 1500

Signed M(aestro).NICOLA.LUXUTUSU between two crosses.

Decorated with “Gothic leaves”.

Provenance

Art Market

Bibliography

A. Ragona,1998, pp.40-43

A. Governale, 1999, pp. 139-140

G. Larinà, 2001, pp.114-115

GIOVANNI ASIOLI MARTINI ANTIQUARIO

Via Emilia 3

40026 Imola (Bologna)

Tel. +39 335 817 94 36

asiolimg@libero.it

GIOVANNI ASIOLI MARTINI ANTIQUARIO


Siena

Reliquary of Saint George (?)

Painted and gilded wood, 54 x 31.5 x 18.5 cm

1420/1440

BACARELLI ANTICHITÀ

Via dei Fossi 45r

50123 Firenze

Tel. +39 055 215 457

bacarelli@bacarelli.com

www.bacarelli.com

BACARELLI ANTICHITÀ


Andrea Fantoni

(Rovetta 1653 – 1734)

Flight into Egypt

Terracotta, 60 x 9 x 98 cm

1690/1700

BACARELLI ANTICHITÀ

Via dei Fossi 45r

50123 Firenze

Tel. +39 055 215 457

bacarelli@bacarelli.com

www.bacarelli.com

BACARELLI ANTICHITÀ


Tuscan, based on a design by G.B. Foggini

(Florence 1652 – 1725)

Console

Gilded and Finely Sculpted, 99 x 124 x 60 cm

Period of Louis XIV

Bibliography

I mobili di Palazzo Pitti, il periodo dei Medici ed. E. Colle,

Allemandi Editore, p. 28

GIORGIO BARATTI ANTIQUARIO

Via Bigli 11

20121 Milano

Tel. +39 02 367 064 46

giorgio.baratti@libero.it

www.giorgiobaratti.it

GIORGIO BARATTI ANTIQUARIO


Leonardo del Tasso

(Florence 1465 – 1500)

Bust of the Redeemer

Painted Terracotta, 53 x 54 x 31 cm

Bibliography

Expertise written by Prof. Giancarlo Gentilini published in

Leonardo del Tasso, scultore fiorentino del Rinascimento, A.

Bellandi ed. Mizen Fine Art Edizioni, Paris 2016, pp. 142, 143,

250.

GIORGIO BARATTI ANTIQUARIO

Via Bigli 11

20121 Milano

Tel. +39 02 367 064 46

giorgio.baratti@libero.it

www.giorgiobaratti.it

GIORGIO BARATTI ANTIQUARIO


Charles Henri Joseph Cordier

(Cambrai 1827 - Algeri 1905)

Pair of Gilded Bronze Candelabras with porcelain flowers

supported by two African figures with bases in green porphyry

and gilded bronze

33 x 18 cm, height: 70 cm, 70

XIX century

Signed under the garment of one of the two figures

GUIDO BARTOLOZZI ANTICHITÀ

Via Maggio 11

50125 Firenze

Tel. +39 055 215 602

info@guidobartolozzi.com

www.guidobartolozzi.com

GUIDO BARTOLOZZI ANTICHITÀ


France XIX century

Pair of gilded bronze rhinoceros

with red porphyry obelisks on the back.

Bases in green porphyry and gilded bronze

33 x 18 cm, height: 70 cm, 70

XIX century

Signed on the stomach

GUIDO BARTOLOZZI ANTICHITÀ

Via Maggio 11

50125 Firenze

Tel. +39 055 215 602

info@guidobartolozzi.com

www.guidobartolozzi.com

GUIDO BARTOLOZZI ANTICHITÀ


Antonio Mancini

(Rome 1852 – 1930)

Portrait of a Child>>

Oil on canvas, 57 x 41.5 cm

circa 1875

Signed lower left: ‘Antonio Mancini’

On reverse, above, on the frame, the writing “Mancini /

acheté à Rome / en 1887 / vente de la C.tesse Mirafiori

amie de / Victor / Emmanuel / II”; Label from Galleria d’Arte

Edmondo Sacerdoti Milan.

Provenance

Rome, Rosa Vercellana, Countess of Mirafiori (until 1887)

Milan, Remo Malinverni

Lugo di Vicenza, Malinverni Heirs

Varese, Longoni Collection

Lecco, Private Collection

BOTTEGANTICA

Via Manzoni 45

20121 Milano

Tel. +39 02 626 954 89

Via D’Azeglio 96/a

40123 Bologna

Tel. +39 051 331 338

info@bottegantica.com

www.bottegantica.com

BOTTEGANTICA


Felice Casorati

(Novara 1883 - Turin 1963)

Portrait of his sister, Elvira

Oil on panel, 90 x 60 cm

1934

Signed bottom right: ‘F. Casorati’

BOTTEGANTICA

Via Manzoni 45

20121 Milano

Tel. +39 02 626 954 89

Via D’Azeglio 96/a

40123 Bologna

Tel. +39 051 331 338

info@bottegantica.com

www.bottegantica.com

BOTTEGANTICA


Giovanni Barbagelata

(documented in Liguria from 1484 to 1508)

Madonna and Child with a Nun

Tempera on panel, 130 x 63 cm

Provenance

Lazzaroni Collection as by Piero Della Francesca

8 photographs on the Zeri Foundation website

BOTTICELLI ANTICHITÀ

Via Maggio 29

50125 Firenze

Tel. +39 055 230 20 95

bruno@botticelliantichita.com;

eleonora@botticelliantichita.com

www.botticelliantichita.com

BOTTICELLI ANTICHITÀ


Attributed to Ercole Ferrata

(Pelsotto, Como 1610 - Rome 1686)

Saint Carlo Borromeo

Carrara Marble, 62 cm excluding the pedestal / 84 cm with the

pedestal

This bust is directly related to a small bust in terracotta found

on the fireplace in the house of the restorer-sculptor, Antonio

Fontana (Rome 1641-1700) and attributed to Ferrata by Bianca

Di Gioia.

A small silver model of the Saint Carlo bust attributed to Algardi,

now in the Daniels Collection in New York, is also attributed

to Ferrata by Di Gioia.

BOTTICELLI ANTICHITÀ

Via Maggio 29

50125 Firenze

Tel. +39 055 230 20 95

bruno@botticelliantichita.com;

eleonora@botticelliantichita.com

www.botticelliantichita.com

BOTTICELLI ANTICHITÀ


Naples

Console

First half of XVIII century

Drawer and desk in Walnut and Rosewoods, coeval marble

lastronated in Spanish Broactelle, 105 x 53 x 89 cm

MAURIZIO BRANDI ANTIQUARIO

Via D. Morelli 9

80121 Napoli

Tel. +39 081 764 3882

Via Bisignano 24

80121 Napoli

mauriziobrandi@live.com

www.antiquarinapoletani.it/brandi

MAURIZIO BRANDI ANTIQUARIO


Giovanni Battista Langetti

(Genoa 1635 - Venice 1670)

Archimedes

Oil on canvas, 92.5 x 72.5 cm

MAURIZIO BRANDI ANTIQUARIO

Via D. Morelli 9

80121 Napoli

Tel. +39 081 764 3882

Via Bisignano 24

80121 Napoli

mauriziobrandi@live.com

www.antiquarinapoletani.it/brandi

MAURIZIO BRANDI ANTIQUARIO


Ulisse Cantaglli

(Florence 1839 – 1901)

Plate

Polichrome maiolica, diameter: 28.5 cm

circa 1880

CALLISTO FINE ARTS

17 Georgian House, 10 Bury Street

SW1Y 6AA London

Tel. +44 207 839 7037

info@callistoart.com

www.callistoart.com

CALLISTO FINE ARTS


Carlo Marcellini

(Florence 1643 – 1713)

Triumph of Bacchus and Ariadne

Painted gesso, 81 x 106 cm

XVIII century

An important rediscovery of a work by a protagonist of

Florentine figurative sculpture of the eighteenth century,

creator of the Nymphaeum in Palazzo Corsini.

Bibliography

S. Bellesi, “Una nuova proposta attributiva per una terracotta

conservata nelle raccolte della Manifattura delle Porcellane di

Doccia”, in Bollettino degli Amici di Doccia, n. 11, 2018, pp. 24-31

CALLISTO FINE ARTS

17 Georgian House, 10 Bury Street

SW1Y 6AA London

Tel. +44 207 839 7037

info@callistoart.com

www.callistoart.com

CALLISTO FINE ARTS


Filippo Tagliolini

(Fogliano di Cascia 1745 - Naples 1809)

The Chariot of the Sun

Biscuit Ware from the Real Fabbrica of Naples,

base 40 x 50 x 60 cm

before 1790

Provenance

Private Collection

Bibliography

Essay by Prof.Alvar Gonzàlez-Palacios entitled “Un capolavoro

di Filippo Tagliolini” Minieri Riccio, p.54

A. Carola Perrotti,”La Porcellana della Real Fabbrica

Ferdinanda” 1978

A. Carola Perrotti,”Le Porcellane dei Borbone a Napoli” 1986

A. Gonzàlez-Palacios,”Lo Scultore Filippo Tagliolini e le

Pocellane a Napoli” 1998

ROBERTO CAMPOBASSO

Via Carlo Poerio 17

80121 Napoli

Tel. +39 081 764 0770

roberto.campobasso@alice.it

www.robertocampobasso.com

ROBERTO CAMPOBASSO


Pierre Jacques Volaire, il Cavalier

(Toulon 1729 - Naples 1799)

Eruption of Vesuvius in 1771

Oil on canvas, 101.5 x 153 cm

After 1771

Signed: ‘Le Chever. Volaire f.’

Provenance

Rome, Private Collection

Bibliography

A. Gonzàlez-Palacios, Notarelle su Volaire 2001

E. Beck Saiello, Le Chevalier Volaire,un peintre français à Naples

au XVIIIe siècle Paris 2001

Alla scoperta del Vesuvio catalogo mostra, Napoli e Ercolano

2006, p.142

E. Beck Saiello, Pierre.Jacques Volaire 1729-1799,dit Le Chevalier

Volaire, Parigi 2010, p.112

Esposizione

Alla Scoperta del Vesuvio Museo Diego Aragona Pignatelli Cortes,

Napoli 2006

ROBERTO CAMPOBASSO

ROBERTO CAMPOBASSO

Via Carlo Poerio 17

80121 Napoli

Tel. +39 081 764 0770

roberto.campobasso@alice.it

www.robertocampobasso.com


Bartolomeo Passerotti

(Bologna 1528 – 1592)

Portrait of a Man with a Sword

Oil on canvas, 104 x 90.5 cm

XVI century

Signed “Ritratto di Passarotti Bolognese da lui stesso” on the

reverse

Bibliography

A. Ghirardi (ed.), Bartolomeo Passerotti pittore, Rimini, 1990, pp.

23, 255 – 257, pl. XXIII, fig. 81

F. Caroli (ed.), L’anima e il volto. Ritratto e fisiognomica da

Leonardo a Bacon, Milan, Electa, 1998, exhibition catalogue,

Palazzo Reale, Milano, 30 October 1998 – 14 March 1999, p. 134

Tiziano e il ritratto di corte da Raffaello ai Carracci, Naples, Electa,

2006, exhibition catalogue, Museo Capodimonte, Naples, 25

March – 4 June 2006, pp. 296 – 297

D. Benati (ed.), L’anima della Pittura. Dipinti Emiliani dal XVI al XIX

secolo, Bologna, 2010, pp. 34 – 36

Exhibitions

Palazzo Reale, Milan, 1998 - 1999

Museo Capodimonte, Naples, 2006

CANTORE GALLERIA ANTIQUARIA

CANTORE GALLERIA ANTIQUARIA

Via Farini 14

41121 Modena

Tel. +39 059 225 400

info@galleriacantore.it

www.galleriacantore.it


Carlo Portelli

(Loro Ciuffenna, Arezzo,1539 - Florence 1574)

Nativity

Oil on panel, 60 x 38 cm

XVI century

CANTORE GALLERIA ANTIQUARIA

Via Farini 14

41121 Modena

Tel. +39 059 225 400

info@galleriacantore.it

www.galleriacantore.it

CANTORE GALLERIA ANTIQUARIA


Jan van Kessel the Elder

(Antwerp 1626 – 1679)

Study of Insects and Borage Flowers

Oil on copper, 10.4 x 16.2 cm

circa 1660

Provenance

Private Collection

Bibliography

Expertise K. Ertz. Published: Brueghel. Capolavori dell’Arte

Fiamminga nr. VI. 13.

