Agathokakological Tendencies
A group publication for MDES 520 documenting course activities. To print, download a PDF version here: https://drive.google.com/file/d/1d_GncW6VPp0qHMkFVmr4V4CGYi9vFBSQ/view?usp=sharing
A group publication for MDES 520 documenting course activities. To print, download a PDF version here: https://drive.google.com/file/d/1d_GncW6VPp0qHMkFVmr4V4CGYi9vFBSQ/view?usp=sharing
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CHIMERA
one of these days Newton
you’ll have to stop.
NEWTON
why do you have to
always be so dreadful
CHIMERA
you are morally
unsound
NEWTON
under what grounds?
NEWTON
you cannot deny you weren’t thinking
that yourself now Chimera
CHIMERA
you refused service to a couple
asking them if they knew where they were
and assuring them they must be lost…
CHIMERA
no, in fact I was thinking about
how you denied them service
based on a profile ---
a profile might I add that fits mine.
NEWTON
not at all.
did you not notice how they
looked about unsure of their surrounding
they didn’t even come to check in
CHIMERA
before or after they used their
keys to enter the elevator
NEWTON
I can assure you
they did not
CHIMERA
I cannot point these
details any further.
I am withering away
trying to show you
how your daily
actions affect people – and
those like me,
around you.
you are paranoid
and
you are racist.
Adrian x Dewey Marchall Convo.pdf
Dewey
Deep breaths. Sighhhh. This is easy- I am worthy…
[Dewey lights a circle of golden candles]
On this, the solar equinox. On this, the day the sun and moon align. I
call upon the stars near and far. Send to me the refulgent leader. Adrian, I
beseech thee! With a determination as fiery as the sun burning at the center
of the solar system! With a force of will as magnetic as Jupiter’s gravity!
Come to me, Adrian! Share with me thine divine light! Bathe me in thine
glory! Imbue me with thine strength! Anoint me a leader among men! For
my strength is as impenetrable as the night and my will as luminous as the
morning light! Adrian! Adrian! Anoint me thine chosen! Bless me thine
acolyte! And ever shall I be thine faithful subjugant! Thine emissary of Mars!
[the candles extinguish, Adrian appears in a
clap of light and sound] My Lord God!
[Adrian looks down upon his supplicant]
My God Adrian, please- Adrian
For what have you summoned me?
My most magnanimous Lord God, I seek your blessing.
[Adrian raises a critical eyebrow]
I seek your blessing, my most gracious God Adrian. For I have plans. I am a
most worthy supplicant! I burn with ambition. I am talented and smart. All I
need is the ability to gather people to me. You see, I have plans to improve
this planet. We have lost our way. The past four years have been spent in
never ending turmoil and I know I can restore peace to the people! Return
civility to our relationships. And why cannot you achieve this on your own?
I… Well, I do not entirely-Yet you claim intelligence.
Well, I am smart, yes. Perhaps not book smart, but I am most determined and
that really is worth more than a genius who is lazy. You see, I apply myself
to a problem until I fully understand all its facets. And then I work to bring
about the best outcome for everyone- And your ultimate goal?
Peace on Mars. A warm home and full belly for everyone. How do you plan on
achieving this?
I have spoken to politicians and looked
up strategies for effecting change. So
my movement will be a grassroots
movement. I have started cultivating
an online following. True, it is modest
at the moment- I am not edgy enough,
I think, for the younger generationsbut
with your patronage, my modest
Yes, yes, Well, you will I improve be - I am - lives. a most All dedicated lives,
big and small, follower. I’m You sure. see, I And found what the texts shall to
you give summon me in return? you and correctly performed
the ritual. And I will happily provide
whatever offerings you require. You see,
here, over there in the corner, I have
prepared an offering already: delicacies
and jewels. But if it is not to your liking,
if your tastes have changed since the last
written record of your summoning, I am
confident I can procure what you need.
If you have read of previous supplicants,
then surely you know of my other tastes?
Yes! Yes, indeed. I prepared women for
you- all consensual, I assure you!
Hmm. I do not think I will require the
women, at least not for this offering.
Excellent, my Lord God Adrian! I
am happy to hear that my offering of
gastronomic delicacies and thoughtful
jewels has appeased youĪt does not.
My Lord?
Get down on your knees.
My Lord?
Must I repeat myself?
But...
Do not be tiresome. If you wish my favor,
you will get down on your knees and
service me. It is fully your choice. As
consensual as it would be with those
women, would it not?
Adrian -
Supernatural.pdf
I rise above my counterparts.
They do not
have the ability to
understand how to be
in charge. They spend
their days on less
important matters, so
it is up to me to make
the universe go round.
How could they possibly
know what to do, if it
weren’t for me? I am a
guiding light in this
crazy galaxy. I was
handed this role from
those who came before
and shall pass it down
to my next of kin who
is best suited for this
responsibility. This
is not a place for the
emotional, you must
be strong-willed, and
level-headed to be like
me. It is not something
you can create for
yourself, but something
you are appointed
at creation. With my
fellow leaders I will
continue to make decisions
for those I care
most for. And will use
all of my experiences
to justify every decision
I make.
Reciprocal Solidarity:
Where the Black and
SA’ED ATSHAN
DARNELL L. MOORE
Palestinian Queer
Struggles Meet
The oppressor will
always seek to divide the
oppressed. It is how they
maintain power. They
understand the strength
in alliances, unions,
solidarity coalitionsafterall,
the White
American community
tends to stand in solidarity
with its members.
As someone of
Chinese A m e r i c a n
descent, I see parallels
with the Israeli and
labelled a model minority,
someone who proves to
more melanated bodies
that progress and
success are attainable.
But really, all that means is
that people try to use me
as a tool of oppression.
After World War II,
the UN declared that the
state of Israel would be
created. It was an apology
for Jewish genocide at
the hands of the Nazis.
I suspect it was also a
way to get the Jews out
of Europe. And now here
we are, with an apartheid
state so violent that it
causes some who have
lived under apartheid in
other countries to say
damn, that’s really bad.
I see White Jewish Israelis
as model minorities.
See, look at how they
have created success?
They’d be so much more
successful if those darkskinned
people would just
let them control things.
In America, Irish and
Italian immigrants were
originally not seen as
white. Now they are part
of the oppressive class of
White Americans.
As White people,
Israeli Jews seem similar
to Irish and Italian
Americans. And as
Jews, Israeli Jews, when
compared to Palestinian
Muslims, seem like a
Model Minority.
“bodies are ways of
dreaming utopia…
bodies bear the cost
of struggle and can
within and between
identities.”
When I hear the word ally,
I think about this asshole
I know who has a picture
of himself and his now
wife on their refrigerator
taken at the women’s
march (the year of the
pussy hats). He’s holding
up a sign that says “ally
to a strong woman,” while
air. Ally my ass.
This isn’t just a
rant. I’m mentioning it
because I think ally-ship
is more often than not
poisoned by people who
want a cause when it’s
convenient (for example,
the so called “ally to a
strong woman” also spent
a lot of time creeping
on women at bars and
being dismissive of
women in conversation).
I enjoyed reading this
article, because of its
examples of real allies
and individuals actually
pulling through to support
their comrades, even if
they are an ocean apart.
Like last week’s article, it
discusses the importance
of coalitions. Coalitions
are important, not just
because there is strength
in numbers, but because
there is a true exchange
and transmission of
information between
publics. That audible
exchange of stories both
personal and political,
creates an indelible
mark of solidarity and
presence that helps
prevent such backwards
attempts as pinkwashing
or blackwashing. “Allyship
is not provincial and
unidirectional.” P. 681
It was so interesting to
read about pinkwashing
and blackwashing in
this context. The domino
effect of colonialism
relies on phony ally-ship,
as well as redirecting the
hard-earned visibility of
one marginalized group to
extinguish the validity of
another less recognized
group. It’s insidious, and
it works. One critical
observation I have is that
I think we also need to be
mindful of insidious anti-
Semiticism, anti-Arabism,
or any anti-otherness,
which originates from
white supremacist circles.
The authors also
discuss “the importance
of remaining vigilant
when it comes to the
appropriation of another
community’s struggle in
the name of reciprocal
solidarity.” P. 692 I don’t
think it’s possible for any
of us to truly understand
anyone else’s struggle.
It’s easy to get so caught
up in a cause that we
erase the reality of those
we are trying to promote.
(Rachel Dolezal is one
extreme, comical example
of this.)
I told that guy he was an
asshole. It was under my
breath, so he might not
have heard me, but it felt
really fucking good!
“deep participation with each
other’ to recognize love as
a radical act and to sustain
communities across borders
in the face of colonization,
neoliberal individualism, and
The matrices of
oppression are complex,
layered, and veiled.
Reciprocal solidarity calls
for a deep cooperation
rooted in friendship as a
way to peel at the layers
and peek behind the veil.
Atshan and Moore throw
back the veil on pinkwashing
and blackwashing,
introducing a
new context of the word
“ally” to me. It reminded
me of what Christopher
Lee said about “inclusion
as a way of keeping you
apart.”
These layers
and veils can feel
o v e r w h e l m i n g .
Overwhelming is perhaps
what oppressors want to
project, and if anything
highlights the need for
reciprocal solidarity.
Even reciprocal solidarity
is not without its own
complexities and thin
lines. Awareness needs
to be paid towards
appropriation, demand,
bias, or becoming that
which you reject.
As we attempt to unravel
oppression, we must pay
attention to our own biases
and learned behavior.
These complexities have
been assembled over
time through society and
coloniality.
I want to digest
these complexities. What
follows is my attempt
level within our human
programming we are wired
to improve our situation.
This wiring is a spectrum,
some able to understand
where it should stop,
others not. This program
takes on a life of its own,
as numerous individuals
move to its sway. We
are like a body of water,
where each molecule
on some level seeks to
improve its position. This
has repercussions on
all the other molecules
in ways that are
incomprehensible, and
play out over time.
I am tired.“Come in, come in,” says my boss on a Saturday. So
I go in. Food is rather a nice thing to have,and the job situation
right now is beyond precarious. It’s always been precarious
for creativefields, but at least with design, I thought
I could earn a more stable living than with art. But it’s all
bullshit. Exhaustion is the death of creativity. Capitalism
just keeps people busy with constant distractions.I fell
into a period of depression. That’s a lie. I’ve always been
depressed. But it got really bad.Hustling turned me into
a robot. It’s funny how the phrase “dead inside” doesn’t
feel like a clichewhen everyone is a bit dead. Overwork.
Squashed dreams. Constant bureaucratic bullshit complicating
life, especially with mid-level managers acting just
like the authoritarians they see on TV and in politics.Anyway,
enough whining. It ground me down, so I fell into the
worst depression in my life. All Icould do was lay in bed
and read fanfiction. The comfort of a familiar story w as
grounding whenthe world around me was in chaos. But then
I read a fic that involved socialism, and thenanother, and
then I got a little curious. And now I’m down for the revolution.
Because fuck working six or seven days a week.
Labor laws mean shit when the country is based upon theexploitation
of labor. And I’m finding that as my definition
of what should count as a basichuman right expands, so
does my design. I’m not content anymore to just work away
until I saveenough to open my own business. I want to make
RO -
meaningful work. And maybe work that scares people a little,
at least scares those in power.
