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GROUND 0101 (The Fall Issue)

GROUND volume one, issue one Edited by Ismael Ogando (November 5th, 2015) http://ground-magazine.com/0101

GROUND volume one, issue one
Edited by Ismael Ogando (November 5th, 2015)
http://ground-magazine.com/0101

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they are multiculty because

they live around a bunch of

others, but are those cultures

actually meeting? Because

in my opinion, what makes

a real melting pot is social

junction. There then one finds

out that people is colourblind

not because they are racists

or not, it is just because

in the context of a city, social

interactions are integrated

through homogenesis, I

mean; the rich is living in the

city, the poor too. Only what

we are doing can allows us to

cross those borders.

IO. In that direction lets look

at this organism through a

wider lens, and lets speak

of organisms composed of

several cities. Europe for instance,

as an organism it is

expected to have mechanism

of defence as any biological

entity has against foreign

agents that terminologically

can be described as potencial

pathological agents. I

had this reading after visiting

Xenopolis of individuals in

the cities far from the marxist

idea of social symbiosis,

in the current state of affairs

in the West, I read from the

curatorial work and your

concept for the exhibition,

that we, people in the West

function in an ambivalent behaviour,

be it antibodies and

parasites simultaneously.

SN. Understand our body as

a metaphor, it rejects things.

The city as a biological living

organism reacts in the same

way. And if we think of Europe

to this level, we should think

of Europe as a city with several

neighbourhoods. Again;

in Europe you have the rich

and the poor, and how northern

is and how southern is,

and of course then there is

England which is a world in

its own, which can just not

merge with any other…

IO. Yes, it is a special case…

SN. With no doubt, it is the

quintessence of strangeness…

But anyways, at the

same time, if one look at

London, the city appears to

be more multicultural than a

place like Paris just because

of the crossovers… I am saying;

Europe is a fiction as the

city is a fiction and a fiction

can only work when everyone

agrees with it.

IO. Finally, in the case of the

Mille-feuille metaphor, who

you consider might be the

chef?

SN. Since these cakes are

multi-layered, there are several

people living with the

illusion of becoming the

chefs of the cake, but they

can’t. That’s why in so-called

democratic places, they are

changing chef periodically.

© Mwangi Hutter, courtesy of the artists

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