Exhibition

“Brueghel. Capolavori dell’Arte Fiamminga”, Reggia di Venaria,

21/02/2016-19/01/2017

CARETTO & OCCHINEGRO

Via A. Massena 87

10128 Torino

Tel. +39 338 871 2326

info@carettoeocchinegro.com

www.carettoeocchinegro.com

CARETTO & OCCHINEGRO


Adriaen van Ostade

(Haarlem 1610 – 1684)

The Village School

Oil on panel, 40.7 x 52 cm

XVII century

Signed and dated 1636. The picture was a part of the famous

Goudtsikker Collection. Furthermore, all of the collections are

documented from 1914

Provenance

Private Collection, from 1997 until today.

Bibliography

W. Bernt, Die Niederlandische Maler des 17 Jahrhunderts, 1979

CARETTO & OCCHINEGRO

Via A. Massena 87

10128 Torino

Tel. +39 338 871 2326

info@carettoeocchinegro.com

www.carettoeocchinegro.com

CARETTO & OCCHINEGRO


Star Kazak

Caucasus

Star Kazak

Wool, 220x170 cm

First half XIX century

Provenance

Turin, Private Collection

Bibliography

John Eskenazi, Il Tappeto Orientale, Torino 1987, pag 179

E. Heinrich Kirchheim, Orient Star A Carpet Collection, pp. 35-37

ITINERARI3, Il mondo dei kayak, mohtashem tappeti antichi rari

pregiati, milano 2004 , pubblicato a pag 10 tav.II

MIRCO CATTAI FINE ART &

ANTIQUE RUGS

Via Manzoni 12

20121 Milano

Tel.+39 02 760 089 59

info@mircocattai.com

www.mircocattai.com

MIRCO CATTAI FINE ART &


Oushak with Medallion

Oushak Tintoretto

Wool, 176 x 110 cm

XVI century

Provenance

Genoa, Barbieri Collection

Bibliography

Viale Ferrero, M., Arazzi and Tappeti Antichi, Turin 1952, no. 50,

pp.238-9, fig 164b

Alberto Boralevi, L’Ushak Castellani Stroganoff. Firenze

1987, pl. 9, pp 30-31 - As with many classical rugs, dating is

underpinned by their representation in European paintings:

the earliest depiction of the small-medallion type is in ‘The

Calling of St. Matthew’ dated 1519, by Girolama da Santacroce-

Bassano.

MIRCO CATTAI FINE ART &

ANTIQUE RUGS

Via Manzoni 12

20121 Milano

Tel.+39 02 760 089 59

info@mircocattai.com

www.mircocattai.com

MIRCO CATTAI FINE ART & ANTIQUE RUGS


Gian Giacomo e Guglielmo della Porta

(Porlezza, circa 1515 – Rome 1577)

Pair of Angel Candlesticks

Marble, 35.5 x 20 x 46 cm

circa 1532 - 1537

ALESSANDRO CESATI

Via San Giovanni sul Muro 3

20121 Milano

Tel. +39 02 864 609 28

acesati@tiscali.it

www.cesatiecesati.com

ALESSANDRO CESATI


Fiandre – Tournai

The Birth of the Prince of Peace

Wool and silk, 3.22 x 2.38 m

First quarter of the XVI century

A very similar tapestry apparently from a parallel series is today

conserved in the Denver Art Museum.

For similar examples see:

H. Goebel, Wandteppiche, vol i, part ii, Leipzig 1923, Von

Klinkhardt & Biermann editori

LUCIANO COEN ARAZZI E TAPPETI ANTICHI

LUCIANO COEN ARAZZI E TAPPETI

ANTICHI

Via Margutta 63 e 65

00187 Roma

Tel. +39 06 320 7604

lcoen@tin.it

www.lucianocoen.com


Western Anatolia

Ushak of the Type called Lotto

Wool order Z2S ivory, weave red wool 2 lines for each row of

knots, wool fleece, 1.53 x 1.05 m

First half of XVII century

Universally called ‘Lotto’, this type of rug takes its name from

Lorenzo Lotto (1480 -1556) who made them at least twice: in

the “alms of Saint Anthony” dated 1542, now in the Church of

Saints John and Paul in Venice, and in the “family group” dated

1547, now in the National Gallery, London.

Provenance

Rome, Private Collection

For similar rugs, see:

Stefano Ionescu, Antichi Tappeti Ottomani in Transilvania,

Rome 2005

Diamand & Mailey, Oriental Rugs in the Metropolitan Museum,

New York 1973

Gyula Vegh & Karol Layer, Turkish Rugs in Transylvania, new

edition edited by Marino and Clara Dall’Oglio, The Crosby

Press, 1977

LUCIANO COEN ARAZZI E TAPPETI ANTICHI

LUCIANO COEN ARAZZI E TAPPETI

ANTICHI

Via Margutta 63 e 65

00187 Roma

Tel. +39 06 320 7604

lcoen@tin.it

www.lucianocoen.com


Mirko Basaldella

(Udine 1910 – Cambridge, Massachusetts 1969)

Bozzetto per uno dei cancelli delle Fosse Ardeatine

Pencil and charcoal on paper on canvas, 181 x 291 cm

1949

Provenance

Raphael Zariski inheritance (n. DB044)

Bibliography

C. Maltese, Mirko. Cancelli delle Fosse Ardeatine, 1968

Exhibitions

P.A. Marini, Un ponte sull’infinito, Pontedera 1997

G. Appella, F. D’Amico, M. Goldin, I Basaldella Dino Mirko Afro,

Villa Manin 2010

COPETTI ANTIQUARI

Via P. Sarpi 25

33100 Udine

Tel. +39 0432 502 784

info@copettiantiquari.com

www.copettiantiquari.com

COPETTI ANTIQUARI


Mirko Basaldella

(Udine 1910 – Cambridge, Massachusetts 1969)

Stele Seconda

Bronze, height: 252 cm

1957

Bibliography

E. Crispolti, La scultura di Mirko, Bora editore, Bologna 1974

G. Carandente, Sculture nella città: Spoleto 1962, Spoleto 2007

Exhibitions

XXX Biennale internazionale d’arte a Venezia

V festival dei due mondi, 1962

Solo exhibition at Bund Art Gallery, 1964

Solo Exhibition at the Cordova Museum, 1967

Quattro rassegne sull’opera di Mirko, 1974

La scultura di Mirko in rapporto all’architettura, 1975

120 giorni di scultura a Trieste, 1976

Solo Exhibition at the Galleria Civica d’Arte Moderna Arte in

Italia dal 1960 al 1977, Turin 1977

La Fondazione Mirko per Firenze, 1979

Dino, Mirko, Afro Basaldella, Udine 1987

COPETTI ANTIQUARI

COPETTI ANTIQUARI

Via P. Sarpi 25

33100 Udine

Tel. +39 0432 502 784

info@copettiantiquari.com

www.copettiantiquari.com


Roman School

Bust of a Female Saint

Fresco, 22 x 33 cm

First half of the VIII century

A very rare staccato fresco portraying the bust of a saint

surrounded by a clypeus with an ochre and black background.

She is wearing a rich golden Dalmatian embellished with

maniakion. The representation corresponds to the typical

female aristocratic physiognomy deriving from the prototypes

of Byzantine ancestry of the seventh century. It comes from a

pictorial workshop cycle around Rome in the early Middle Ages.

Provenance

Rome, private collection

Note: work declared to be of cultural interest pursuant to Art. 10

of Legislative Decree 42/2004.

ALBERTO DI CASTRO

Piazza di Spagna 5

00187 Roma

Tel. +39 06 679 2269

info@dicastro.com

www.dicastro.com

ALBERTO DI CASTRO


Created in Prague

River Landscape

Pietre dure, 25.5 x 36.5 cm;

with a marble cornice, 36.5 x 47.5 cm

circa 1600

ALBERTO DI CASTRO

Piazza di Spagna 5

00187 Roma

Tel. +39 06 679 2269

info@dicastro.com

www.dicastro.com

ALBERTO DI CASTRO


Antonio Porcelli

(Ascoli Piceno, Marche; active in Rome during the second

half of the XVII century)

Owl, red woodpecker, blue tit and nightingale on

plum branches

Tempera on octangonal parchment, 300 x 400 mm

1657

Signed bottom left: “Antonius Porcellius Asculanus faciebat

1657”

Mouse, Lizard, and birds on strawberry tree branches

Tempera on octangonal parchment 300 x 400 mm

1657

Signed in the bottom left corner: “Antonius / Porcellius /

Asculanus / f. 1657”

Provenance:

Rome, private collection

ALESSANDRA DI CASTRO

Piazza di Spagna 3-4

00187 Roma

Tel. +39 06 699 231 27

info@alessandradicastro.com

www.alessandradicastro.com

ALESSANDRA DI CASTRO


Pair of Nightstands by Andrea Mimmi

(active in Rome in the second half of the XVIII century)

With gilded bronze finishes

by Luigi Valadier (Rome 1726 – 1785)

Various woods, height: 122 cm, (with riser) x 72 x 41 cm

circa 1765-1770

ALESSANDRA DI CASTRO

Piazza di Spagna 3-4

00187 Roma

Tel. +39 06 699 231 27

info@alessandradicastro.com

www.alessandradicastro.com

ALESSANDRA DI CASTRO


Giovanni Antonio Canal, Il Canaletto

(Venice 1697 – 1768)

The Redentore, Venice

Oil on canvas, unlined, 47.4 x 77.3 cm

circa 1746

Provenance

(Probably) acquired in London in 1850 or 1852 from an agent

acting on behalf of Henri d’Orléans,

Duc d’Aumale (1822 – 1897)

and by descent until (probably) the mid-20th century

London, Anonymous sale; Christie’s, London, 13 December

1996, lot 81

London, Simon C. Dickinson, Ltd., London

United Kingdom, Private Collection, acquired from the above

in September 1997

Bibliography

J.G. Links, A Supplement to W.G. Constable’s Canaletto: Giovanni

Antonio Canal 1697 – 1768, London, 1998, p. 32, no. 318***

(illus. pl. 269, fig. 318***).

C. Beddington (ed.), Canaletto in England: A Venetian Artist

Abroad, 1746 – 1755, exh. cat., New Haven and London, 2006,

pp. 167-69, no. 57 (illus. p. 167).

Exhibitions

New Haven, Yale Center for British Art, Canaletto in England: A

Venetian Artist Abroad, 1746 – 1755, 19 Oct. – 31 Dec. 2006,

no. 57; this exhibition then travelled to London, Dulwich

Picture Gallery, 24 Jan. – 15 April 2007.

DICKINSON

DICKINSON

58 Jermyn Street

SW1Y 6LX Londra

Tel. +44 207 493 0340

london@simondickinson.com; john.swarbrooke@simondickinson.

com; emma@simondickinson.com

www.simondickinson.com


Kees Van Dongen

(Rotterdam 1877 – Monte Carlo 1968)

Plumes blanches

Oil on canvas, 100 x 80 cm

1911

Signed lower left Van Dongen; inscribed on recto Plumes

blanches No 2 A

Provenance

Paris, Private Collection, after 1911

And by descent to the present owner

Paris, Private Collection, after 2001

Bibliography

N.H. Wolf, ‘Sint-Lucas Tentoonstelling 1911. Stedelijk Museum

Amsterdam’, in De Kunst, no. 171, 6 May 1911, p. 5.

Exhibition

Amsterdam, Stedelijk Museum, Jaarlijksche tentoonstelling van

kunstwerken der Vereeniging St. Lucas, 30 April – 11 June 1911,

no. 123.

DICKINSON

DICKINSON

58 Jermyn Street

SW1Y 6LX Londra

Tel. +44 207 493 0340

london@simondickinson.com; john.swarbrooke@simondickinson.

com; emma@simondickinson.com

www.simondickinson.com


Paolo Guidotti, the Cavalier Borghese

(Lucca circa 1569 (?) – Rome 1629)

Self Portrait

Oil on canvas, contemporary frame, carved, walnut and gold,

58 x 47 cm

Provenance

L’Aquila, Marchese Persichetti Ugolini

Milan, Private Collection

Bibliography

L. Grassi, Bernini Pittore, Rome 1945, pp. 28-29, fig. 36 (as

Bernini)

V. Martinelli, “Le Pitture del Bernini in Commentari”, in

Commentari, I, 1950, p. 104 (under “attribuzioni errate a

Bernini”, as “Baglione?”)