I want to break the cycle and seize this moment as an
opportunity for radical change, but I struggled to break
through the talking voice in my head, tormenting me.
One day I’ll have the courage to tear everything down
and rebuild a world of my own making. Till then, I
dream.
NAN
-Cameron
mask 5.Include words like on the page of a book 6.Add one
like a robot 3.Use all neutral colors 4.Smash your partially completed
edges2.Eyes
1.Must have at least four straight
human right” into the mask
bright color 7.Take a break from working on the mask 8.Incorporate a “basic
Samha
1. Create a template for the facial features of your mask using
round edges. Use a flexible material that is easily manipulated. 2.
Carve out holes for eyes so that you can see through the material.
You see so much more than the average person and are very
attuned to the injustices and inconsistencies of the world. 3. Along
with the eyes, your brow has a few lines from having a furrowed
brow from years of anger and irritability. Make sure to give the
material and brow the strong character that you have developed
over the last 40 years. 4. Use a few cuts to create a nose that will
sit-in the center of your face. The lines should not create a closed
shape—this shape will stay attached to the main face and will sit
on top of your nose, projecting through slightly. Remember to
keep your nose out of other’s business (even if they are annoying).
5. Give the mask the ability for you to tell the truth—it’s important
to speak up and fight for what is right. Use a long line (or lines),
either drawn or cut, to create a way to tell the truth. 6. There will
need to be loops to connect your mask to your head—two strings
(or ropes or twine or shoelaces) will work to tie the mask to your
head, ears, or fix to your glasses. Whatever gets the job done.
7. Finally, put on the mask
jump up and shot.
ELIZABETH BROEDER
TRASHGiRR
RRLLZZZ:
A Manifesto
Trash Grlz R the pollution
ageTrAsh
of the ‘Merican Dream
TRASH dnt get sik dayz
they get minimum •
wa1ge s Trsh gets raped
in public n’ spenz the res
of owr lyves apologizing
“empowering THE
oppressed”
What started as a
with misspelled words,
incorrect use of capital
letters, and inconsistent
breaking off of text,
quickly turned into a
poetic and rhythmic piece
of literature with a punch.
Trash Girls are less than,
and they have grown up
feeling that way. They are
taught to put themselves
behind because if they
don’t, the world surely
will. They are free to be
taken advantage of, at
the disposal of men who
will never see a single bit
of consequences for his
actions towards her. No
matter what the situation.
No matter who did what.
It is the trash girls who are
at fault. And the shame
that comes with it is their
burden to bear, at no fault
of their own.
But despite the graphic
imagery the author
puts forth, she poses
solutions. The trash girls
are willing to die for their
freedom. “wel surrender
to an incinerator befor
lose it.”
“We must CAMP outside
the ConVents of ConVicts;
Study the trsH to learn
WHAT fuels the bEAST.”
It is time we go to them. If
we really want to help the
“needy” we as a society
must be willing to accept
them. Because if they
are always labeled as
“poor” and that still has
a negative association
tacked onto it. They will
always be considered
lesser.
The “casual-internet”
writing style of this
manifesto stands out. I
wonder who Elizabeth
Broeder is. But then I
consider, does it matter?
I wonder if the style is
intentional to make a
point, or authentic to either
herself or her audience.
I wonder if some might
appropriation of some
kind. I wonder if I’m too
focused on the style and
not the message and
if somehow that says
something about me.
The unconventional
style engages the reader
to pay attention to
understand. It serves as a
contrast to other academic
essays we’ve read, but
in its way humble. The
style rejects academic
and societal structure,
much like its message.
Broeder observes
peoples from their point
of view. “Trash girls”
are compared to toys,
objects, market value,
things to be used, fuel
to be burned. “How do
we make ourselves, our
futures, our lives better
when your ‘US’ treats our
wonders.
Communication is
key to the solution. Work
with others outside your
group. Educate others
about the way things
are. Become a single
organism starting small
and growing into action.
Cooperate. Use hardship
and necessary resilience
as strength to overcome.
Lugones in her text illustrates how the the intertwined
network of power structure and colonial ideas of
race, patriarchy and heteronormativity can be hidden
behind the mask of western feminism and still be
rooted in oppression. As I read this text as a student
in America, I struggle to situate myself in it as an
Indian. I come from a culture that is probably still
a few steps slower the West in terms of dialogue about
patriarchy, race, class, gender and sexuality; where the
dialogue is not as open and “work” needs to happen
not just at a systemic level but also at a household level.
My constant question is — how can I take this
learning back home in a way that is pertinent to
my communities?
Reflections on reading
‘The Coloniality of
Gender”
- First, I googled Maria
Lugones and learned
she’s a badass
Argentinian Feminist
Philosopher who wrote
this text in 2008. Then
I read that she passed
away just this July...
- I found the reading
dense but provocative.
I messaged the cohort
that “Pouya assigns
readings to make my
blood boil. Lol” …
Lugones’ text effectively
stirred my feminist rage
and I sat in the break
room at work pissed
about men, and how
western colonization
likes to f*** everything...
literally and figuratively.
Ok, now that that’s
out... a calmer take
of the text:
I have been thinking about men’s (or more broadly, human beings) indifference to other humans. Specifically in connection to violence against each other in regards to sex. So I felt grateful we were reading this article. I haven’t
read anything before that puts in such plain language “the indifference that men...who have been racialized as inferior, exhibit to the systematic violences inflicted upon women of color.” On a personal level (and I apologize if you
actually read these reflections...) but I carry in me a constant fear that something I do will somehow trigger “the other” in someone. “The other” being the hidden private character that sees me, and treats me, as an object. I carry
with me a fear that somehow something that I do gives them permission to expose this side of themselves where they have their way with me regardless of my consent. It is something I fear can happen at any moment without much
notice. And why do I feel as if it is my responsibility to tame that within someone else? And, like why the fuck would you treat some like that ever to begin with?
This year, feminism has been a big issue in South Korea due to a series of crimes
of sexual exploitation of females. This has shown that gender discrimination
and exploitation have been thoroughly carried out by the capitalist system This
is because they exploited the victim’s sex and labor in an efficient way by
targeting the young and inferior class of women.
The reason why sexual exploitation is the act of killing one’s souls is that it
objectifies those who are exploited and make them as an ‘other’. It resembles
colonialism, nationalist ideas that reject differences. So to me, the colonial
exploitation that Maria Lugones is describing throughout her writing was very
compelling. And her view on exploitation make me feel shame because I
hadn’t thought about the racial and sexual things.
Engageing with “Coloniality of Gender” has left me with an apprehension or perhaps a lack
of understanding of the lived experiences of women of color / feminism. Lugones begins
her essay with a polemical statements, “men who have themselves been targets of violent
domination and exploitation, any recognition of complicity or collaboration with the violent
domination of women of color”. Any conversation that aggregates an entire array of lived
experiences as “violent” can be militant and dismissive of the vast differences of experiences.
It’s interesting to see the breakdown of the inner workings of colonialism. It is infinitely more twisted than just a form of “oppression.” We can see through Lugones’
examples of the social destruction of indigenous communities, that, much like a parasite, it depends on the biology of other beings to survive. By causing
turmoil from within colonialized communities and planting pervasive ideas of western hegemonic thinking, colonizers managed to undermine the “wildness” that we
were discussing last week. Colonial thinking has pitted gender, race, sexuality, and endless other categorized identities against each other to cause our natural
selves to crumble.
A woman is more than just her “gender.”
She is her sexuality, her race and so
many other things that make her whole.
I thought the segment on Intersexuality was especially interesting. Society’s
treatment of intersex people is a vivid example of the pervasiveness of colonial
thinking. It’s disturbing that when one is born intersex, they are forced to
submit to surgical procedures that lead them to having one side or the other of
the gender binary imposed on them. Doesn’t it sound just like a scene from
a horror movie? Sexual identity can’t get much more constructed than that.
The intersex community is just one marginalized group that is finally getting
some acknowledgement. [...]
I’ve been reading about crip theory, and this is absolutely something that happens
in the disability community as well. We are a community whose bodies are
controlled by ableist colonial thinking. Just like the experience of intersex
people, our reality becomes pathologized. The medical industrial complex and
pharmaceutical companies rely on “broken” bodies to stay in business.
After reading this, I find myself asking, How has colonialism mutated over time
and what insidious forms of colonial thinking are happening around me on a
daily basis? What forms of colonialism have I unknowingly submitted to?
By examining the legacy of
colonialism through the
framework of intersectionality,
we can begin to form language
around race and gender that
allows us to rethink our social
order in our neighborhoods and
communities. The continuation
of oppressive gender roles can
manifest themselves in our
households and create everyday
threats for men and women of
color. The arguments presented
in the article helped me broaden
my understand of my identity
as a Black man.Additionally, the
argument helped me understand
the different risks I face as a
Black man navigating through
various power systems are real
and saturate our global capitalist
systems, which uplift racial and
gender hierarchies.
My mind could not help but travel to my own family’s experiences escaping Bosnia during
the war in the 90s. The “dark side” of gender/sex system was extremely prevalent during this
war. Although it had not happened to my female family members directly it has happened
and was a tool used. The female identity has always been centered around their ability to
procreate and carry on generations. In the Bosnian war violence towards females was one of
the weapons of choice deployed to halt reproduction. By committing these acts of violence
on women and female children, it was an effective method in tainting and eliminating those
I wonder
what it would
mean for
contemporary
society if
gender was
instead tied
to
temperament
and
inclination? I
think it would
be better to
remove
gender bias
from all
vocations but
I do wonder
what the
Yuma way of
gendering
would mean
for our
contemporary
society. I
guess you
would first
have to
resolve
issues found
in the
patriarchy
because it
seems that at
the top of
most precessions you find men. This is interesting to me though. I have always been interested in the arts and not really at all interested in
“male” things like sports — why are women who are into sports called guy’s girls or tom boys — I think that at times this may have cast a
more feminine light on me amongst my peers. If we were operating in the Yuma society would I be considered of the female gender? I
guess not since I am and have always felt in line with the gender I was assigned at birth, but it is an interesting thought nonetheless.
There were very clear first hand descriptions of non-white
women as completely separte (aggressive not sexually
passive, strong not fragile) in the eyes of colonialists to
white European women. This section makes a connection
to our previous reading (Theory in the Wild by Jack
Halberstam and Tavia Nyong’o): “Women racialized as
inferior were turned from animals into various modified
versions of ‘women’ aas it fit the process of Eurocentered
global capitalism.” These black or American Indian women
were viewed as “animals” or wild.
Although coming from
a very different cultural
background, the
dominance of socialism
and communism has
also formed today's
Chinese perception of
gender and class, which
also follows the rule of
Plato’s allegory of the cave came to mind while reading and learning about coloniality of both power
and gender. [...] I realized I too am in the cave, as I was reading the examples of indigenous peoples’
view of gender with some initial skepticism. But then it occurred to me, in my mother’s native Filipino
languages of Tagalog and Ilonggo, they have no words for “he” or “she” but simply “siya”.
