PLAY IN THE CITY

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08.RepresentationBourgeouis novel, realismOrganismDepth, integrityHeatBiology as clinical practicePhysiologySmall groupPerfectionEugenicsDecedance, Magic MountainHygieneMicrobiology, tuberculosisOrganic division of labourFunctional SpecialisationReproductionOrganic sex role specialisationBiologic determinismCommunity ecologyRacial chain of beingScientific managementin home/factoryFamily/Market/FactoryFamily wagePublic/PrivateNature/cultureCooperationFreudSexMindSecond world warWhite capitalism patriarchySimulationScience fiction, postmodernismBiotic componentSurface, boundaryNoiseBiology as inscriptionCommunications engineeringSub systemOptimisationPopulation controlObsolexcence, Future ShockStress ManagementImmunology, AIDSErgonomics/cybernetics of labourModular constructionReplicationoptimal genetic strategiesEnvolutionary Inertia, constraintsEcosystemNeo-imperalsim, United NationshumanismGlobal factory/ electronic cottageWomen in the integrated circuitComparable worthcyborg citizenshipFields of differenceCommunications enhancementLacanGenetic EngineeringRoboticsStar warsInformatics of domination.Figure 1: Donna Haraway. “A Cyborg Manifesto”, in Kennedy, Barbara M., and David Bell,eds. The Cybercultures Reader. London: New York: Routledge, 2000, pp. 300 - 30134
08. REFLECTIONBuildingsEveryday LifeProductsConcreteSpaceGlobalWholeCrowdIntegrationPhysicalLived ExperienceOrdinaryMonumentsFestivalWorksStonePlaceLocalFragmentIndividualAutonomyDigitalPerceived ExperienceExtraordinaryAFTERWORD:I have enjoyed considering the relationship between opposing forcesthroughout this body of thoughts. I have gathered some of these asHarraway did (Figure 1). Lefebvre identified this phenomena as thedialectical Process, and he is not alone in identifying this. WalterBenjamin suggested that our thinking through these opposing stateswas the way in which we move forward;_Figure 2: Chart in style of Donna Haraway, By Author.From each epoch stem the arcades and interiors, the exhibitionsand panoramas. They are residues of a dream world. For thisreason, dialectical thinking is the organ of historical awakening.Each epoch not only dreams the next, but also, in dreaming, strivestoward the moment of waking. 4Play, being a unifying theme of this work, escapes categorisationwithin this table of dialectical situations. Unlike the cyborg, Play isnot a means of centrifuging these fundamental, but exists as a mean ofsubverting them; of escaping them.4. Walter Benjamin, “On Some Motifs in Baudelaire” and “Paris, Capital of the NineteenthCentury”, in Leach, Neil. Rethinking Architecture: A Reader in Cultural Theory. (London: Routledge,1997), p.40.35.
Page 1: REFLECTIONS+STUDIES IN CONTEMPORARY
Page 4 and 5: CONTENTSREFLECTIONSESSAY3591321_232
Page 6: Figure 1: Lowry, Laurence Stephen,
Page 9 and 10: 01. REFLECTIONTHEORISING PLAYWEEK 3
Page 11: 00. ESSAYTHE STREET PARTYTHINKING T
Page 14 and 15: 02.writing; its character, mood and
Page 16 and 17: 00.What then are we seeing in Lowry
Page 18 and 19: 03.and other functional space. Soci
Page 20 and 21: 00.Let us return to Huizinga and pl
Page 22 and 23: 00.Carnival, in particular, has a s
Page 24 and 25: 00.Lefebvre guided us to think that
Page 26 and 27: Figure 1: Tarvy Bridge Social Club,
Page 28 and 29: 04.We can understand place to be di
Page 30 and 31: Figure 3: “Thamesmead all stages
Page 32 and 33: 05. REFLECTIONTHE CITY, SPACE AND T
Page 34 and 35: 06. REFLECTIONSIMULATIONWEEK 8, 13.
Page 36 and 37: Figure 2: Film still showing Moonee
Page 38 and 39: 07. REFLECTIONIMMERSIONWEEK 9, 20.0
Page 40 and 41: 07.Galloway criticises Montgomery

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