L. Grassi, “Di un ritratto inedito e ancora del Bernini Pittore”, in

Bollettino di storia dell’arte, Salerno 1951, pp. 102 and 106 (as

Bernini)

R. Salvini, Lineamenti di Storia dell’Arte, Florence 1954, vol. III, p.

283, fig. 316 (as Bernini)

V. Martinelli, “L’Amor divino’ tutto ignudo ‘di Giovanni Baglione

e la cronologia dell’intermezzo caravaggesco,” in Arte antica e

moderna, n. 5, 1959, p. 93 (as last self-portrait of Baglione)

MIRIAM DI PENTA FINE ARTS

Via di Monserrato 34

00186 Roma

Tel. +39 388 849 6554

info@mdpfinearts.com; miriam@mdpfinearts.com

www.mdpfinearts.com

MIRIAM DI PENTA FINE ARTS


I. Faldi, “Il Cavalier Bernini, il Cavalier Baglione e il Cavalier

Guidotti Borghese”, in Arte antica e moderna, n. 14, 1961, pp.

297-99 (as Paolo Guidotti)

L. Grassi et al., Gian Lorenzo Bernini, Rome 1962, pp. 181-82 (as

Guidotti)

L. Salerno, “Bernini Pittore”, in Kindlers Malerei Lexikon, vol. I (A-

C), Zurich 1964, p. 331 (as Bernini)

F. Petrucci, “L’opera pittorica di Gian Lorenzo Bernini”, in

Bernini a Montecitorio, Rome 2001, p. 90 (as not by Bernini, but

Guidotti)

F. Petrucci, Bernini Pittore: dal disegno al maraviglioso composto,

Rome 2006, p. 404, cat. no. 16, reproduced (as Guidotti)

M. Nicolaci, “Aggiornamenti e nuove proposte per Paolo

Borghese Guidotti tra Roma e Lucca”, in Artisti e committenti

lucchesi del seicento a Roma, Milan 2018, pp. 32-47, particularly

p. 38.

Reference bibliography: M. Nicolaci, “La Gerusalemme distrutta

di Paolo Guidotti Borghese pittore e poeta lucchese”, Rome

2017, pp. 181-193

MIRIAM DI PENTA FINE ARTS

Via di Monserrato 34

00186 Roma

Tel. +39 388 849 6554

info@mdpfinearts.com; miriam@mdpfinearts.com

www.mdpfinearts.com

MIRIAM DI PENTA FINE ARTS


Spain

Reliquary Cross

Gold, enamel, rock crystal, 10 x 7.5 cm, 85.01 g

circa 1620

DEBORAH ELVIRA

Plaza de la Iglesia 2

12594 Oropesa del Mar (Castellon)

Tel. +34 96 4313 450

Cel. +34 629 647 279

info@deborahelvira.com

www.deborahelvira.com

DEBORAH ELVIRA


Anonymous

Spain

Alamaro (chest jewelery)

Gold, enamel, emeralds (one added) pearl, 7.5 x 8.5

cm; 36.96 g

XVII century

Provenance

The Netherlands, Private Collection

Exhibition

Must-sees - Jewellery in the Arts/Must haves, Schmuckmuseum

Pforzheim, 21 May – 10 September 2017

DEBORAH ELVIRA

Plaza de la Iglesia 2

12594 Oropesa del Mar (Castellon)

Tel. +34 96 4313 450

Cel. +34 629 647 279

info@deborahelvira.com

www.deborahelvira.com

DEBORAH ELVIRA


Giovanni Boldini

(Ferrara 1842 – Paris 1931)

A Young Woman Playing the Guitar

Oil on panel, 12.6 x 11.7 cm

XIX century

Signed lower left

Bibliography

E. Camesasca, L’opera completa di Boldini, Milan, 1970,n.19f,

p.91

B. Doria, Giovanni Boldini. Catalogo generale dagli archivi

Boldini, Milan, 2000, n.55

P. Dini, F. Dini, Giovanni Boldini. Catalogo Ragionato, Vol. III,

Turin, 2002, pp.114-115, n.190.

ENRICO GALLERIE D’ARTE

Via Senato 45

20121 Milano

Tel. +39 02 8723 5752

Via Garibaldi 11

16124 Genova

Tel. +39 010 247 0150

enricogallerie@iol.it; angelo@enricogallerie.com

www.enricogallerie.com

ENRICO GALLERIE D’ARTE


Giovanni Boldini

(Ferrara, 1842 – Paris, 1931)

Spring (In the Countryside)

Oil on panel, 67 x 54.4 cm

1872

Signed and dated on lower right

Bibliography

C.L. Ragghianti, E. Camesasca 1970 n. 22B p. 92; E. Piceni,

Boldini 1981 pl. 10; A.-P. Quinsac 1983 pp. 125-126 pl. 49; P.

Dini 1984 p. 66 ill p 108; P. Dini 1986 p. 64; F. Dini 1986 p 181; G.

Marcenaro 1987 p. 54 ill; V P. Dini 1989 n. 66 p. 157; T. Panconi

1998 n. 18/B-4, p. 109; P. Dini, F. Dini 2002 p. 160, tav. XXI ; n.

137 p. 87; R. Campana 2005 pp. 132- 133; R. Campana 2006

pp. 90-91; T. Panconi 2008 p. 56; R. Campana 2009 pp. 104; P.

Serafini 2013 p. 44 p. 109 p. 218; S. Bosi 2015 pp. 26 27; F.Dini

F.Mazzocca 2015 p.210-211; R.Campana 2015 p.338

Exhibitions

1983, Kobe I.-Saitama-Hiroshima-Kitakyushu - 1984, Pistoia -

1986, Montecatini T.-Turin - 1987, Genoa - 2005, Padua, Palazzo

Zabarella - 2006, Castiglioncello - 2009-2010, Roma, Chiostro

del Bramante - 2013-2014, Rovigo - Bordeaux - 2015, Forlì

ENRICO GALLERIE D’ARTE

Via Senato 45

20121 Milano

Tel. +39 02 8723 5752

Via Garibaldi 11

16124 Genova

Tel. +39 010 247 0150

enricogallerie@iol.it; angelo@enricogallerie.com

www.enricogallerie.com

ENRICO GALLERIE D’ARTE


Milanese

An Italian Renaissance Hand and a Half Sword

Overall length 114.3 cm / Blade length 89.5 cm

circa 1490-1500

Surviving early Renaissance swords of a quality comparable

to ours are few in number and invariably associated with persons

of great wealth and rank. Among the most celebrated

of them is a splendid sword in the Rüstkammer, Staatliche

Kunstsammlung Dresden (no. hm.a36), identified in early inventories

of the Saxon Electoral Armoury as that of Graf Leonhard

von Görz (1440–1500).

Dr John Hayward, in his assessment of our sword, observed

that although having affinities with that of Leonhard von

Görz at Dresden, it excels it in richness and is the equal of the

wedding sword of the future Holy Roman Emperor Maximilian

I. It is tantalising, given its opulence, to speculate upon

the identity of its original and obviously wealthy owner.

PETER FINER

38-39 Duke Street – St. James’s

SW1Y 6DF Londra

Tel. +44 207 839 5666

gallery@peterfiner.com; red@peterfiner.com

www.peterfiner.com

PETER FINER


Michele Lorenzoni

(Florence, 1684 – 1737)

An Italian Breech-Loading Repeating Flintlock Gun

Overall length: 150.5 cm / Barrel length: 83 cm

circa 1700

Marked with the ownership monograms of Ferdinando III

de’Medici, Grand Prince of Tuscany (1663–1713)

Little is known of the life of Michele Lorenzoni, which is

strange in the face of his significant accomplishments in the

development of repeating firearms, the extraordinarily high

standard to which they were finished and the distinction of his

court patronage. He worked in Florence from the early 1680s

until late in the 1730s and counted the Princes Medici, among

others, as his patrons.

Provenance

France, Château de Gourdon

PETER FINER

38-39 Duke Street – St. James’s

SW1Y 6DF Londra

Tel. +44 207 839 5666

gallery@peterfiner.com; red@peterfiner.com

www.peterfiner.com

PETER FINER


Francesco Albani

(Bologna 1578 – 1660)

Madonna and Child

Oil on canvas, 116 x 90 cm

circa 1610

Inscription: “Hannibal Caracci”, in ancient handwriting on the

back of the canvas

Provenance

France, Private Collection

Exhibition

Maastricht, The European Fine Art Fair, 2019

FONDANTICO di Tiziana Sassoli

Via de’ Pepoli 6/e

40125 Bologna

Tel. +39 051 265 980

info@fondantico.it

www.fondantico.it

FONDANTICO di Tiziana Sassoli


Gaetano Gandolfi

(San Matteo della Decima, Bologna 1734 - Bologna 1802)

Venus Binds Love

Oil on canvas, 34.5 x 44.5 cm

1770-1772

Preparatory sketch for the ceiling fresco of Casa Gini in Bologna

Exhibition

Maastricht, The European Fine Art Fair, 2019

FONDANTICO di Tiziana Sassoli

Via de’ Pepoli 6/e

40125 Bologna

Tel. +39 051 265 980

info@fondantico.it

www.fondantico.it

FONDANTICO di Tiziana Sassoli


Agnolo di Donnino del Mazziere

(Florence 1466 - 1513)

Allegory of Peace

Panel, 82 x 168.5 cm.

circa 1490

Exhibition

Virtù d’Amore. Pittura nuziale del quattrocento fiorentino,

Galleria dell’Accademia e Museo Horne, 8 June – 1 November

2010

Notificata work by the Soprintendenza per i Beni Artistici e

Storici of Florence

ENRICO FRASCIONE

Via dei Fossi 61/r

50123 Firenze

Tel. +39 055 294 087

enricofrascioneantiquario@gmail.com

ENRICO FRASCIONE


Giovan Pietro da Cemmo

(documented in Lombardy from 1474 to 1507)

Martyrdom of Saint Bartholomew

Parchment, 18 x 19 cm

ENRICO FRASCIONE

Via dei Fossi 61/r

50123 Firenze

Tel. +39 055 294 087

enricofrascioneantiquario@gmail.com

ENRICO FRASCIONE


Urbano da Cortona

(Cortona circa 1425 – Siena 1504)

Coat of Arms of Pio II Piccolomini

Marble, 49.5 x 32.5 x 6 cm

1458-1464

Provenance

Italy, Private Collection

FRASCIONE ARTE

Via Maggio 5/7

50125 Firenze

Tel. +39 055 239 9205

info@frascionearte.com

www.frascionearte.com

FRASCIONE ARTE


Piero di Cosimo

(Florence 1462 – 1522)

Madonna and Child with Young Saint John the Baptist

Oil on panel, 62 x 47 cm

circa 1505

Provenance

Italy, Private Collection

Bibliography

A. Forlani Tempesti - E. Capretti, “Piero di Cosimo: un’opera

ritrovata. I: Il disegno sotto la pittura e gli altri disegni di Piero,

II: Il dipinto” in Arte Cristiana, XC, 808, 2002, pp. 17-29.

D. Geronimus, Piero di Cosimo. Visions Beautiful and Strange,

Yale University Press 2006, p. 285 n. 5.

D. Geronimus, essay 43 exhibition catalogue, Piero di Cosimo

1462-1522. Pittore eccentrico fra Rinascimento e Maniera,

Florence, 2015 pp. 298-299,

A. Delpriori, essay 6 exhibition catalgoue Mestres do

Rinascimiento. Obras-Primas, |CITTÀ, ANNO, pp. 52-53.

Exhibitions

Mestres do Rinascimiento. Obras-Primas Italianas, São Paulo,

Centro Cultural Banco September 2013), Brasilia, Centro

Cultural Banco do Brasil (12 October 2013-5 January 2014).

Piero di Cosimo 1462-1522. Pittore eccentrico fra Rinascimento e

Maniera, Florence, Galleria degli Uffizi, 23 June-27 December

2015.

Notificata according to D. Lgs. 42/2004 with the D.D.R. dated

25/07/2012

FRASCIONE ARTE

FRASCIONE ARTE

Via Maggio 5/7

50125 Firenze

Tel. +39 055 239 9205

info@frascionearte.com

www.frascionearte.com


Gian Francesco Bembo

(Cremona, circa 1480 – after 1543)

Portrait of a Lady with a Dog

Oil on wood panel, 48.6 × 35.5 cm

Provenance

In 1669 the painting entered the collection of the Earl of

Pembroke and Montgomery, at Wilton House, Salisbury

(according to the 1731 catalogue of the collection, it was a

gift, with seven other pictures, from Cosimo III de’ Medici,

Grand Duke of Florence [1642-1723] when he stayed at Wilton

House in 1669); their family sale [The Earl of Pembroke and

Montgomery and the Lord Herbert], Christie’s, London, 22 June

1951, lot 16 (as “Correggio”); private collection; in 1955 the

painting was exhibited in the Paul Larsen Gallery, London (see

Apollo, June 1955); private collection; Bonhams sale, London, 5

July 2017, lot 17 (p. 22, as “Brescian school, 16th Century”).

