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SoDA WORKS 2013

Authored by the year group 2013 of the masters programme Solo Dance Authorship, the "SODA WORKS 2013" takes on the form of a book. It frames the live performance experience by porposing additional visual and/or literary coordinates to facilitate its reception. It also allows and insight into the experiments, reflexions and researches that the students made over the four semesters studies, and that are now taking form in their final SODA projects.

Authored by the year group 2013 of the masters programme Solo Dance Authorship, the "SODA WORKS 2013" takes on the form of a book. It frames the live performance experience by porposing additional visual and/or literary coordinates to facilitate its reception. It also allows and insight into the experiments, reflexions and researches that the students made over the four semesters studies, and that are now taking form in their final SODA projects.

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It starts with a path, it is not exactly a road as it is rocky, it is lumpy, it is not built like a road, but it is drawn, is there<br />

earth? there is earth, are there also herbs? herbs there are too, and there are a few cracks as there are sometimes rocks<br />

coming out of the earth, you know it is a track, how do we call this? rural, you see, is it the kind of road where there<br />

are traces of wheels, where there is a hollow on both sides and you can choose to walk in the middle, where there is a<br />

little grass, yes, and with tire tracks of cars left by the rain or mud, does it stick a bit? it’s rather dry, it is rather dry and<br />

there, the sort of little bounce is a transition to another quality of path or soil, which for me is harder, stronger, there is<br />

a false level part that goes up, if it lasts for a while you get sore calves without realising it, so at this moment, you don’t<br />

realise that it goes up when you look at your feet, you don’t realise that it goes up at all but when you look into the<br />

distance, you see a slight elevation, where the path quality is more defined, less grassy, less rustic than before, and there<br />

are pine cones in the road, you kick them when you walk, there are pine cones and there are the shells of chestnuts<br />

left there as well, you know, there are puddles, yes stagnant water, but not deep, no, only in small holes, and there it<br />

goes again, more sharply, then you can really feel it in your walk, it goes up for quite a distance and at this level there<br />

has been recent work, someone put gravel there recently, it is aggregated gravel, that‘s it, if you slip over it it could be<br />

dangerous, it grips slightly when you walk on it, it‘s very dark, very dark and aggregated, it‘s hard too, it is hard gravel,<br />

and precisely here I arrive on a proper road, this is the beginning of a proper road with grey tarmac, much less black<br />

than the road I‘ve just seen, it is used, it is quite soft, it is so soft, there is a mark on the ground, white stripes on both<br />

sides of the road, but not in the middle of the road, you walk in the middle, so I walk in the middle, or rather middle<br />

right, in the middle but to the right of the middle, are you quite near the border of the road and sometimes the grass<br />

brushes you, are there herbs? are there bushes, what is there on the sides? there are herbs, they are more neglected<br />

than bushes, they are scrubs...<br />

Topographic map reading (excerpt), September <strong>2013</strong>

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