BIAF 2019 - ENG
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
BIENNALE INTERNAZIONALE<br />
DELL’ANTIQUARIATO DI FIRENZE
Guido Marussig<br />
(Trieste 1885 - Gorizia 1972)<br />
The Sowing<br />
Oil on canvas, 260 x 300 cm<br />
1920’s<br />
Signed bottom right: ‘Guido / Marussig’<br />
Provenance<br />
Lecco, Private Collection<br />
800/900 ARTSTUDIO<br />
Via Roma 63-67<br />
57126 Livorno<br />
Tel. +39 0586 815 200<br />
Via del Battistero 22/24<br />
55100 Lucca<br />
post@800artstudio.com<br />
www.800artstudio.com<br />
800 900 ART STUDIO
Oscar Ghiglia<br />
(Livorno 1876 - Florence 1945)<br />
Self-portrait<br />
Oil on cardboard, 19 x 15 cm<br />
1900-1902<br />
On the reverse, a stamp from<br />
La Stanzina gallery of the F.lli Tassi<br />
Provenance<br />
Florence, Galleria La Stanzina<br />
Novara, Private Collection<br />
800/900 ARTSTUDIO<br />
Via Roma 63-67<br />
57126 Livorno<br />
Tel. +39 0586 815 200<br />
Via del Battistero 22/24<br />
55100 Lucca<br />
post@800artstudio.com<br />
www.800artstudio.com<br />
800 900 ART STUDIO
Giovanni Boldini<br />
(Ferrara 1842 - Paris 1931)<br />
Woman with a Hat<br />
Verso: Nude Woman Seated<br />
Watercolour on Paper, 49 x 35.5 cm<br />
circa 1905<br />
Signed lower left: “Boldini”<br />
Verso<br />
AL FINE ART ANTONACCI LAPICCIRELLA<br />
Via Margutta 54<br />
00187 Roma<br />
Tel. +39 06 4543 3036<br />
info@alfineart.com<br />
www.alfineart.com<br />
AL FINE ART ANTONACCI LAPICCIRELLA
Alessandro Magnasco<br />
(Genoa 1667 – 1749)<br />
Calefactorium (Friars Warming Themselves)<br />
Oil on canvas. 93 × 72 cm<br />
circa 1725<br />
Provenance<br />
Milan, Cavenaghi Collection<br />
Venice, Italico Brass Collection (1870-1943)<br />
Florence, Private Collection<br />
Bibliography<br />
Geiger 1949, p. 146; Morassi in Genoa 1949, p. 37, n. 45, fig. 50;<br />
Nicco Fasola 1950, p. 233; Roli 1964, pl. X; Franchini Guelfi 1977,<br />
p. 193, pls. XXI-XXIII; Muti-De Sarno Prignano 1994, p. 261, n. 356,<br />
fig. 350 (with preceding bibliography) Proni 2014, p. 103, n. 8.<br />
Exhibitions<br />
Mostra della pittura italiana del Sei e Settecento, Florence, Palazzo<br />
Pitti, 1922, Rome-Milan-Florence 1922.<br />
Il Settecento italiano Venice, Palazzo delle Biennali ai Giardini<br />
Pubblici, 18 July - 10 October 1929, Venice 1929.<br />
L’Art italien, Paris, Petit Palais, 1935.<br />
Da Caravaggio a Tiepolo: pittura italiana del XVII e XVIII secolo,<br />
São Paolo, Brazil, September-October 1954 / Rome 1954.<br />
AL FINE ART ANTONACCI LAPICCIRELLA<br />
Via Margutta 54<br />
00187 Roma<br />
Tel. +39 06 4543 3036<br />
info@alfineart.com<br />
www.alfineart.com<br />
AL FINE ART ANTONACCI LAPICCIRELLA
Benedetto da Rovezzano<br />
(Canapale 1474 - Vallombrosa 1554)<br />
Saint John the Baptist<br />
Terracotta with the original wooden<br />
base, 74 x 44 x 31 cm<br />
Provenance<br />
Collection of Cardinal Giulio Rospigliosi (Pope Clemente IX,<br />
1667-1669), 1899<br />
Florence, Stefano Bardini Collection, 1900-02<br />
Bibliography<br />
W. Bode, Ein Florentiner Thonbildner vom Anfang der<br />
Hochrenaissance, in “Zeitschrift fűr bildende Kunst”, pp.1-4; 1902.<br />
W. Bode, Florentiner Bildhauer der Renaissance, pp.312-316 fig.<br />
139.<br />
Christie’s, Sale of the Bardini Collection, London 27 May 1902, lot<br />
55 p. 91.<br />
Christie’s Catalogue, London 27 May 1902, lot 554 p. 88.<br />
L. Planiscig, Toscnische Plastiken des Quattrocento in “Jahrbuch<br />
der Kunsthistorischen Sammlungen in Wien” p. 83 fig. 85.<br />
F. Schottműller, Die Bildwerke in Stein, Holz, Ton und Wachs.<br />
Zweite Auflage, vol. I. p.146<br />
H. R. Weihrauch, Studien zum bildnerischen Werke des Jacopo<br />
Sansovino, p. 20.<br />
ALTOMANI & SONS<br />
ALTOMANI & SONS<br />
Via Borgospesso 12/14<br />
20121 Milano<br />
Tel. +39 02 201033<br />
Via Baviera 18/20<br />
61100 Pesaro<br />
mail@altomani.com<br />
www.altomani.com
Berto di Giovanni<br />
(Perugia, 1497 - 1525)<br />
Madonna and Child, Saints Francis and Clare<br />
Tempera on panel, 44 x 37 cm<br />
Bibliography<br />
Todini, La Pittura Umbra, Longanesi 1989, Second Volume,<br />
p. 583, pl. 1350.<br />
ALTOMANI & SONS<br />
Via Borgospesso 12/14<br />
20121 Milano<br />
Tel. +39 02 201033<br />
Via Baviera 18/20<br />
61100 Pesaro<br />
mail@altomani.com<br />
www.altomani.com<br />
ALTOMANI & SONS
Plinio Nomellini<br />
(Livorno, 1866 - Florence, 1943)<br />
Lost in Meditation<br />
Oil and pastel on canvas, 69.5 x 151.5 cm<br />
Signed bottom right: Nomellini<br />
Bibliography<br />
Gli arredi Spicciani. Tradizione lucchese e istanze internazionali nella<br />
produzione del mobile artistico toscano tra Ottocento e Novecento,<br />
A. Belluomini, G. Borella, Florence 2006, p. 118-119<br />
Exhibition<br />
Esposizione Internazionale dell’Industria e del Lavoro, Turin 1911.<br />
PAOLO ANTONACCI<br />
Via Alibert 16a<br />
00187 Roma<br />
Tel. +39 06 326 516 79<br />
info@paoloantonacci.com<br />
www.paoloantonacci.com<br />
PAOLO ANTONACCI
Italian School, Roman<br />
(Second quarter of the XIX century)<br />
Crater vase with double loops ending in volutes<br />
Carrara white marble, 85 x 63 cm<br />
As a prototype for its general lines, our crater uses a piece from<br />
the Imperial Era, now preserved in the atrium of the Baths of<br />
Diocletian, in the Roman Museo Nazionale. Another prototype<br />
approached by the crater are the vases preserved in the<br />
courtyard and staircase of Palazzo Mattei.<br />
Provenance<br />
Rome, Noble Palace<br />
PAOLO ANTONACCI<br />
Via Alibert 16a<br />
00187 Roma<br />
Tel. +39 06 326 516 79<br />
info@paoloantonacci.com<br />
www.paoloantonacci.com<br />
PAOLO ANTONACCI
Luigi Sabatelli<br />
(Florence 1772 – Milan 1850)<br />
Portrait of a Lady<br />
Blood and pencil on paper, 310 x 240 mm<br />
1806<br />
Signed bottom right: “Luigi Sabatelli fece 1806”<br />
W. APOLLONI S.r.l.<br />
Via Margutta 53B<br />
00187 Roma<br />
Tel. +39 06 3600 2216<br />
marcofabioapolloni@gmail.com<br />
wapolloni@tiscali.it<br />
W. APOLLONI S.r.l.
Luigi Sabatelli<br />
(Florence 1772 – Milan 1850)<br />
Fight between Horses and Riders, ?<br />
Indian ink on paper, 320 x 225 mm<br />
Signed bottom left on the passepartout: “Luigi Sabatelli”<br />
W. APOLLONI S.r.l.<br />
Via Margutta 53B<br />
00187 Roma<br />
Tel. +39 06 3600 2216<br />
marcofabioapolloni@gmail.com<br />
wapolloni@tiscali.it<br />
W. APOLLONI S.r.l.
Giovanni Della Robbia<br />
(Florence 1469 – 1529)<br />
Peace, Pietà<br />
Glazed Terracotta, circa 6.5x 11.5 x1.8 cm<br />
circa 1520<br />
A nineteenth century inscription on the reverse<br />
referencing Luca Della Robbia. The small plaque<br />
represents “an altarpiece of smaller dimensions”<br />
Provenance<br />
Private Collection<br />
Bibliography<br />
G. Gentilini, Study by A.Bellandi in I Della Robbia-Il dialogo<br />
tra le arti nel Rinascimento, 2009, p. 258 and 353.<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO<br />
Via Emilia 3<br />
40026 Imola (Bologna)<br />
Tel. +39 335 817 94 36<br />
asiolimg@libero.it<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO
M.NICOLA.LUXUTUSU (alias Nicola Lo Sciuto)<br />
(Sciacca active from 1471)<br />
Albarello<br />
Maiolica, circa 29.8 cm<br />
between 1471 and 1500<br />
Signed M(aestro).NICOLA.LUXUTUSU between two crosses.<br />
Decorated with “Gothic leaves”.<br />
Provenance<br />
Art Market<br />
Bibliography<br />
A. Ragona,1998, pp.40-43<br />
A. Governale, 1999, pp. 139-140<br />
G. Larinà, 2001, pp.114-115<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO<br />
Via Emilia 3<br />
40026 Imola (Bologna)<br />
Tel. +39 335 817 94 36<br />
asiolimg@libero.it<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO
Siena<br />
Reliquary of Saint George (?)<br />
Painted and gilded wood, 54 x 31.5 x 18.5 cm<br />
1420/1440<br />
BACARELLI ANTICHITÀ<br />
Via dei Fossi 45r<br />
50123 Firenze<br />
Tel. +39 055 215 457<br />
bacarelli@bacarelli.com<br />
www.bacarelli.com<br />
BACARELLI ANTICHITÀ
Andrea Fantoni<br />
(Rovetta 1653 – 1734)<br />
Flight into Egypt<br />
Terracotta, 60 x 9 x 98 cm<br />
1690/1700<br />
BACARELLI ANTICHITÀ<br />
Via dei Fossi 45r<br />
50123 Firenze<br />
Tel. +39 055 215 457<br />
bacarelli@bacarelli.com<br />
www.bacarelli.com<br />
BACARELLI ANTICHITÀ
Tuscan, based on a design by G.B. Foggini<br />
(Florence 1652 – 1725)<br />
Console<br />
Gilded and Finely Sculpted, 99 x 124 x 60 cm<br />
Period of Louis XIV<br />
Bibliography<br />
I mobili di Palazzo Pitti, il periodo dei Medici ed. E. Colle,<br />
Allemandi Editore, p. 28<br />
GIORGIO BARATTI ANTIQUARIO<br />
Via Bigli 11<br />
20121 Milano<br />
Tel. +39 02 367 064 46<br />
giorgio.baratti@libero.it<br />
www.giorgiobaratti.it<br />
GIORGIO BARATTI ANTIQUARIO
Leonardo del Tasso<br />
(Florence 1465 – 1500)<br />
Bust of the Redeemer<br />
Painted Terracotta, 53 x 54 x 31 cm<br />
Bibliography<br />
Expertise written by Prof. Giancarlo Gentilini published in<br />
Leonardo del Tasso, scultore fiorentino del Rinascimento, A.<br />
Bellandi ed. Mizen Fine Art Edizioni, Paris 2016, pp. 142, 143,<br />
250.<br />
GIORGIO BARATTI ANTIQUARIO<br />
Via Bigli 11<br />
20121 Milano<br />
Tel. +39 02 367 064 46<br />
giorgio.baratti@libero.it<br />
www.giorgiobaratti.it<br />
GIORGIO BARATTI ANTIQUARIO
Charles Henri Joseph Cordier<br />
(Cambrai 1827 - Algeri 1905)<br />
Pair of Gilded Bronze Candelabras with porcelain flowers<br />
supported by two African figures with bases in green porphyry<br />
and gilded bronze<br />
33 x 18 cm, height: 70 cm, 70<br />
XIX century<br />
Signed under the garment of one of the two figures<br />
GUIDO BARTOLOZZI ANTICHITÀ<br />
Via Maggio 11<br />
50125 Firenze<br />
Tel. +39 055 215 602<br />
info@guidobartolozzi.com<br />
www.guidobartolozzi.com<br />
GUIDO BARTOLOZZI ANTICHITÀ
France XIX century<br />
Pair of gilded bronze rhinoceros<br />
with red porphyry obelisks on the back.<br />
Bases in green porphyry and gilded bronze<br />
33 x 18 cm, height: 70 cm, 70<br />
XIX century<br />
Signed on the stomach<br />
GUIDO BARTOLOZZI ANTICHITÀ<br />
Via Maggio 11<br />
50125 Firenze<br />
Tel. +39 055 215 602<br />
info@guidobartolozzi.com<br />
www.guidobartolozzi.com<br />
GUIDO BARTOLOZZI ANTICHITÀ
Antonio Mancini<br />
(Rome 1852 – 1930)<br />
Portrait of a Child>><br />
Oil on canvas, 57 x 41.5 cm<br />
circa 1875<br />
Signed lower left: ‘Antonio Mancini’<br />
On reverse, above, on the frame, the writing “Mancini /<br />
acheté à Rome / en 1887 / vente de la C.tesse Mirafiori<br />
amie de / Victor / Emmanuel / II”; Label from Galleria d’Arte<br />
Edmondo Sacerdoti Milan.<br />
Provenance<br />
Rome, Rosa Vercellana, Countess of Mirafiori (until 1887)<br />
Milan, Remo Malinverni<br />
Lugo di Vicenza, Malinverni Heirs<br />
Varese, Longoni Collection<br />
Lecco, Private Collection<br />
BOTTEGANTICA<br />
Via Manzoni 45<br />
20121 Milano<br />
Tel. +39 02 626 954 89<br />
Via D’Azeglio 96/a<br />
40123 Bologna<br />
Tel. +39 051 331 338<br />
info@bottegantica.com<br />
www.bottegantica.com<br />
BOTTEGANTICA
Felice Casorati<br />
(Novara 1883 - Turin 1963)<br />
Portrait of his sister, Elvira<br />
Oil on panel, 90 x 60 cm<br />
1934<br />
Signed bottom right: ‘F. Casorati’<br />
BOTTEGANTICA<br />
Via Manzoni 45<br />
20121 Milano<br />
Tel. +39 02 626 954 89<br />
Via D’Azeglio 96/a<br />
40123 Bologna<br />
Tel. +39 051 331 338<br />
info@bottegantica.com<br />
www.bottegantica.com<br />
BOTTEGANTICA
Giovanni Barbagelata<br />
(documented in Liguria from 1484 to 1508)<br />
Madonna and Child with a Nun<br />
Tempera on panel, 130 x 63 cm<br />
Provenance<br />
Lazzaroni Collection as by Piero Della Francesca<br />
8 photographs on the Zeri Foundation website<br />
BOTTICELLI ANTICHITÀ<br />
Via Maggio 29<br />
50125 Firenze<br />
Tel. +39 055 230 20 95<br />