Bibliography

Carlo Gambarini, A Description of the Earl of Pembroke’s Pictures,

Westminster, 1731, p. 91

Nevile R. Wilkinson, Wilton House Pictures […], 2 vols., London,

1907, I, p. 9, no. 32

Mina Gregori, “Altobello e G. Francesco Bembo”, Paragone, 93,

September 1957, p. 34, fig. 24

Marco Tanzi, “Il crepuscolo degli eccentrici a Cremona”,

Prospettiva, 134-135, 2009, pp. 25, 48, note 5

GALERIE CANESSO

26 rue Laffitte

75009 Paris

Tel. + 33 1 4022 6171

contact@canesso.com

www.canesso.art

Galleria Canesso Lugano

Piazza Riforma 2

6900 Lugano

Tel. +41 091 682 8980

info@galleriacanesso.ch

www.galleriacanesso.ch

GALERIE CANESSO


Guido Reni

(Calvenzano 1575 – Bologna 1642)

Saint Jerome

Oil on canvas, 65.1 x 50 cm

Provenance

London, Christie’s sale, 8 December 2005, lot 45 (as Guido

Reni); private collection.

Bibliography

Véronique Damian, Reni, Vermiglio et Cairo, trois figures

caravagesques. Tableaux italiens du xvie au xviiie siècle, Paris,

Galerie Canesso, 2012, pp. 18-23

Francesca Candi, D’après le guide. Incisioni seicentesche da Guido

Reni, Bologna, 2016, p. 252

Elisabeth Cropper – Lorenzo Pericolo (eds), Malvasia’s Felsina

pittrice, vol. IX: Life of Guido Reni, London

Engraving

By Jean Couvay (Arles, 1622 – Paris, c. 1675 or 1680), published

by François Langlois, called Ciartres (1589-1647) as Guido Reni

(see Cesare Malvasia, Felsina pittrice. Vite de’ pittori bolognesi,

Bologna, 1678, 2nd ed., 1841, I, p. 97, “stampe di Guido Reni”:

“La testa del S. Girolamo, che col sasso nella sinistra si percuote

il petto, sotto: S. HIEROMMUS”).

GALERIE CANESSO

26 rue Laffitte

75009 Paris

Tel. + 33 1 4022 6171

contact@canesso.com

www.canesso.art

Galleria Canesso Lugano

Piazza Riforma 2

6900 Lugano

Tel. +41 091 682 8980

info@galleriacanesso.ch

www.galleriacanesso.ch

GALERIE CANESSO


Francesco Bertos

(Venice 1678 – 1741)

Allegory of a River

Marble, 32.5 x 58 x 24 cm

circa 1700

GALERIE SISMANN OLD MASTER SCULPTURE

33 Quai Voltaire

75007 Parigi

Tel. +33 614 751 869

gabysismann@aol.com; mathieusismann@aol.com

www.galerie-sismann.com

GALERIE SISMANN OLD MASTER SCULPTURE


Attributed to Antonello Gagini

(Palermo 1478 – 1536)

Virgin and Child

Marble with traces of polychromy and gilt,

77 cm

circa 1500

GALERIE SISMANN OLD MASTER SCULPTURE

33 Quai Voltaire

75007 Parigi

Tel. +33 614 751 869

gabysismann@aol.com; mathieusismann@aol.com

www.galerie-sismann.com

GALERIE SISMANN OLD MASTER SCULPTURE


Giulio Aristide Sartorio

(Rome 1860 – 1932)

Morning at the Seaside

Oil on canvas, 91 x 202 cm

1929

Signed and dated bottom left ‘G. A. Sartorio Fregene MCMXXIX’

Provenance

New York, Private Collection

Bibliography

La Galleria Pesaro – Personal exhibition of the painter Giulio

Aristide SARTORIO, Milan 1929, n. 60

G. A. Sartorio. Exhibition of oone hundred paintings, watercolours,

drawings, Milan 1969, n.5.

Exhibition

Galleria Pesaro, 1929

GALLERIA BERARDI

Corso Rinascimento 9

00186 Roma

Tel. +39 06 976 061 27

galleria.berardi@gmail.com

www.maestrionline.it

GALLERIA BERARDI


Francesco Paolo Michetti

(Tocco di Casauria 1851 - Francavilla al Mare 1929)

Aligi

Pastel on paper, 70 x 50 cm

1893

Provenance

De Feo Collection

Bibliography

Ojetti 1910; Sillani 1914; Marangoni 1922; Sillani 1932; Sillani

1934; Lanceri 1938; Rosina 1955; Mammucari 1989; Di Tizio

2007; General Catalogue 2018.

GALLERIA BERARDI

Corso Rinascimento 9

00186 Roma

Tel. +39 06 976 061 27

galleria.berardi@gmail.com

www.maestrionline.it

GALLERIA BERARDI


Daniel Buren

(b. Boulogne-Billancourt 1938)

Peinture et collage sur papier

Situated work; acrylic, graphite, burlap and red paper stuck

on cardboard, 64.6 x 50 cm

April 1964

GALLERIA CONTINUA

Via del Castello 11

53037 San Gimignano

Tel. +39 0577 943 134

valentinas@galleriacontinua.com;

sangimignano@galleriacontinua.com

Dashanzi Art District 798#8503, 2

Jiuxianqiao Road, Chaoyang Dst.

100015 Beijing

Tel. +86 105 978 9505

beijing@galleriacontinua.com

46 Rue de la Ferté Gaucher

77169 Boissy-le-Chatel

Tel. +33 164 203 950

lemoulin@galleriacontinua.com

Rayo 108 entre la Zanja y Dragones

Barrio Chino, Centro Habana

Tel. +53 586 92 922; +53 555 165 07

habana@galleriacontinua.com

www.galleriacontinua.com

GALLERIA CONTINUA


Michelangelo Pistoletto

(b. Biella 1933)

L’alto in basso, il basso in alto

Chair, wood, mirror, iron wire, height: circa 350 cm

1977

GALLERIA CONTINUA

Via del Castello 11

53037 San Gimignano

Tel. +39 0577 943 134

valentinas@galleriacontinua.com;

sangimignano@galleriacontinua.com

Dashanzi Art District 798#8503, 2

Jiuxianqiao Road, Chaoyang Dst.

100015 Beijing

Tel. +86 105 978 9505

beijing@galleriacontinua.com

46 Rue de la Ferté Gaucher

77169 Boissy-le-Chatel

Tel. +33 164 203 950

lemoulin@galleriacontinua.com

Rayo 108 entre la Zanja y Dragones

Barrio Chino, Centro Habana

Tel. +53 586 92 922; +53 555 165 07

habana@galleriacontinua.com

www.galleriacontinua.com

GALLERIA CONTINUA


Pietro Baratta

(Massa 1668 - Carrara 1729)

Holy Family

Terracotta, 51.5 x 26 cm

GALLERIA GOMIERO

Via R. Pilo 11

20129 Milano

Tel. +39 02 205 202 50

info@galleriagomiero.com; diegogomiero@alice.it

GALLERIA GOMIERO


Attilio Selva

(Trieste 1888 – Rome 1970)

Signora Carena

Bronze and cipollino marble, 45 x 34 x 52 cm

1920

GALLERIA GOMIERO

Via R. Pilo 11

20129 Milano

Tel. +39 02 205 202 50

info@galleriagomiero.com; diegogomiero@alice.it

GALLERIA GOMIERO


Pelagio Palagi

(Bologna 1775 - Turin 1860)

Venus, Teacher of Love

Oil on canvas, Tondo diameter 70 cm, with a gilded and

carved frame 98 x 98 cm

First half of the XIX century

Signed on the strip of the quiver

GALLERIA MARLETTA

Piazza S. Felice, 10r

50125 Firenze

Tel. +39 055 294 592

info@alessandromarletta.com; am@alessandromarletta.com

www.alessandromarletta.com

GALLERIA MARLETTA


Giorgio Kienerk

(Florence 1869 – Fauglia 1948)

Vanity

Bronze, height: 78.5 cm

Signed, dated, and titled on base

GALLERIA MARLETTA

Piazza S. Felice, 10r

50125 Firenze

Tel. +39 055 294 592

info@alessandromarletta.com; am@alessandromarletta.com

www.alessandromarletta.com

GALLERIA MARLETTA


Gilberto Zorio

(b. Andomo Micca, 1944)

Africa Star

Terracotta on leather, 160 x 296 cm

1983

Provenance

Florence, Galleria Poggiali

GALLERIA POGGIALI

Via della Scala 35a

Via Benedetta 3r

50123 Firenze

Tel. +39 055 287 748

Foro Buonaparte 52

20121 Milano

Tel. 39 02 7209 5815

Via Garibaldi 8

Via Marconi 50

55045 Pietrasanta

Tel. +39 334 923 6625

info@galleriapoggiali.com

wwwgalleriapoggiali.com

GALLERIA POGGIALI


Gilberto Zorio

(b. Andomo Micca, 1944)

Volcano to Purify Words

Leather, terracotta, javelin, wax, steel, and alcohol,

180 x 383 x 55 cm

1983

GALLERIA POGGIALI

Via della Scala 35a

Via Benedetta 3r

50123 Firenze

Tel. +39 055 287 748

Foro Buonaparte 52

20121 Milano

Tel. 39 02 7209 5815

Via Garibaldi 8

Via Marconi 50

55045 Pietrasanta

Tel. +39 334 923 6625

info@galleriapoggiali.com

wwwgalleriapoggiali.com

GALLERIA POGGIALI


Adolfo Wildt

(Milan 1868 – 1931)

Mater purissima

High relief in white marble (wooden base), 30 x 33 cm

1918

Signed on the side A. Wildt

Bibliography

Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus, 25

March-17 June 1990, Darmstadt, Mathildenhöhe, exhibition

catalogue, ed. P. Mola, Darmstadt 1990, pp. 74-75, ripr.

Exhibition

Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus,

Darmstadt, Mathildenhöhe, 25 March-17 June 1990

GALLERIA RUSSO

Via Alibert 20

00187 Roma

Tel. +39 06 678 9949

fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it

www.galleriarusso.it

GALLERIA RUSSO


Gino Severini

(Cortona 1883 – Paris 1966)

Self-Portrait

350 x 300 cm

1905

Signed and dated lower left: Severini MCMV

Bibliography

“Avanti della Domenica”, n. 12, 24-05-1906

G. Severini, Tutta la vita di un pittore. I. Roma-Parigi, Milano 1946.

Aspetti dell’arte a Roma, dal 1870 al 1914, exhibition catalogue,

ed. A.M. Damigella et alii, Rome, Palazzo Barberini, De Luca

Editore, Rome 1972, pp. XLIII-LXIII

M. Fagiolo dell’Arco, “Guida all’opera di Gino Severini”, in

Catalogo d’Arte Moderna Italiana Bolaffi, n. 17, Giorgio

Mondadori e Associati, Turin 1981, pp. 449-464, p. 450.

F. Meloni, Gino Severini, tutta l’opera grafica, Libreria Prandi,

Reggio Emilia, 1982, p. 148.

Gino Severini, prima e dopo l’opera. Documenti, opere e immagini,

exhibition catalogue, ed. M. Fagiolo dell’Arco, Cortona, Palazzo

Casali, 12 November 1983 - 22 January 1984, Electa Editrice,

Milan 1983, pp. 15, 142.

D. Fonti, Gino Severini. Catalogo ragionato, Arnoldo Mondadori

Editore, Milan 1988, p. 80, n. 29

GALLERIA RUSSO

Via Alibert 20

00187 Roma

Tel. +39 06 678 9949

fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it

www.galleriarusso.it

GALLERIA RUSSO


Divisionismo Romano, exhibition catalogue, ed. L. Stefanelli

Torossi, Rome, Galleria Arco Farnese, 20 January-31 March 1989,

De luca Edizioni d’Arte, Rome 1989

Gino Severini 1883-1966, exhibition catalogue ed. G. Belli, D.

Fonti, Parigi, Musée de l’Orangerie, 27 April-25 July 2011 and

Rovereto, 17 September 2011-8 January 2012, Silvana Editoriale,

Milan 2011, p. 104.