My skepticism is rooted in coloniality I’m sure. In order to change I need to admit where I get hung-up,
and am open to hearing where I misunderstand. The sexual dimorphism of gender, and physical
traits of peoples around the world make it hard for me to accept the claim that gender and race are
just a myth (p12). I do agree that there are myths spun within gender and race, specifically myths of
hierarchy and absolutes.
a patriarchal society. [...] Mankind loves to pick out otherness and enjoys to put
them into a box then label it. However, this action of labeling has enormously
sapped the power of any equal rights movement, as we were only fighting for
our own little groups. Colonialism or not, the definition of human equality
should not be written by one single group of people. Identifying a way to
understand different cultural backgrounds and barriers, then find a common
ground to unite people into one single force would be the challenge for any
Has there been anything
good to come out of
colonialism? This is the
question I am stuck with
when I finished this
reading. I feel uprooted.
And uncertain.
Everything I have been
taught as a child seems
to be crashing down
around me. And for good
reason. So many things
we are taught in schools
reflect the white Euro
colonized way of
thinking. Reading pieces
like this really make me
aware of the white privilege I have been living in and also brings up a sense of guilt. Because now that I
see these injustices. I hear these stories. What do I do now? How can I move forward in a productive
manner? How can we as a society move away from this culture and lifestyle we are so deeply rooted in?
It seems to be a human characteristic (a common one rather than a universal one, I like to say in my more optimistic moments) to
want to make others suffer when we are suffering. Especially nowadays, when we are so wrapped up in our individual needs, that
I think we are more likely to assume that others suffering is somehow a personal affront to or repudiation of our own suffering.
The selfish audacity.
Karens are oppressed by white men. But others being oppressed somehow minimizes their own oppression. While they cannot
acknowledge the oppression of others, they exercise what power they have by oppressing people of color. Men of color are
oppressed by white people. Yet they know that they can exercise power over women of color, so they do. Children of every
heritage are bullied, and in response, they lash out at people lower in the pecking order than them. Everyone can and has likely
been guilty of this, regardless of heritage, gender, sexual orientation, and countless other attributes which we use to Other people.
I come from a small conservative town in Western
Michigan where people are quite set in their ways. Some
believe strongly in traditional “eurocentric” gender roles.
They also question why we would even talk about racism
because “I’m not racist.” This article challenged all of
the things that I grew up being taught by the community
I was surrounded by. I was first stunned, and then
became drawn in by what Lugones was arguing. I began
to wonder if part of my identity as a white woman has
been built for me: that I might be passive, quiet and
subordinate. I was struck by all of the things today that
seem to be built upon a colonial categorization of people,
places, and things. This categorization seems to dominate
our society so that we might fit within social systems and
structures that keep us obedient and “in our place.” These
structures also cause immense inequality, segregation,
and harm of anyone not in the majority (white males).
Other than Michelle Obama, Rosa Parks, and
Harriett Tubman, no other woman of color is
highlighted in the history books of grammar
and high school systems. You won’t hear about
women like Angela Davis because of how
powerful she was, being a black panther and
beating the government in a case accusing
her of terroism acts.
The coloniality of gender has brought suffering to women of color.
Despite having ideas and knowledge, their capability is ignored
by society. Women of color should be empowered by giving them
a chance to express themselves and pursue their dreams.
I feel like all of Western society is built on this high and mighty law and order and it suffocates the
natural beauty of humanity. Is it possible that wildness can in fact be beautiful? Have I been taught to
think otherwise my entire life?
[...]
- did colonizers ever anticipate their influence to spread this far?
WHAT GIFT DOES WILDNESS OFFER US IF NOT THE ABILITY TO CREATE SPACE IN THIS WORLD? THE CONCEPT
OF WILDNESS GENERATES A NEW EXPERIENCE AND VOCABULARY. IT BRIDGES HUMAN BEHAVIOR, OUR
SENSES, OUR UNDERSTANDING OF AUTHORITY, INFLUENCE AND FREEDOM, ECOLOGICAL CRISES, GENDER
AND SEXUAL PRESCRIPTIONS. BY JOINING THESE TOGETHER, WE ARE INITIATING CHANGE AND
GENERATING FURTHER INTROSPECTIVE DISCOURSE ON HOW WE MIGHT DEFINE WILDNESS FOR OURSELVES.
»
»
»
»
»
“WILDNESS” IS A TERM I HEARD IN MY LIFE MASKED AS “DIFFERENT”, “MISBEHAVED”, AND “OUTSIDER.” A TERM I AM TOO FAMILIAR WITH, AND ONE
MANY IN PEOPLE WHO SHARE MY SAME SKIN UNDERSTAND.
»
THE WAY THE AUTHOR INTRODUCED A PASSAGE THAT DESCRIBED LITTLE BLACK GIRLS AS “WAYWARD” IN THE EARLY 20TH CENTURY IS SOMETHING
THAT STUCK WITH ME AS I PERUSED THROUGH THE REST OF THE ARTICLE. IT BEGGED AN EVEN BIGGER QUESTION I STARTED GRAPPLING WITH AS
I CONTINUED. IN WHAT OTHER WAYS HAVE MARGINALIZED COMMUNITIES BEEN LABELED “WILD” WHEN THEY WERE JUST EXPRESSING THEIR TRUTH?
MORE IMPORTANTLY, A TRUTH THAT DOES NOT HARM ANYONE AT ALL?
ULTIMATELY, I AM LEFT WITH ONE THOUGHT THAT DOES NEED AN ANSWER: IS IT OKAY TO REPURPOSE TERMS THAT WERE ONCE MEANT TO
OFFEND? THE AUTHOR BROUGHT THIS UP THROUGH THEIR ANALYSIS OF “QUEER.” ONCE AN OFFENSIVE TERM, IT IS NOW MORE COMMONPLACE.
DRAWING FROM MY OWN EXPERIENCE, THIS SIMILAR ISSUE COMES UP WHEN REFERRING TO THE “N-WORD”. SOME PEOPLE BELIEVE IN RECLAIMING
THE WORD WHILE OTHERS SAY WE SHOULD REMOVE IT FROM OUR EVERYDAY LANGUAGE. THROUGH THIS ARTICLE, I BELIEVE THAT WILDNESS IS A
TERM THAT SHOULD BE EMBRACED. THERE IS POWER IN RECLAMATION. IN THE WORDS OF THE LATE REP. JOHN LEWIS “GET IN GOOD TROUBLE.”
»
»
EVEN THOUGH THE THEORY OF
WILDNESS RETHINKS RACIST IMAGERY
OF THE COLONIAL PAST, I REJECT
THE NOTION THAT HUMAN BEINGS
HAVE TO BECOME “ANIMALISTIC" TO
ACHIEVE A MORE PROFOUND SENSE
OF SELF OR ENLIGHTENMENT. THE
IDEA THAT WE NEED TO COME ONE
WITH THE WILD TO UNDERSTAND
OUR PRESENT IS THOUGHT-
PROVOKING, YET PROBLEMATIC.
»
»
IN ORDER FOR US TO UNDERSTAND WILDNESS, I THINK IT’S IMPORTANT TO DISCUSS THE THEORY WITH AN OPEN MIND.
SOCIETY TODAY HAS BEEN CAREFULLY CRAFTED TO ALTER WHAT “WAS” CONSIDERED TO BE WILD SO THAT WE DON’T
HAVE TO FACE THOSE “PROBLEMS” ANYMORE. IN OTHER WORDS, WE HAVE BECOME ACCUSTOMED WITH THE SYSTEM
IN WHICH WE RESIDE, AND MAYBE OLD FORMS OF WILDNESS HAVE BEEN ELIMINATED TO MAKE OUR LIFE EASIER.
I HAVE TO SAY I DON’T REALLY UNDERSTAND WHAT THE MEANING OF THIS ARTICLE IS. IT’S SEEM
LIKE THE AUTHOR USE “WILD” TO DESCRIBE COLONY, FEMINISM, ANARCHIST, QUEER AND ANIMALS…
WILD THEORY IS ABOUT BRINGING THESE PERSPECTIVES INTO THE DISCOURSE ON ART, TO HAVE A MORE DECOLONIZED, INTERSECTIONAL APPROACH
TO ARTISTIC DISCOURSE. THIS IS THE ESSENTIAL TENSION OF THE WILD VERSUS COLONIALISM. THE WILD IS MESSY, UNCLEAN, IMPURE. SINCE THE LATE
19TH CENTURY, IT STANDS IN DIRECT CONTRAST TO MODERNIZATION AND COLONIALISM. OUR SOCIETY VALUES CONTROL, HUMANS, MANAGEMENT,
EXPLOITATION, AND CONSUMPTION OVER THE UNRULY, ANIMAL, MESS OF THE WILD. THUS THESE VOICES THAT DO NOT FIT INTO THIS FRAMEWORK —
OFTEN WHITE, CAPITALIST, AND CIS MALE—ARE LEFT OUT OF THE CONVERSATION. BRINGING IN BLACK, BROWN, QUEER, FEMINIST, INDIGENOUS, ARTIST
AND DESIGNERS, WE SEE WORK MADE FOR ANARCHY AND DISRUPTION.
“TO THE EXTENT THAT IT FAILS TO ACKNOWLEDGE THOSE
ACCUSED OF WILDNESS — INDIGENOUS PEOPLE WHO GET CAST
AS THE INHABITANTS OF A LOST WORLD OF ANOTHER SOCIAL
ORDER MAY WELL ASK, AS JODI A. BYRD DOES IN HER ESSAY
IN THIS ISSUE, “WHAT IS THE WILD TO THE AMERICAN INDIAN?”
FOR THOSE BODIES THAT CONTINUE TO REPRESENT THE VERY
CONDITION THAT OTHERS HAVE THE LUXURY TO CONTEMPLATE
AND DEBATE, THE WILD CAN BE A TREACHEROUS AND, IN
BYRD’S WORDS, A “DANGEROUS AND DEADLY” PLACE.”
THIS SECTION REALLY STOOD OUT TO ME TO CONTEMPLATE
WHAT OR WHO WOULD BE ACCUSED OF BEING WILD. MAYBE
THE ANSWER LIES ON THE ONES WITH POWER IN THEIR HANDS,
OR IT’S BECAUSE OF THE ONES CANNOT END UP BEING THERE.
The use of the word queer helped me to gain a hold of what wildness implied—not of
the wild persona but society’s (status quo) reaction to wild. It definitely opened for me “a
range of concerns...” that might fall under the category of wildness.
»
»
THEORY IN THE WILD IS BOTH AN INTRODUCTION AND PERFORMATIVE EXEGESIS THAT FORMS AND REFORMS QUEER IDENTITY, FEMINISM, BLACKNESS,
AND INTERSECTIONALITY. THE TEXT PRESENTS ITSELF AS AN ECSTATIC PRACTICE OF DECOLONIZATION WITHOUT BEING GROUNDED IN THE HISTORICAL
CHAIN OF WESTERN COLONIALISM. THE TEXT IS DIZZYING. THE INTRODUCTION OF WILD THEORY IS PERFORMANCE, SEEING THEORETICAL OBJECT
THROUGH A KALEIDOSCOPE. SHIFTING COLORS, TONES, AHISTORICAL OBJECTS GRAVITATING IN UNISON FOR A MOMENT, BEFORE BEING PULLED APART
AND REFORMED INTO ANOTHER TEMPORARY MOSAIC.