bruno@botticelliantichita.com;<br />
eleonora@botticelliantichita.com<br />
www.botticelliantichita.com<br />
BOTTICELLI ANTICHITÀ
Attributed to Ercole Ferrata<br />
(Pelsotto, Como 1610 - Rome 1686)<br />
Saint Carlo Borromeo<br />
Carrara Marble, 62 cm excluding the pedestal / 84 cm with the<br />
pedestal<br />
This bust is directly related to a small bust in terracotta found<br />
on the fireplace in the house of the restorer-sculptor, Antonio<br />
Fontana (Rome 1641-1700) and attributed to Ferrata by Bianca<br />
Di Gioia.<br />
A small silver model of the Saint Carlo bust attributed to Algardi,<br />
now in the Daniels Collection in New York, is also attributed<br />
to Ferrata by Di Gioia.<br />
BOTTICELLI ANTICHITÀ<br />
Via Maggio 29<br />
50125 Firenze<br />
Tel. +39 055 230 20 95<br />
bruno@botticelliantichita.com;<br />
eleonora@botticelliantichita.com<br />
www.botticelliantichita.com<br />
BOTTICELLI ANTICHITÀ
Naples<br />
Console<br />
First half of XVIII century<br />
Drawer and desk in Walnut and Rosewoods, coeval marble<br />
lastronated in Spanish Broactelle, 105 x 53 x 89 cm<br />
MAURIZIO BRANDI ANTIQUARIO<br />
Via D. Morelli 9<br />
80121 Napoli<br />
Tel. +39 081 764 3882<br />
Via Bisignano 24<br />
80121 Napoli<br />
mauriziobrandi@live.com<br />
www.antiquarinapoletani.it/brandi<br />
MAURIZIO BRANDI ANTIQUARIO
Giovanni Battista Langetti<br />
(Genoa 1635 - Venice 1670)<br />
Archimedes<br />
Oil on canvas, 92.5 x 72.5 cm<br />
MAURIZIO BRANDI ANTIQUARIO<br />
Via D. Morelli 9<br />
80121 Napoli<br />
Tel. +39 081 764 3882<br />
Via Bisignano 24<br />
80121 Napoli<br />
mauriziobrandi@live.com<br />
www.antiquarinapoletani.it/brandi<br />
MAURIZIO BRANDI ANTIQUARIO
Ulisse Cantaglli<br />
(Florence 1839 – 1901)<br />
Plate<br />
Polichrome maiolica, diameter: 28.5 cm<br />
circa 1880<br />
CALLISTO FINE ARTS<br />
17 Georgian House, 10 Bury Street<br />
SW1Y 6AA London<br />
Tel. +44 207 839 7037<br />
info@callistoart.com<br />
www.callistoart.com<br />
CALLISTO FINE ARTS
Carlo Marcellini<br />
(Florence 1643 – 1713)<br />
Triumph of Bacchus and Ariadne<br />
Painted gesso, 81 x 106 cm<br />
XVIII century<br />
An important rediscovery of a work by a protagonist of<br />
Florentine figurative sculpture of the eighteenth century,<br />
creator of the Nymphaeum in Palazzo Corsini.<br />
Bibliography<br />
S. Bellesi, “Una nuova proposta attributiva per una terracotta<br />
conservata nelle raccolte della Manifattura delle Porcellane di<br />
Doccia”, in Bollettino degli Amici di Doccia, n. 11, 2018, pp. 24-31<br />
CALLISTO FINE ARTS<br />
17 Georgian House, 10 Bury Street<br />
SW1Y 6AA London<br />
Tel. +44 207 839 7037<br />
info@callistoart.com<br />
www.callistoart.com<br />
CALLISTO FINE ARTS
Filippo Tagliolini<br />
(Fogliano di Cascia 1745 - Naples 1809)<br />
The Chariot of the Sun<br />
Biscuit Ware from the Real Fabbrica of Naples,<br />
base 40 x 50 x 60 cm<br />
before 1790<br />
Provenance<br />
Private Collection<br />
Bibliography<br />
Essay by Prof.Alvar Gonzàlez-Palacios entitled “Un capolavoro<br />
di Filippo Tagliolini” Minieri Riccio, p.54<br />
A. Carola Perrotti,”La Porcellana della Real Fabbrica<br />
Ferdinanda” 1978<br />
A. Carola Perrotti,”Le Porcellane dei Borbone a Napoli” 1986<br />
A. Gonzàlez-Palacios,”Lo Scultore Filippo Tagliolini e le<br />
Pocellane a Napoli” 1998<br />
ROBERTO CAMPOBASSO<br />
Via Carlo Poerio 17<br />
80121 Napoli<br />
Tel. +39 081 764 0770<br />
roberto.campobasso@alice.it<br />
www.robertocampobasso.com<br />
ROBERTO CAMPOBASSO
Pierre Jacques Volaire, il Cavalier<br />
(Toulon 1729 - Naples 1799)<br />
Eruption of Vesuvius in 1771<br />
Oil on canvas, 101.5 x 153 cm<br />
After 1771<br />
Signed: ‘Le Chever. Volaire f.’<br />
Provenance<br />
Rome, Private Collection<br />
Bibliography<br />
A. Gonzàlez-Palacios, Notarelle su Volaire 2001<br />
E. Beck Saiello, Le Chevalier Volaire,un peintre français à Naples<br />
au XVIIIe siècle Paris 2001<br />
Alla scoperta del Vesuvio catalogo mostra, Napoli e Ercolano<br />
2006, p.142<br />
E. Beck Saiello, Pierre.Jacques Volaire 1729-1799,dit Le Chevalier<br />
Volaire, Parigi 2010, p.112<br />
Esposizione<br />
Alla Scoperta del Vesuvio Museo Diego Aragona Pignatelli Cortes,<br />
Napoli 2006<br />
ROBERTO CAMPOBASSO<br />
ROBERTO CAMPOBASSO<br />
Via Carlo Poerio 17<br />
80121 Napoli<br />
Tel. +39 081 764 0770<br />
roberto.campobasso@alice.it<br />
www.robertocampobasso.com
Bartolomeo Passerotti<br />
(Bologna 1528 – 1592)<br />
Portrait of a Man with a Sword<br />
Oil on canvas, 104 x 90.5 cm<br />
XVI century<br />
Signed “Ritratto di Passarotti Bolognese da lui stesso” on the<br />
reverse<br />
Bibliography<br />
A. Ghirardi (ed.), Bartolomeo Passerotti pittore, Rimini, 1990, pp.<br />
23, 255 – 257, pl. XXIII, fig. 81<br />
F. Caroli (ed.), L’anima e il volto. Ritratto e fisiognomica da<br />
Leonardo a Bacon, Milan, Electa, 1998, exhibition catalogue,<br />
Palazzo Reale, Milano, 30 October 1998 – 14 March 1999, p. 134<br />
Tiziano e il ritratto di corte da Raffaello ai Carracci, Naples, Electa,<br />
2006, exhibition catalogue, Museo Capodimonte, Naples, 25<br />
March – 4 June 2006, pp. 296 – 297<br />
D. Benati (ed.), L’anima della Pittura. Dipinti Emiliani dal XVI al XIX<br />
secolo, Bologna, 2010, pp. 34 – 36<br />
Exhibitions<br />
Palazzo Reale, Milan, 1998 - 1999<br />
Museo Capodimonte, Naples, 2006<br />
CANTORE GALLERIA ANTIQUARIA<br />
CANTORE GALLERIA ANTIQUARIA<br />
Via Farini 14<br />
41121 Modena<br />
Tel. +39 059 225 400<br />
info@galleriacantore.it<br />
www.galleriacantore.it
Carlo Portelli<br />
(Loro Ciuffenna, Arezzo,1539 - Florence 1574)<br />
Nativity<br />
Oil on panel, 60 x 38 cm<br />
XVI century<br />
CANTORE GALLERIA ANTIQUARIA<br />
Via Farini 14<br />
41121 Modena<br />
Tel. +39 059 225 400<br />
info@galleriacantore.it<br />
www.galleriacantore.it<br />
CANTORE GALLERIA ANTIQUARIA
Jan van Kessel the Elder<br />
(Antwerp 1626 – 1679)<br />
Study of Insects and Borage Flowers<br />
Oil on copper, 10.4 x 16.2 cm<br />
circa 1660<br />
Provenance<br />
Private Collection<br />
Bibliography<br />
Expertise K. Ertz. Published: Brueghel. Capolavori dell’Arte<br />
Fiamminga nr. VI. 13.<br />
Exhibition<br />
“Brueghel. Capolavori dell’Arte Fiamminga”, Reggia di Venaria,<br />
21/02/2016-19/01/2017<br />
CARETTO & OCCHINEGRO<br />
Via A. Massena 87<br />
10128 Torino<br />
Tel. +39 338 871 2326<br />
info@carettoeocchinegro.com<br />
www.carettoeocchinegro.com<br />
CARETTO & OCCHINEGRO
Adriaen van Ostade<br />
(Haarlem 1610 – 1684)<br />
The Village School<br />
Oil on panel, 40.7 x 52 cm<br />
XVII century<br />
Signed and dated 1636. The picture was a part of the famous<br />
Goudtsikker Collection. Furthermore, all of the collections are<br />
documented from 1914<br />
Provenance<br />
Private Collection, from 1997 until today.<br />
Bibliography<br />
W. Bernt, Die Niederlandische Maler des 17 Jahrhunderts, 1979<br />
CARETTO & OCCHINEGRO<br />
Via A. Massena 87<br />
10128 Torino<br />
Tel. +39 338 871 2326<br />
info@carettoeocchinegro.com<br />
www.carettoeocchinegro.com<br />
CARETTO & OCCHINEGRO
Star Kazak<br />
Caucasus<br />
Star Kazak<br />
Wool, 220x170 cm<br />
First half XIX century<br />
Provenance<br />
Turin, Private Collection<br />
Bibliography<br />
John Eskenazi, Il Tappeto Orientale, Torino 1987, pag 179<br />
E. Heinrich Kirchheim, Orient Star A Carpet Collection, pp. 35-37<br />
ITINERARI3, Il mondo dei kayak, mohtashem tappeti antichi rari<br />
pregiati, milano 2004 , pubblicato a pag 10 tav.II<br />
MIRCO CATTAI FINE ART &<br />
ANTIQUE RUGS<br />
Via Manzoni 12<br />
20121 Milano<br />
Tel.+39 02 760 089 59<br />
info@mircocattai.com<br />
www.mircocattai.com<br />
MIRCO CATTAI FINE ART &
Oushak with Medallion<br />
Oushak Tintoretto<br />
Wool, 176 x 110 cm<br />
XVI century<br />
Provenance<br />
Genoa, Barbieri Collection<br />
Bibliography<br />
Viale Ferrero, M., Arazzi and Tappeti Antichi, Turin 1952, no. 50,<br />
pp.238-9, fig 164b<br />
Alberto Boralevi, L’Ushak Castellani Stroganoff. Firenze<br />
1987, pl. 9, pp 30-31 - As with many classical rugs, dating is<br />
underpinned by their representation in European paintings:<br />
the earliest depiction of the small-medallion type is in ‘The<br />
Calling of St. Matthew’ dated 1519, by Girolama da Santacroce-<br />
Bassano.<br />
MIRCO CATTAI FINE ART &<br />
ANTIQUE RUGS<br />
Via Manzoni 12<br />
20121 Milano<br />
Tel.+39 02 760 089 59<br />
info@mircocattai.com<br />
www.mircocattai.com<br />
MIRCO CATTAI FINE ART & ANTIQUE RUGS
Gian Giacomo e Guglielmo della Porta<br />
(Porlezza, circa 1515 – Rome 1577)<br />
Pair of Angel Candlesticks<br />
Marble, 35.5 x 20 x 46 cm<br />
circa 1532 - 1537<br />
ALESSANDRO CESATI<br />
Via San Giovanni sul Muro 3<br />
20121 Milano<br />
Tel. +39 02 864 609 28<br />
acesati@tiscali.it<br />
www.cesatiecesati.com<br />
ALESSANDRO CESATI
Fiandre – Tournai<br />
The Birth of the Prince of Peace<br />
Wool and silk, 3.22 x 2.38 m<br />
First quarter of the XVI century<br />
A very similar tapestry apparently from a parallel series is today<br />
conserved in the Denver Art Museum.<br />
For similar examples see:<br />
H. Goebel, Wandteppiche, vol i, part ii, Leipzig 1923, Von<br />
Klinkhardt & Biermann editori<br />
LUCIANO COEN ARAZZI E TAPPETI ANTICHI<br />
LUCIANO COEN ARAZZI E TAPPETI<br />
ANTICHI<br />
Via Margutta 63 e 65<br />
00187 Roma<br />
Tel. +39 06 320 7604<br />
lcoen@tin.it<br />
www.lucianocoen.com
Western Anatolia<br />
Ushak of the Type called Lotto<br />
Wool order Z2S ivory, weave red wool 2 lines for each row of<br />
knots, wool fleece, 1.53 x 1.05 m<br />
First half of XVII century<br />
Universally called ‘Lotto’, this type of rug takes its name from<br />
Lorenzo Lotto (1480 -1556) who made them at least twice: in<br />
the “alms of Saint Anthony” dated 1542, now in the Church of<br />
Saints John and Paul in Venice, and in the “family group” dated<br />
1547, now in the National Gallery, London.<br />
Provenance<br />
Rome, Private Collection<br />
For similar rugs, see:<br />
Stefano Ionescu, Antichi Tappeti Ottomani in Transilvania,<br />
Rome 2005<br />
Diamand & Mailey, Oriental Rugs in the Metropolitan Museum,<br />
New York 1973<br />
Gyula Vegh & Karol Layer, Turkish Rugs in Transylvania, new<br />
edition edited by Marino and Clara Dall’Oglio, The Crosby<br />
Press, 1977<br />
LUCIANO COEN ARAZZI E TAPPETI ANTICHI<br />
LUCIANO COEN ARAZZI E TAPPETI<br />
ANTICHI<br />
Via Margutta 63 e 65<br />
00187 Roma<br />
Tel. +39 06 320 7604<br />
lcoen@tin.it<br />
www.lucianocoen.com
Mirko Basaldella<br />
(Udine 1910 – Cambridge, Massachusetts 1969)<br />
Bozzetto per uno dei cancelli delle Fosse Ardeatine<br />
Pencil and charcoal on paper on canvas, 181 x 291 cm<br />
1949<br />
Provenance<br />
Raphael Zariski inheritance (n. DB044)<br />
Bibliography<br />
C. Maltese, Mirko. Cancelli delle Fosse Ardeatine, 1968<br />
Exhibitions<br />
P.A. Marini, Un ponte sull’infinito, Pontedera 1997<br />
G. Appella, F. D’Amico, M. Goldin, I Basaldella Dino Mirko Afro,<br />
Villa Manin 2010<br />
COPETTI ANTIQUARI<br />
Via P. Sarpi 25<br />
33100 Udine<br />
Tel. +39 0432 502 784<br />
info@copettiantiquari.com<br />
www.copettiantiquari.com<br />
COPETTI ANTIQUARI
Mirko Basaldella<br />
(Udine 1910 – Cambridge, Massachusetts 1969)<br />
Stele Seconda<br />
Bronze, height: 252 cm<br />
1957<br />
Bibliography<br />
E. Crispolti, La scultura di Mirko, Bora editore, Bologna 1974<br />
G. Carandente, Sculture nella città: Spoleto 1962, Spoleto 2007<br />
Exhibitions<br />
XXX Biennale internazionale d’arte a Venezia<br />
V festival dei due mondi, 1962<br />
Solo exhibition at Bund Art Gallery, 1964<br />
Solo Exhibition at the Cordova Museum, 1967<br />
Quattro rassegne sull’opera di Mirko, 1974<br />