P. Bolpagni, L’arte nell’”Avanti della Domenica” 1903-1907, Edizioni

Gabriele Mazzotta, Milan 2008, pp. 176, 21

Exhibitions

Gino Severini, prima e dopo l’opera. Documenti, opere e immagini,

Cortona, Palazzo Casali, 12 November 1983 - 22 January 1984

Mostra dei Rifiutati, Ridotto del Teatro Costanzi, Rome, 1905

Divisionismo Romano, Rome, Galleria Arco Farnese, 20

January-31 March 1989

Il volto e l’anima, Rome, Galleria Arco Farnese, 22 May-30 June

1996

Gino Severini 1883-1966, Paris, Musée de l’Orangerie, 27 April-25

July 2011 and Rovereto, 17 September 2011-8 January 2012

GALLERIA RUSSO

Via Alibert 20

00187 Roma

Tel. +39 06 678 9949

fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it

www.galleriarusso.it

GALLERIA RUSSO


Giuseppe Bernardino Bison

(Palmanova del Friuli 1762 – Milan 1844)

River Landscape with a Knight, Ruins and Architecture

Tempera on paper, 43 x 58 cm

GALLERIA SILVA

Via Borgospesso 12

20121 Milano

Tel. +39 02 784 060

galleriasilva@tiscali.it

www.galleriasilva.com

GALLERIA SILVA


Giuseppe Bernardino Bison

(Palmanova del Friuli 1762 – Milan 1844)

Landscape with Ruins, Architecture, and Wayfarers

Tempera on paper, 43 x 58 cm

GALLERIA SILVA

Via Borgospesso 12

20121 Milano

Tel. +39 02 784 060

galleriasilva@tiscali.it

www.galleriasilva.com

GALLERIA SILVA


Carlo Albacini

(Fabriano 1734 (?) – Rome 1813)

Bust of Virgil

Marble, height: 50 cm

circa 1790

Inscribed on the front of the base: “VIRGILIUS”

Provenance

Italy, Private Collection

Bibliography

Valeria Rotili, “Carlo Albacini (Fabriano 1734(?)-Rome 1813),

Bust of Virgil”, in Selected Works from 18th to 20th Century,

Rome, Galleria Carlo Virgilio & Co., 2019, pp. 30-35

GALLERIA CARLO VIRGILIO & C.

Via della Lupa 10

00186 Roma

Tel. +39 06 687 1093

info@carlovirgilio.it

www.carlovirgilio.it

GALLERIA CARLO VIRGILIO & C.


Master of the San Fernando Academy

(Active in Rome from 1610-20)

Appearance of the Baby Jesus Saint Anthony of Padua

Oil on canvas, 184 x 147 cm

circa 1615-20

Provenance

Italy, Private Collection

Bibliography

Giuseppe Porzio, “Master of the Academia de San Fernando

(active in Rome between 1610s and 1620s), Apparition of Jesus

Child to St Anthony of Padua”, in Selected Works from 17th to

20th Century, Rome, Galleria Carlo Virgilio & Co., 2018, pp. 6-23

GALLERIA CARLO VIRGILIO & C.

Via della Lupa 10

00186 Roma

Tel. +39 06 687 1093

info@carlovirgilio.it

www.carlovirgilio.it

GALLERIA CARLO VIRGILIO & C.


Giuseppe Maria Crespi

(Bologna 1665-1747)

Spinet Player with Admirers

Oil on canvas, 59 x 47.5 cm

GALLO FINE ART

Via Bigli 21

20121 Milano

Tel. +39 02 359 463 70

info@gallofineart.com; info@gallofineart.it

galloarte@gmail.com; grazgallo@gmail.com

www.galloarte.com; www.gallofineart.it

GALLO FINE ART


Bernardino Campi

(Cremona 1522 – Reggio Emilia 1591)

Portrait of Ippolita Gonzaga

Oil on canvas, 115.6 x 90.2 cm

1553/4

GALLO FINE ART

Via Bigli 21

20121 Milano

Tel. +39 02 359 463 70

info@gallofineart.com; info@gallofineart.it

galloarte@gmail.com; grazgallo@gmail.com

www.galloarte.com; www.gallofineart.it

GALLO FINE ART


Giacinto Gigante

(Naples 1806 – 1876)

“Querce a Sorrento (Casarlano)”

Oil on paper laid on canvas, 38 x 53.7 cm

Provenance

Gigante Heirs

Bibliography

Luisa Martorelli “Ottocento da Canova al quarto Stato” M.V.

Marini Clarelli, C. Sisi and F. Mazzocca eds., Roma Scuderia del

Quirinale 2008, pp. 148 and 149.

MICHELE GARGIULO “ANTIQUARIO”

Via C. Poerio 32

80121 Napoli

Tel. +39 081 764 3854

michelegargiulo5@gmail.com

graziagalanterie@alice.it

MICHELE GARGIULO “ANTIQUARIO”


Teodoro Duclere

(Napoli 1812 – Napoli 1869)

Coppia raffigurante “La chiesa di San Erasmo a Pucara / Maiori” e

l’altro raffigura “L’abitato di Vecite”

Olio su carta intelata

Entrambi cm. 42 x cm. 57

MICHELE GARGIULO “ANTIQUARIO”

Via C. Poerio 32

80121 Napoli

Tel. +39 081 764 3854

michelegargiulo5@gmail.com

graziagalanterie@alice.it

MICHELE GARGIULO “ANTIQUARIO”


Trapani

Pair of Capoletti

Gilded copper, coral, and enamel,

20 x 14 cm

XVII century

DARIO GHIO

25 Boulevard Princesse Charlotte

98000 Monte Carlo

Tel. +377 977 040 18

info@darioghio.com

www.darioghio.com

DARIO GHIO


Workshop of the Tipa Brothers

(Trapani end of XVII century, beginning of XVIII

century)

Cleopatra and Didone

Ivory, Sicilian diaspore, and coral, height: 31 cm

Beginning XVIII century

DARIO GHIO

25 Boulevard Princesse Charlotte

98000 Monte Carlo

Tel. +377 977 040 18

info@darioghio.com

www.darioghio.com

DARIO GHIO


François-Xavier Fabre

(Montpellier 1766 – 1837)

Portrait of Louise of Stolberg-Gedern, Countess of

Albany

Oil on canvas, 32.5 x 26 cm

1800

Provenance

London, Private Collection

GIACOMETTI OLD MASTER PAINTINGS

Vico Santa Teresella degli Spagnoli 27

80132 Napoli

Tel. +39 320 372 0492

info@giacomettiomp.com; umbertogiacometti@gmail.com

www.giacomettiomp.com

GIACOMETTI OLD MASTER PAINTINGS


François-Xavier Fabre

(Montpellier 1766 – 1837)

Portrait of Vittorio Alfieri

Oil on canvas, 32.5 x 26 cm

1800

Initials and dated bottom left: “F.X.F. / 1800.”

Provenance

London, Private Collection

GIACOMETTI OLD MASTER PAINTINGS

Vico Santa Teresella degli Spagnoli 27

80132 Napoli

Tel. +39 320 372 0492

info@giacomettiomp.com; umbertogiacometti@gmail.com

www.giacomettiomp.com

GIACOMETTI OLD MASTER PAINTINGS


Monogrammist I.S.

(Active 1632 – 1658)

Portrait of a Woman

Oil on canvas laid on panel, 34 x 27 cm

Provenance

Madrid, Private Collection

London, Sotheby’s, 8 December 2010, Old Master & British

Paintings. Evening Sale, lot 5

London, Private Collection

Bibliography

Arthur Wheelock, “Making Faces: The Development of the

Tronie in Seventeenth-Century Leiden” in Anonymous Portraits:

Dutch Seventeenth-Century Tronies, New York, 2019, fig. 25.

Reference Bibliography:

Theodor Von Frimmel, “Von Monogrammisten IS” in Blatten für

Gemäldekunde, 1904, pp. 132-133. Werner Sumowski, Gemälde

der Rembrandt-Schüler, vol. IV, Landau-Pfalz, 1983, p. 2548 ff.

Exhibition

On loan to the National Gallery, London, 2011-2018.

NICHOLAS HALL

17 East 76 th Street

NY 10021 New York

Tel. +1 212 772 9100

info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@

nicholashjhall.com

www.nicholashjhall.com

NICHOLAS HALL


Dirck van Baburen

(Utrecht 1592/93 – 1624)

The Philosopher

Oil on canvas, 95.5 x 105 cm

circa 1618 – 1619

Provenance

Rome, Possibly Pietro Cussida Collection

Rome, Possibly by inheritance to Gianfrancesco Cussida, 1622.

Possibly to Laura Cussida, Rome, described in 1624, in a list of

paintings she was to inherit from her deceased father, Gianfrancesco

Cussida, as ‘un quadro con ritratto di un filosofo con cornice indorata’.

Upon Laura Cussida’s marriage, in 1641, to Mario Massimo, the

picture possibly passed to her guardian, Nicolò Gavotti, Rome, until

his death in 1674.

Possibly by inheritance to Carlo Gavotti Collection, Rome, 1674-

1702.

Possibly passed down to the heirs of Carlo Gavotti thereafter, said

to have descended from a noble Tuscan family, at least from the

early nineteenth century.

Pandolfini Florence, 15 October 2013, lot 48, as by a seventeenthcentury

Dutch follower of Caravaggio.

Bibligraphy

Gert Jan van der Sman, Caravaggio and the Painters of the North,

Madrid, Museo Thyssen-Bornemisza, 2016, exh. cat., reproduced

pp. 36-37, fig.17.

Wayne Franits, “A New Painting by Dirck van Baburen,” in The Primacy

of the Image in Northern European Art 1400-1700: Essays in Honor of

Larry Silver, 2017, pp. 436-473, reproduced, fig. 34.1.

NICHOLAS HALL

NICHOLAS HALL

17 East 76 th Street

NY 10021 New York

Tel. +1 212 772 9100

info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@

nicholashjhall.com

www.nicholashjhall.com


Venetian School

Pair of Sculptures depicting Moors Holding Cornucopia

resting on bases in the shape of a natural rock

Carved wood, gilded and decorated in polychromy,

height: 170 cm

Middle of XVIII century

Bibliography

For similar examples, see C.Santini “Le Lacche dei Veneziani”

Modena 1993 pp. 238-239

IOTTI ANTICHITÀ

Via Amendola 55/a

42100 Reggio Emilia

Tel. +39 0522 552 838

siottiantichita@libero.it

IOTTI ANTICHITÀ


Genoese School attributed to the Carver,

Bartolomeo Steccone

Pair of Wall Tables with Flowery Alabaster Tops

Carved and gilded wood. Bands adorned with floral festoons,

double volute legs adorned with grotesque macaroni leaning

against a curl, 115 x 55 x 94 cm

XVIII century

Provenance

Castello di Arenzano GE, Duraźzo Pallavicini Collection

Bibliography

For similar examples: see A.Gonzales -Palacios Il mobile in

Liguria. Genoa 1996 pp.115-117, pp. 152-153.

E.Colle, Il mobile barocco in Italia, Milan 2000.p. 209 and

following.

IOTTI ANTICHITÀ

Via Amendola 55/a

42100 Reggio Emilia

Tel. +39 0522 552 838

siottiantichita@libero.it

IOTTI ANTICHITÀ


Francesco Cairo

(Milan 1607 – 1665)

Portrait of a Scholar

Oil on canvas, 67 x 51 cm

circa 1640

Bibliography

F. Frangi, Francesco Cairo, Turin 1998, cat. n. 47, p. 253, fig. 52.

MATTEO LAMPERTICO Arte Antica e Moderna

Via Montebello 30

20121 Milano

Tel. +39 02 365 865 47

info@matteolampertico.it

www.matteolampertico.it

MATTEO LAMPERTICO Arte Antica e Moderna


Giuseppe Capogrossi

(Roma 1900-1972)

Superficie 423

Olio su tela, cm 100 x 85

1961

Provenienza

Milano, Galleria del Naviglio

Bibliografia

G. Ballo, La linea dell’arte italiana: dal simbolismo alle opere

moltiplicate, Roma 1964, vol. II, n. 343, p. 231

G.C. Argan, Capogrossi, Roma 1967, n. 450, p. 189

L.M. Barbero (a cura di), Capogrossi. Una retrospettiva, catalogo

della mostra, Venezia, Collezione Peggy Guggenheim, 29

settembre 2012 - 10 febbraio 2013, Venezia 2012, illustrato p.

162.

Esposizioni

Venezia, XXXI Biennale Internazionale d’Arte, 1962, n. 15, p. 35;

Baden-Baden, Staatliche Kunsthalle, Capogrossi, 1967, n. 33

Ginevra, Galerie George Moos, Capogrossi, 1970.