[…]
LASTLY, THE AUTHOR MUNOZ ASKED THE EDITORS BEFORE HIS PASSING, “WHAT IF THE ‘QUEER’ IN QUEER THEORY WERE TEMPORARILY BRACKETED IN
ORDER TO EXAMINE EVERYTHING THAT GATHERED UNDER ITS SIGN AND EVERYTHING THAT REMAINED BEYOND ITS PURVIEW”. SPECULATIVE QUEERNESS AS
A FORMAL TOOL OF INTERROGATION AND TAXONOMY RESOUNDINGLY NEGATES THE FLUIDITY OF QUEERNESS. IT IS THE SPACE BETWEEN, PRE-THOUGHT,
THE MOMENT BEFORE THE BREATH. QUEERNESS IS AN EXPERIENCE, NOT A CATEGORY WAITING TO BE DEFINED.
“WILD” HAS ALWAYS BEEN A TERM THAT I WORK HARD TO KEEP OUT OF OTHER PEOPLE’S VOCABULARY WHEN THEY DESCRIBE ME. I TEND TO BE QUIET,
SOFT SPOKEN, GENTLE, AND EVERYTHING BUT WILD. HOWEVER, THIS READING CAUGHT ME OFF GUARD AS IT DESCRIBES “WILD” IN A DIFFERENT LIGHT
AND ASKS US TO CONSIDER AN UPDATED AND MORE FLUID DEFINITION OF WILD. ON PAGE 1, HALBERSTAM AND NYONG’O JUMP RIGHT IN WITH A
GUT PUNCH WRITING, “WILDNESS HAS CERTAINLY FUNCTIONED AS A FOIL TO CIVILIZATION, AS THE DUMPING GROUND FOR ALL THAT WHITE SETTLER
COLONIALISM HAS WANTED TO DECLARE EXPIRED, UNMANAGEABLE, UNDOMESTICATED, AND POLITICALLY UNRULY.” I WONDER HOW MANY TIMES
I HAVE ADOPTED THE POSTURE OF A WHITE COLONIAL SETTLER PUSHING THOSE WHO ARE RADICALLY DIFFERENT FROM ME TO THE EDGES AND
CALLING THEM “WILD” WHILE ASKING THEM TO BELONG ELSEWHERE; THEY MAY BELONG ANYWHERE BUT INSIDE MY POLITICALLY “CORRECT” RULE-
FOLLOWING CALM.
WHAT IF, INSTEAD, I REFRAME MY THINKING OF “WILD” AND CONSIDER IT “AN UNDERSTANDING OF THE POLITICAL THAT IS NOT COEXTENSIVE WITH
OUR FUCKED-UP POLITICAL PRESENT, BUT NOR DOES IT APPEAL TO AN IDEALIZED ANARCHISM OF THE PAST. ANARCHIST POLITICS TODAY, WHICH WE
FIND TO BE A CLUSTERING OF ALL KINDS OF SOCIAL JUSTICE POSITIONS” (459). SOME OF THIS WILDNESS SEEMS TO BE AT THE ROOT OF JUSTICE AND
EQUALITY INITIATIVES THAT ARE STARTING TO BE MORE PREVALENT IN OUR SOCIETY TODAY. I AM STARTING TO THINK THAT WILDNESS CAN BE A
DRIVING FORCE THAT ASKS US TO DIG DEEP INTO THE GRITTY MESS OF OUR COLONIZED WESTERN SOCIETY AND BE DESIGN REBELS. ASK THE TOUGH
QUESTIONS. RAISE THE VOICES AT THE BOTTOM. AND PUSH AGAINST THE PRIVILEGED IDEOLOGIES BROUGHT INTO SOCIETY BY THOSE IN POWER.
»
»
ARE MANKIND AND CIVILIZATION MAKING PROGRESS? THE VIEW OF WILDNESS AS THE OBJECT OF ENLIGHTENMENT PRESUPPOSES THAT THERE IS
SUPERIORITY IN CULTURE AND THAT IT DEVELOPS IN ONE DIRECTION. FROM OUR READING, "IF WE REFUSE TO ACCESS ALL THAT WILDNESS…WE WILL BE
TREATING TO A RELIGION OF CITIZENSHIP WITH ITS NARRATIVE ALIBIS OF HUMANITY, ECONOMIC GROWTH…" (PG.455), THOSE ALIBIS WERE USED WHEN
JAPAN HAD COLONIZED KOREA IN THE 19TH CENTURY. I BELIEVE THAT THE DIRECTION OF THE PROGRESS OF CULTURE FLOWS BACKWARD, COMES BACK,
AND FLOWS SIMULTANEOUSLY INTO THE PAST AND PRESENT. JUST AS WE TAKE OUR JEANS THAT WERE POPULAR FIVE YEARS AGO. CULTURE IS RESPECTED
IN VARIOUS FORMS AS IT DOES NOT VIOLATE UNIVERSAL VALUES.
»
WHILE READING THE TEXT I REALIZED HOW THE WORD ‘WILDNESS’ COULD
BE SOMETHING SO INDEFINITE BUT ALSO BROAD IN MEANING, AS WELL
AS PERTAINED THROUGH VARIOUS ELEMENTS OF THE PAST AND THE
PRESENT. TO SEE IT IN THIS WAY, ’WILDNESS’ CAN BE PERCEIVED AS AN IDEA
OBSERVED ON SIDES OF BOTH, SUBJUGATION AND SALVATION ALONG
POLITICAL AND SOCIO-ECOLOGICAL SECTORS. FOR EXAMPLE, WE LIVE IN
A SOCIETY WE GROW UP UNDERSTANDING AS CIVILIZED BUT IN REALITY, IT
HAS BECOME SO ERRATIC, DRIVEN BY INSANITY AND DESIRES. IT BLURS THE
LINE OF HOW WE CLASSIFY THINGS. MOREOVER WHAT GIVES SOMEONE
THE RIGHT TO DEEM SOMEONE’S CHOICE AS “WILD’ OR ‘CIVILIZED’. I FEEL
THERE’S A NEED TO INTROSPECT AND BRING REFORM TO THE STRUCTURE
AND SYSTEMATIC HIERARCHY AND TO BREAK FREE OF THE EXISTING
SOCIAL CONSTRUCT. I’M SURE THERE COULD BE A MORE DETAILED AND
COHERENT DIALOGUE ON THIS.
»
WHEN DESIGN IS WILD AND EXPERIMENTAL, THAT IS WHEN YOU GET TO SEE THE TRUE IDENTITY OF THE DESIGNER
SHINE. WHEN THEY HAVE THE OPPORTUNITY TO BE UNAPOLOGETICALLY THEMSELVES. THAT IS WHEN WE GET THE
MASTER PIECES OF APRIL GREIMAN, WOLFGANG WEINGART, AND MOIRA CULLEN. THEY WEREN’T AFRAID TO TAKE RISKS
AND BE WILD. AND I THINK THAT IS WHAT THIS READING IS TRYING TO TELL US. THAT THERE ARE A LOT PEOPLE OUT
THERE TRYING TO FIT US IN A BOX, BUT IT IS UP TO US TO EMBRACE THE “WILD.” GRAB ON AND DON’T LET GO. RULES
ARE MEANT TO BE BROKEN AND I KNOW THERE ARE A LOT OF PEOPLE AT THE TOP WHO DON’T WANT US TO KNOW
THIS. BUT IT IS TIME FOR EVERYONE TO GET ON THE SAME PAGE AND TAKE A RISK. THERE IS NEVER JUST ONE WAY TO
DO SOMETHING, AND IT’S USUALLY THE ROUND ABOUT WAYS THAT BRING UP THE MOST INTERESTING RESULTS.
I ENJOY THE WORD “WILDNESS” AS A WAY TO DESCRIBE A REFUSAL TO CONFORM TO
CONTROL. MICHELLE CLIFF DISCUSSES HOW SHE GREW UP INTERNALIZING MESSAGES
OF ANGLOCENTRISM AND WHITE SUPREMACY. SHE TALKS ABOUT FINDING A LOST PART
OF HERSELF FROM “THE DARKER SIDE.” PART OF MATURING AS A PERSON IS UNEARTHING
THE WILD PERSONA THAT’S DEEP INSIDE. I THINK THAT BEING LOUD AND DISRUPTIVE IS
A PART OF THIS PROCESS. SOMETIMES IT DOES MEAN BEING VIOLENT, FIGURATIVELY OR
LITERALLY, BY NOT FOLLOWING SOCIETY’S RULES. IT MEANS THAT, MOST LIKELY, OTHERS
IN YOUR CIRCLE ARE GOING TO BE DISAPPOINTED AND EMBARRASSED BY YOU AT SOME
POINT. BUT OF COURSE THE REAL VIOLENCE IS THE REGIME OF CONTROL IMPOSED ON
US DAILY. SPACES WE ASSUMED WERE SAFE ARE NOT. PRECIADO REFERS TO IT AS THE
PHARMACOPORNOGRAPHIC SEEKING TO INOCULATE US. OUR WORLD IS CONSTRUCTED
WITH RACIST, SEXIST, HETERONORMATIVE, ABLEIST IDEALS, AND THERE ARE ALWAYS GOING
TO BE BODIES THAT ARE CONVENIENTLY IN “NEED OF REPAIR” FOR CORPORATIONS TO
CAPITALIZE ON, ALL UNDER THE GUISE OF “SELF IMPROVEMENT” OR “SELF HELP.” THESE ARE
EUGENICIST IDEALS, AND WE’RE SURROUNDED BY THEM CONSTANTLY, EVEN IN ACADEMIA.
AND IT SEEMS LIKE, ONCE WE’VE WON A LITTLE RESPECT AND REGARD, WHATEVER IT
IS BECOMES COMMODIFIED AND POISONED. I THINK WE NEED TO BE VIOLENT AND
DISRUPTIVE AND ANGRY BECAUSE IT’S THE ONLY WAY TO BE HEARD. AND WE NEED TO
ALWAYS REEXAMINE OUR SELVES AND HOW WE ANALYZE OTHERS’ WAYS OF BEING AND
FORMS OF PROTESTS (“LINGERING IN THE VOID.”) THERE ARE MANY TIMES WHEN WE FIND
OURSELVES WEARING THE MASK OF A FALSE PERSONA THINKING THAT IT’S OUR OWN.
I FIND IT IS EXTREMELY CHALLENGING TO UNDERSTAND THIS ARTICLE AS SOMEONE FROM A DIFFERENT CULTURAL
BACKGROUND, AS I HAVE NEVER ENCOUNTERED THE IDEA OF "WILDNESS" BEFORE. THUS, MY UNDERSTANDING OF
THE TERM "WILDNESS" IN THIS ARTICLE IS SOMETHING EQUAL TO "OUTCAST", LIKE ANY CULTURE OR PEOPLE THAT ARE
IDENTIFIED AS OUTSIDE OF THE MAINSTREAM CULTURE. ACCORDING TO THE ARTICLE, SHOULD I SAY THAT UNDER A
WHITE-DOMINATED SOCIAL SYSTEM, ALL CULTURES SEEM ABNORMAL OR ODD ARE CLASSIFIED AS "WILDNESS?" THAT
OUR SOCIETY IS PROJECTING ANY "WILD AND WAYWARD" RACE, COLONIALITY, ECOLOGY, ANARCHY, AND EVEN GENDER
AND SEXUALITY, TO THE OUTSIDE WORLD AS A FANTASY OF WHITE CAPITALISM? THAT IS, IN A WHITE-DOMINATED
SOCIETY, "ERRAND INTO THE WILDERNESS," IS A SYMBOLIC IMAGE THAT HAS BEEN MISINTERPRETED AND OVER-
INTERPRETED, LEAVE ALONE THE REALITY BEHIND IT. KENT MONKMAN'S WORK SEEMS TO GIVE AN INTERPRETATION
OF THE "WILDERNESS" IN AN ARTISTIC AND METAPHORICAL WAY. AND PEOPLE WHO ARE EDUCATED BY THIS IDEA
OF "WILDNESS" OFTEN WILLING TO ANALYZE AND INTERPRET THESE SYMBOLS, TO MATCH THEM TO WHATEVER THEIR
PROJECTION ABOUT "WILDNESS" IS. WITHOUT THE CONTENT OF EACH SYMBOLS' HISTORICAL ORIGIN, THE MEANING
OF THEM IS DEMOLISHED AND CONSUMED BY THE MASS CULTURE. IN MY OPINION, THESE MARGINAL GROUPS OR
CULTURES ARE PART OF THE HUMAN HISTORICAL PROCESS, AND IT IS ARROGANT AND UNFAIR FOR ONE DOMINANT
CULTURE OR SOCIAL NORM TO DECIDE THE REST AS "OUTCASTED."