La scultura di Mirko in rapporto all’architettura, 1975<br />
120 giorni di scultura a Trieste, 1976<br />
Solo Exhibition at the Galleria Civica d’Arte Moderna Arte in<br />
Italia dal 1960 al 1977, Turin 1977<br />
La Fondazione Mirko per Firenze, 1979<br />
Dino, Mirko, Afro Basaldella, Udine 1987<br />
COPETTI ANTIQUARI<br />
COPETTI ANTIQUARI<br />
Via P. Sarpi 25<br />
33100 Udine<br />
Tel. +39 0432 502 784<br />
info@copettiantiquari.com<br />
www.copettiantiquari.com
Roman School<br />
Bust of a Female Saint<br />
Fresco, 22 x 33 cm<br />
First half of the VIII century<br />
A very rare staccato fresco portraying the bust of a saint<br />
surrounded by a clypeus with an ochre and black background.<br />
She is wearing a rich golden Dalmatian embellished with<br />
maniakion. The representation corresponds to the typical<br />
female aristocratic physiognomy deriving from the prototypes<br />
of Byzantine ancestry of the seventh century. It comes from a<br />
pictorial workshop cycle around Rome in the early Middle Ages.<br />
Provenance<br />
Rome, private collection<br />
Note: work declared to be of cultural interest pursuant to Art. 10<br />
of Legislative Decree 42/2004.<br />
ALBERTO DI CASTRO<br />
Piazza di Spagna 5<br />
00187 Roma<br />
Tel. +39 06 679 2269<br />
info@dicastro.com<br />
www.dicastro.com<br />
ALBERTO DI CASTRO
Created in Prague<br />
River Landscape<br />
Pietre dure, 25.5 x 36.5 cm;<br />
with a marble cornice, 36.5 x 47.5 cm<br />
circa 1600<br />
ALBERTO DI CASTRO<br />
Piazza di Spagna 5<br />
00187 Roma<br />
Tel. +39 06 679 2269<br />
info@dicastro.com<br />
www.dicastro.com<br />
ALBERTO DI CASTRO
Antonio Porcelli<br />
(Ascoli Piceno, Marche; active in Rome during the second<br />
half of the XVII century)<br />
Owl, red woodpecker, blue tit and nightingale on<br />
plum branches<br />
Tempera on octangonal parchment, 300 x 400 mm<br />
1657<br />
Signed bottom left: “Antonius Porcellius Asculanus faciebat<br />
1657”<br />
Mouse, Lizard, and birds on strawberry tree branches<br />
Tempera on octangonal parchment 300 x 400 mm<br />
1657<br />
Signed in the bottom left corner: “Antonius / Porcellius /<br />
Asculanus / f. 1657”<br />
Provenance:<br />
Rome, private collection<br />
ALESSANDRA DI CASTRO<br />
Piazza di Spagna 3-4<br />
00187 Roma<br />
Tel. +39 06 699 231 27<br />
info@alessandradicastro.com<br />
www.alessandradicastro.com<br />
ALESSANDRA DI CASTRO
Pair of Nightstands by Andrea Mimmi<br />
(active in Rome in the second half of the XVIII century)<br />
With gilded bronze finishes<br />
by Luigi Valadier (Rome 1726 – 1785)<br />
Various woods, height: 122 cm, (with riser) x 72 x 41 cm<br />
circa 1765-1770<br />
ALESSANDRA DI CASTRO<br />
Piazza di Spagna 3-4<br />
00187 Roma<br />
Tel. +39 06 699 231 27<br />
info@alessandradicastro.com<br />
www.alessandradicastro.com<br />
ALESSANDRA DI CASTRO
Giovanni Antonio Canal, Il Canaletto<br />
(Venice 1697 – 1768)<br />
The Redentore, Venice<br />
Oil on canvas, unlined, 47.4 x 77.3 cm<br />
circa 1746<br />
Provenance<br />
(Probably) acquired in London in 1850 or 1852 from an agent<br />
acting on behalf of Henri d’Orléans,<br />
Duc d’Aumale (1822 – 1897)<br />
and by descent until (probably) the mid-20th century<br />
London, Anonymous sale; Christie’s, London, 13 December<br />
1996, lot 81<br />
London, Simon C. Dickinson, Ltd., London<br />
United Kingdom, Private Collection, acquired from the above<br />
in September 1997<br />
Bibliography<br />
J.G. Links, A Supplement to W.G. Constable’s Canaletto: Giovanni<br />
Antonio Canal 1697 – 1768, London, 1998, p. 32, no. 318***<br />
(illus. pl. 269, fig. 318***).<br />
C. Beddington (ed.), Canaletto in England: A Venetian Artist<br />
Abroad, 1746 – 1755, exh. cat., New Haven and London, 2006,<br />
pp. 167-69, no. 57 (illus. p. 167).<br />
Exhibitions<br />
New Haven, Yale Center for British Art, Canaletto in England: A<br />
Venetian Artist Abroad, 1746 – 1755, 19 Oct. – 31 Dec. 2006,<br />
no. 57; this exhibition then travelled to London, Dulwich<br />
Picture Gallery, 24 Jan. – 15 April 2007.<br />
DICKINSON<br />
DICKINSON<br />
58 Jermyn Street<br />
SW1Y 6LX Londra<br />
Tel. +44 207 493 0340<br />
london@simondickinson.com; john.swarbrooke@simondickinson.<br />
com; emma@simondickinson.com<br />
www.simondickinson.com
Kees Van Dongen<br />
(Rotterdam 1877 – Monte Carlo 1968)<br />
Plumes blanches<br />
Oil on canvas, 100 x 80 cm<br />
1911<br />
Signed lower left Van Dongen; inscribed on recto Plumes<br />
blanches No 2 A<br />
Provenance<br />
Paris, Private Collection, after 1911<br />
And by descent to the present owner<br />
Paris, Private Collection, after 2001<br />
Bibliography<br />
N.H. Wolf, ‘Sint-Lucas Tentoonstelling 1911. Stedelijk Museum<br />
Amsterdam’, in De Kunst, no. 171, 6 May 1911, p. 5.<br />
Exhibition<br />
Amsterdam, Stedelijk Museum, Jaarlijksche tentoonstelling van<br />
kunstwerken der Vereeniging St. Lucas, 30 April – 11 June 1911,<br />
no. 123.<br />
DICKINSON<br />
DICKINSON<br />
58 Jermyn Street<br />
SW1Y 6LX Londra<br />
Tel. +44 207 493 0340<br />
london@simondickinson.com; john.swarbrooke@simondickinson.<br />
com; emma@simondickinson.com<br />
www.simondickinson.com
Paolo Guidotti, the Cavalier Borghese<br />
(Lucca circa 1569 (?) – Rome 1629)<br />
Self Portrait<br />
Oil on canvas, contemporary frame, carved, walnut and gold,<br />
58 x 47 cm<br />
Provenance<br />
L’Aquila, Marchese Persichetti Ugolini<br />
Milan, Private Collection<br />
Bibliography<br />
L. Grassi, Bernini Pittore, Rome 1945, pp. 28-29, fig. 36 (as<br />
Bernini)<br />
V. Martinelli, “Le Pitture del Bernini in Commentari”, in<br />
Commentari, I, 1950, p. 104 (under “attribuzioni errate a<br />
Bernini”, as “Baglione?”)<br />
L. Grassi, “Di un ritratto inedito e ancora del Bernini Pittore”, in<br />
Bollettino di storia dell’arte, Salerno 1951, pp. 102 and 106 (as<br />
Bernini)<br />
R. Salvini, Lineamenti di Storia dell’Arte, Florence 1954, vol. III, p.<br />
283, fig. 316 (as Bernini)<br />
V. Martinelli, “L’Amor divino’ tutto ignudo ‘di Giovanni Baglione<br />
e la cronologia dell’intermezzo caravaggesco,” in Arte antica e<br />
moderna, n. 5, 1959, p. 93 (as last self-portrait of Baglione)<br />
MIRIAM DI PENTA FINE ARTS<br />
Via di Monserrato 34<br />
00186 Roma<br />
Tel. +39 388 849 6554<br />
info@mdpfinearts.com; miriam@mdpfinearts.com<br />
www.mdpfinearts.com<br />
MIRIAM DI PENTA FINE ARTS
I. Faldi, “Il Cavalier Bernini, il Cavalier Baglione e il Cavalier<br />
Guidotti Borghese”, in Arte antica e moderna, n. 14, 1961, pp.<br />
297-99 (as Paolo Guidotti)<br />
L. Grassi et al., Gian Lorenzo Bernini, Rome 1962, pp. 181-82 (as<br />
Guidotti)<br />
L. Salerno, “Bernini Pittore”, in Kindlers Malerei Lexikon, vol. I (A-<br />
C), Zurich 1964, p. 331 (as Bernini)<br />
F. Petrucci, “L’opera pittorica di Gian Lorenzo Bernini”, in<br />
Bernini a Montecitorio, Rome 2001, p. 90 (as not by Bernini, but<br />
Guidotti)<br />
F. Petrucci, Bernini Pittore: dal disegno al maraviglioso composto,<br />
Rome 2006, p. 404, cat. no. 16, reproduced (as Guidotti)<br />
M. Nicolaci, “Aggiornamenti e nuove proposte per Paolo<br />
Borghese Guidotti tra Roma e Lucca”, in Artisti e committenti<br />
lucchesi del seicento a Roma, Milan 2018, pp. 32-47, particularly<br />
p. 38.<br />
Reference bibliography: M. Nicolaci, “La Gerusalemme distrutta<br />
di Paolo Guidotti Borghese pittore e poeta lucchese”, Rome<br />
2017, pp. 181-193<br />
MIRIAM DI PENTA FINE ARTS<br />
Via di Monserrato 34<br />
00186 Roma<br />
Tel. +39 388 849 6554<br />
info@mdpfinearts.com; miriam@mdpfinearts.com<br />
www.mdpfinearts.com<br />
MIRIAM DI PENTA FINE ARTS
Spain<br />
Reliquary Cross<br />
Gold, enamel, rock crystal, 10 x 7.5 cm, 85.01 g<br />
circa 1620<br />
DEBORAH ELVIRA<br />
Plaza de la Iglesia 2<br />
12594 Oropesa del Mar (Castellon)<br />
Tel. +34 96 4313 450<br />
Cel. +34 629 647 279<br />
info@deborahelvira.com<br />
www.deborahelvira.com<br />
DEBORAH ELVIRA
Anonymous<br />
Spain<br />
Alamaro (chest jewelery)<br />
Gold, enamel, emeralds (one added) pearl, 7.5 x 8.5<br />
cm; 36.96 g<br />
XVII century<br />
Provenance<br />
The Netherlands, Private Collection<br />
Exhibition<br />
Must-sees - Jewellery in the Arts/Must haves, Schmuckmuseum<br />
Pforzheim, 21 May – 10 September 2017<br />
DEBORAH ELVIRA<br />
Plaza de la Iglesia 2<br />
12594 Oropesa del Mar (Castellon)<br />
Tel. +34 96 4313 450<br />
Cel. +34 629 647 279<br />
info@deborahelvira.com<br />
www.deborahelvira.com<br />
DEBORAH ELVIRA
Giovanni Boldini<br />
(Ferrara 1842 – Paris 1931)<br />
A Young Woman Playing the Guitar<br />
Oil on panel, 12.6 x 11.7 cm<br />
XIX century<br />
Signed lower left<br />
Bibliography<br />
E. Camesasca, L’opera completa di Boldini, Milan, 1970,n.19f,<br />
p.91<br />
B. Doria, Giovanni Boldini. Catalogo generale dagli archivi<br />
Boldini, Milan, 2000, n.55<br />
P. Dini, F. Dini, Giovanni Boldini. Catalogo Ragionato, Vol. III,<br />
Turin, 2002, pp.114-115, n.190.<br />
ENRICO GALLERIE D’ARTE<br />
Via Senato 45<br />
20121 Milano<br />
Tel. +39 02 8723 5752<br />
Via Garibaldi 11<br />
16124 Genova<br />
Tel. +39 010 247 0150<br />
enricogallerie@iol.it; angelo@enricogallerie.com<br />
www.enricogallerie.com<br />
ENRICO GALLERIE D’ARTE
Giovanni Boldini<br />
(Ferrara, 1842 – Paris, 1931)<br />
Spring (In the Countryside)<br />
Oil on panel, 67 x 54.4 cm<br />
1872<br />
Signed and dated on lower right<br />
Bibliography<br />
C.L. Ragghianti, E. Camesasca 1970 n. 22B p. 92; E. Piceni,<br />
Boldini 1981 pl. 10; A.-P. Quinsac 1983 pp. 125-126 pl. 49; P.<br />
Dini 1984 p. 66 ill p 108; P. Dini 1986 p. 64; F. Dini 1986 p 181; G.<br />
Marcenaro 1987 p. 54 ill; V P. Dini 1989 n. 66 p. 157; T. Panconi<br />
1998 n. 18/B-4, p. 109; P. Dini, F. Dini 2002 p. 160, tav. XXI ; n.<br />
137 p. 87; R. Campana 2005 pp. 132- 133; R. Campana 2006<br />
pp. 90-91; T. Panconi 2008 p. 56; R. Campana 2009 pp. 104; P.<br />
Serafini 2013 p. 44 p. 109 p. 218; S. Bosi 2015 pp. 26 27; F.Dini<br />
F.Mazzocca 2015 p.210-211; R.Campana 2015 p.338<br />
Exhibitions<br />
1983, Kobe I.-Saitama-Hiroshima-Kitakyushu - 1984, Pistoia -<br />
1986, Montecatini T.-Turin - 1987, Genoa - 2005, Padua, Palazzo<br />
Zabarella - 2006, Castiglioncello - 2009-2010, Roma, Chiostro<br />
del Bramante - 2013-2014, Rovigo - Bordeaux - 2015, Forlì<br />
ENRICO GALLERIE D’ARTE<br />
Via Senato 45<br />
20121 Milano<br />
Tel. +39 02 8723 5752<br />
Via Garibaldi 11<br />
16124 Genova<br />
Tel. +39 010 247 0150<br />
enricogallerie@iol.it; angelo@enricogallerie.com<br />
www.enricogallerie.com<br />
ENRICO GALLERIE D’ARTE
Milanese<br />
An Italian Renaissance Hand and a Half Sword<br />
Overall length 114.3 cm / Blade length 89.5 cm<br />
circa 1490-1500<br />
Surviving early Renaissance swords of a quality comparable<br />
to ours are few in number and invariably associated with persons<br />
of great wealth and rank. Among the most celebrated<br />
of them is a splendid sword in the Rüstkammer, Staatliche<br />
Kunstsammlung Dresden (no. hm.a36), identified in early inventories<br />
of the Saxon Electoral Armoury as that of Graf Leonhard<br />
von Görz (1440–1500).<br />
Dr John Hayward, in his assessment of our sword, observed<br />
that although having affinities with that of Leonhard von<br />
Görz at Dresden, it excels it in richness and is the equal of the<br />
wedding sword of the future Holy Roman Emperor Maximilian<br />
I. It is tantalising, given its opulence, to speculate upon<br />
the identity of its original and obviously wealthy owner.<br />
PETER FINER<br />
38-39 Duke Street – St. James’s<br />
SW1Y 6DF Londra<br />
Tel. +44 207 839 5666<br />
gallery@peterfiner.com; red@peterfiner.com<br />
www.peterfiner.com<br />
PETER FINER
Michele Lorenzoni<br />
(Florence, 1684 – 1737)<br />
An Italian Breech-Loading Repeating Flintlock Gun<br />