MATTEO LAMPERTICO Arte Antica e Moderna

Via Montebello 30

20121 Milano

Tel. +39 02 365 865 47

info@matteolampertico.it

www.matteolampertico.it

MATTEO LAMPERTICO Arte Antica e Moderna


Giovanni Paolo Panini

(Piacenza 1691 – Rome 1765)

Capriccio with the Sermon of Saint Peter

Oil on canvas, 98 x 135 cm

Signed bottom left ‘J. P. Panini’

Bibliography

F. Arisi, Gian Paolo Panini e i fasti della Roma del 700, Rome 1986,

184-185.

CESARE LAMPRONTI OLD MASTERS PAINTINGS

44 Duke Street, St. James’s

SW1Y 6DD London

Tel. +44 207 839 2977

info@cesarelampronti.co.uk

www.cesarelampronti.com

Via San Giacomo 22

00187 Roma

Tel. +39 06 322 7194

info@cesarelampronti.it

www.cesarelampronti.it

CESARE LAMPRONTI OLD MASTERS PAINTINGS


Bernardo Bellotto

(Venice 1722 – Warsaw 1780)

Capriccio with a bridge along a river, a tower, and a villa

Oil on canvas, 50.2 x 72 cm

circa 1750

Published by Luigi Salerno as a signed worked by Bernardo

Bellotto, this painting is inspired by the version in the Thyssen

Museum in Madrid.

Provenance

London, Chaucer Fine Art

Bibliography

L. Salerno, I pittori di vedute in Italia (1580-1830), Rome, 1991, p.

214, pl. 62.6

CESARE LAMPRONTI OLD MASTERS PAINTINGS

44 Duke Street, St. James’s

SW1Y 6DD London

Tel. +44 207 839 2977

info@cesarelampronti.co.uk

www.cesarelampronti.com

Via San Giacomo 22

00187 Roma

Tel. +39 06 322 7194

info@cesarelampronti.it

www.cesarelampronti.it

CESARE LAMPRONTI OLD MASTERS PAINTINGS


Tipa Brothers

(Trapani XVIII secolo)

Nativity Scene

Amber, mother of pearl, diaspore, alabaster, 39 x 60 x 40 cm

Provenance

Milan, Private Collection

LEONE

Via S. M. a Cappella Vecchia 49

80121 Napoli

Via D. Morelli 13

80121 Napoli

Tel. e Fax +39 081 764 4244

Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533

info@leoneantiquariato.com; leoneantiquariato@libero.it

www.leoneantiquariato.com

LEONE


Florentine Production of Pietre Dure

(XVI / XVII Century)

Jewelry Box

Ebony, gilded bronze, and pietre dure, 24 x 36 x 21 cm

Beginning of XVII century

Provenance

Naples, Cellammare Palace

LEONE

Via S. M. a Cappella Vecchia 49

80121 Napoli

Via D. Morelli 13

80121 Napoli

Tel. e Fax +39 081 764 4244

Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533

info@leoneantiquariato.com; leoneantiquariato@libero.it

www.leoneantiquariato.com

LEONE


Southern Germany

Madonna and Child

Painted cherry wood with traces of gilding,

49 x 15 x 26 cm

circa 1340 – 1350

Provenance

Italy, Private Collection

LONGARI ARTE MILANO

Corso Monforte 23

20122 Milano

Tel. +39 02 896 978 48

Cell. +39 335 5929 301

info@longariartemilano.com

www.longariartemilano.com

LONGARI ARTE MILANO


Burgundy or Southern Germany

Blessing Christ

Ivory, 11.8 x 6.5 x 4.7 cm

Second half of XV century

Under the sculpture, between its feet, there is a series of

numbers, possible referring to old inventory numbers.

Provenance

Italy, Private Collection

Bibliography

Comparison Bibliography: Sculptures Souabes 2015 -

Sculptures Souabes de la fin du Moyen Âge, exhibition

catalogue edited by D. Berné (Paris, Musée de Cluny, 1

April-27 July 2015), RMN, Paris 2015.

LONGARI ARTE MILANO

Corso Monforte 23

20122 Milano

Tel. +39 02 896 978 48

Cell. +39 335 5929 301

info@longariartemilano.com

www.longariartemilano.com

LONGARI ARTE MILANO


Umberto Brunelleschi

(Montemurlo 1879 – Paris 1949)

Self-portrait holding a Mask

Oil on canvas, 60 x 49 cm

1920

Signed lower right ‘Brunelleschi 1920’

Provenance

Florence, Ugo Ojetti Collection

Florence, Private Collection

Bibliography

Maurizio Fagiolo dell’Arco, Les Italiens de Paris: De Chirico e gli

altri a Parigi nel 1930 Palazzo Martinengo, Brescia, 1998, Skira

Editore, p. 162, photo 28.

LULLO • PAMPOULIDES

33 Cork Street, Mayfair

W1S 3NQ London

Tel. +44 207 494 2551

info@lullopampoulides.com; cs@lullopampoulides.com; mz@

lullopampoulides.com

www.lullopampoulides.com

LULLO • PAMPOULIDES


Giovanni Battista Langetti

(Genoa 1635 – Venice 1676)

Diogenes

Oil on canvas, 102 x 123 cm

LULLO • PAMPOULIDES

33 Cork Street, Mayfair

W1S 3NQ London

Tel. +44 207 494 2551

info@lullopampoulides.com; cs@lullopampoulides.com; mz@

lullopampoulides.com

www.lullopampoulides.com

LULLO • PAMPOULIDES


Flaminio Torre

(Bologna 1620 – Modena 1661)

Nativity

Oil on canvas, diameter: 114 cm

The attribution was confirmed by Prof. Daniele Benati who

considers the work to be a masterpiece of the artist.

ENRICO LUMINA

Via San Tomaso 76-78

24121 Bergamo

Tel.+39 035 230 156

info@enricolumina.com

www.enricolumina.com

ENRICO LUMINA


Lavinia Fontana

(Bologna 1552 – Roma 1614)

Portrait of Gerardo Giavarini

Oil on canvas, 130 x 103 cm

1598

The attribution was confirmed by Dott.essa Maria Teresa

Cantaro and by Dott. Angelo Mazza.

ENRICO LUMINA

Via San Tomaso 76-78

24121 Bergamo

Tel.+39 035 230 156

info@enricolumina.com

www.enricolumina.com

ENRICO LUMINA


Ludovico Gimignani

(Rome 1643 – Zagarolo 1697)

Rinaldo Abandons Armida

Oil on canvas, 70 x 50 cm

Provenance

Germany, Art Market

FABIO MASSIMO MEGNA

Via del Babuino 148/a

00187 Roma

Tel. +39 06 361 3775

contact@galleriamegna.it;

tommaso@galleriamegna.it

www.galleriemegna.it

FABIO MASSIMO MEGNA


Giovanni Lanfranco

(Parma 1582 – Rome 1647)

Madonna and Child with Two Angels

Oil on copper, 21 x 16 cm

circa 1617

Provenance

France, Art Market

FABIO MASSIMO MEGNA

Via del Babuino 148/a

00187 Roma

Tel. +39 06 361 3775

contact@galleriamegna.it;

tommaso@galleriamegna.it

www.galleriemegna.it

FABIO MASSIMO MEGNA


Liberale da Verona

(Verona, circa 1445 - 1527/1529)

Predella with a Baby and Flowers

Oil on panel, 17 x 35.5 cm

circa 1470

Provenance

Germany, Private Collection

MEHRINGER - BENAPPI

Georgenstrasse 24

80799 Monaco

Tel. +49 89 987 431

Cell. +49 171 492 4263

mail@sashamehringer.com

www.sashamehringer.com

27 Dover Street

W1S 4LS Londra

Tel. +44 203 865 2953

Via A. Doria 10

10123 Torino

Tel. +39 011 883 262

london@benappi.com; info@benappi.

com

www.benappi.com

MEHRINGER - BENAPPI


Lorenzo Bartolini

(Savignano di Prato 1777 – Florence 1850)

Idealised Head of Beatrice

(Portrait of Juliette Récamier as Beatrice)

Marble, 47 cm

Signed along the edge on the right side: “L. BARTOLINI”

Provenance

Private Collection

MEHRINGER - BENAPPI

Georgenstrasse 24

80799 Monaco

Tel. +49 89 987 431

Cell. +49 171 492 4263

mail@sashamehringer.com

www.sashamehringer.com

27 Dover Street

W1S 4LS Londra

Tel. +44 203 865 2953

Via A. Doria 10

10123 Torino

Tel. +39 011 883 262

london@benappi.com; info@benappi.

com

www.benappi.com

MEHRINGER - BENAPPI


Gregorio di Lorenzo

(Florence circa 1436 – Forlì circa 1504)

Blessing Christ

Low-relief medallion in pietra serena, diameter 75 cm

1475

Provenance

Florence, Oratory of the Compagnia di Gesù Pellegrino at the

Church of Santa Maria Novella

Florence, Carlo De Carlo Collection

Rome, Giorgio Corsi Collection

Bibliography

U. Middeldorf, “Gesù Pellegrino. A Quattrocento Sculpture

Rediscovered”, in Apollo CVIII, 1978, pp. 382-383

G. Gentilini, I Della Robbia. La scultura invetriata nel

Rinascimento, Firenze 1992, p. 175

L. Pisani, “Per il Maestro delle Madonne di Marmo”, In

Prospettiva, 106-107, 82002), pp. 144-165

A. Bellandi, Gregorio di Lorenzo. Il Maestro delle Madonne di

marmo, Selective Art Ed. 2010, p.407.

SANDRO MORELLI

Via Maggio 59r

50125 Firenze

Tel. +39 055 282 789

sanmorelli@gmail.com

SANDRO MORELLI


Pietro Befulco (attributed to)

(Naples documented from 1471 to 1503)

Saint John the Baptist in Adoration

Tempera on panel, 113 x 77 cm

XV century

Provenance

Private Collection

Bibliography

D. Catalano, M. Ceriana, P. Leone De Castris, M. Ragozzino

(eds.), Rinascimento visto da Sud. Matera, l’Italia meridionale e

il Mediterraneo tra ‘400 e ‘500 exhibition catalogue, Ed. Arte’m,

Napoli, 2019

Exhibition

Rinascimento visto da Sud. Matera, l’Italia meridionale e il

Mediterraneo tra ‘400 e ‘500 - Matera, Palazzo Lanfranchi -

aprile/ settembre 2019

SANDRO MORELLI

Via Maggio 59r

50125 Firenze

Tel. +39 055 282 789

sanmorelli@gmail.com

SANDRO MORELLI


Pietro da Cortona

(Cortona 1596 - Rome 1669)

Portrait of Cardinal Mazzarino

Oil on canvas, 126 x 102 cm

Provenance

Turin, Lazzaroni Collection

This work is Notificata.

MORETTI

Flat 14, 2-10 Ryder Street, St. James’s

SW1Y 6QB London

Tel. +44 207 491 0533

Park Palace – 27 Avenue de la

Costa

98000 Monte Carlo

Tel. +377 999 909 70

Piazza Ottaviani 17r

50123 Firenze

Tel. +39 055 265 4277

enquiries@morettigallery.com

www.morettigallery.com

MORETTI


Gian Domenico Cerrini

(Perugia 1609 - Rome 1681)

Penitent Saint Jerome

Oil on canvas, 97 x 83 cm

1661

The octagonal format reveals a provenance from a Florentine

base of collecting. Cerrini came to Florence after being called

by the Medici for whom he produced many works. The theme

of Saint Jerome was dear to the painter and two painting with

this subject were in the Medici collections. The dating of 1661

corresponds to the painter’s second sojourn in Florence.

Provenance

Florence, Private Collection

MAURIZIO NOBILE

Via Santo Stefano 19/a

40125 Bologna

Tel. +39 051 238 363

bologna@maurizionobile.com

www.maurizionobile.com

34 rue de Penthièvre

75008 Paris

Tel. +33 01 4563 0775

paris@maurizionobile.com

MAURIZIO NOBILE


Giovan Battista Foggini

(Florence 1652 – 1725)

Lot, the angels, and his daughters fleeing Sodoma

Terracotta, 40 x 93.5 cm

1680-1690

Perhaps these terracotta were originally above the doors of

a chapel. A pendant representing The Sacrifice of Noah is

kept at the Royal Ontario Museum in Toronto, and another

terracotta depicting The Drunkeness of Noah was sold

decades ago in New York. The style shows influences of

the artist’s Roman apprenticeship with Ciro Ferri and Ercole

Ferrata.