WILDNESS AS SHOWN HERE IS MAYBE BEST PUT THROUGH A PHRASE USED AT THE VERY END OF THE TEXT, DISCURSIVE CHAOS. AN UPENDING OF
CURRENT HEGEMONIC STRUCTURES THROUGH A WILDING OF THOUGHT THAT LEADS TO THOUGHTFUL OR IMPACTFUL DISCUSSION. HOW CAN
THEORIES, TANGIBLE, SPECULATIVE, OR OTHERWISE LEAD US TO THINK DIFFERENTLY ABOUT THE REALITY OF OUR COLONIZED, WHITE-WASHED MODES
OF LIVING? THIS MAKES ME WONDER HOW DESIGNERS-AS-AUTHORS CAN HAVE AN IMPACT ON THE WORLD AROUND US THROUGH THE PRODUCTION
AS WELL AS DISSEMINATION OF IDEAS THAT ARE OUTSIDE OF THE TRADITIONAL CANNON OF WHAT IS PUBLISHABLE MATERIAL APPROPRIATE FOR
DISSEMINATION TO THE MASSES THROUGH POWER OF SELF PUBLISHING. THE NOTION OF WILDNESS ALSO MAKES ME THINK OF ECOLOGY AND THE
EFFECT WE HAVE ON OUR SURROUNDINGS (THE EFFECT OF COLONIZED LIFE ON OTHER MODES OF LIVING?). I KNOW THAT THIS IS NOT NECESSARILY
WHAT IS MEANT BY WILD IN THIS SENSE, BUT IT IS INTERESTING TO ME THAT THROUGH THE TERM WILD ONE CAN DRAW CONNECTIONS BETWEEN
NEGLECTED LAND AND CAST-ASIDE POINTS OF VIEW/LIVES. OTHER SIMILAR LINES COULD LIKELY BE DRAWN, THROUGH WILD, BETWEEN COMMERCIAL
COMPONENTS OF WILDERNESS (REI AND STATE PARKS) TO COMMERCE’S COOPTING OF BLACK AND QUEER VOICES TO MOVE PRODUCT. CAN
EVERY DESIGNER, REGARDLESS OF TEMPERAMENT, PLAY A ROLE IN THE COLISEUM OF DISCURSIVE CHAOS OR MUST YOU BE OF THE PHLEGMATIC
ACADEMIC OR MELANCHOLIC AUTONOMIST ILK. MUST I BE THE AUTHOR OF THESE WILD AND DISCURSIVE IDEAS, OR IS IT ENOUGH TO BE A TOOL OF
IMPLEMENTATION? THAT SAID, IT SEEMS LIKE THE FIRST STEP TOWARDS MEANINGFUL ACTION WOULD BE TO FIND THE WILD WITHIN ONE’S SELF.
“LIVE YOUR WILDEST DREAMS” HAS ALWAYS BEEN A TERM THAT POSES AS A POSITIVE SYNONYM FOR LIVING YOUR BEST LIFE, ACHIEVING
YOUR GOALS, OR EVEN THE TERM YOLO. THE KEY WORD “WILD” IS LITERALLY WHAT YOU MAKE IT. THE WORD TAKES ON ALL TRAITS.
I WOULD REFER TO IT AS “GOOD TROUBLE” IN THE WORDS OF JOHN LEWIS. TO BE WILD IS TO LITERALLY BE A RADICAL. THE SOUTH
ATLANTIC QUARTERLY CONFIRMS THIS WHEN REFERRING TO HARTMANS RESEARCH ON AMAZING BLACK GIRLS OVERCOMING OBSTACLES
THEY FACED DAILY. THIS PIECE CONNECTS GREATLY TO WHAT’S GOING ON IN THE WORLD TODAY. SOME WOULD CALL THE PROTESTS
THAT ARE CURRENTLY HAPPENING, “WILD”, WHEN OTHERS WOULD REFER TO IT AS A FIGHT FOR JUSTICE AND PEACE. I COMPLETELY AGREE
WITH THE ANIMAL REFERENCE AS THE COUNTRY SEEMS TO DEEM ANYTHING “WILD” IF THEY AREN’T ABLE TO CONTROL OR MANAGE
IT. ON THE OTHER HAND, IT’S WILD TO SEE WHAT GREAT THINGS COULD HAPPEN IF CULTURES AND IDEAS WOULD COME TOGETHER.
SOMETHING MAGICAL WOULD BE CREATED, SUCH AS THE AFRICAN MASK CREATION FROM WILFREDO LAM, INFLUENCED BY PICASSO. IF
ONLY OUR POLITICAL SYSTEM WERE TO REALIZE THE SAME THING, THE COUNTRY COULD TURN OUT BETTER.
»
»
IF WE DID NOT SEPARATE OURSELVES FROM NATURE, WE WOULD NOT NEED TO BE WILDED OR RE-WILDED. HUMANS ARE FROM NATURE, WE ARE
PART OF NATURE, NO MATTER HOW MUCH WE LIKE TO PRETEND OTHERWISE. ENTIRE PLANT AND ANIMAL SPECIES HAVE EVOLVED ALONGSIDE
OF AND BECAUSE OF US. THEY CHANGE US AND WE CHANGE THEM. CATS, DOGS, SWEETGRASS, ENTIRE REDWOOD FORESTS. IF THAT IS NOT
SUFFICIENT PROOF OF OUR NATURAL HISTORY AND LEGACY, I DO NOT KNOW WHAT IS.
THE CONCEPT OF MODERNITY GREW OUT OF ENLIGHTENMENT THINKING. ONE OF THE MAJOR EXERCISES OF ENLIGHTENMENT THINKERS WAS TO
COME UP WITH JUSTIFICATIONS FOR THE SLAVE TRADE. THIS RESULTED IN POLARIZATION, US VS THEM. THEY ARE IMPROPER BECAUSE THEY DO
NOT BELIEVE IN TWO GENDERS. THEY ARE IMPROPER BECAUSE THEY ARE SAVAGES, AND THUS NO BETTER THAN MERE ANIMALS. WE ARE SUPERIOR
BECAUSE WE HAVE SURPASSED NATURE. IF NATURE IS GOD (AS WAS A COMMON BELIEF AMONG 19TH C ROMANTICS, THEN WE ARE GOD BECAUSE
WE CAN AND WILL CONTROL NATURE. SO WE CANNOT BE NATURE. THEN WE WOULD BE FALLIBLE. LESSER BEINGS. THUS WE MUST REJECT OUR
NATURAL ORIGINS. AND WOE BETIDE ANYONE WHO APPEARS HUMAN BUT NOT EUROPEAN. LOOK TOO CLOSELY AND THEY’LL START TO LOOK
LIKE US. THEIR NATURAL, OR WILD, PRACTICES AND BELIEFS MUST BE ERADICATED. AT THE SAME TIME, WE MUST MAKE IT PERFECTLY CLEAR THAT
THEY ARE NOT AS GOOD AS US. SO WE ARE THE BENEVOLENT MISSIONARIES CIVILIZING THE WILD SAVAGES.
»
»
A FULLY TAME SOCIETY
PAVES A POSSIBLE PATH TO
AUTHORITARIAN RULE IF
LEFT UNCHECKED. THAT’S
NOT TO SAY THE SOCIETAL
CONTRACT IS ALL BAD, WE
NEED ASPECTS OF IT TO
COEXIST PEACEFULLY IN
LARGE NUMBERS. TO CREATE
BALANCE, WE NEED TO
HAVE A RELATIONSHIP WITH
WILD BOTH IN SOCIETY
AND WITHIN OURSELVES. IT’S
IMPORTANT TO REALIZE OUR
WILD NATURE AND EMBRACE
IT, TO LEAVE ROOM FOR
IT. THIS WILD NATURE
GIVES US INDEPENDENT
EMOTION AND THOUGHT.
IT’S WHAT LEADS TO
ART AND INNOVATION,
PLAYING WITHIN UNKNOWN
TERRITORIES AND FRONTIERS.
A RELATIONSHIP WITH THE
WILD IS WHAT ALLOWS US
TO COPE WITH MASSIVE
CHANGE LIKE THE WORLD
OF COVID. WILD IS NOT
A FINGER TO BE POINTED,
BUT A SPACE TO BE LEFT,
AN INNATE SENSE TO
EMBRACE, A DIFFERENCE TO
CELEBRATE.
Grab a sheet of
tin foil and cut
it in an ovalshapeto
cover your
face. Make sure
its large enough
to cover your
entire face.
Cut out two
slits for your
nose. Use a
photograph
of a lizardfor
reference
If possible, cut
out the shape of
a smile (maybe
use a photo of
the Joker for
reference)
Cut out two
holes for eyes.
Be sure to make
them relatively
large
1. Light a candle. 2. Make your favorite dinner.
3. Think about a happy memory and write it down.
4. Think about a sad memory and write it down.
5. Write a poem to your past and future self.
6. Paste all your writings on the inside of your mask.
Put on goggles
D
Cut out two
small holes on
each side of
mask (by your
ears)and tie
string through
both holes A so
mask will staywhen
you put
it on
V
E
I am instead hoping to
carve out a camp within,
where I can feel content
but not constrained
while also lifting those
with abilities that exceed
mine to a higher plane.
I am not the academic,
the high level reader,
or the individual with
ability to retain what
I’ve read in one pass, but
I will sure as hell try
my hardest (even if that
means reading something
a dozen times). I believe in
treating everyone fairly
and am constantly
reviewing/reevaluating
what I consider to be good
or valuable because I —
like everyone else — am
constantly changing,
growing, and learning.
Put on bandana
“How wrong to assume that once colonizers leave,
the oppressed bounce right-up and become
independent immediately. Psych-therapeutic
techniques are called-for, such as anamnesis, to
assist in re-examination.”
“The colonizers still have an inferiority mentality
towards the people and the country they colonized. Africans,
outh sians, and est Indians were the most affected by
colonialism. Additionally, the historical injustices strain
therelationships between the western countries and their
colonies.”
“I think we often
forget how deeply colonialism has
affected every community.”