Overall length: 150.5 cm / Barrel length: 83 cm<br />
circa 1700<br />
Marked with the ownership monograms of Ferdinando III<br />
de’Medici, Grand Prince of Tuscany (1663–1713)<br />
Little is known of the life of Michele Lorenzoni, which is<br />
strange in the face of his significant accomplishments in the<br />
development of repeating firearms, the extraordinarily high<br />
standard to which they were finished and the distinction of his<br />
court patronage. He worked in Florence from the early 1680s<br />
until late in the 1730s and counted the Princes Medici, among<br />
others, as his patrons.<br />
Provenance<br />
France, Château de Gourdon<br />
PETER FINER<br />
38-39 Duke Street – St. James’s<br />
SW1Y 6DF Londra<br />
Tel. +44 207 839 5666<br />
gallery@peterfiner.com; red@peterfiner.com<br />
www.peterfiner.com<br />
PETER FINER
Francesco Albani<br />
(Bologna 1578 – 1660)<br />
Madonna and Child<br />
Oil on canvas, 116 x 90 cm<br />
circa 1610<br />
Inscription: “Hannibal Caracci”, in ancient handwriting on the<br />
back of the canvas<br />
Provenance<br />
France, Private Collection<br />
Exhibition<br />
Maastricht, The European Fine Art Fair, <strong>2019</strong><br />
FONDANTICO di Tiziana Sassoli<br />
Via de’ Pepoli 6/e<br />
40125 Bologna<br />
Tel. +39 051 265 980<br />
info@fondantico.it<br />
www.fondantico.it<br />
FONDANTICO di Tiziana Sassoli
Gaetano Gandolfi<br />
(San Matteo della Decima, Bologna 1734 - Bologna 1802)<br />
Venus Binds Love<br />
Oil on canvas, 34.5 x 44.5 cm<br />
1770-1772<br />
Preparatory sketch for the ceiling fresco of Casa Gini in Bologna<br />
Exhibition<br />
Maastricht, The European Fine Art Fair, <strong>2019</strong><br />
FONDANTICO di Tiziana Sassoli<br />
Via de’ Pepoli 6/e<br />
40125 Bologna<br />
Tel. +39 051 265 980<br />
info@fondantico.it<br />
www.fondantico.it<br />
FONDANTICO di Tiziana Sassoli
Agnolo di Donnino del Mazziere<br />
(Florence 1466 - 1513)<br />
Allegory of Peace<br />
Panel, 82 x 168.5 cm.<br />
circa 1490<br />
Exhibition<br />
Virtù d’Amore. Pittura nuziale del quattrocento fiorentino,<br />
Galleria dell’Accademia e Museo Horne, 8 June – 1 November<br />
2010<br />
Notificata work by the Soprintendenza per i Beni Artistici e<br />
Storici of Florence<br />
ENRICO FRASCIONE<br />
Via dei Fossi 61/r<br />
50123 Firenze<br />
Tel. +39 055 294 087<br />
enricofrascioneantiquario@gmail.com<br />
ENRICO FRASCIONE
Giovan Pietro da Cemmo<br />
(documented in Lombardy from 1474 to 1507)<br />
Martyrdom of Saint Bartholomew<br />
Parchment, 18 x 19 cm<br />
ENRICO FRASCIONE<br />
Via dei Fossi 61/r<br />
50123 Firenze<br />
Tel. +39 055 294 087<br />
enricofrascioneantiquario@gmail.com<br />
ENRICO FRASCIONE
Urbano da Cortona<br />
(Cortona circa 1425 – Siena 1504)<br />
Coat of Arms of Pio II Piccolomini<br />
Marble, 49.5 x 32.5 x 6 cm<br />
1458-1464<br />
Provenance<br />
Italy, Private Collection<br />
FRASCIONE ARTE<br />
Via Maggio 5/7<br />
50125 Firenze<br />
Tel. +39 055 239 9205<br />
info@frascionearte.com<br />
www.frascionearte.com<br />
FRASCIONE ARTE
Piero di Cosimo<br />
(Florence 1462 – 1522)<br />
Madonna and Child with Young Saint John the Baptist<br />
Oil on panel, 62 x 47 cm<br />
circa 1505<br />
Provenance<br />
Italy, Private Collection<br />
Bibliography<br />
A. Forlani Tempesti - E. Capretti, “Piero di Cosimo: un’opera<br />
ritrovata. I: Il disegno sotto la pittura e gli altri disegni di Piero,<br />
II: Il dipinto” in Arte Cristiana, XC, 808, 2002, pp. 17-29.<br />
D. Geronimus, Piero di Cosimo. Visions Beautiful and Strange,<br />
Yale University Press 2006, p. 285 n. 5.<br />
D. Geronimus, essay 43 exhibition catalogue, Piero di Cosimo<br />
1462-1522. Pittore eccentrico fra Rinascimento e Maniera,<br />
Florence, 2015 pp. 298-299,<br />
A. Delpriori, essay 6 exhibition catalgoue Mestres do<br />
Rinascimiento. Obras-Primas, |CITTÀ, ANNO, pp. 52-53.<br />
Exhibitions<br />
Mestres do Rinascimiento. Obras-Primas Italianas, São Paulo,<br />
Centro Cultural Banco September 2013), Brasilia, Centro<br />
Cultural Banco do Brasil (12 October 2013-5 January 2014).<br />
Piero di Cosimo 1462-1522. Pittore eccentrico fra Rinascimento e<br />
Maniera, Florence, Galleria degli Uffizi, 23 June-27 December<br />
2015.<br />
Notificata according to D. Lgs. 42/2004 with the D.D.R. dated<br />
25/07/2012<br />
FRASCIONE ARTE<br />
FRASCIONE ARTE<br />
Via Maggio 5/7<br />
50125 Firenze<br />
Tel. +39 055 239 9205<br />
info@frascionearte.com<br />
www.frascionearte.com
Gian Francesco Bembo<br />
(Cremona, circa 1480 – after 1543)<br />
Portrait of a Lady with a Dog<br />
Oil on wood panel, 48.6 × 35.5 cm<br />
Provenance<br />
In 1669 the painting entered the collection of the Earl of<br />
Pembroke and Montgomery, at Wilton House, Salisbury<br />
(according to the 1731 catalogue of the collection, it was a<br />
gift, with seven other pictures, from Cosimo III de’ Medici,<br />
Grand Duke of Florence [1642-1723] when he stayed at Wilton<br />
House in 1669); their family sale [The Earl of Pembroke and<br />
Montgomery and the Lord Herbert], Christie’s, London, 22 June<br />
1951, lot 16 (as “Correggio”); private collection; in 1955 the<br />
painting was exhibited in the Paul Larsen Gallery, London (see<br />
Apollo, June 1955); private collection; Bonhams sale, London, 5<br />
July 2017, lot 17 (p. 22, as “Brescian school, 16th Century”).<br />
Bibliography<br />
Carlo Gambarini, A Description of the Earl of Pembroke’s Pictures,<br />
Westminster, 1731, p. 91<br />
Nevile R. Wilkinson, Wilton House Pictures […], 2 vols., London,<br />
1907, I, p. 9, no. 32<br />
Mina Gregori, “Altobello e G. Francesco Bembo”, Paragone, 93,<br />
September 1957, p. 34, fig. 24<br />
Marco Tanzi, “Il crepuscolo degli eccentrici a Cremona”,<br />
Prospettiva, 134-135, 2009, pp. 25, 48, note 5<br />
GALERIE CANESSO<br />
26 rue Laffitte<br />
75009 Paris<br />
Tel. + 33 1 4022 6171<br />
contact@canesso.com<br />
www.canesso.art<br />
Galleria Canesso Lugano<br />
Piazza Riforma 2<br />
6900 Lugano<br />
Tel. +41 091 682 8980<br />
info@galleriacanesso.ch<br />
www.galleriacanesso.ch<br />
GALERIE CANESSO
Guido Reni<br />
(Calvenzano 1575 – Bologna 1642)<br />
Saint Jerome<br />
Oil on canvas, 65.1 x 50 cm<br />
Provenance<br />
London, Christie’s sale, 8 December 2005, lot 45 (as Guido<br />
Reni); private collection.<br />
Bibliography<br />
Véronique Damian, Reni, Vermiglio et Cairo, trois figures<br />
caravagesques. Tableaux italiens du xvie au xviiie siècle, Paris,<br />
Galerie Canesso, 2012, pp. 18-23<br />
Francesca Candi, D’après le guide. Incisioni seicentesche da Guido<br />
Reni, Bologna, 2016, p. 252<br />
Elisabeth Cropper – Lorenzo Pericolo (eds), Malvasia’s Felsina<br />
pittrice, vol. IX: Life of Guido Reni, London<br />
Engraving<br />
By Jean Couvay (Arles, 1622 – Paris, c. 1675 or 1680), published<br />
by François Langlois, called Ciartres (1589-1647) as Guido Reni<br />
(see Cesare Malvasia, Felsina pittrice. Vite de’ pittori bolognesi,<br />
Bologna, 1678, 2nd ed., 1841, I, p. 97, “stampe di Guido Reni”:<br />
“La testa del S. Girolamo, che col sasso nella sinistra si percuote<br />
il petto, sotto: S. HIEROMMUS”).<br />
GALERIE CANESSO<br />
26 rue Laffitte<br />
75009 Paris<br />
Tel. + 33 1 4022 6171<br />
contact@canesso.com<br />
www.canesso.art<br />
Galleria Canesso Lugano<br />
Piazza Riforma 2<br />
6900 Lugano<br />
Tel. +41 091 682 8980<br />
info@galleriacanesso.ch<br />
www.galleriacanesso.ch<br />
GALERIE CANESSO
Francesco Bertos<br />
(Venice 1678 – 1741)<br />
Allegory of a River<br />
Marble, 32.5 x 58 x 24 cm<br />
circa 1700<br />
GALERIE SISMANN OLD MASTER SCULPTURE<br />
33 Quai Voltaire<br />
75007 Parigi<br />
Tel. +33 614 751 869<br />
gabysismann@aol.com; mathieusismann@aol.com<br />
www.galerie-sismann.com<br />
GALERIE SISMANN OLD MASTER SCULPTURE
Attributed to Antonello Gagini<br />
(Palermo 1478 – 1536)<br />
Virgin and Child<br />
Marble with traces of polychromy and gilt,<br />
77 cm<br />
circa 1500<br />
GALERIE SISMANN OLD MASTER SCULPTURE<br />
33 Quai Voltaire<br />
75007 Parigi<br />
Tel. +33 614 751 869<br />
gabysismann@aol.com; mathieusismann@aol.com<br />
www.galerie-sismann.com<br />
GALERIE SISMANN OLD MASTER SCULPTURE
Giulio Aristide Sartorio<br />
(Rome 1860 – 1932)<br />
Morning at the Seaside<br />
Oil on canvas, 91 x 202 cm<br />
1929<br />
Signed and dated bottom left ‘G. A. Sartorio Fregene MCMXXIX’<br />
Provenance<br />
New York, Private Collection<br />
Bibliography<br />
La Galleria Pesaro – Personal exhibition of the painter Giulio<br />
Aristide SARTORIO, Milan 1929, n. 60<br />
G. A. Sartorio. Exhibition of oone hundred paintings, watercolours,<br />
drawings, Milan 1969, n.5.<br />
Exhibition<br />
Galleria Pesaro, 1929<br />
GALLERIA BERARDI<br />
Corso Rinascimento 9<br />
00186 Roma<br />
Tel. +39 06 976 061 27<br />
galleria.berardi@gmail.com<br />
www.maestrionline.it<br />
GALLERIA BERARDI
Francesco Paolo Michetti<br />
(Tocco di Casauria 1851 - Francavilla al Mare 1929)<br />
Aligi<br />
Pastel on paper, 70 x 50 cm<br />
1893<br />
Provenance<br />
De Feo Collection<br />
Bibliography<br />
Ojetti 1910; Sillani 1914; Marangoni 1922; Sillani 1932; Sillani<br />
1934; Lanceri 1938; Rosina 1955; Mammucari 1989; Di Tizio<br />
2007; General Catalogue 2018.<br />
GALLERIA BERARDI<br />
Corso Rinascimento 9<br />
00186 Roma<br />
Tel. +39 06 976 061 27<br />
galleria.berardi@gmail.com<br />
www.maestrionline.it<br />
GALLERIA BERARDI
Daniel Buren<br />
(b. Boulogne-Billancourt 1938)<br />
Peinture et collage sur papier<br />
Situated work; acrylic, graphite, burlap and red paper stuck<br />
on cardboard, 64.6 x 50 cm<br />
April 1964<br />
GALLERIA CONTINUA<br />
Via del Castello 11<br />
53037 San Gimignano<br />
Tel. +39 0577 943 134<br />
valentinas@galleriacontinua.com;<br />
sangimignano@galleriacontinua.com<br />
Dashanzi Art District 798#8503, 2<br />
Jiuxianqiao Road, Chaoyang Dst.<br />
100015 Beijing<br />
Tel. +86 105 978 9505<br />
beijing@galleriacontinua.com<br />
46 Rue de la Ferté Gaucher<br />
77169 Boissy-le-Chatel<br />
Tel. +33 164 203 950<br />
lemoulin@galleriacontinua.com<br />
Rayo 108 entre la Zanja y Dragones<br />
Barrio Chino, Centro Habana<br />
Tel. +53 586 92 922; +53 555 165 07<br />
habana@galleriacontinua.com<br />
www.galleriacontinua.com<br />
GALLERIA CONTINUA
Michelangelo Pistoletto<br />
(b. Biella 1933)<br />
L’alto in basso, il basso in alto<br />
Chair, wood, mirror, iron wire, height: circa 350 cm<br />
1977<br />
GALLERIA CONTINUA<br />
Via del Castello 11<br />
53037 San Gimignano<br />
Tel. +39 0577 943 134<br />
valentinas@galleriacontinua.com;<br />
sangimignano@galleriacontinua.com<br />
Dashanzi Art District 798#8503, 2<br />
Jiuxianqiao Road, Chaoyang Dst.<br />
100015 Beijing<br />
Tel. +86 105 978 9505<br />
beijing@galleriacontinua.com<br />
46 Rue de la Ferté Gaucher<br />
77169 Boissy-le-Chatel<br />
Tel. +33 164 203 950<br />
lemoulin@galleriacontinua.com<br />
Rayo 108 entre la Zanja y Dragones<br />
Barrio Chino, Centro Habana<br />
Tel. +53 586 92 922; +53 555 165 07<br />
habana@galleriacontinua.com<br />
www.galleriacontinua.com<br />
GALLERIA CONTINUA
Pietro Baratta<br />
(Massa 1668 - Carrara 1729)<br />
Holy Family<br />
Terracotta, 51.5 x 26 cm<br />
GALLERIA GOMIERO<br />
Via R. Pilo 11<br />
20129 Milano<br />
Tel. +39 02 205 202 50<br />
info@galleriagomiero.com; diegogomiero@alice.it<br />
GALLERIA GOMIERO
Attilio Selva<br />
(Trieste 1888 – Rome 1970)<br />
Signora Carena<br />
Bronze and cipollino marble, 45 x 34 x 52 cm<br />
1920<br />
GALLERIA GOMIERO<br />
Via R. Pilo 11<br />
20129 Milano<br />
Tel. +39 02 205 202 50<br />
info@galleriagomiero.com; diegogomiero@alice.it<br />
GALLERIA GOMIERO
Pelagio Palagi<br />
(Bologna 1775 - Turin 1860)<br />
Venus, Teacher of Love<br />
