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Black Wealth and All Else Black and Women's History New York Global.Biz Feb/Mar. 2020

As April 2020 unfolds, chances are you missed what we consider our special gift to you and yours, the "Black Wealth and All Else" Feb/March Black and Women's History, New York Global.Biz , NYGBs online and special edition;s limited print issue, published and owned by a Black female with our few limited "goodwill" partners, emphasizing that Blacks are Beautiful...not Pitiful. Published since 2011, amid our minimal staff, our glossy magazine issues features leading, iconic and record breaking individuals conducting and expanding beyond New York...the world's global city. Upon viewing our www.newyorkglobal.biz website, note our revenues are limited to advertising, promotions and public relations, for which approx. 90% of our images, logos and articles are freely provided, given our critical mission to emphasize that together with our multi-cultural sponsors, etc., this magazine remains committed to introducing a fraction of the world's most astounding brilliant, talented, skillful, humanitarian and prosperous Blacks, in various sectors, including many whom have experienced limited public branding and exposure, yet are enjoying their "tip of the iceberg" or pinnacle career success also resulting in measures of financial security, regardless of education. They include youth authors, inventors and entrepreneurs as millenials, Generation X's and awesome seniors. Thanks to our wealth of publicists, writers and editors, NYGB, is more than a concept and we encourage are promoting more Black media to emerge, not only online, but also appear on our living and dining room tables, as testaments to such positive images and messages reminding and influencing individuals of various ethnicities and persuasions of how Blacks, generally, are beautiful not pitiful people, for thousands of years, since our African ancestors first helped developed, with the Creator, The Most High's frontiers of planet Earth. Stay Safe and Blessed, Irma Tyus-Mitchell, Publisher/Acting Editor-in-Chief New York Global.Biz Magazine, Inc.

As April 2020 unfolds, chances are you missed what we consider our special gift to you and yours, the "Black Wealth and All Else" Feb/March Black and Women's History, New York Global.Biz , NYGBs online and special edition;s limited print issue, published and owned by a Black female with our few limited "goodwill" partners, emphasizing that Blacks are Beautiful...not Pitiful. Published since 2011, amid our minimal staff, our glossy magazine issues features leading, iconic and record breaking individuals conducting and expanding beyond New York...the world's global city.
Upon viewing our www.newyorkglobal.biz website, note our revenues are limited to advertising, promotions and public relations, for which approx. 90% of our images, logos and articles are freely provided, given our critical mission to emphasize that together with our multi-cultural sponsors, etc., this magazine remains committed to introducing a fraction of the world's most astounding brilliant, talented, skillful, humanitarian and prosperous Blacks, in various sectors, including many whom have experienced limited public branding and exposure, yet are enjoying their "tip of the iceberg" or pinnacle career success also resulting in measures of financial security, regardless of education. They include youth authors, inventors and entrepreneurs as millenials, Generation X's and awesome seniors.
Thanks to our wealth of publicists, writers and editors, NYGB, is more than a concept and we encourage are promoting more Black media to emerge, not only online, but also appear on our living and dining room tables, as testaments to such positive images and messages reminding and influencing individuals of various ethnicities and persuasions of how Blacks, generally, are beautiful not pitiful people, for thousands of years, since our African ancestors first helped developed, with the Creator, The Most High's frontiers of planet Earth.

Stay Safe and Blessed,

Irma Tyus-Mitchell,
Publisher/Acting Editor-in-Chief
New York Global.Biz Magazine, Inc.

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DINING AND ENTERTAINMENT FASHION<br />

Melba Moore The Day I Turned To You<br />

By: Eileen Shapiro<br />

Tony Award winning singer, actress <strong>and</strong><br />

Broadway superstar Melba Moore is set to<br />

unveil her newest inspirational release, "The<br />

Day I Turned to You", on December 13, 2019<br />

which is already available for pre-sale at<br />

Amazon Music.<br />

Born into a musical family, (saxophonist<br />

Teddy Hill <strong>and</strong> R&B singer Bonnie Davis),<br />

Melba Moore began her career in 1967, when<br />

she recorded "Magic Touch", which became a<br />

huge track on the Northern Soul Scene. That<br />

same year she also began performing as Dionne<br />

in the original cast of "Hair" alongside Ronnie<br />

Dyson <strong>and</strong> Diane Keaton. In 1970, Moore won<br />

a Tony Award for Best Performance by a<br />

Featured Actress in "Purlie" for her role as<br />

Lutiebelle. This was followed by two film roles,<br />

<strong>and</strong> a release of two successful albums. She<br />

starred in films including, "<strong>All</strong> Good Dogs Go<br />

To Heaven", <strong>and</strong> "The Fighting Temptations",<br />

<strong>and</strong> appeared on television on "The Melba<br />

Moore Show." Moore was also the first female<br />

pop <strong>and</strong> R&B artist to perform a non-operatic<br />

solo concert at <strong>New</strong> <strong>York</strong> City's Metropolitan<br />

