SNN_August 2020 Issue FA_low res
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NEW ZEALAND SPINAL TRUST 10<br />
getting back to professional-level playing. I am very happy<br />
to say that I am playing again, and have been for the last<br />
two years, with the Dunedin Symphony Orchestra and<br />
with other professional music groups. It certainly has been<br />
a tremendous struggle, but I tried not to give up hope of<br />
ever playing again.<br />
How did you refocus your musical ability and talent?<br />
After two years of struggling to play oboe again, I set my<br />
heart on playing bassoon to a pro-level. I practised hard<br />
for hours, learning finger patterns and playing long notes.<br />
I made great prog<strong>res</strong>s and auditioned for the Dunedin<br />
Symphony Orchestra.<br />
Clearly, I still had work to do, as they politely gave me a list<br />
of things to work on! I took a trip to Sydney where my son,<br />
Todd, helped me to find a bassoon to purchase. He played<br />
principal bassoon for the Sydney Symphony Orchestra.<br />
After the trip and choosing a bassoon, I returned to<br />
Dunedin and had one final go at playing oboe. I scraped<br />
reeds over a week-end (professional oboe players always<br />
make their own reeds) and gave the oboe one more go. I<br />
hadn’t tried it for months, as it was always such a difficult<br />
experience. Unbelievably, my efforts paid off, and a<br />
revelation occurred.<br />
How important has playing music been for you during<br />
your recovery, and what do you love about playing the<br />
oboe?<br />
Playing the oboe for me is a way of perceiving beauty in<br />
the natural world, and rep<strong>res</strong>enting it in the best way I<br />
can, using the sound of the oboe. It is a way of exp<strong>res</strong>sing a<br />
huge range of emotion from sadness through to complete<br />
elation, and every nuance in between. The mystery of<br />
music is in the unspoken word, in the inexp<strong>res</strong>sible<br />
emotion which is only communicated through musical<br />
sound. In playing music, you can reach a connection with<br />
the essence of feeling emotion and sharing that with<br />
others. Playing music in a group is always a powerful way<br />
to work, as you can connect with the emotion of master<br />
composers from many years ago.<br />
It must be incredibly rewarding to play music, after all<br />
you have been through?<br />
It is almost a miracle for me now to be playing classical<br />
music with others, at a professional level. It is an<br />
incredibly rewarding and joyful experience. I have such a<br />
lot to be thankful for, as I am still employed to teach music<br />
in schools, as an itinerant woodwind teacher in Dunedin.<br />
Also, I have great family support, which was a key part of<br />
my recovery too.