Oil on canvas, Tondo diameter 70 cm, with a gilded and<br />
carved frame 98 x 98 cm<br />
First half of the XIX century<br />
Signed on the strip of the quiver<br />
GALLERIA MARLETTA<br />
Piazza S. Felice, 10r<br />
50125 Firenze<br />
Tel. +39 055 294 592<br />
info@alessandromarletta.com; am@alessandromarletta.com<br />
www.alessandromarletta.com<br />
GALLERIA MARLETTA
Giorgio Kienerk<br />
(Florence 1869 – Fauglia 1948)<br />
Vanity<br />
Bronze, height: 78.5 cm<br />
Signed, dated, and titled on base<br />
GALLERIA MARLETTA<br />
Piazza S. Felice, 10r<br />
50125 Firenze<br />
Tel. +39 055 294 592<br />
info@alessandromarletta.com; am@alessandromarletta.com<br />
www.alessandromarletta.com<br />
GALLERIA MARLETTA
Gilberto Zorio<br />
(b. Andomo Micca, 1944)<br />
Africa Star<br />
Terracotta on leather, 160 x 296 cm<br />
1983<br />
Provenance<br />
Florence, Galleria Poggiali<br />
GALLERIA POGGIALI<br />
Via della Scala 35a<br />
Via Benedetta 3r<br />
50123 Firenze<br />
Tel. +39 055 287 748<br />
Foro Buonaparte 52<br />
20121 Milano<br />
Tel. 39 02 7209 5815<br />
Via Garibaldi 8<br />
Via Marconi 50<br />
55045 Pietrasanta<br />
Tel. +39 334 923 6625<br />
info@galleriapoggiali.com<br />
wwwgalleriapoggiali.com<br />
GALLERIA POGGIALI
Gilberto Zorio<br />
(b. Andomo Micca, 1944)<br />
Volcano to Purify Words<br />
Leather, terracotta, javelin, wax, steel, and alcohol,<br />
180 x 383 x 55 cm<br />
1983<br />
GALLERIA POGGIALI<br />
Via della Scala 35a<br />
Via Benedetta 3r<br />
50123 Firenze<br />
Tel. +39 055 287 748<br />
Foro Buonaparte 52<br />
20121 Milano<br />
Tel. 39 02 7209 5815<br />
Via Garibaldi 8<br />
Via Marconi 50<br />
55045 Pietrasanta<br />
Tel. +39 334 923 6625<br />
info@galleriapoggiali.com<br />
wwwgalleriapoggiali.com<br />
GALLERIA POGGIALI
Adolfo Wildt<br />
(Milan 1868 – 1931)<br />
Mater purissima<br />
High relief in white marble (wooden base), 30 x 33 cm<br />
1918<br />
Signed on the side A. Wildt<br />
Bibliography<br />
Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus, 25<br />
March-17 June 1990, Darmstadt, Mathildenhöhe, exhibition<br />
catalogue, ed. P. Mola, Darmstadt 1990, pp. 74-75, ripr.<br />
Exhibition<br />
Adolfo Wildt. Ein Italienischer Bildhauer des Symbolismus,<br />
Darmstadt, Mathildenhöhe, 25 March-17 June 1990<br />
GALLERIA RUSSO<br />
Via Alibert 20<br />
00187 Roma<br />
Tel. +39 06 678 9949<br />
fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it<br />
www.galleriarusso.it<br />
GALLERIA RUSSO
Gino Severini<br />
(Cortona 1883 – Paris 1966)<br />
Self-Portrait<br />
350 x 300 cm<br />
1905<br />
Signed and dated lower left: Severini MCMV<br />
Bibliography<br />
“Avanti della Domenica”, n. 12, 24-05-1906<br />
G. Severini, Tutta la vita di un pittore. I. Roma-Parigi, Milano 1946.<br />
Aspetti dell’arte a Roma, dal 1870 al 1914, exhibition catalogue,<br />
ed. A.M. Damigella et alii, Rome, Palazzo Barberini, De Luca<br />
Editore, Rome 1972, pp. XLIII-LXIII<br />
M. Fagiolo dell’Arco, “Guida all’opera di Gino Severini”, in<br />
Catalogo d’Arte Moderna Italiana Bolaffi, n. 17, Giorgio<br />
Mondadori e Associati, Turin 1981, pp. 449-464, p. 450.<br />
F. Meloni, Gino Severini, tutta l’opera grafica, Libreria Prandi,<br />
Reggio Emilia, 1982, p. 148.<br />
Gino Severini, prima e dopo l’opera. Documenti, opere e immagini,<br />
exhibition catalogue, ed. M. Fagiolo dell’Arco, Cortona, Palazzo<br />
Casali, 12 November 1983 - 22 January 1984, Electa Editrice,<br />
Milan 1983, pp. 15, 142.<br />
D. Fonti, Gino Severini. Catalogo ragionato, Arnoldo Mondadori<br />
Editore, Milan 1988, p. 80, n. 29<br />
GALLERIA RUSSO<br />
Via Alibert 20<br />
00187 Roma<br />
Tel. +39 06 678 9949<br />
fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it<br />
www.galleriarusso.it<br />
GALLERIA RUSSO
Divisionismo Romano, exhibition catalogue, ed. L. Stefanelli<br />
Torossi, Rome, Galleria Arco Farnese, 20 January-31 March 1989,<br />
De luca Edizioni d’Arte, Rome 1989<br />
Gino Severini 1883-1966, exhibition catalogue ed. G. Belli, D.<br />
Fonti, Parigi, Musée de l’Orangerie, 27 April-25 July 2011 and<br />
Rovereto, 17 September 2011-8 January 2012, Silvana Editoriale,<br />
Milan 2011, p. 104.<br />
P. Bolpagni, L’arte nell’”Avanti della Domenica” 1903-1907, Edizioni<br />
Gabriele Mazzotta, Milan 2008, pp. 176, 21<br />
Exhibitions<br />
Gino Severini, prima e dopo l’opera. Documenti, opere e immagini,<br />
Cortona, Palazzo Casali, 12 November 1983 - 22 January 1984<br />
Mostra dei Rifiutati, Ridotto del Teatro Costanzi, Rome, 1905<br />
Divisionismo Romano, Rome, Galleria Arco Farnese, 20<br />
January-31 March 1989<br />
Il volto e l’anima, Rome, Galleria Arco Farnese, 22 May-30 June<br />
1996<br />
Gino Severini 1883-1966, Paris, Musée de l’Orangerie, 27 April-25<br />
July 2011 and Rovereto, 17 September 2011-8 January 2012<br />
GALLERIA RUSSO<br />
Via Alibert 20<br />
00187 Roma<br />
Tel. +39 06 678 9949<br />
fabrizio.russo@galleriarusso.com; cecilia.vilches@galleriacanesso.it<br />
www.galleriarusso.it<br />
GALLERIA RUSSO
Giuseppe Bernardino Bison<br />
(Palmanova del Friuli 1762 – Milan 1844)<br />
River Landscape with a Knight, Ruins and Architecture<br />
Tempera on paper, 43 x 58 cm<br />
GALLERIA SILVA<br />
Via Borgospesso 12<br />
20121 Milano<br />
Tel. +39 02 784 060<br />
galleriasilva@tiscali.it<br />
www.galleriasilva.com<br />
GALLERIA SILVA
Giuseppe Bernardino Bison<br />
(Palmanova del Friuli 1762 – Milan 1844)<br />
Landscape with Ruins, Architecture, and Wayfarers<br />
Tempera on paper, 43 x 58 cm<br />
GALLERIA SILVA<br />
Via Borgospesso 12<br />
20121 Milano<br />
Tel. +39 02 784 060<br />
galleriasilva@tiscali.it<br />
www.galleriasilva.com<br />
GALLERIA SILVA
Carlo Albacini<br />
(Fabriano 1734 (?) – Rome 1813)<br />
Bust of Virgil<br />
Marble, height: 50 cm<br />
circa 1790<br />
Inscribed on the front of the base: “VIRGILIUS”<br />
Provenance<br />
Italy, Private Collection<br />
Bibliography<br />
Valeria Rotili, “Carlo Albacini (Fabriano 1734(?)-Rome 1813),<br />
Bust of Virgil”, in Selected Works from 18th to 20th Century,<br />
Rome, Galleria Carlo Virgilio & Co., <strong>2019</strong>, pp. 30-35<br />
GALLERIA CARLO VIRGILIO & C.<br />
Via della Lupa 10<br />
00186 Roma<br />
Tel. +39 06 687 1093<br />
info@carlovirgilio.it<br />
www.carlovirgilio.it<br />
GALLERIA CARLO VIRGILIO & C.
Master of the San Fernando Academy<br />
(Active in Rome from 1610-20)<br />
Appearance of the Baby Jesus Saint Anthony of Padua<br />
Oil on canvas, 184 x 147 cm<br />
circa 1615-20<br />
Provenance<br />
Italy, Private Collection<br />
Bibliography<br />
Giuseppe Porzio, “Master of the Academia de San Fernando<br />
(active in Rome between 1610s and 1620s), Apparition of Jesus<br />
Child to St Anthony of Padua”, in Selected Works from 17th to<br />
20th Century, Rome, Galleria Carlo Virgilio & Co., 2018, pp. 6-23<br />
GALLERIA CARLO VIRGILIO & C.<br />
Via della Lupa 10<br />
00186 Roma<br />
Tel. +39 06 687 1093<br />
info@carlovirgilio.it<br />
www.carlovirgilio.it<br />
GALLERIA CARLO VIRGILIO & C.
Giuseppe Maria Crespi<br />
(Bologna 1665-1747)<br />
Spinet Player with Admirers<br />
Oil on canvas, 59 x 47.5 cm<br />
GALLO FINE ART<br />
Via Bigli 21<br />
20121 Milano<br />
Tel. +39 02 359 463 70<br />
info@gallofineart.com; info@gallofineart.it<br />
galloarte@gmail.com; grazgallo@gmail.com<br />
www.galloarte.com; www.gallofineart.it<br />
GALLO FINE ART
Bernardino Campi<br />
(Cremona 1522 – Reggio Emilia 1591)<br />
Portrait of Ippolita Gonzaga<br />
Oil on canvas, 115.6 x 90.2 cm<br />
1553/4<br />
GALLO FINE ART<br />
Via Bigli 21<br />
20121 Milano<br />
Tel. +39 02 359 463 70<br />
info@gallofineart.com; info@gallofineart.it<br />
galloarte@gmail.com; grazgallo@gmail.com<br />
www.galloarte.com; www.gallofineart.it<br />
GALLO FINE ART
Giacinto Gigante<br />
(Naples 1806 – 1876)<br />
“Querce a Sorrento (Casarlano)”<br />
Oil on paper laid on canvas, 38 x 53.7 cm<br />
Provenance<br />
Gigante Heirs<br />
Bibliography<br />
Luisa Martorelli “Ottocento da Canova al quarto Stato” M.V.<br />
Marini Clarelli, C. Sisi and F. Mazzocca eds., Roma Scuderia del<br />
Quirinale 2008, pp. 148 and 149.<br />
MICHELE GARGIULO “ANTIQUARIO”<br />
Via C. Poerio 32<br />
80121 Napoli<br />
Tel. +39 081 764 3854<br />
michelegargiulo5@gmail.com<br />
graziagalanterie@alice.it<br />
MICHELE GARGIULO “ANTIQUARIO”
Teodoro Duclere<br />
(Napoli 1812 – Napoli 1869)<br />
Coppia raffigurante “La chiesa di San Erasmo a Pucara / Maiori” e<br />
l’altro raffigura “L’abitato di Vecite”<br />
Olio su carta intelata<br />
Entrambi cm. 42 x cm. 57<br />
MICHELE GARGIULO “ANTIQUARIO”<br />
Via C. Poerio 32<br />
80121 Napoli<br />
Tel. +39 081 764 3854<br />
michelegargiulo5@gmail.com<br />
graziagalanterie@alice.it<br />
MICHELE GARGIULO “ANTIQUARIO”
Trapani<br />
Pair of Capoletti<br />
Gilded copper, coral, and enamel,<br />
20 x 14 cm<br />
XVII century<br />
DARIO GHIO<br />
25 Boulevard Princesse Charlotte<br />
98000 Monte Carlo<br />
Tel. +377 977 040 18<br />
info@darioghio.com<br />
www.darioghio.com<br />
DARIO GHIO
Workshop of the Tipa Brothers<br />
(Trapani end of XVII century, beginning of XVIII<br />
century)<br />
Cleopatra and Didone<br />
Ivory, Sicilian diaspore, and coral, height: 31 cm<br />
Beginning XVIII century<br />
DARIO GHIO<br />
25 Boulevard Princesse Charlotte<br />
98000 Monte Carlo<br />
Tel. +377 977 040 18<br />
info@darioghio.com<br />
www.darioghio.com<br />
DARIO GHIO
François-Xavier Fabre<br />
(Montpellier 1766 – 1837)<br />
Portrait of Louise of Stolberg-Gedern, Countess of<br />
Albany<br />
Oil on canvas, 32.5 x 26 cm<br />
1800<br />
Provenance<br />
London, Private Collection<br />
GIACOMETTI OLD MASTER PAINTINGS<br />
Vico Santa Teresella degli Spagnoli 27<br />
80132 Napoli<br />
Tel. +39 320 372 0492<br />
info@giacomettiomp.com; umbertogiacometti@gmail.com<br />
www.giacomettiomp.com<br />
GIACOMETTI OLD MASTER PAINTINGS
François-Xavier Fabre<br />
(Montpellier 1766 – 1837)<br />
Portrait of Vittorio Alfieri<br />
Oil on canvas, 32.5 x 26 cm<br />
1800<br />
Initials and dated bottom left: “F.X.F. / 1800.”<br />
Provenance<br />
London, Private Collection<br />
GIACOMETTI OLD MASTER PAINTINGS<br />
Vico Santa Teresella degli Spagnoli 27<br />
80132 Napoli<br />
Tel. +39 320 372 0492<br />
info@giacomettiomp.com; umbertogiacometti@gmail.com<br />
www.giacomettiomp.com<br />
GIACOMETTI OLD MASTER PAINTINGS
Monogrammist I.S.<br />
(Active 1632 – 1658)<br />
Portrait of a Woman<br />
Oil on canvas laid on panel, 34 x 27 cm<br />
Provenance<br />
Madrid, Private Collection<br />
London, Sotheby’s, 8 December 2010, Old Master & British<br />
Paintings. Evening Sale, lot 5<br />
London, Private Collection<br />
Bibliography<br />
Arthur Wheelock, “Making Faces: The Development of the<br />
Tronie in Seventeenth-Century Leiden” in Anonymous Portraits:<br />
Dutch Seventeenth-Century Tronies, New York, <strong>2019</strong>, fig. 25.<br />
Reference Bibliography:<br />
Theodor Von Frimmel, “Von Monogrammisten IS” in Blatten für<br />
Gemäldekunde, 1904, pp. 132-133. Werner Sumowski, Gemälde<br />
der Rembrandt-Schüler, vol. IV, Landau-Pfalz, 1983, p. 2548 ff.<br />
Exhibition<br />
On loan to the National Gallery, London, 2011-2018.<br />
NICHOLAS HALL<br />
17 East 76 th Street<br />
NY 10021 New York<br />
Tel. +1 212 772 9100<br />
info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@<br />
nicholashjhall.com<br />
www.nicholashjhall.com<br />
NICHOLAS HALL
Dirck van Baburen<br />
(Utrecht 1592/93 – 1624)<br />
The Philosopher<br />
Oil on canvas, 95.5 x 105 cm<br />
circa 1618 – 1619<br />
Provenance<br />
Rome, Possibly Pietro Cussida Collection<br />
Rome, Possibly by inheritance to Gianfrancesco Cussida, 1622.<br />
Possibly to Laura Cussida, Rome, described in 1624, in a list of<br />