‘to elaborate their current
problems by freely
associating
apparently inconsequential
details with past situationsallowing
them to uncover
hidden
meanings in their lives and
behaviour’
“Cultures spread across the globe have
effectively been destroyed and we are
left with millions of people lacking a true
identification of who they are and their
cultural past. Maybe rebuilding what has
been destroyed isn’t entirely possible.”
“The colonizers have presented their
violent ways as explained in the first
“bandit-mode” of colonialism. They’ve
shown their greed, rapacity, and lack
of love for the common human. With
that being the root of this country, I
wouldn’t expect for them to operate
any differently.”
“I remind people
I speak to about
how those in
power are more
likely to keep
that power within
the system they
already belong
to.”
“Our society thrives on the idea that
we are imperfect and that through
consumption we can become more
perfect, that we can control our bodies
and become slightly “better,” with better
defined as being more like the colonizer.”
“The colonial aftermath is also fraught by the anxieties and
fears of failure which attend the need to satisfy the historical
burden of expectation.”
“We would not
think our way out
of our past” - I think often times it’s also hard to move forward
when you are stuck living in the past. onsciously
understanding where your history comes from and
then pivoting towards using it as a tool to change
the future should be the right approach but I
find that even with my own people that becomes
dicult. e are stuck looking too closely at the
relationship and memories of our past to proceed
into a newer future.
“How do we reconcile the past with the future?
How do we acknowledge the past and
move toward a new vision for the future?
How do we break from tradition and introduce
new
patterns of thinking, without rewriting history?
How do we acknowledge the psychological
trauma of colonialism on the image of a man?”
Part of postcolonial study
requires an unearthing. It
requires facing the realities
of a colonial past and the
damage that it has done
to us as a nation and as
individuals regardless of how
we identify ourselves (as a
colonizer or as one who has
been colonized). For me, this
means a reckoning with my
elementary, middle school
and high school history books
that told me partial histories
told by those in power. They
didn’t include the stories of
the oppressed. I must re-learn
and un-learn the past and
understand my role in it and
my role now because of it.
We cannot expect
colonialism to be ended
just because we can
identify it and are currently
in the colonial aftermath.
We must remember it,
face it, and actively work
to identify our role, the
structures that are and
were in place, and surpass
colonialism.
PRESENT
“Another really fascinating part I found was when Gandhi
spoke about this this desire of those colonized to be like
those in power: “to speak in desired way is to speak against
oneself.” This seemed to me to say that moving forward (I
should say “forward” as this is referring to moving towards
the ideals of colonialism) is to move away from culture and
heritage of a colonized community, against that way.”
“What happens when the colonizer
leaves? A chasm is left in the wake of
cultural destruction. A community is
tasked with the immense responsibility of
rebuilding. How do you rebuild years of
erased culture, language, art, philosophy,
history? You can’t.”
“I surely don’t believe the physical conquest is ever
going to end and the occupation of cultural identities
is certainly going on right now considering we are now
living in a world dominated by English. Personally, I
see globalization as an extension of colonialism, as it
somehow merges all cultural identities to be one that is
heavily led by western culture.”
I know I need to do something.
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know
know
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need
need
to
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do
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I’ve recently decoded a series of Zoological
prints from the “Druck und Verlag
von Theodor Fischerin Cassei”series.
The lithographic prints seem to be dated
around 1884, perhaps older. The axonometricstructureof
the series will make
an important referencepoint as I begin
to map outand illustrate the new species
on this plant. There is no known Class,
Type, Order delineationthat makes any
coherentsense.I’ll continue touse the
traditional monopod dissection structures
to beginmyvisualresearch. The
new conjectures by my peers are crude
and reductive. How can we move forward
with discourse aroundthe teleological
functionof a Thing as it appears, ifwe do
not yet have a solid grasp of the thing
initself? The Formation of Objects(Foucault,
Order of Things)a.We must map
the first surface of their emergence:
show where these individual differences,
which according to thedegree of rationalization,conceptual
code, and types
of theory, will be accorded b.We must
describe the authoritiesof delimitationc.
We must analyze the grids of specificationAs
with any newinsight, phenomenal
or otherwise“the denomination of objects
does not follow upon recognition;
it is itself recognition”(Ponty, Phenomenologyof
Perception). When Iwas browsingthrough
the organic matter archives,
Icame across Datura Inoxia. It may be a
suitablemodel for my design system.
Proust
3. Once you finish your
I was married five years ago, we had love and beautiful time,
really. I don’t know why things becomes in this way. In the
begging,me and my ex-husbandwere artist, we met at a gallery
and we both have crush in the same work, thatwasareally
good time, we date on different gallery and share our opinion.
But after 2 years, he thinks he can’t make enoughmoney
being an artist. He became an entrepreneur, dealing
with crafty businessmen every day, and gradually became
bad-tempered. My ex-husband always wanted me to have
a child and stay at home be a housewife. We always had
fights. I don’t want to havea baby and I love my job.I don’t
know why he always want control me, Why I can’t have my
own life? Women have a lot ofthings to do as sameas man,
Loria
mental
weare not just reproductive machines. I got divorced three
years ago,finallyI can breatheand have my own life. I’m a
graphic designer now. I do a lot of works for female and
LGBTQ. Now I am full and happy. I have some good friends
who share the same goal and do the things we like.
1. Think of an object/thing that has the color Purple.
2. Think of an object/thing that has the color Black.
3. Create a mask with a material of your choosing in cylindri-cal
or half cylindrical shape
4. On top of your mask, add a layer of plus sign that would
reach the top and the sides of the mask.
5. Cut eye holes for your eyes (in rectangles) and cut holes
around your mouth area.
6. Translate your objects/things into runes through this
link:https://valhyr.com/pages/rune-converter
7. After choosing your language, implement the runes
into the mask of a place of your choosing in their respective
colors.
8.Put a vertical rainbow over the plus sign on your mask.
(Print, color, etc. it is up to you)
9. Add a reflective (gold,silver,etc.) surface (paint, objects,
etc.) on the horizontal side of the plus sign
preparation,
gather the following
supplies:
4. On the medical mask, cover it
completely with tape. The tape
symbolizes your ability to tap into your
potential and stitch together a new
future of your own making
standard
medical mask, masking
tape, sharper, and
scissors. If you don’t have
all the supplies, please
find an appropriate
Nimo
substitute.
5. Once the medical mask is covered, use a
sharper to write down the word “voice.” Be
big and expressive.
Proust Instructions
Step 1 First things first, you have to grab a forest,
fisherman type of bucket hat.
Step 2 Grab some fresh plant soil or dirt type of
texture, just to make a few marks on your face
as ifyou’ve been in the forest for a few few days.
Step 3 You have to form your voice like Steve
Irwin(the late great crocodile hunter).
Step 4 If you have futuristic black glasses, those
will help since we are in the year 2150,If not,
clear frames will do.
Step 5 This will work with either pair of glasses-
Apply small amount of plant soil to frames(so
that itlooks dried up).
Meet Proust
6. After you write down the
word voice, cut incisions
into the mask for your
mouth. You can make the
incisions as small or big as
you’d like.
“Looking inwards for change is vital.
Being articulate and open to others for
growth is critical. My family is extremely
important and I pride myself on having instilled
a strong work ethic at such an early
age. I recall the one night we wentout
as a family for an anniversary dinner in
the city. On our way home,I made sure we
drove through the main shopping areas.
My son was already in a suit, so I stopped
my car outside of the flagship Gap and
told my son to get out of the car, walk in
and not come home until he hada job. I
did not care what the job was but simply
any job would suffice.He was fourteen at
the time.”
Loria
“I was married five years ago, we had love and beautiful
time, really. I don’t know why things becomes in
this way. In the begging,me and my ex-husbandwere
artist, we met at a gallery and we both have crush
in the same work, thatwasareally good time, we date
on different gallery and share our opinion. But after
2 years, he thinks he can’t make enoughmoney being
an artist. He became an entrepreneur, dealing
with crafty businessmen every day, and gradually
became bad-tempered. My ex-husband always wanted
me to have a child and stay at home be a housewife.
We always had fights. I don’t want to havea baby and
I love my job.I don’t know why he always want control
me, Why I can’t have my own life? Women have
a lot ofthings to do as sameas man, weare not just
reproductive machines. I got divorced three years
ago,finallyI can breatheand have my own life. I’m a
graphic designer now. I do a lot of works for female
and LGBTQ. Now I am full and happy. I have some good
friends who share the same goal and do the things we
like.”
I don’t mean to sound arrogant, but
my background speaks for itself.
Look at my client list. This should
easily paint a clear picture of my
capabilities. I’mgoing to give you
110% every step of the way and I
will help shape your brand into a
global wonder. The point I’m trying
to make is that if you want something
to get done, you’ve called
the right person.I’m built for this. I
know how to build brands. I know
what people want and I know how
they work. If you follow my lead, we
will get their attention no questions
asked! I’m driven to create a
positive solution for you. Just wait,
we’ll get everyone on board...trust
me!
Mr.Hongdae - founder of Studio Hongdae
“Without a doubt, you must know me. Although
you are not a person working in the
designarea, at least you have heard my name
at once. My studio is located in the design
hotspot of this city. Technically speaking, this
area beganto have a reputation as the mecca
of design and indie culture since I started
my early work here.There was a factory area
when I first have settled here. But, now, you
can see glossy flagshipstores and famous
design brand shops near my studio.”
“I am a city planner
and have been living
on Mars for almost 100
years. In the last few
years, I have created
a well-functioned
city system that has
been serving people
from other planets.
They can share their
values and cultures
here freely because my
cityadvocates freedom
and fairness. I enjoy
sharing my design
concepts with new
friends who I believe
will join my city and
build stable networks.
Based on that, my
team and I built rules
to help people keep
their private property
and offer powerful
teaching resources for
everyone”
“My work is my break.
You want me to focus
on one thing and how
it can be improved to
assist people and have
the greatest impact on
humanity? That sounds
like a work week that
is 8 hours of meditation
fie days a wee.
“I fell into a period of depression.
That’s a lie. I’ve always been depressed.”
“This makes it harder for me to work my
designs as a designer and find alternatives to
question norms where every norm that ever
existed were questioned in any given design
culture. Is it even possible to start a new
culture without bonding to the past, belonging
to a planet that is 46.668 million miles away?
I guess being human carried a heavy baggage
alongside it no matter where you are.”
Declarations of Whiteness: The Non-Performativity of Anti-Racism
Sara Ahmed
The University of Lancaster
This paper examines six different modes for declaring whiteness used
within academic writing, public culture and government policy, arguing
that suchdeclarations are non-performative: they do not do what they say.
The paper offers a general critique of the mode of declaration, in which
‘admissions’ of ‘bad practice’ are taken up as signs of ‘good practice’, as
well as a more specific critique of how whiteness studies constitutes itself
through such declarations. The declarative mode involves a fantasy of
transcendence in which ‘what’ is transcended is the very ‘thing’ admitted
to in the declaration (for example, if we are say that we are racists, then
we are not racists, as racists do not know they are racists). By investigating
declarative speech acts, the paper offers a critique of the self-reflexive
turn in whiteness studies, suggesting that we should not rush too quickly
beyond the exposure of racism by turning towards whiteness as a marked
category, by identifying ‘what white people can do’ , by describing good
practice, or even by assuming that whiteness studies can provide the
conditions of anti-racism. Declarations of whiteness could be described as
‘’unhappy performatives’, the conditions are not in place that would allow
such declarations to do what they say.