Provenance

San Gimignano, Massimo Vezzosi

Massimo Foggini (artist’s descendent)

Paris, Christie’s, 16 June 2015, lot 114

Exhibitions

Arte Antica, Arte Antica ‘93

Biennale di Antiquariato, 27 February- 7 March 1993, p. 113

MAURIZIO NOBILE

Via Santo Stefano 19/a

40125 Bologna

Tel. +39 051 238 363

bologna@maurizionobile.com

www.maurizionobile.com

34 rue de Penthièvre

75008 Paris

Tel. +33 01 4563 0775

paris@maurizionobile.com

MAURIZIO NOBILE


Massimiliano Soldani Benzi

(Montevarchi 1656 – 1740)

Bacchus (from the sculpture by Jacopo Sansovino in the

Bargello

Bronze, height 33.4 cm

Provenance

Massimiliano Soldani for the Salviati Dukes

From the Salviati Dukes by inheritance to the Colonna

CARLO ORSI

Via Bagutta 14

20121 Milano

Tel. +39 02 760 022 14

info@galleriaorsi.com

www.galleriaorsi.com

CARLO ORSI


Domenico Beccafumi

(Siena 1486 – 1551)

Holy Family with Young Saint John the Baptist

Oil on panel, 86.2 x 75 cm

Provenance

Siena, Girolamo Bargagli

Siena, Private Collection

Exhibition

Siena, 1904

CARLO ORSI

Via Bagutta 14

20121 Milano

Tel. +39 02 760 022 14

info@galleriaorsi.com

www.galleriaorsi.com

CARLO ORSI


Lorenzo Pasinelli

(Bologna 1629 – 1700)

The Nobility

Oil on canvas, 74 x 62 cm

The very rare subject is described by Cesare Ripa in his

Iconologia under the heading of Nobility: “Women … dressed

honestly in black, will carry two crowns in her hand, one of

gold, the other of silver. For the two crowns, we see the goods

of the coul, and those of the body, with together make it

nobility.”

Provenance

Bologna, Casa Salina

ORSINI arte e libri

Via Cappuccio 18

20123 Milano

Tel. +39 02 897 773 54

info@orsiniartelibri.it

www.orsiniartelibri.it

ORSINI arte e libri


Giuseppe Bezzuoli

(Florence 1784 – 1855)

Self-Portrait with Fur

Oil on canvas, 59 x 49.5 cm

This painting, which belonged to the painter’s heirs, was

exhibited in the famous collection of self-portraits of the Vasari

Corridor of the Uffizi from 1827 – 1839 when Bezzuoli decided

to replace it with the one currently exhibited “closer to his

mature effigy than a famous man”.

Provenance

Parri-Macciò-Bezzuoli Family

Bibliography

M. Missirini, Quadro delle Arti Toscane dalla loro restaurazione

fino ai tempi nostri, Forlì 1837

U. Ojetti, in “Dedalo”, I, vol. 1, 1920, p. 274

Gli Uffizi. Catalogo generale, I, Florence 1979, p. 809, A-101

Labyrinthos, 10, 1986, p. 95 (fig.)

G.L. Mellini, Notti romane, Florence 1992, pp. 283 (fig.), 365.

Exhibition

Romantici e Macchiaioli. Giuseppe Mazzini e la grande pittura

europea. Genova, Palazzo Ducale, 21 ottobre 2005 - 12 febbraio

2006.

ORSINI arte e libri

Via Cappuccio 18

20123 Milano

Tel. +39 02 897 773 54

info@orsiniartelibri.it

www.orsiniartelibri.it

ORSINI arte e libri


Felice Giani

(San Sebastiano Curone 1758 – Rome 1823)

Saint Florian, accompanied by Saint Petronius, intercedes

with the Virgin for the cessation of the plague in the city

of Bologna

Oil on canvas, 36 x 30.5 cm

circa 1790

WALTER PADOVANI

Via Santo Spirito 26/a

20121 Milano

Tel. +39 02 763 189 07

galleria@walterpadovani.it

www.walterpadovani.it

WALTER PADOVANI


Giovanni Bonazza

(Venice 1654 – Padua 1736)

A Reclining Female Figure or Venus

Marble, base in base in “Bleu Turquin” marble and gilded

bronze, 47 x 20 x 23.5 cm

France, beginning of XIX century

WALTER PADOVANI

Via Santo Spirito 26/a

20121 Milano

Tel. +39 02 763 189 07

galleria@walterpadovani.it

www.walterpadovani.it

WALTER PADOVANI


Gaspard Dughet

(Rome 1615 – 1675)

Landscape with Saint John the Baptist

Oil on canvas, 160 x 233 cm

XVII century

Inscribed lower left with 191, corresponding with the 1701

inventory.

This painting was part of a group of 24 large canvases

commissioned by the Marquis of Castel Rodrigo, Spanish

Ambassador to Rome from 1632 to 1641 during the reign of Philip

IV of Spain, to decorate the Buen Retiro Palace. The ambassador

commissioned the most famous landscape painters working in

Rome during the period, firstly Poussin and Lorrain, as well as

Lemaire, Swanevelt Jan Both and Dughet, Poussin’s brother in

law, who executed two paintings: ‘Landscape with Saint John

the Baptist’ and a ‘Landscape with a hermit’, now in the Prado.

Nine of the twenty-four paintings are in the same museum.

Between 1639 and 1641, the Marquis of Castel Rodrigo spent

5900 ducats, as reported by il Baldinucci. The painter of the

figures within Dughet’s two landscapes is yet to be identified.

Provenance

Madrid, King Philip IV, Buen Retiro Palace

Bibliography

F. Baldinucci, Notizie de ‘ Professori del disegno…, Florence 1974,

p. 302, VII; p. 126

A.E. Perez Sanchez, Pittura italiana del siglo XVII en Espana,

Madrid 1965, p. 276

A. PALLESI ART GALLERY

Le Park Palace – 6 Impasse de la Fontaine

98000 Monte Carlo

Tel. +377 977 715 77

info@galleria-pallesi.com

www.galleria-pallesi.com

A. PALLESI ART GALLERY


Carlo Socrate

(Mezzana Bigli 1889 – Rome 1967)

A Small Concert

Oil on canvas, 114 x 137 cm

1920’s

Signed Bottom Right ‘C. Socrate’

Provenance

Private Collection

A. PALLESI ART GALLERY

Le Park Palace – 6 Impasse de la Fontaine

98000 Monte Carlo

Tel. +377 977 715 77

info@galleria-pallesi.com

www.galleria-pallesi.com

A. PALLESI ART GALLERY


Antonio Mancini

(Rome 1852-1930)

Chimney Sweep

Oil on canvas, 63 x 50 cm

Signed right centre: A. Mancini

Bibliography

Galleria D’Arte Fogliato catalogue, Turin 1958, pl. XXXIV, listed at

number 67 with the title “Testa di Fanciullo”

Mario Borgiotti and Paul Nicholls, La Donna e i Bimbi nell’Arte del

nostro ottocento pittorico, Milan 1969, pl. 184

Exhibition

Pittori dell’800 at Galleria d’Arte Fogliato, Turin January 1958

PARRONCHI DIPINTI ‘800-‘900 S.r.l.

Via dei Fossi 18r

50123 Firenze

Tel. +39 055 215 109

turatiarte@tin.it

www.galleriaparronchi.it

PARRONCHI DIPINTI ‘800-‘900 S.r.l.


Armando Spadini

(Florence 1883- 1925)

Florentine Self Portrait

Oil on canvas, 102 x 75 cm

circa 1901-1902

Initialed A.S.

Provenance

Rome, Fiano Collection

Bibliography

La raccolta Fiano, Enrico Somaré, Galleria Pesaro, Milan, 1933

Pl. 65

Magazine “L’Arte” founder A. Venturi, January-August 1956

Pitture e sculture dell’800 Editrice Saletta D’Arte Gonnelli,

Florence, 1958

Leonardo Borghese -Orio Vergani, Spadini nella vita e nelle opere,

Milan, 1946, pl. II

Exhibition

Celebrative Exhibition Armando Spadini, Milan 1945

PARRONCHI DIPINTI ‘800-‘900 S.r.l.

Via dei Fossi 18r

50123 Firenze

Tel. +39 055 215 109

turatiarte@tin.it

www.galleriaparronchi.it

PARRONCHI DIPINTI ‘800-‘900 S.r.l.


Luca Giordano

(Naples 1634 – 1705)

Philosopher

Oil on canvas, 101 x 79.5 cm

PIVA & C.

Via Bigli 7

20121 Milano

Tel. +39 02 760 006 78

Via Meravigli, ingresso da Via San Giovanni sul Muro

20121 Milano

Tel. +39 02 366 326 93

info@pivaec.it

www.pivaec.it

PIVA & C.


Giuseppe Maggiolini

(Parabiago, Milan 1738 – 1814)

Pair of inlaid Cabinets with Marble Tops

Legs in walnut inlaid with bois de rose, rosewood, maple,

maple dyed green, boxwood and other essenses,

83.4 x 60.5 x 33 cm

1787

PIVA & C.

Via Bigli 7

20121 Milano

Tel. +39 02 760 006 78

Via Meravigli, ingresso da Via San Giovanni sul Muro

20121 Milano

Tel. +39 02 366 326 93

info@pivaec.it

www.pivaec.it

PIVA & C.


PORCINI

PORCINI

Piazza Vittoria 6

80121 Napoli

Tel. +39 081 764 3550

info@porcinigallery.com

www.porcinigallery.com


Francesco De Mura

(Naples 1696 – 1782)

Portrait of Raimondo di Sangro Prince of Sansevero

Oil on canvas, 92 x 73 cm

PORCINI

Piazza Vittoria 6

80121 Napoli

Tel. +39 081 764 3550

info@porcinigallery.com

www.porcinigallery.com

PORCINI


Andrea di Michelangelo Ferrucci

(Fiesole 1559 – Florence 1626)

Ring with faces and vegetables inserts

White marble, height: circa 43 cm

Post-1590

GIOVANNI PRATESI ANTIQUARIO

Via Maggio 13

50125 Firenze

Tel. +39 055 239 6568

giovannipratesi@inwind.it

GIOVANNI PRATESI ANTIQUARIO


IL QUADRIFOGLIO

IL QUADRIFOGLIO

Via C. Pisacane 40

20129 Milano

Tel. +39 02 295 180 31

info@gqfineart.com

www.galleriailquadrifoglio.com


Pietro Baratta

(Massa 1668 – Carrara 1729)

Saint Catherine of Alexandria and Saint

Terracotta, heights: 35 cm and 37 cm

Bibliography

A. Bacchi, ‘Pietro Baratta, Santa Caterina d’Alessandria - Figura

di Santa’, in A. Bacchi, ed., A Taste For Sculpture V, London 2018,

pp. 72-83 , n. 11-12.

IL QUADRIFOGLIO

Via C. Pisacane 40

20129 Milano

Tel. +39 02 295 180 31

info@gqfineart.com

www.galleriailquadrifoglio.com

IL QUADRIFOGLIO


Rembrandt Bugatti

(Milan 1884 – Paris 1916)

Vache Meuglant

Lost wax bronze without a foundry stamp, patina in shades of

brown, 35 x 17 x 22 cm

1901

Bronze edition Galleria Grubicy ( 1889-1922). Bellowing cow

(similar to that place at the head of a group of four cows in the

“Return from the Pasture”). Signed on the base BRembrandt

and dated 1901. Number 4. .Weight: 7.6 kg

Provenance

Milan, Private Collection

Bibliography

Jacques-Chalom Des Cordes e Véronique Fromager Des

Cordes, Rembrandt Bugatti, Les Editions de l’Amateur, p 21

ROBERTAEBASTA

Via Fiori Chiari 2

20121 Milano

Tel. +39 02 861 593

info@robertaebasta.com

85 Pimlico Road

SW1W 8PH London

london@robertaebasta.com

www.robertaebasta.com

ROBERTAEBASTA


Raymond Delamarre

(Paris 1890 - 1986)

Les Connaissances Humaines

Gold patinated plaster, 70 x 38 x 125 cm; 61 x 31 x 124 cm; 67 x

36 x 126 cm

France, 1937

Three extraordinary and important sculptures from the artist’s

studio-workshop. Unique pieces preparatory, finished, dated

and signed for the making of the Chaillot large sculptures.