paintings she was to inherit from her deceased father, Gianfrancesco<br />
Cussida, as ‘un quadro con ritratto di un filosofo con cornice indorata’.<br />
Upon Laura Cussida’s marriage, in 1641, to Mario Massimo, the<br />
picture possibly passed to her guardian, Nicolò Gavotti, Rome, until<br />
his death in 1674.<br />
Possibly by inheritance to Carlo Gavotti Collection, Rome, 1674-<br />
1702.<br />
Possibly passed down to the heirs of Carlo Gavotti thereafter, said<br />
to have descended from a noble Tuscan family, at least from the<br />
early nineteenth century.<br />
Pandolfini Florence, 15 October 2013, lot 48, as by a seventeenthcentury<br />
Dutch follower of Caravaggio.<br />
Bibligraphy<br />
Gert Jan van der Sman, Caravaggio and the Painters of the North,<br />
Madrid, Museo Thyssen-Bornemisza, 2016, exh. cat., reproduced<br />
pp. 36-37, fig.17.<br />
Wayne Franits, “A New Painting by Dirck van Baburen,” in The Primacy<br />
of the Image in Northern European Art 1400-1700: Essays in Honor of<br />
Larry Silver, 2017, pp. 436-473, reproduced, fig. 34.1.<br />
NICHOLAS HALL<br />
NICHOLAS HALL<br />
17 East 76 th Street<br />
NY 10021 New York<br />
Tel. +1 212 772 9100<br />
info@nicholashjhall.com; yuan@nichoalshjhall.com; nicholas@<br />
nicholashjhall.com<br />
www.nicholashjhall.com
Venetian School<br />
Pair of Sculptures depicting Moors Holding Cornucopia<br />
resting on bases in the shape of a natural rock<br />
Carved wood, gilded and decorated in polychromy,<br />
height: 170 cm<br />
Middle of XVIII century<br />
Bibliography<br />
For similar examples, see C.Santini “Le Lacche dei Veneziani”<br />
Modena 1993 pp. 238-239<br />
IOTTI ANTICHITÀ<br />
Via Amendola 55/a<br />
42100 Reggio Emilia<br />
Tel. +39 0522 552 838<br />
siottiantichita@libero.it<br />
IOTTI ANTICHITÀ
Genoese School attributed to the Carver,<br />
Bartolomeo Steccone<br />
Pair of Wall Tables with Flowery Alabaster Tops<br />
Carved and gilded wood. Bands adorned with floral festoons,<br />
double volute legs adorned with grotesque macaroni leaning<br />
against a curl, 115 x 55 x 94 cm<br />
XVIII century<br />
Provenance<br />
Castello di Arenzano GE, Duraźzo Pallavicini Collection<br />
Bibliography<br />
For similar examples: see A.Gonzales -Palacios Il mobile in<br />
Liguria. Genoa 1996 pp.115-117, pp. 152-153.<br />
E.Colle, Il mobile barocco in Italia, Milan 2000.p. 209 and<br />
following.<br />
IOTTI ANTICHITÀ<br />
Via Amendola 55/a<br />
42100 Reggio Emilia<br />
Tel. +39 0522 552 838<br />
siottiantichita@libero.it<br />
IOTTI ANTICHITÀ
Francesco Cairo<br />
(Milan 1607 – 1665)<br />
Portrait of a Scholar<br />
Oil on canvas, 67 x 51 cm<br />
circa 1640<br />
Bibliography<br />
F. Frangi, Francesco Cairo, Turin 1998, cat. n. 47, p. 253, fig. 52.<br />
MATTEO LAMPERTICO Arte Antica e Moderna<br />
Via Montebello 30<br />
20121 Milano<br />
Tel. +39 02 365 865 47<br />
info@matteolampertico.it<br />
www.matteolampertico.it<br />
MATTEO LAMPERTICO Arte Antica e Moderna
Giuseppe Capogrossi<br />
(Roma 1900-1972)<br />
Superficie 423<br />
Olio su tela, cm 100 x 85<br />
1961<br />
Provenienza<br />
Milano, Galleria del Naviglio<br />
Bibliografia<br />
G. Ballo, La linea dell’arte italiana: dal simbolismo alle opere<br />
moltiplicate, Roma 1964, vol. II, n. 343, p. 231<br />
G.C. Argan, Capogrossi, Roma 1967, n. 450, p. 189<br />
L.M. Barbero (a cura di), Capogrossi. Una retrospettiva, catalogo<br />
della mostra, Venezia, Collezione Peggy Guggenheim, 29<br />
settembre 2012 - 10 febbraio 2013, Venezia 2012, illustrato p.<br />
162.<br />
Esposizioni<br />
Venezia, XXXI Biennale Internazionale d’Arte, 1962, n. 15, p. 35;<br />
Baden-Baden, Staatliche Kunsthalle, Capogrossi, 1967, n. 33<br />
Ginevra, Galerie George Moos, Capogrossi, 1970.<br />
MATTEO LAMPERTICO Arte Antica e Moderna<br />
Via Montebello 30<br />
20121 Milano<br />
Tel. +39 02 365 865 47<br />
info@matteolampertico.it<br />
www.matteolampertico.it<br />
MATTEO LAMPERTICO Arte Antica e Moderna
Giovanni Paolo Panini<br />
(Piacenza 1691 – Rome 1765)<br />
Capriccio with the Sermon of Saint Peter<br />
Oil on canvas, 98 x 135 cm<br />
Signed bottom left ‘J. P. Panini’<br />
Bibliography<br />
F. Arisi, Gian Paolo Panini e i fasti della Roma del 700, Rome 1986,<br />
184-185.<br />
CESARE LAMPRONTI OLD MASTERS PAINTINGS<br />
44 Duke Street, St. James’s<br />
SW1Y 6DD London<br />
Tel. +44 207 839 2977<br />
info@cesarelampronti.co.uk<br />
www.cesarelampronti.com<br />
Via San Giacomo 22<br />
00187 Roma<br />
Tel. +39 06 322 7194<br />
info@cesarelampronti.it<br />
www.cesarelampronti.it<br />
CESARE LAMPRONTI OLD MASTERS PAINTINGS
Bernardo Bellotto<br />
(Venice 1722 – Warsaw 1780)<br />
Capriccio with a bridge along a river, a tower, and a villa<br />
Oil on canvas, 50.2 x 72 cm<br />
circa 1750<br />
Published by Luigi Salerno as a signed worked by Bernardo<br />
Bellotto, this painting is inspired by the version in the Thyssen<br />
Museum in Madrid.<br />
Provenance<br />
London, Chaucer Fine Art<br />
Bibliography<br />
L. Salerno, I pittori di vedute in Italia (1580-1830), Rome, 1991, p.<br />
214, pl. 62.6<br />
CESARE LAMPRONTI OLD MASTERS PAINTINGS<br />
44 Duke Street, St. James’s<br />
SW1Y 6DD London<br />
Tel. +44 207 839 2977<br />
info@cesarelampronti.co.uk<br />
www.cesarelampronti.com<br />
Via San Giacomo 22<br />
00187 Roma<br />
Tel. +39 06 322 7194<br />
info@cesarelampronti.it<br />
www.cesarelampronti.it<br />
CESARE LAMPRONTI OLD MASTERS PAINTINGS
Tipa Brothers<br />
(Trapani XVIII secolo)<br />
Nativity Scene<br />
Amber, mother of pearl, diaspore, alabaster, 39 x 60 x 40 cm<br />
Provenance<br />
Milan, Private Collection<br />
LEONE<br />
Via S. M. a Cappella Vecchia 49<br />
80121 Napoli<br />
Via D. Morelli 13<br />
80121 Napoli<br />
Tel. e Fax +39 081 764 4244<br />
Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533<br />
info@leoneantiquariato.com; leoneantiquariato@libero.it<br />
www.leoneantiquariato.com<br />
LEONE
Florentine Production of Pietre Dure<br />
(XVI / XVII Century)<br />
Jewelry Box<br />
Ebony, gilded bronze, and pietre dure, 24 x 36 x 21 cm<br />
Beginning of XVII century<br />
Provenance<br />
Naples, Cellammare Palace<br />
LEONE<br />
Via S. M. a Cappella Vecchia 49<br />
80121 Napoli<br />
Via D. Morelli 13<br />
80121 Napoli<br />
Tel. e Fax +39 081 764 4244<br />
Cell. +39 336 846 580, +39 339 6457 827, +39 335 621 4533<br />
info@leoneantiquariato.com; leoneantiquariato@libero.it<br />
www.leoneantiquariato.com<br />
LEONE
Southern Germany<br />
Madonna and Child<br />
Painted cherry wood with traces of gilding,<br />
49 x 15 x 26 cm<br />
circa 1340 – 1350<br />
Provenance<br />
Italy, Private Collection<br />
LONGARI ARTE MILANO<br />
Corso Monforte 23<br />
20122 Milano<br />
Tel. +39 02 896 978 48<br />
Cell. +39 335 5929 301<br />
info@longariartemilano.com<br />
www.longariartemilano.com<br />
LONGARI ARTE MILANO
Burgundy or Southern Germany<br />
Blessing Christ<br />
Ivory, 11.8 x 6.5 x 4.7 cm<br />
Second half of XV century<br />
Under the sculpture, between its feet, there is a series of<br />
numbers, possible referring to old inventory numbers.<br />
Provenance<br />
Italy, Private Collection<br />
Bibliography<br />
Comparison Bibliography: Sculptures Souabes 2015 -<br />
Sculptures Souabes de la fin du Moyen Âge, exhibition<br />
catalogue edited by D. Berné (Paris, Musée de Cluny, 1<br />
April-27 July 2015), RMN, Paris 2015.<br />
LONGARI ARTE MILANO<br />
Corso Monforte 23<br />
20122 Milano<br />
Tel. +39 02 896 978 48<br />
Cell. +39 335 5929 301<br />
info@longariartemilano.com<br />
www.longariartemilano.com<br />
LONGARI ARTE MILANO
Umberto Brunelleschi<br />
(Montemurlo 1879 – Paris 1949)<br />
Self-portrait holding a Mask<br />
Oil on canvas, 60 x 49 cm<br />
1920<br />
Signed lower right ‘Brunelleschi 1920’<br />
Provenance<br />
Florence, Ugo Ojetti Collection<br />
Florence, Private Collection<br />
Bibliography<br />
Maurizio Fagiolo dell’Arco, Les Italiens de Paris: De Chirico e gli<br />
altri a Parigi nel 1930 Palazzo Martinengo, Brescia, 1998, Skira<br />
Editore, p. 162, photo 28.<br />
LULLO • PAMPOULIDES<br />
33 Cork Street, Mayfair<br />
W1S 3NQ London<br />
Tel. +44 207 494 2551<br />
info@lullopampoulides.com; cs@lullopampoulides.com; mz@<br />
lullopampoulides.com<br />
www.lullopampoulides.com<br />
LULLO • PAMPOULIDES
Giovanni Battista Langetti<br />
(Genoa 1635 – Venice 1676)<br />
Diogenes<br />
Oil on canvas, 102 x 123 cm<br />
LULLO • PAMPOULIDES<br />
33 Cork Street, Mayfair<br />
W1S 3NQ London<br />
Tel. +44 207 494 2551<br />
info@lullopampoulides.com; cs@lullopampoulides.com; mz@<br />
lullopampoulides.com<br />
www.lullopampoulides.com<br />
LULLO • PAMPOULIDES
Flaminio Torre<br />
(Bologna 1620 – Modena 1661)<br />
Nativity<br />
Oil on canvas, diameter: 114 cm<br />
The attribution was confirmed by Prof. Daniele Benati who<br />
considers the work to be a masterpiece of the artist.<br />
ENRICO LUMINA<br />
Via San Tomaso 76-78<br />
24121 Bergamo<br />
Tel.+39 035 230 156<br />
info@enricolumina.com<br />
www.enricolumina.com<br />
ENRICO LUMINA
Lavinia Fontana<br />
(Bologna 1552 – Roma 1614)<br />
Portrait of Gerardo Giavarini<br />
Oil on canvas, 130 x 103 cm<br />
1598<br />
The attribution was confirmed by Dott.essa Maria Teresa<br />
Cantaro and by Dott. Angelo Mazza.<br />
ENRICO LUMINA<br />
Via San Tomaso 76-78<br />
24121 Bergamo<br />
Tel.+39 035 230 156<br />
info@enricolumina.com<br />
www.enricolumina.com<br />
ENRICO LUMINA
Ludovico Gimignani<br />
(Rome 1643 – Zagarolo 1697)<br />
Rinaldo Abandons Armida<br />
Oil on canvas, 70 x 50 cm<br />
Provenance<br />
Germany, Art Market<br />
FABIO MASSIMO MEGNA<br />
Via del Babuino 148/a<br />
00187 Roma<br />
Tel. +39 06 361 3775<br />
contact@galleriamegna.it;<br />
tommaso@galleriamegna.it<br />
www.galleriemegna.it<br />
FABIO MASSIMO MEGNA
Giovanni Lanfranco<br />
(Parma 1582 – Rome 1647)<br />
Madonna and Child with Two Angels<br />
Oil on copper, 21 x 16 cm<br />
circa 1617<br />
Provenance<br />
France, Art Market<br />
FABIO MASSIMO MEGNA<br />
Via del Babuino 148/a<br />
00187 Roma<br />
Tel. +39 06 361 3775<br />
contact@galleriamegna.it;<br />
tommaso@galleriamegna.it<br />
www.galleriemegna.it<br />
FABIO MASSIMO MEGNA
Liberale da Verona<br />
(Verona, circa 1445 - 1527/1529)<br />
Predella with a Baby and Flowers<br />
Oil on panel, 17 x 35.5 cm<br />
circa 1470<br />
Provenance<br />
Germany, Private Collection<br />
MEHRINGER - BENAPPI<br />
Georgenstrasse 24<br />
80799 Monaco<br />
Tel. +49 89 987 431<br />
Cell. +49 171 492 4263<br />
mail@sashamehringer.com<br />
www.sashamehringer.com<br />
27 Dover Street<br />
W1S 4LS Londra<br />
Tel. +44 203 865 2953<br />
Via A. Doria 10<br />
10123 Torino<br />
Tel. +39 011 883 262<br />
london@benappi.com; info@benappi.<br />
com<br />
www.benappi.com<br />
MEHRINGER - BENAPPI
Lorenzo Bartolini<br />
(Savignano di Prato 1777 – Florence 1850)<br />
Idealised Head of Beatrice<br />
(Portrait of Juliette Récamier as Beatrice)<br />
Marble, 47 cm<br />
Signed along the edge on the right side: “L. BARTOLINI”<br />
Provenance<br />
Private Collection<br />
MEHRINGER - BENAPPI<br />
Georgenstrasse 24<br />
80799 Monaco<br />
Tel. +49 89 987 431<br />
Cell. +49 171 492 4263<br />
mail@sashamehringer.com<br />
www.sashamehringer.com<br />
27 Dover Street<br />
W1S 4LS Londra<br />
Tel. +44 203 865 2953<br />
Via A. Doria 10<br />
10123 Torino<br />
Tel. +39 011 883 262<br />
london@benappi.com; info@benappi.<br />
com<br />
www.benappi.com<br />
MEHRINGER - BENAPPI
Gregorio di Lorenzo<br />
(Florence circa 1436 – Forlì circa 1504)<br />
Blessing Christ<br />
Low-relief medallion in pietra serena, diameter 75 cm<br />
1475<br />
Provenance<br />
Florence, Oratory of the Compagnia di Gesù Pellegrino at the<br />
Church of Santa Maria Novella<br />
