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PLAY IN THE CITY

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01. REFLECTION

THEORISING PLAY

WEEK 3: 30.01.18

In his seminal text Homo Ludens, Johan Huizinga presents his

observations on the thresholds of play. Play, he argues, is limited in

its dimensions of time but also space. Before play can commence, its

spatial territory – either physical or imagined – must be set out and

agreed on by all players. 3 Further to this, he posits that the conduct of

play, within this pocket of space and time, is tied together with a set of

‘special rules’;

Inside the play-ground an absolute and peculiar order reigns. Here

we come across another, very positive feature of play: it creates

order, is order. Into an imperfect world and into the confusion of

life it brings a temporary, a limited perfection. Play demands order

absolute and supreme. The least deviation from it ‘spoils the game’,

robs it of its character and makes it worthless. 4

This creation of rules can be, and often is, seen as a key element of

the play itself; the game evolves as it is played out. For Huizinga, the

keeping of order within the agreed window of play, in space and time,

is intrinsic to its value. When any boundary of the play is overstepped,

or the rules not adhered to, the play loses its worth; when the play’s

boundary is broken, its magic dissolves, and the fun is made un-fun.

This play order, within a framed space and time, is often referred to as

Huizinga’s ‘magic circle’ 5 .

Let us consider the thresholds of this ‘magic circle’ as a soap bubble.

Inside the bubble exists an un-replicable condition in space, time and

order. Like a bubble, the thresholds of play are almost imperceptible.

The boundaries exist as, at any one time, one is either within or out

with a perimeter of play. If, by any internal or external forces, the

bubble’s wall is breached, so then the bubble bursts. Although everyone

_

3. Johan Huizinga, “Nature and Significance of Play as a Cultural Phenomenon”, in Homo Ludens:

A Study of the Play-Element in Culture. (Beacon Press, Boston, 1971), p. 10.

4. Huizinga, “Nature and Significance of Play”, p. 10.

5. “Theorising Play”, Discussion from Seminar, led by Dr. Hanna Cannon (Edinburgh, 30.01.2018).

5

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