ROBERTAEBASTA

Via Fiori Chiari 2

20121 Milano

Tel. +39 02 861 593

info@robertaebasta.com

85 Pimlico Road

SW1W 8PH London

london@robertaebasta.com

www.robertaebasta.com

ROBERTAEBASTA


Orazio Gentileschi

(Pisa 1563 – London 1639)

Saint Jerome

Oil on canvas, 126.5 x 111.5 cm

ROBILANT+VOENA

38 Dover Street

W1S 4NL London

Tel. +44 207 409 1540

art@robilantvoena.com

Via Fontana 16

20122 Milano

Tel. +39 02 805 6179

Via Serlas 35

7500 St. Moritz

Tel. +41 81 833 3436

info@robilantvoena.com

www.robilantvoena.com

ROBILANT+VOENA


Spinello Aretino

(Arezzo 1350 - 1410)

Saint John

Tempera on panel, 115 x 32 cm

ROBILANT+VOENA

38 Dover Street

W1S 4NL London

Tel. +44 207 409 1540

art@robilantvoena.com

Via Fontana 16

20122 Milano

Tel. +39 02 805 6179

Via Serlas 35

7500 St. Moritz

Tel. +41 81 833 3436

info@robilantvoena.com

www.robilantvoena.com

ROBILANT+VOENA


Giulio Benso

(Pieve di Teco 1592 – 1668)

Stoning of Saint Stephen

Black pencil, pen, brown ink, brush and watercolour ink, white

paper, 210 x 192 mm

On the reverse in back at the bottom: “N 65 Gio. Batta Paggi”

“Collezione Santo Varni”,

Provenance

Genoa, Santo Varni Collectioin

Bologna, Franchi Collection

Bibliography

M. Newcome – S. Bareggi, Artisti a Genova. Disegni dal XVI al

XVIII secolo, exhibition catalogue, Milan 1985, pp. 22-23

P. Boccardo in ... di Bella mano. Disegni antichi dalla collezione

Franchi, exhibition catalogue, Bologna 1997, pp. 76-77, essay

34

V. Frascarolo, Genova Disegnatrice. Considerazioni sugli allievi di

Giovanni Battista e l’Accademia di Giovan Carlo Doria, in Disegno

genovese. Dal Bergamasco all’Accademia di Paggi, ed. D. Sanguineti,

Genoa 2018, pp. 28-30.

ROMANO FINE ART

Borgo Ognissanti 36

50123 Firenze

Tel. +39 055 239 6006

info@romanofineart.com

www.romanofineart.com

ROMANO FINE ART


Taddeo Zuccari

(Sant’Angelo in Vado 1529 – Rome 1566)

Study of a seated nude on an architectoral base, to be use

for a prophet or an evangelist

Blood on ivory wire rod paper, 396 x 265 mm

1553 – 1556

Provenance

England, Private Collection

ROMANO FINE ART

Borgo Ognissanti 36

50123 Firenze

Tel. +39 055 239 6006

info@romanofineart.com

www.romanofineart.com

ROMANO FINE ART


Workshop of Sandro Botticelli

(Florence, 1470 – 1480)

Madonna and Child

Tempera on panel, 60 x 32.8 cm

Provenance

Berlin, Benedict & Co Collection, 1928

Florence, Luigi Grassi Gallery, 1928 – 1937

New York, Sotheby’s 1982

Montefalco, Perugia, Cardone Collection, 1987 (not 1997 as

erroneously written by Zeri)

Lombardy, Private Collection

Bibliography

Fototeca Zeri, sheet number 14503 as School of Botticelli

Written opinion by Mina Gregori, 1985

ROMIGIOLI ANTICHITÀ

Viale Toselli 68

20025 Legnano (Milano)

Cel. +39 348 412 8148

romigioli@romigioli.it

www.romigioli.it

ROMIGIOLI ANTICHITÀ


Ventura di Moro

(Florence 1399 – 1486)

Enthroned Madonna with Six Saints

Tempera on panel, gold ground, 87.7 x 54.4 cm

circa 1430

Provenance

Zurich, Private Collection

SALAMON & C.

Palazzo Cicogna

Via San Damiano 2, primo piano

20122 Milano

Tel. +39 02 760 246 38

info@salamon.it; matteo@salamon.it

www.salamon.it

SALAMON & C.


Cecco Bravo

(Florence 1601 – Innsbruck 1661)

Arianna Abandoned by Teseo

Oil on canvas, 40 x 60 cm

circa 1640

Provenance

Milan, Private Collection

SALAMON & C.

Palazzo Cicogna

Via San Damiano 2, primo piano

20122 Milano

Tel. +39 02 760 246 38

info@salamon.it; matteo@salamon.it

www.salamon.it

SALAMON & C.


Anton Maria Vassallo

(Genoa 1617/8 – Milan 1660)

Pan and Syrinx

Oil on copper, diameter 25 cm

Second half of the XVII century

Provenance

Collection of Cattaneo Adorno Giustiniani

SANTA TECLA

Via dei Savonarola 66

35137 Padova

Tel. +39 049 856 1460

santateclaltd@gmail.com

SANTA TECLA


Workshop of Antonio Canova

(Possagno 1757 – Venice 1822)

Bust of Paris

Marble, 70 cm

Provenance

England, Noble Collection

SANTA TECLA

Via dei Savonarola 66

35137 Padova

Tel. +39 049 856 1460

santateclaltd@gmail.com

SANTA TECLA


Gerolamo Cenatempo

(? – Naples 1744)

Delilah with the Conquered Samson

Oil on canvas, 151.5 x 258.5 cm

1713

Signed and Dated: “Hieronimus Cenatempo f. 1713”.

Follower of Luca Giordano, he was born between 1680 and

1690, and is documented from the first time in 1705 when

he signed up to the Confraternity of Saints Anne and Luke of

Naples. He is last documented in 1742. Recent studies show

the presence of these canvases with the Damiani family in the

first half of the XVIII centry in Via Grande, Livorno.

Provenance

Turin, Private Collection

Bibliography

“Arte Cristiana”, n.788, LXXXVI, 1997, pp. 380-382.

Memorie della Accademia Lunigianese di Scienze Giovanni

Capellini, vol. LXXXVI (2016), pp. 77-106, La Spezia 2018.

SECOL-ART ANTICHITÀ di Masoero Davide & C.

Via Maria Vittoria 27/a

10123 Torino

Tel. + 39 335 805 0537

secolartmasoero@gmail.com

www.secolart.com

SECOL-ART ANTICHITÀ


Gerolamo Cenatempo

(? – Naples 1744)

Judith with the Head of Holofernes

Oil on canvas, 151.5 x 258.5 cm

1713

See the note and image of “Delilah with the Conquered

Samson”

Provenance

Turin, Private Collection

Bibliography

See the note and image of “Delilah with the Conquered

Samson”

SECOL-ART ANTICHITÀ di Masoero Davide & C.

Via Maria Vittoria 27/a

10123 Torino

Tel. + 39 335 805 0537

secolartmasoero@gmail.com

www.secolart.com

SECOL-ART ANTICHITÀ


Oscar Ghiglia

(Livorno 1876 - Florence 1945)

Still Life with a Red Ball of Wool

Oil on canvas, 47.6 x 50 cm

1909

Signed upper left: “Oscar Ghiglia 909”

Provenance

Florence, Julius Oppenheimer

London, Oppenheimer Heirs

SOCIETÀ DI BELLE ARTI

Viale Buonarroti 9

55049 Viareggio (Lucca)

Tel. +39 0584 520 30

Via del Politecnico 9

20121 Milano

Tel. +39 02 760 227 13

info@sba.it

www.sba.it

SOCIETÀ DI BELLE ARTI


Federico Zandomeneghi

(Venice 1841 - Paris 1917)

The Red Room

Oil on canvas, 46 x 38 cm

circa 1899

Signed lower right: “F. Zandomeneghi”

Provenance

Paris, Durand-Ruel (photo number 5843)

Paris, Angelo Sommaruga

Milan, Maria Caputo Sommaruga

Milan, Serena Piceni

Bibliography

Piceni, 1952, n. 93

Cinotti, 1960, pl. 46

Piceni, 1967, n. 391

Piceni, 1991, n. 391, pl.LXI

Testi-Piceni-Piceni, 2006, n. 458, pl. LXVII.

Exhibitions

Rome, 1946, n. 135

Venice-Milan, 1988, n. 13 (suppl.)

Barletta, 2007, n. 55

Viareggio- Turin, 2016-2017, n. 36.

SOCIETÀ DI BELLE ARTI

Viale Buonarroti 9

55049 Viareggio (Lucca)

Tel. +39 0584 520 30

Via del Politecnico 9

20121 Milano

Tel. +39 02 760 227 13

info@sba.it

www.sba.it

SOCIETÀ DI BELLE ARTI


August Macke

(Meschede 1887 – Champagne 1914)

Bacchus

Oil on paper, 39 x 50.5 cm

1913

SPERONE WESTWATER

257 Bowery

10002 New York, N.Y.

Tel. +1 212 999 7337

info@speronewestwater.com

www.speronewestwater.com

SPERONE WESTWATER


Giovanni Carnovali

(Montegrino Valtravaglia 1804 – Cremona 1874)

Self Portrait

Oil on canvas, 49 x 39 cm

1846/47

Provenance

Bergamo, Conte Cesare Camozzi Collection

Bergamo, Gambirasi Collection

Bibliography

L. Angelini, La Mostra retrospettiva del Piccio alla Permanente di

Belle Arti di Milano, 1909, n.52

C. Caversazzi, Giovanni Carnovali, Il Piccio, III ed., Bergamo, 1946,

p.148, fig.48

N. Zucchelli, Il Piccio, Bergamo, n.15, 1952

M. Valsecchi, Giovanni Carnovali il Piccio, Varese, Bergamo, n.8,

1952

M. Valsecchi – F. Rossi, Il Piccio, e artisti bergamaschi del suo tempo,

SPERONE WESTWATER

257 Bowery

10002 New York, N.Y.

Tel. +1 212 999 7337

info@speronewestwater.com

www.speronewestwater.com

SPERONE WESTWATER


Milan, p.54, 1974

Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà,

pp.49, 208, n.33 Milan, 1994

P. De Vecchi, Giovanni Carnovali called Il Piccio, Catalogue raisonné,

Federico Motta Editore, 1998, pl. 97, pag. 159

Exhibitions

La Mostra retrospettiva del Piccio alla Permanente di Belle Arti di

Milano, Milan 1909

Giovanni Carnovali il Piccio, Villa Mirabello, Varese, 1952

Giovanni Carnovali il Piccio, Palazzo del Comune Vecchio, Bergamo,

1952

Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà,

Milan 1994Z

SPERONE WESTWATER

257 Bowery

10002 New York, N.Y.

Tel. +1 212 999 7337

info@speronewestwater.com

www.speronewestwater.com

SPERONE WESTWATER


Pieter van Hanselaere

(Ghent 1786 – 1862)

Young Lady with a Straw Hat

Oil on canvas???, 98 x 72 cm

1818

Signed and dated “P.V. Hanselaere F. A Rome 1818”

Inscribed on the back: “Per il Marchese Rinuccini/lo Francesco

Pozzi/ho ricevuto in Roma l’anno 1820 ai 10 febb.io”

Provenance

Florence, Marchese Rinuccini

TETTAMANTI ANTICHITÀ

Via Maggio 22r

50125 Firenze

Tel. +39 055 218 044

tettamantiantichita@virgilio.it

TETTAMANTI ANTICHITÀ


Imperial Gobelins Manufactory

Paris

Bust-length Portrait of Napoleon in Ceremonial Robes

Tapestry in wool and silk, 82 x 66 cm

1808-1814

TETTAMANTI ANTICHITÀ

Via Maggio 22r

50125 Firenze

Tel. +39 055 218 044

tettamantiantichita@virgilio.it

TETTAMANTI ANTICHITÀ


Lucio Fontana

(Rosario 1899 – Varese 1968)

Concetto spaziale (Forma)

Aniline on canvas, 80 x 100 cm

1959

TORNABUONI ARTE

Lungarno B. Cellini 3

50125 Firenze

Tel. +39 055 681 2697

info@tornabuoniarte.it

Via Fatebenefratelli 34/36

20121 Milano

Tel. +39 02 655 4841

milano@tornabuoniarte.it

Piazza Marconi 2

55042 Forte dei Marmi

Tel. +39 0584 787030

fortedeimarmi@

tornabuoniarte.it

www.tornabuoniarte.it

TETTAMANTI ANTICHITÀ


Giorgio De Chirico

(Volos 1888 – Rome 1978)

Self Portrait of the Clouds

Oil on canvas, 50 x 40 cm

1948

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