Opera House.<br />

I had a charming <strong>and</strong> uplifting conversation<br />

with Ms. Moore regarding her new album, her<br />

faith, <strong>and</strong> her aspirations for the future...she was<br />

kind, warm <strong>and</strong> c<strong>and</strong>id.. with an adorable sense<br />

of humor. She is also a triumphant storyteller..<br />

I love your new Single "Calle Me', the duet<br />

with Shirley Murdock. What inspired your<br />

recording of that?<br />

I had lost everything at that time, in the late 90s.<br />

I discovered that I was a Born Again Christian.<br />

But, I discovered it kind of privately. I really<br />

didn't have a church-based outlet <strong>and</strong> then when<br />

I tried to get sacred music, I really had to start<br />

from scratch. First of all I'm Catholic, <strong>and</strong> I'm<br />

still Catholic <strong>and</strong> that music isn't very popular<br />

music. People do not want to hear opera. So, I<br />

reached out to people. I was in the church<br />

community because I was invited to one of the<br />

first gospel musicals before Tyler Perry started<br />

doing gospel music. Michael Matthews who<br />

started this thing told me to do a gospel play.<br />

So, I was out on the road with a bunch of<br />

"saved people". I knew that's what changed<br />

about me because I was saved, otherwise I I<br />

wasn't around anybody <strong>and</strong> I wasn't part of any<br />

church or anything. But all they did was praise<br />

Photographer: Alan Mercer<br />

praise God all day, even the bus driver. I was<br />

in a very strange <strong>and</strong> unique place. I<br />

discovered this <strong>and</strong> of course I was out on the<br />

road with singer Shirley Murdock. Of course, I<br />

knew her voice <strong>and</strong> everything, but not as a<br />

woman of God. I asked her if she could write<br />

something for me so that I could share my<br />

testimony. I didn't even know at that point<br />

what a testimony was. Then I discovered in the<br />

secular world they just call it your<br />

autobiography. It was a whole <strong>New</strong> World <strong>and</strong><br />

Shirley said that she had come to see me in<br />

"Purlie". She said I was so nice to her so she<br />

<strong>and</strong> her husb<strong>and</strong>, Dale DeGroat created some<br />

things for me, <strong>and</strong> she really didn't charge me.<br />

They told me I could do whatever I wanted<br />

with it. So, it's all these years later that I'm<br />

going to have a real distribution <strong>and</strong> it's going<br />

to be on my label, <strong>and</strong> the distribution is<br />

SONY <strong>and</strong> these are all major people. But I<br />

was just doing this because I am an artist, I<br />

mean God made me that, <strong>and</strong> I needed to<br />

express myself. That was the inspiration.<br />

Yes, that's because I am. That's my job now.<br />

That's a good job to have. You're also<br />

embarking on a project beginning<br />

now until <strong>Feb</strong>ruary? That's for<br />

Norwegian Cruise Lines. That's not<br />

Gospel. This ship is called The Escape,<br />

they have many, <strong>and</strong> they do<br />

international Major entertainment<br />

cruises. I'm going to be the star of the<br />

Broadway production that they are<br />

featuring called, "After Midnight."<br />

That sounds like fun. You've had a<br />

very interesting career. You're a<br />

Broadway Tony winner, you're a<br />

recording artist, film star, what were<br />

some of the challenges you had to<br />

face?<br />

That's a good question. The greatest<br />

challenge is learning how things really<br />

work. I come from a family of artists,<br />

we are African American. So, in some<br />

ways, we are trying to catch up<br />

commercially <strong>and</strong> culturally, with the<br />

rest of the population because we came<br />

here as slaves. When I really think about<br />

it, I was probably among the first in my<br />

family of our generation to go to college<br />

or even finish high school. Everything<br />

within the culture is self-taught for<br />

example my parents traveled on the road<br />

in a time when black people couldn't<br />

stay in hotels or even go to the<br />

bathroom. But, we lived in <strong>New</strong> <strong>York</strong><br />

City.<br />

<strong>New</strong> <strong>York</strong> City was different. You<br />

have kind of a combination of the<br />

cultures that we experience as African-<br />

American people. The biggest challenge<br />

was learning business. Most African-<br />

Americans whatever talent or skill they<br />

had we still knew nothing about<br />

commerce. We didn't get any education<br />

so whatever we learned was stolen<br />

knowledge. For many years it was<br />

against the law for us to read or write, to<br />

vote, to own property, to get paid for the<br />

work we did. It hasn't really been that<br />

long that African-Americans couldn't<br />

get paid for recordings. So, the greatest<br />

challenge for me both as a woman, as an<br />

African-American <strong>and</strong> as an artist was<br />

to learn the partnership of business.<br />

That's a difficult thing for a lot of<br />

NEWYORK GLOBAL.BIZ ...<strong>Black</strong> <strong>Wealth</strong> <strong>and</strong> all <strong>Else</strong><br />

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