Florence, Carlo De Carlo Collection<br />
Rome, Giorgio Corsi Collection<br />
Bibliography<br />
U. Middeldorf, “Gesù Pellegrino. A Quattrocento Sculpture<br />
Rediscovered”, in Apollo CVIII, 1978, pp. 382-383<br />
G. Gentilini, I Della Robbia. La scultura invetriata nel<br />
Rinascimento, Firenze 1992, p. 175<br />
L. Pisani, “Per il Maestro delle Madonne di Marmo”, In<br />
Prospettiva, 106-107, 82002), pp. 144-165<br />
A. Bellandi, Gregorio di Lorenzo. Il Maestro delle Madonne di<br />
marmo, Selective Art Ed. 2010, p.407.<br />
SANDRO MORELLI<br />
Via Maggio 59r<br />
50125 Firenze<br />
Tel. +39 055 282 789<br />
sanmorelli@gmail.com<br />
SANDRO MORELLI
Pietro Befulco (attributed to)<br />
(Naples documented from 1471 to 1503)<br />
Saint John the Baptist in Adoration<br />
Tempera on panel, 113 x 77 cm<br />
XV century<br />
Provenance<br />
Private Collection<br />
Bibliography<br />
D. Catalano, M. Ceriana, P. Leone De Castris, M. Ragozzino<br />
(eds.), Rinascimento visto da Sud. Matera, l’Italia meridionale e<br />
il Mediterraneo tra ‘400 e ‘500 exhibition catalogue, Ed. Arte’m,<br />
Napoli, <strong>2019</strong><br />
Exhibition<br />
Rinascimento visto da Sud. Matera, l’Italia meridionale e il<br />
Mediterraneo tra ‘400 e ‘500 - Matera, Palazzo Lanfranchi -<br />
aprile/ settembre <strong>2019</strong><br />
SANDRO MORELLI<br />
Via Maggio 59r<br />
50125 Firenze<br />
Tel. +39 055 282 789<br />
sanmorelli@gmail.com<br />
SANDRO MORELLI
Pietro da Cortona<br />
(Cortona 1596 - Rome 1669)<br />
Portrait of Cardinal Mazzarino<br />
Oil on canvas, 126 x 102 cm<br />
Provenance<br />
Turin, Lazzaroni Collection<br />
This work is Notificata.<br />
MORETTI<br />
Flat 14, 2-10 Ryder Street, St. James’s<br />
SW1Y 6QB London<br />
Tel. +44 207 491 0533<br />
Park Palace – 27 Avenue de la<br />
Costa<br />
98000 Monte Carlo<br />
Tel. +377 999 909 70<br />
Piazza Ottaviani 17r<br />
50123 Firenze<br />
Tel. +39 055 265 4277<br />
enquiries@morettigallery.com<br />
www.morettigallery.com<br />
MORETTI
Gian Domenico Cerrini<br />
(Perugia 1609 - Rome 1681)<br />
Penitent Saint Jerome<br />
Oil on canvas, 97 x 83 cm<br />
1661<br />
The octagonal format reveals a provenance from a Florentine<br />
base of collecting. Cerrini came to Florence after being called<br />
by the Medici for whom he produced many works. The theme<br />
of Saint Jerome was dear to the painter and two painting with<br />
this subject were in the Medici collections. The dating of 1661<br />
corresponds to the painter’s second sojourn in Florence.<br />
Provenance<br />
Florence, Private Collection<br />
MAURIZIO NOBILE<br />
Via Santo Stefano 19/a<br />
40125 Bologna<br />
Tel. +39 051 238 363<br />
bologna@maurizionobile.com<br />
www.maurizionobile.com<br />
34 rue de Penthièvre<br />
75008 Paris<br />
Tel. +33 01 4563 0775<br />
paris@maurizionobile.com<br />
MAURIZIO NOBILE
Giovan Battista Foggini<br />
(Florence 1652 – 1725)<br />
Lot, the angels, and his daughters fleeing Sodoma<br />
Terracotta, 40 x 93.5 cm<br />
1680-1690<br />
Perhaps these terracotta were originally above the doors of<br />
a chapel. A pendant representing The Sacrifice of Noah is<br />
kept at the Royal Ontario Museum in Toronto, and another<br />
terracotta depicting The Drunkeness of Noah was sold<br />
decades ago in New York. The style shows influences of<br />
the artist’s Roman apprenticeship with Ciro Ferri and Ercole<br />
Ferrata.<br />
Provenance<br />
San Gimignano, Massimo Vezzosi<br />
Massimo Foggini (artist’s descendent)<br />
Paris, Christie’s, 16 June 2015, lot 114<br />
Exhibitions<br />
Arte Antica, Arte Antica ‘93<br />
Biennale di Antiquariato, 27 February- 7 March 1993, p. 113<br />
MAURIZIO NOBILE<br />
Via Santo Stefano 19/a<br />
40125 Bologna<br />
Tel. +39 051 238 363<br />
bologna@maurizionobile.com<br />
www.maurizionobile.com<br />
34 rue de Penthièvre<br />
75008 Paris<br />
Tel. +33 01 4563 0775<br />
paris@maurizionobile.com<br />
MAURIZIO NOBILE
Massimiliano Soldani Benzi<br />
(Montevarchi 1656 – 1740)<br />
Bacchus (from the sculpture by Jacopo Sansovino in the<br />
Bargello<br />
Bronze, height 33.4 cm<br />
Provenance<br />
Massimiliano Soldani for the Salviati Dukes<br />
From the Salviati Dukes by inheritance to the Colonna<br />
CARLO ORSI<br />
Via Bagutta 14<br />
20121 Milano<br />
Tel. +39 02 760 022 14<br />
info@galleriaorsi.com<br />
www.galleriaorsi.com<br />
CARLO ORSI
Domenico Beccafumi<br />
(Siena 1486 – 1551)<br />
Holy Family with Young Saint John the Baptist<br />
Oil on panel, 86.2 x 75 cm<br />
Provenance<br />
Siena, Girolamo Bargagli<br />
Siena, Private Collection<br />
Exhibition<br />
Siena, 1904<br />
CARLO ORSI<br />
Via Bagutta 14<br />
20121 Milano<br />
Tel. +39 02 760 022 14<br />
info@galleriaorsi.com<br />
www.galleriaorsi.com<br />
CARLO ORSI
Lorenzo Pasinelli<br />
(Bologna 1629 – 1700)<br />
The Nobility<br />
Oil on canvas, 74 x 62 cm<br />
The very rare subject is described by Cesare Ripa in his<br />
Iconologia under the heading of Nobility: “Women … dressed<br />
honestly in black, will carry two crowns in her hand, one of<br />
gold, the other of silver. For the two crowns, we see the goods<br />
of the coul, and those of the body, with together make it<br />
nobility.”<br />
Provenance<br />
Bologna, Casa Salina<br />
ORSINI arte e libri<br />
Via Cappuccio 18<br />
20123 Milano<br />
Tel. +39 02 897 773 54<br />
info@orsiniartelibri.it<br />
www.orsiniartelibri.it<br />
ORSINI arte e libri
Giuseppe Bezzuoli<br />
(Florence 1784 – 1855)<br />
Self-Portrait with Fur<br />
Oil on canvas, 59 x 49.5 cm<br />
This painting, which belonged to the painter’s heirs, was<br />
exhibited in the famous collection of self-portraits of the Vasari<br />
Corridor of the Uffizi from 1827 – 1839 when Bezzuoli decided<br />
to replace it with the one currently exhibited “closer to his<br />
mature effigy than a famous man”.<br />
Provenance<br />
Parri-Macciò-Bezzuoli Family<br />
Bibliography<br />
M. Missirini, Quadro delle Arti Toscane dalla loro restaurazione<br />
fino ai tempi nostri, Forlì 1837<br />
U. Ojetti, in “Dedalo”, I, vol. 1, 1920, p. 274<br />
Gli Uffizi. Catalogo generale, I, Florence 1979, p. 809, A-101<br />
Labyrinthos, 10, 1986, p. 95 (fig.)<br />
G.L. Mellini, Notti romane, Florence 1992, pp. 283 (fig.), 365.<br />
Exhibition<br />
Romantici e Macchiaioli. Giuseppe Mazzini e la grande pittura<br />
europea. Genova, Palazzo Ducale, 21 ottobre 2005 - 12 febbraio<br />
2006.<br />
ORSINI arte e libri<br />
Via Cappuccio 18<br />
20123 Milano<br />
Tel. +39 02 897 773 54<br />
info@orsiniartelibri.it<br />
www.orsiniartelibri.it<br />
ORSINI arte e libri
Felice Giani<br />
(San Sebastiano Curone 1758 – Rome 1823)<br />
Saint Florian, accompanied by Saint Petronius, intercedes<br />
with the Virgin for the cessation of the plague in the city<br />
of Bologna<br />
Oil on canvas, 36 x 30.5 cm<br />
circa 1790<br />
WALTER PADOVANI<br />
Via Santo Spirito 26/a<br />
20121 Milano<br />
Tel. +39 02 763 189 07<br />
galleria@walterpadovani.it<br />
www.walterpadovani.it<br />
WALTER PADOVANI
Giovanni Bonazza<br />
(Venice 1654 – Padua 1736)<br />
A Reclining Female Figure or Venus<br />
Marble, base in base in “Bleu Turquin” marble and gilded<br />
bronze, 47 x 20 x 23.5 cm<br />
France, beginning of XIX century<br />
WALTER PADOVANI<br />
Via Santo Spirito 26/a<br />
20121 Milano<br />
Tel. +39 02 763 189 07<br />
galleria@walterpadovani.it<br />
www.walterpadovani.it<br />
WALTER PADOVANI
Gaspard Dughet<br />
(Rome 1615 – 1675)<br />
Landscape with Saint John the Baptist<br />
Oil on canvas, 160 x 233 cm<br />
XVII century<br />
Inscribed lower left with 191, corresponding with the 1701<br />
inventory.<br />
This painting was part of a group of 24 large canvases<br />
commissioned by the Marquis of Castel Rodrigo, Spanish<br />
Ambassador to Rome from 1632 to 1641 during the reign of Philip<br />
IV of Spain, to decorate the Buen Retiro Palace. The ambassador<br />
commissioned the most famous landscape painters working in<br />
Rome during the period, firstly Poussin and Lorrain, as well as<br />
Lemaire, Swanevelt Jan Both and Dughet, Poussin’s brother in<br />
law, who executed two paintings: ‘Landscape with Saint John<br />
the Baptist’ and a ‘Landscape with a hermit’, now in the Prado.<br />
Nine of the twenty-four paintings are in the same museum.<br />
Between 1639 and 1641, the Marquis of Castel Rodrigo spent<br />
5900 ducats, as reported by il Baldinucci. The painter of the<br />
figures within Dughet’s two landscapes is yet to be identified.<br />
Provenance<br />
Madrid, King Philip IV, Buen Retiro Palace<br />
Bibliography<br />
F. Baldinucci, Notizie de ‘ Professori del disegno…, Florence 1974,<br />
p. 302, VII; p. 126<br />
A.E. Perez Sanchez, Pittura italiana del siglo XVII en Espana,<br />
Madrid 1965, p. 276<br />
A. PALLESI ART GALLERY<br />
Le Park Palace – 6 Impasse de la Fontaine<br />
98000 Monte Carlo<br />
Tel. +377 977 715 77<br />
info@galleria-pallesi.com<br />
www.galleria-pallesi.com<br />
A. PALLESI ART GALLERY
Carlo Socrate<br />
(Mezzana Bigli 1889 – Rome 1967)<br />
A Small Concert<br />
Oil on canvas, 114 x 137 cm<br />
1920’s<br />
Signed Bottom Right ‘C. Socrate’<br />
Provenance<br />
Private Collection<br />
A. PALLESI ART GALLERY<br />
Le Park Palace – 6 Impasse de la Fontaine<br />
98000 Monte Carlo<br />
Tel. +377 977 715 77<br />
info@galleria-pallesi.com<br />
www.galleria-pallesi.com<br />
A. PALLESI ART GALLERY
Antonio Mancini<br />
(Rome 1852-1930)<br />
Chimney Sweep<br />
Oil on canvas, 63 x 50 cm<br />
Signed right centre: A. Mancini<br />
Bibliography<br />
Galleria D’Arte Fogliato catalogue, Turin 1958, pl. XXXIV, listed at<br />
number 67 with the title “Testa di Fanciullo”<br />
Mario Borgiotti and Paul Nicholls, La Donna e i Bimbi nell’Arte del<br />
nostro ottocento pittorico, Milan 1969, pl. 184<br />
Exhibition<br />
Pittori dell’800 at Galleria d’Arte Fogliato, Turin January 1958<br />
PARRONCHI DIPINTI ‘800-‘900 S.r.l.<br />
Via dei Fossi 18r<br />
50123 Firenze<br />
Tel. +39 055 215 109<br />
turatiarte@tin.it<br />
www.galleriaparronchi.it<br />
PARRONCHI DIPINTI ‘800-‘900 S.r.l.
Armando Spadini<br />
(Florence 1883- 1925)<br />
Florentine Self Portrait<br />
Oil on canvas, 102 x 75 cm<br />
circa 1901-1902<br />
Initialed A.S.<br />
Provenance<br />
Rome, Fiano Collection<br />
Bibliography<br />
La raccolta Fiano, Enrico Somaré, Galleria Pesaro, Milan, 1933<br />
Pl. 65<br />
Magazine “L’Arte” founder A. Venturi, January-August 1956<br />
Pitture e sculture dell’800 Editrice Saletta D’Arte Gonnelli,<br />
Florence, 1958<br />
Leonardo Borghese -Orio Vergani, Spadini nella vita e nelle opere,<br />
Milan, 1946, pl. II<br />
Exhibition<br />
Celebrative Exhibition Armando Spadini, Milan 1945<br />
PARRONCHI DIPINTI ‘800-‘900 S.r.l.<br />
Via dei Fossi 18r<br />
50123 Firenze<br />
Tel. +39 055 215 109<br />
turatiarte@tin.it<br />
www.galleriaparronchi.it<br />
PARRONCHI DIPINTI ‘800-‘900 S.r.l.
Luca Giordano<br />
(Naples 1634 – 1705)<br />
Philosopher<br />
Oil on canvas, 101 x 79.5 cm<br />
PIVA & C.<br />
Via Bigli 7<br />
20121 Milano<br />
Tel. +39 02 760 006 78<br />
Via Meravigli, ingresso da Via San Giovanni sul Muro<br />
20121 Milano<br />
Tel. +39 02 366 326 93<br />
info@pivaec.it<br />
www.pivaec.it<br />
PIVA & C.
Giuseppe Maggiolini<br />
(Parabiago, Milan 1738 – 1814)<br />
Pair of inlaid Cabinets with Marble Tops<br />
Legs in walnut inlaid with bois de rose, rosewood, maple,<br />
maple dyed green, boxwood and other essenses,<br />
83.4 x 60.5 x 33 cm<br />
1787<br />
PIVA & C.<br />
Via Bigli 7<br />
20121 Milano<br />
Tel. +39 02 760 006 78<br />
Via Meravigli, ingresso da Via San Giovanni sul Muro<br />
20121 Milano<br />
Tel. +39 02 366 326 93<br />
info@pivaec.it<br />
www.pivaec.it<br />
PIVA & C.