There has always been something that did not sit well with me whenever
I met a non-Black person that was “overly aware” of their privilege.
In a way, it felt very performative and annoying lip service. In that
declaration of claiming they are not racist, their whiteness forced me to
pay attention and reaffirm that notion for them.
In an interesting turn of events, I had a very difficult time
understanding the text initially. The way Ahmed describes “nonperformative”
is opposite of what folks on social media consider the
phrase to mean. After re-reading the first page of text repeatedly, it
finally clicked. Ahmed considers performative to be a positive thing. In
the literal sense of the word, this makes sense. While reading the six
declarations of whiteness, I was moved by the subject matter. I have
never read a text that eloquently outlined how whiteness and those who
benefit from it, are so coddled and encouraged to almost exclusively
denounce racism; that is all. No action is needed. Ahmed argues that
“such declarations [of racism or privilege] are non- performative: they
do not do what they say”.
If I am being quite honest, the inhumanity the world views marginalized
bodies, especially Black ones, is tiring. I personally am tired of these
conversations, and I honestly don’t have a deep or critical analysis of
the text outside of: self-awareness is not enough and I am glad someone
called it out.
“The production of whiteness works precisely by assigning
race to others: to study whiteness, as a racialized position,
is hence already to contest its dominance...”
“Racism is a way of describing histories of struggle,
repeated over time and with force, that have produced
the very substance or matter we call inadequately ‘race’.”
“As Lorde shows us, the production of whiteness works
precisely by assigning race to others: to study whiteness, as a
racialised position, is hence already to contest its dominance,
how it functions as a ‘mythical norm’.”
It’s funny (and by funny I mean not funny) how careful and apologetic
we feel we have to be when critiquing the white norm. A lot of time and
energy is wasted tip-toeing around feelings. Criticizing whiteness is
not racism, because it is not attacking anyone’s biology. It is criticizing
the institution that it resides in and that upholds its superiority. Being
disregarded as less because of your biology is as low as it gets.
“[...] Richard Dyer, whose work has been important and crucial:
‘Whites must be seen to be white, yet whiteness consists in
invisible properties, and whiteness as power is maintained by
being unseen’ Dyer shows us a paradox: there must be white
bodies (it must be possible to see such bodies as white bodies),
and yet the power of whiteness is that we don’t see those bodies
as white bodies. We just see them as bodies: the history of
whiteness can be traced through its disappearance as a bodily
or cultural attribute. ‘Whites must be seen to be white’. As a
declaration, this sentence would operate as a call for action: we
should see whites as whites. You only call for an action when
the action is not something that occurs in the present. So the
statement is also a claim about the present: whiteness is unseen,
and this invisibility is how whiteness gets reproduced as the
unmarked mark of the human.”
“Whiteness is only invisible to those who inhabit it.”
“The declaration that we must see whiteness,
which could even be described as foundational
within whiteness studies, assumes that
whiteness is unseen in the first place.”
As a subject of the humanities, I’m
not comfortable with the thought of
whiteness studies. As a subject of
the sciences, such as a sub-subject
or specialization within sociology,
psychology, etc, I cannot help but be
afraid of it. Because this could easily
lead us back to eugenics. The veil of
science, the worship of science as a
logical idea that props up notions of
whiteness, could all too easily shroud
the racist outcomes of such work.
After reading it I went crazy, what did
I understand. I do not know. From the
beginning of “whiteness studies”, before
I came to the United States, I often
heard about white supremacy or cultural
hegemony. I was curious at the time.
Is this really the case? Maybe. As an
Asian, I feel around me. The most subtle
influence is that girls must be white,
their eyes must be large, and the bridge
of the nose must be high to look good.
Does this look come from white people?
I’m curious. This article is difficult. There
are many words connected together so I
don’t understand it very well. Save me....
“In other words, whiteness
studies seeks to make
whiteness visible insofar as that
visibility is seen as contesting
the forms of white privilege,
which rests on the unmarked
and the unremarkable ‘fact’ of
being white.”
“The desire to act in a non-racist or anti-racist way when one hears
about racism, in my view, can function as a defense against hearing
how that racism implicates which subjects, in the sense that it shapes
the spaces inhabited by white subjects in the unfinished present.
Such a question can even allow the white subject to re-emerge as an
agent in the face of the exposure of racism, by saying ‘I am not that’
(the racists of whom you speak), as an expression of ‘good faith’.”
It is a challenge to distinguish someone who is actually racism and antiracism.
It seems like the paradox to identify a real mental illness patient
by simply asking them “are you insane?” Neither of the answers like “I
am insane” or “I am sane” are trustworthy for the doctor to make the
diagnosis. As a doctor, he/she must make a correct judgment based on
whether the person in front of him/her has a mental disease through a
series of medical tests and psychological assessments. Meanwhile, how
can we be absolutely sure that this doctor is a sane person?
However, it seems to me that (according to Ahmed) whatever I do
as a white person to attempt to stand in solidarity with minorities
or people of color will just be received as an act of performance.
Because of this, I think I felt discouraged while reading. As a young,
white woman who comes from privilege, I aim to understand where
I came from and better understand the parts of the world that I don’t
know much about. To me, this means analyzing the different aspects
of my life, and specifically in places where I am ignorant.
“To declare oneself as being racist, or having been racist in the past,
often involves a cultural politics of emotion: we might feel bad for
one’s racism, a feeling bad that ‘shows’ we are doing something
about ‘it’. But what does declaring one’s bad feeling do?”
“What kind of whiteness is a whiteness that is anxious about
itself? What does such an anxious whiteness do?”
Do you think she said the word “whiteness” enough?! I think, actually
I know that is where a lot of my confusion with this text comes from.
It seemed like whiteness was a filler word, but a filler word that holds
a lot of weight and meaning. I felt like there was a lot to get out of this
text but my brain felt like I was going in circles. Is the meaning that we
don’t see whiteness like we see blackness because we have decided
as a society that white is the base color for everything? That it was out
of narcissism that white men decided they were superior? And how
do we go about studying this whiteness without getting too involved or
too opinionated one way or another? Is it possible to study something
and remain neutral on the subject? I don’t think so. And I don’t think
the author believed this either. She said, “We do after all get attached
to our objects of study, which might mean that whiteness studies could
‘get stuck’ on whiteness, as that which ‘gives itself’ to itself.”
“In other words, the
transformation of the
collective into an individual
(a collective without
individuals) might allow
individual actors to refuse
responsibility for collective
forms of racism.”
I have to admit that I didn’t fully understand this reading. I’ve never
heard of such a term, ‘whiteness study’, in my life. Therefore, as part
of my efforts to understand this reading, I’ve begun to read the whole
definition of the Study of Whiteness on Wikipedia. Then, I became to
know that it’s about what socially makes white privilege, what makes
the notion of white people even it doesn’t exist in reality. And then I
go back to the reading, part 41~43, declaration 6. Because I felt the
same feeling which Ahmed says in paragraph 43. The study reminds us
that we are all colored people, but at the same time makes the border
between the discriminator and the discriminated person ambiguous.
And I thought that ‘I am colored too’ statement might be a comfortable
resting place for some people who have prevailed in present.
Is that enough? Of course, not. However, I believe the above attempts
and studies are worthy. This is also what I say to my male colleagues
who ask ‘What we can start in gender discrimination discourse?’. I
answer them that breaking away from innocence and admitting that
just because they are men, they are the beneficiary of discrimination
are starting point. But like the author, I don’t think it’s enough. So
what’s the best, end way to become an anti-racist? Just like the
author, I don’t know. But I believe that words are more effective than
thinking, and actions are more powerful than words.
“Whiteness studies could even
become a spectacle of pure
self-reflection, augmented by
an insistence that whiteness
‘is an identity too’.”
I think I am done with readings. Everything feels so heavy. Where
is the lightness? The resilience? You know? The reprieve? Where
is the other side of things, like how people prevail and keep going?
Life is full of crisis and victory, I feel like we just keep reading about
the crisis. I mean, these things are important for us to discuss. It just
is a lot of heavy. “And what is our role as designers?” There has to
be some form of victory? Or is that what the structure of academic
writing leads us to? Circles in circles? Important points made, but
remain stuck in this vacuum? And observations that can be made far
quicker out in the world when you live in it and with it? Bah.
“In other words, the transformation of whiteness into a colour can
work to conceal the power and privilege of whiteness: as such, it
can exercise that privilege.”
To me this section really seems to be in
dialogue with the first. Whiteness must be
seen, but it also must not be placed next to
or in equal relation to those that it has
oppressed. It must be made clear but it must
not take away from the experience/struggles
of nonwhite peoples in its clarification.
Again, in design, this can be seen as making
clear the colonial nature of certain modes
of design by placing them in or on an equal
playing field with other modes/forms of
design while not also forgetting the visual
and conceptual stranglehold it has/had on
the design canon.
“Both emphasise how
feeling bad about racism
or white privilege can
function as a form of selfcenteredness,
which returns
the white subject ‘back into’
itself, as the one whose
feelings matter. hooks in
particular has considered
guilt as the performance
rather than undoing of
whiteness. Guilt certainly
works as a ‘block’ to hearing
the claims of others in areturning
to the white self.”
“A paradox is clear. The
shameful white subject
expresses shame about its
racism, and in expressing
it shames, it ‘shows’ that
it is not racist: if we are
shamed, we mean well.
The white subject that is
shamed by whiteness is
also a white subject that is
proud about its shame.”
“Shame would not be about making the offender feel bad (this
would install a pattern of deviance), so ‘expressions of community
disapproval’ are followed by ‘gestures of reacceptance’
(Braithwaite 1989, 55). Note, this model presumes the agents of
shaming are not the victims (who might make the offender feel
bad), but the family and friends of the offender. It is the love that
offenders have for those who shame them, which allows shame to
integrate rather than alienate.”
That is not to say that
I did not think she had
many important, wellwritten
points, it just
wasn’t the easiest read
for me. I did appreciate
the conclusion of
the work. Ahmed
acknowledged areas
of her writing that were
contradictory and areas
that she did not have
the full answers which
I appreciated. I felt that
made her seem like
even more of a reliable,
articulate author.
The only question I have in regards to “national shame” is it’s
proximity to white guilt. The “anxieties” in regards to the assumed
privilege of whiteness, creates a kind of psychoanalytic projection,
casting the authors own experience into the abstract Nation at
large. People are largely motivated by affective processing, I am
uncomfortable and would like to be comfortable. In the context of
a racial “awakening”, can whiteness try to assume the a post racial
society without addressing a long history of exploitation, extraction,
and marginalization (who owns indigenous artifacts in Western
Museums?). This is a complex reflection that white communities need
to have amongst themselves, but I am fortunate that I was able to
listen in and have a passive role in the conversation.
“What would it mean for the nation to declare its shame for being?”
“The language we think of as critical can easily ‘lend itself’ to the
very techniques of governance we critique.”
Strip all the academia away, all the confusing layers, all the deep
thinking, and one clear message I’m left with is sincerity. Have the right
intent. Don’t say, do. Follow through with action. The right intent is not
the end, it is merely the beginning. It’s not even the beginning it’s the
on-going journey. Intent – act – reflect – study – correct – re-intent –
act – reflect – check-in – am I being sincere? – repeat. Don’t give up.
