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riverrun Vol. 47

This is Volume 47 of the UCCS Student Literary and Arts Journal that was begun in 1971 by Dr. C. Kenneth Pellow. For the last 40 years, it has been published and circulated at the end of every spring semester showcasing fiction, poetry, nonfiction and visual art that has been created by UCCS students.

This is Volume 47 of the UCCS Student Literary and Arts Journal that was begun in 1971 by Dr. C. Kenneth Pellow. For the last 40 years, it has been published and circulated at the end of every spring semester showcasing fiction, poetry, nonfiction and visual art that has been created by UCCS students.

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On the stretcher lays a motionless blackened figure, covered in festering blisters

from head to toe. Once her mind connects the scene to the smell from earlier, her

gut rebels and the girl falls to her knees, clutching her stomach with pizza boxes

forgotten in the dirt. It takes all her strength to keep from depositing the contents

of her stomach onto the grass.

Risking a glance up, she’s scared she’ll see charred eyes and strands of smoking

hair clinging to a barren scalp but instead realizes the figure has some sort of

plastic bag around their head. She’s not sure if that sight is worse—is the person

so disfigured that it would be too awful for people to see? The girl tries to bring

herself to stand but finds herself paralyzed below the waist with feet that refuse

to listen.

It’s the sound of two young children speaking that draws her back to reality.

“Woah, look at his arm!”

“He’s probably dead!”

She stares at the kids, not bothering to hold back the incredulous expression on

her face. Where are their parents? What sort of mother or father would allow

their kids to watch this?

Cabin 3 is curious about what all the noise is about, and she greets them with a

smile like nothing’s wrong. “Some sort of accident,” she informs them with forced

cheerfulness. But it’s eating away at her thoughts. As she leaves, the script feels

even more rehearsed than usual. “Have a great night, thanks for choosing pizza

today.”

When she gets back to her car, the ambulance is gone and the last of the police

cars are pulling out. She stares at the spot they were, not a minute ago, numbness

creeping into her thoughts.

It’s nothing like how they portray on TV.

This was real. When she drives away, she looks back at site #75 through the reflection

of the mirror.

And she cries.

17

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