PORCINI<br />
PORCINI<br />
Piazza Vittoria 6<br />
80121 Napoli<br />
Tel. +39 081 764 3550<br />
info@porcinigallery.com<br />
www.porcinigallery.com
Francesco De Mura<br />
(Naples 1696 – 1782)<br />
Portrait of Raimondo di Sangro Prince of Sansevero<br />
Oil on canvas, 92 x 73 cm<br />
PORCINI<br />
Piazza Vittoria 6<br />
80121 Napoli<br />
Tel. +39 081 764 3550<br />
info@porcinigallery.com<br />
www.porcinigallery.com<br />
PORCINI
Andrea di Michelangelo Ferrucci<br />
(Fiesole 1559 – Florence 1626)<br />
Ring with faces and vegetables inserts<br />
White marble, height: circa 43 cm<br />
Post-1590<br />
GIOVANNI PRATESI ANTIQUARIO<br />
Via Maggio 13<br />
50125 Firenze<br />
Tel. +39 055 239 6568<br />
giovannipratesi@inwind.it<br />
GIOVANNI PRATESI ANTIQUARIO
IL QUADRIFOGLIO<br />
IL QUADRIFOGLIO<br />
Via C. Pisacane 40<br />
20129 Milano<br />
Tel. +39 02 295 180 31<br />
info@gqfineart.com<br />
www.galleriailquadrifoglio.com
Pietro Baratta<br />
(Massa 1668 – Carrara 1729)<br />
Saint Catherine of Alexandria and Saint<br />
Terracotta, heights: 35 cm and 37 cm<br />
Bibliography<br />
A. Bacchi, ‘Pietro Baratta, Santa Caterina d’Alessandria - Figura<br />
di Santa’, in A. Bacchi, ed., A Taste For Sculpture V, London 2018,<br />
pp. 72-83 , n. 11-12.<br />
IL QUADRIFOGLIO<br />
Via C. Pisacane 40<br />
20129 Milano<br />
Tel. +39 02 295 180 31<br />
info@gqfineart.com<br />
www.galleriailquadrifoglio.com<br />
IL QUADRIFOGLIO
Rembrandt Bugatti<br />
(Milan 1884 – Paris 1916)<br />
Vache Meuglant<br />
Lost wax bronze without a foundry stamp, patina in shades of<br />
brown, 35 x 17 x 22 cm<br />
1901<br />
Bronze edition Galleria Grubicy ( 1889-1922). Bellowing cow<br />
(similar to that place at the head of a group of four cows in the<br />
“Return from the Pasture”). Signed on the base BRembrandt<br />
and dated 1901. Number 4. .Weight: 7.6 kg<br />
Provenance<br />
Milan, Private Collection<br />
Bibliography<br />
Jacques-Chalom Des Cordes e Véronique Fromager Des<br />
Cordes, Rembrandt Bugatti, Les Editions de l’Amateur, p 21<br />
ROBERTAEBASTA<br />
Via Fiori Chiari 2<br />
20121 Milano<br />
Tel. +39 02 861 593<br />
info@robertaebasta.com<br />
85 Pimlico Road<br />
SW1W 8PH London<br />
london@robertaebasta.com<br />
www.robertaebasta.com<br />
ROBERTAEBASTA
Raymond Delamarre<br />
(Paris 1890 - 1986)<br />
Les Connaissances Humaines<br />
Gold patinated plaster, 70 x 38 x 125 cm; 61 x 31 x 124 cm; 67 x<br />
36 x 126 cm<br />
France, 1937<br />
Three extraordinary and important sculptures from the artist’s<br />
studio-workshop. Unique pieces preparatory, finished, dated<br />
and signed for the making of the Chaillot large sculptures.<br />
ROBERTAEBASTA<br />
Via Fiori Chiari 2<br />
20121 Milano<br />
Tel. +39 02 861 593<br />
info@robertaebasta.com<br />
85 Pimlico Road<br />
SW1W 8PH London<br />
london@robertaebasta.com<br />
www.robertaebasta.com<br />
ROBERTAEBASTA
Orazio Gentileschi<br />
(Pisa 1563 – London 1639)<br />
Saint Jerome<br />
Oil on canvas, 126.5 x 111.5 cm<br />
ROBILANT+VOENA<br />
38 Dover Street<br />
W1S 4NL London<br />
Tel. +44 207 409 1540<br />
art@robilantvoena.com<br />
Via Fontana 16<br />
20122 Milano<br />
Tel. +39 02 805 6179<br />
Via Serlas 35<br />
7500 St. Moritz<br />
Tel. +41 81 833 3436<br />
info@robilantvoena.com<br />
www.robilantvoena.com<br />
ROBILANT+VOENA
Spinello Aretino<br />
(Arezzo 1350 - 1410)<br />
Saint John<br />
Tempera on panel, 115 x 32 cm<br />
ROBILANT+VOENA<br />
38 Dover Street<br />
W1S 4NL London<br />
Tel. +44 207 409 1540<br />
art@robilantvoena.com<br />
Via Fontana 16<br />
20122 Milano<br />
Tel. +39 02 805 6179<br />
Via Serlas 35<br />
7500 St. Moritz<br />
Tel. +41 81 833 3436<br />
info@robilantvoena.com<br />
www.robilantvoena.com<br />
ROBILANT+VOENA
Giulio Benso<br />
(Pieve di Teco 1592 – 1668)<br />
Stoning of Saint Stephen<br />
Black pencil, pen, brown ink, brush and watercolour ink, white<br />
paper, 210 x 192 mm<br />
On the reverse in back at the bottom: “N 65 Gio. Batta Paggi”<br />
“Collezione Santo Varni”,<br />
Provenance<br />
Genoa, Santo Varni Collectioin<br />
Bologna, Franchi Collection<br />
Bibliography<br />
M. Newcome – S. Bareggi, Artisti a Genova. Disegni dal XVI al<br />
XVIII secolo, exhibition catalogue, Milan 1985, pp. 22-23<br />
P. Boccardo in ... di Bella mano. Disegni antichi dalla collezione<br />
Franchi, exhibition catalogue, Bologna 1997, pp. 76-77, essay<br />
34<br />
V. Frascarolo, Genova Disegnatrice. Considerazioni sugli allievi di<br />
Giovanni Battista e l’Accademia di Giovan Carlo Doria, in Disegno<br />
genovese. Dal Bergamasco all’Accademia di Paggi, ed. D. Sanguineti,<br />
Genoa 2018, pp. 28-30.<br />
ROMANO FINE ART<br />
Borgo Ognissanti 36<br />
50123 Firenze<br />
Tel. +39 055 239 6006<br />
info@romanofineart.com<br />
www.romanofineart.com<br />
ROMANO FINE ART
Taddeo Zuccari<br />
(Sant’Angelo in Vado 1529 – Rome 1566)<br />
Study of a seated nude on an architectoral base, to be use<br />
for a prophet or an evangelist<br />
Blood on ivory wire rod paper, 396 x 265 mm<br />
1553 – 1556<br />
Provenance<br />
England, Private Collection<br />
ROMANO FINE ART<br />
Borgo Ognissanti 36<br />
50123 Firenze<br />
Tel. +39 055 239 6006<br />
info@romanofineart.com<br />
www.romanofineart.com<br />
ROMANO FINE ART
Workshop of Sandro Botticelli<br />
(Florence, 1470 – 1480)<br />
Madonna and Child<br />
Tempera on panel, 60 x 32.8 cm<br />
Provenance<br />
Berlin, Benedict & Co Collection, 1928<br />
Florence, Luigi Grassi Gallery, 1928 – 1937<br />
New York, Sotheby’s 1982<br />
Montefalco, Perugia, Cardone Collection, 1987 (not 1997 as<br />
erroneously written by Zeri)<br />
Lombardy, Private Collection<br />
Bibliography<br />
Fototeca Zeri, sheet number 14503 as School of Botticelli<br />
Written opinion by Mina Gregori, 1985<br />
ROMIGIOLI ANTICHITÀ<br />
Viale Toselli 68<br />
20025 Legnano (Milano)<br />
Cel. +39 348 412 8148<br />
romigioli@romigioli.it<br />
www.romigioli.it<br />
ROMIGIOLI ANTICHITÀ
Ventura di Moro<br />
(Florence 1399 – 1486)<br />
Enthroned Madonna with Six Saints<br />
Tempera on panel, gold ground, 87.7 x 54.4 cm<br />
circa 1430<br />
Provenance<br />
Zurich, Private Collection<br />
SALAMON & C.<br />
Palazzo Cicogna<br />
Via San Damiano 2, primo piano<br />
20122 Milano<br />
Tel. +39 02 760 246 38<br />
info@salamon.it; matteo@salamon.it<br />
www.salamon.it<br />
SALAMON & C.
Cecco Bravo<br />
(Florence 1601 – Innsbruck 1661)<br />
Arianna Abandoned by Teseo<br />
Oil on canvas, 40 x 60 cm<br />
circa 1640<br />
Provenance<br />
Milan, Private Collection<br />
SALAMON & C.<br />
Palazzo Cicogna<br />
Via San Damiano 2, primo piano<br />
20122 Milano<br />
Tel. +39 02 760 246 38<br />
info@salamon.it; matteo@salamon.it<br />
www.salamon.it<br />
SALAMON & C.
Anton Maria Vassallo<br />
(Genoa 1617/8 – Milan 1660)<br />
Pan and Syrinx<br />
Oil on copper, diameter 25 cm<br />
Second half of the XVII century<br />
Provenance<br />
Collection of Cattaneo Adorno Giustiniani<br />
SANTA TECLA<br />
Via dei Savonarola 66<br />
35137 Padova<br />
Tel. +39 049 856 1460<br />
santateclaltd@gmail.com<br />
SANTA TECLA
Workshop of Antonio Canova<br />
(Possagno 1757 – Venice 1822)<br />
Bust of Paris<br />
Marble, 70 cm<br />
Provenance<br />
England, Noble Collection<br />
SANTA TECLA<br />
Via dei Savonarola 66<br />
35137 Padova<br />
Tel. +39 049 856 1460<br />
santateclaltd@gmail.com<br />
SANTA TECLA
Gerolamo Cenatempo<br />
(? – Naples 1744)<br />
Delilah with the Conquered Samson<br />
Oil on canvas, 151.5 x 258.5 cm<br />
1713<br />
Signed and Dated: “Hieronimus Cenatempo f. 1713”.<br />
Follower of Luca Giordano, he was born between 1680 and<br />
1690, and is documented from the first time in 1705 when<br />
he signed up to the Confraternity of Saints Anne and Luke of<br />
Naples. He is last documented in 1742. Recent studies show<br />
the presence of these canvases with the Damiani family in the<br />
first half of the XVIII centry in Via Grande, Livorno.<br />
Provenance<br />
Turin, Private Collection<br />
Bibliography<br />
“Arte Cristiana”, n.788, LXXXVI, 1997, pp. 380-382.<br />
Memorie della Accademia Lunigianese di Scienze Giovanni<br />
Capellini, vol. LXXXVI (2016), pp. 77-106, La Spezia 2018.<br />
SECOL-ART ANTICHITÀ di Masoero Davide & C.<br />
Via Maria Vittoria 27/a<br />
10123 Torino<br />
Tel. + 39 335 805 0537<br />
secolartmasoero@gmail.com<br />
www.secolart.com<br />
SECOL-ART ANTICHITÀ
Gerolamo Cenatempo<br />
(? – Naples 1744)<br />
Judith with the Head of Holofernes<br />
Oil on canvas, 151.5 x 258.5 cm<br />
1713<br />
See the note and image of “Delilah with the Conquered<br />
Samson”<br />
Provenance<br />
Turin, Private Collection<br />
Bibliography<br />
See the note and image of “Delilah with the Conquered<br />
Samson”<br />
SECOL-ART ANTICHITÀ di Masoero Davide & C.<br />
Via Maria Vittoria 27/a<br />
10123 Torino<br />
Tel. + 39 335 805 0537<br />
secolartmasoero@gmail.com<br />
www.secolart.com<br />
SECOL-ART ANTICHITÀ
Oscar Ghiglia<br />
(Livorno 1876 - Florence 1945)<br />
Still Life with a Red Ball of Wool<br />
Oil on canvas, 47.6 x 50 cm<br />
1909<br />
Signed upper left: “Oscar Ghiglia 909”<br />
Provenance<br />
Florence, Julius Oppenheimer<br />
London, Oppenheimer Heirs<br />
SOCIETÀ DI BELLE ARTI<br />
Viale Buonarroti 9<br />
55049 Viareggio (Lucca)<br />
Tel. +39 0584 520 30<br />
Via del Politecnico 9<br />
20121 Milano<br />
Tel. +39 02 760 227 13<br />
info@sba.it<br />
www.sba.it<br />
SOCIETÀ DI BELLE ARTI
Federico Zandomeneghi<br />
(Venice 1841 - Paris 1917)<br />
The Red Room<br />
Oil on canvas, 46 x 38 cm<br />
circa 1899<br />
Signed lower right: “F. Zandomeneghi”<br />
Provenance<br />
Paris, Durand-Ruel (photo number 5843)<br />
Paris, Angelo Sommaruga<br />
Milan, Maria Caputo Sommaruga<br />
Milan, Serena Piceni<br />
Bibliography<br />
Piceni, 1952, n. 93<br />
Cinotti, 1960, pl. 46<br />
Piceni, 1967, n. 391<br />
Piceni, 1991, n. 391, pl.LXI<br />
Testi-Piceni-Piceni, 2006, n. 458, pl. LXVII.<br />
Exhibitions<br />
Rome, 1946, n. 135<br />
Venice-Milan, 1988, n. 13 (suppl.)<br />
Barletta, 2007, n. 55<br />
Viareggio- Turin, 2016-2017, n. 36.<br />
SOCIETÀ DI BELLE ARTI<br />
Viale Buonarroti 9<br />
55049 Viareggio (Lucca)<br />
Tel. +39 0584 520 30<br />
Via del Politecnico 9<br />
20121 Milano<br />
Tel. +39 02 760 227 13<br />
info@sba.it<br />
www.sba.it<br />
SOCIETÀ DI BELLE ARTI
August Macke<br />
(Meschede 1887 – Champagne 1914)<br />
Bacchus<br />
Oil on paper, 39 x 50.5 cm<br />
1913<br />
SPERONE WESTWATER<br />
257 Bowery<br />
10002 New York, N.Y.<br />
Tel. +1 212 999 7337<br />
info@speronewestwater.com<br />
www.speronewestwater.com<br />
SPERONE WESTWATER
Giovanni Carnovali<br />
(Montegrino Valtravaglia 1804 – Cremona 1874)<br />
Self Portrait<br />
Oil on canvas, 49 x 39 cm<br />
1846/47<br />
Provenance<br />
Bergamo, Conte Cesare Camozzi Collection<br />
Bergamo, Gambirasi Collection<br />
Bibliography<br />
L. Angelini, La Mostra retrospettiva del Piccio alla Permanente di<br />
Belle Arti di Milano, 1909, n.52<br />
C. Caversazzi, Giovanni Carnovali, Il Piccio, III ed., Bergamo, 1946,<br />
p.148, fig.48<br />
N. Zucchelli, Il Piccio, Bergamo, n.15, 1952<br />
M. Valsecchi, Giovanni Carnovali il Piccio, Varese, Bergamo, n.8,<br />
1952<br />
M. Valsecchi – F. Rossi, Il Piccio, e artisti bergamaschi del suo tempo,<br />
SPERONE WESTWATER<br />
257 Bowery<br />
10002 New York, N.Y.<br />
Tel. +1 212 999 7337<br />
info@speronewestwater.com<br />
www.speronewestwater.com<br />
SPERONE WESTWATER
Milan, p.54, 1974<br />
Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà,<br />
pp.49, 208, n.33 Milan, 1994<br />
P. De Vecchi, Giovanni Carnovali called Il Piccio, Catalogue raisonné,<br />
Federico Motta Editore, 1998, pl. 97, pag. 159<br />
Exhibitions<br />
La Mostra retrospettiva del Piccio alla Permanente di Belle Arti di<br />
Milano, Milan 1909<br />
Giovanni Carnovali il Piccio, Villa Mirabello, Varese, 1952<br />
Giovanni Carnovali il Piccio, Palazzo del Comune Vecchio, Bergamo,<br />
1952<br />
Pittura lombarda del secondo Ottocento, Lo sguardo sulla realtà,<br />
Milan 1994Z<br />
SPERONE WESTWATER<br />
257 Bowery<br />
10002 New York, N.Y.<br />
Tel. +1 212 999 7337<br />
info@speronewestwater.com<br />
www.speronewestwater.com<br />
SPERONE WESTWATER
Pieter van Hanselaere<br />
(Ghent 1786 – 1862)<br />
Young Lady with a Straw Hat<br />
Oil on canvas???, 98 x 72 cm<br />
1818<br />
Signed and dated “P.V. Hanselaere F. A Rome 1818”<br />
Inscribed on the back: “Per il Marchese Rinuccini/lo Francesco<br />
Pozzi/ho ricevuto in Roma l’anno 1820 ai 10 febb.io”<br />
Provenance<br />
Florence, Marchese Rinuccini<br />
TETTAMANTI ANTICHITÀ<br />
Via Maggio 22r<br />
50125 Firenze<br />
Tel. +39 055 218 044<br />
tettamantiantichita@virgilio.it<br />
TETTAMANTI ANTICHITÀ
Imperial Gobelins Manufactory<br />
Paris<br />
Bust-length Portrait of Napoleon in Ceremonial Robes<br />
Tapestry in wool and silk, 82 x 66 cm<br />
1808-1814<br />
TETTAMANTI ANTICHITÀ<br />
Via Maggio 22r<br />
50125 Firenze<br />
Tel. +39 055 218 044<br />
tettamantiantichita@virgilio.it<br />
TETTAMANTI ANTICHITÀ
Lucio Fontana<br />
(Rosario 1899 – Varese 1968)<br />
Concetto spaziale (Forma)<br />
Aniline on canvas, 80 x 100 cm<br />
1959<br />
TORNABUONI ARTE<br />
Lungarno B. Cellini 3<br />
50125 Firenze<br />
Tel. +39 055 681 2697<br />
info@tornabuoniarte.it<br />
Via Fatebenefratelli 34/36<br />
20121 Milano<br />
Tel. +39 02 655 4841<br />
milano@tornabuoniarte.it<br />
Piazza Marconi 2<br />
55042 Forte dei Marmi<br />
Tel. +39 0584 787030<br />
fortedeimarmi@<br />
tornabuoniarte.it<br />
www.tornabuoniarte.it<br />
TETTAMANTI ANTICHITÀ
Giorgio De Chirico<br />
(Volos 1888 – Rome 1978)<br />
Self Portrait of the Clouds<br />
Oil on canvas, 50 x 40 cm<br />
1948
Change language