Don’t feel hopeless. Don’t be complacent.
To be completely honest, I really did not enjoy this text at all.
I attempted to re-read about three times to see if I could gain
a better understanding and some things are still completely
lost on me. Apart from the language being quite difficult to
discern – I think the set up of her arguments seem rather
“doctrinal” or manifesto like which if we were to contrast
Trash Girlz a lot could be said about the debate on language
or semantics in addition to some of the similarities posed
between arguments.
“This is the same elitism that
says that those who don’t
get to university, have failed,
or are deprived.”
As important as it is to study and understand the anti-racist
movement in America, for someone who has been in America
for just a little over a year, it gets difficult to grasp the theories
without any strong historical understanding. Trying to respond
to the text as a global citizen seems difficult and I obviously
cannot assume the position of an American either. How can
the subject of anti-racism be studied from a non-white/non-
American perspective? Is it wrong or inappropriate to do so? Is
the subject of racism centered only around whiteness?
“I am of course risking being seen as producing a ‘useless’ critique
by not prescribing what an anti-racist whiteness studies would
be, or by not offering some suggestions about ‘what white
people can do’. I am happy to take that risk. At the same time, I
think it is quite clear that my critique of ‘anti-racist whiteness’ is
prescriptive. After all, I am arguing that whiteness studies, even
in its critical form, should not be about re-describing the white
subject as anti-racist, or constitute itself as a form of anti-racism,
or even as providing the conditions for anti-racism. Whiteness
studies should instead be about attending to forms of white
racism and white privilege that are not undone, and may even be
repeated and intensified, through declarations of whiteness, or
through the recognition of privilege as privilege.”
One of the main arguments found in the text perhaps is
the argument that the declaration of whiteness centers
white subjects in critical race studies and takes away
the guilt and shame associated with admitting a racist
past. By changing the subject’s orientation from the
oppressed to the oppressor, Ahmed argues that the
declaration of whiteness acts as a deflection strategy to
omit white agency in social justice work.
“You might not be surprised to hear that a white response to this
paper has asked the question, ‘but what are white people to do’.”
Not sure how to put this, but I found this reading extremely difficult to
understand and that’s left me with a lot of guilt; guilt, because I want
so badly to understand and yet I really cannot.
Maybe that’s the perfect metaphor for the content. I will never “get”
whiteness. It’s difficult enough to see my own whiteness (invisibility).
I even sought-out other resources to help me grasp the full article.
Someone on Github tried distilling the numbered sections to their
clearest forms and that did help a little, I guess?
After some time digesting everything, I decided to talk to my sister about the reading because she is extremely passionate about this subject. We had a great
conversation and I think it helped me wrap my head around the material. As a white male, I’ve felt shame, but that’s not helping anyone. Like Ahmed discusses
in the reading, shame will only bring attention to the one who feels it and that only enhances whiteness and one’s personal pride. That said, I think that it’s okay
to feel some level of guilt as long as you can channel the negative feeling into positive action. As we all know, actions speak louder than words at the end of the
day. One of the main reasons I wanted to study design and attend graduate school was to educate myself on current issues/conflict and look for ways that I can
positively impact the world.
“One suspects that happy
whiteness, even when this
happiness is about antiracism,
is what allows racism
to remain the burden of
non-white others.”
White Privilege is very much alive and walking, better yet running
around the world today as it always has. It can be the key to your
next job, house, or possibly even a get out of jail free card. The crazy
thing is, many Caucasian people don’t think it exists-“white does not
claim to be an exercise in white seeing.” It’s amazing to one side but
extremely damaging to other races.
Once blacks wanted to obtain similar things as whites, things such as
credit, and redlining were invented to knock them away.
If you were to ask me, whiteness studies have been around ever
since July 4, 1776. The risk has already been taken throughout our
education system and has brought multiple “white power” groups
throughout time. If we want to educate whites on their whiteness
in the present time, I’m in complete agreement with it being a huge
risk. Whiteness would become the center (as it already is) rather than
“decentering” it and helping them recognize the issue.
All companies, whether it be a university or a bank, now have policies
on racism, sexual harassment etc. that make it mandatory for these
things to not take place in the workplace. However, that piece of
paper doesn’t mean anything. It’s not an “ anti racist act”to put those
JACKIE WANG
Against Innocence
Race, Gender, and
the politics of Safety
Wang’s description of
Trayvon Martin and
Oscar Grant’s murders
occurring within the white
imaginary highlights
the limits of empathy
some to feel moved by
events unless they can
conceive of it happening
to themselves. In Trayvon
Martin’s case, Wang
describes how, because
Zimmerman murdered
him while visiting his
friend in a residential
neighborhood, white
Americans could imagine
the space where this
occurred. This contrasts
with the common
perceptions of urban
violence, which are
imagined to occur in an
alternate reality. I think
we can see that through
the counternarratives
that develop in response
to every instance of state
violence against Black
people. We have seen
the pattern play out, as if
by rote, in recent police
murders. We know that,
every time the police
murder someone, that
within a day, the Right
will trot out a counternarrative
showing that
the victim was “no angel”
and bringing in past
transgressions against
the social order that the
victim may have done,
like committing a robbery,
the maximum amount of
state violence. In some
ways, this counternarrative
does exactly
what Wang describes, it
removes victims from the
white imaginary by taking
away the view that they
are innocent. However,
I think it’s clear that the
counter-narrative is in
no matter how weak or
may be, the Right will
remove the Black victims
of state violence from
the class of people with
whom they empathize and
returns them to the other
existing in an alternate
universe of violence.
The example of this that
is Tamir Rice. It takes
some kind of monster
to say that a 12 year old
boy is not fundamentally
innocent, but the Right
generated an immediate
counter-narrative that he
was threatening people,
despite the fact that
he had a toy gun, and
the fact that the person
who called 911 told the
police that it was a toy
gun. While I agree with
Wang’s view that Black
victims are only treated
with empathy if they can
be contextualized within
the white imaginary as
innocents living within
a recognizably white
world, I think that even
innocence and whiteness
are no defense against
state violence.
“Within this framework,
empathy can only be
established when the
standards of authentic
victimhood and moral
purity, which requires Black
people, in the words of Frank
Wilderson, to be shaken free
of nigerization.”
Innocence should not
be a preconditional
requirement to recognize
abuse of power. Victim
blaming misses the
point and transfers the
focus away from a rooted
problem of hierarchy and
bias.
There are several
ways innocence is
politicized
1. Innocence as a means
of relating to another.
It is human nature to
connect with people and
places familiar. If this is
a doorway to open and
understand a larger
problem, I don’t see it
as a bad thing. However,
if it’s a requirement like
prescription glasses in
order to see an issue,
then we’ve fallen short.
2. Citing one’s own
experience of abuse,
highlighting innocence
as a means to gain
power over a situation.
For me it touches on
the thought: how to we
oppressing others in the
process? I appreciated
the way Wang addressed
this: “That does not mean
delegitimizing the claims
made by survivors –
but rather, rejecting the
framework of innocence,
examining each situation
closely, and being
conscientious of the
multiple power struggles
at play in different
3. Close examination of
a situation to “have all
the facts.” This often
includes “understanding
the victim.” The constant
media stream with
interchanged fact and
opinion requires effort
to sift and understand,
which I support. Just as
long as we don’t miss the
forest for the trees.
4. Attempts to downplay
destructive protest,
washing over a movement
with “innocence.”
This takes away from
a message, downplays
frustration and anger,
and gets hung up on the
participants rather than
The bottom line
is our obsession with
innocence inherently
makes the situation about
the victim. Meanwhile,
situations with similar
settings, victims, and
oppressors repeat,
showing the rooted
societal issues – clear to
some but not to all.
“The liberal is afraid
to alienate anyone, and
therefore he is incapable
of presenting any clear
alternative…The politics of
innocence and the politics
of safety and comfort are
related in that both strategies
reinforce passivity.”
you realized you were
“different”? Was it when
you and your cousin
were stopped by police
while riding bikes after a
post-Shake Shack lunch
with your dad? How
about being stopped
after school hours with
your best friend by police
asking to search your
backpack? How about
when you separated from
your mother in Marshalls
outlet store to look at
boys clothes, and caught
an employee closely
weaving through aisles
with you on a journey you
did not consent to lead?
Did you realize it after you
walked into a 7-Eleven
with your headphones
blasting rap music and
being followed around for
it? Was it brought to your
attention after a group of
Black mentors explained
to a room full of Black
high school boys how
to conduct themselves
during a police stop? Let
me rephrase the question:
you realized the world
was “racist”?
Against Innocence:
Race, Gender, and the
politics of Safety is the
most moving piece of
writing I have read all
year. As I moved through
the texts, many emotions
and repressed memories
rose to the surface. Living
in a world where stories
are so readily available,
I catch myself reading
countless narratives of
racism, homophobia,
Islamphobia, and many
other horror stories that
I forget to address the
ones I experience with
my own eyes. Being able
only the stories shared
in the article, but my own
experience, was deeply
needed. It was a reminder
that it is important to pull
from one’s own lived
experience because that
is where the true passion
and anger reside.
This passage
reminded me of the
structures that never
provided me the space to
be a boy. I was forced into
manhood before I could
even enjoy innocence. For
so many people who look
like me, we never were
told to enjoy “boyhood.”
We were almost trained to
“man-up” and never show
emotion. This ultimately
impacts the way we
interact with the world, but
more importantly, how the
world interacts with us.
As the passage mentions,
this is not exclusive
to Black men. This
manifests itself differently
in the upbringing of
Black women and how
society views them, but
the outcome is the same:
harm to Black bodies.
Reading things like this, I
am almost always left with
multiple questions. How
did we fail Black women?
Why is patriarchy so well
ingrained in our society?
Why do we criminalize
Black victims and
victimize white criminals?
Why does my Black
skin offend the world so
much?
No one has the
answer, but I hope I am
around long enough to
see the solution to even
one of these questions.
THE PRIORITIZER
"Time is of the essence"
1. Select a particular time of the day to
make the mask. (an stick to it!)
2. Cut out a circle large enough to cover
your face.
3. Again cut out 2 large circles out for
the eyes.
4. Now cut the entire mask into 10 different
pieces. (Just to pu them back together.
Yes!)
5. Think of the good and bad moments in
your life.
6. Either color the pieces in shades of
blue (joy) and red (pain)or use materials
of the mentioned color.
7. Take Post-its and cut them into strips.
8. Stick the strips onto these different
pieces.
9.Writetime stamps (Bold and LARGE) on the
strips as you stick the pieces together
one at a time.
10. Pour yourself a drink. Cheers!
Chimera
I am usually a woman, sometimes a man, and on the rarest
of occasions, a labradoodle. When I am a woman, I am
aware that I am a woman. When I am a man, I am a man.
And when I’m a labradoodle, I lie on my side and am
undaunted (other than by that fucking bold squirrel in the
yard.)
When I look you in the eye, I’m looking at the sun. When
you ask me how I’m doing, “I am doing good.” When I ask
you how you’re doing, I am ready.
I have a hirsute plant that smells like lip balm. When I
pluck a leaf, I apologize and reassure it with gratitude. I
rub the leaf over my hairy upper lip clockwise and then my
hairy lower lip counterclockwise; then I reverse directions
until the leaf is bare and doesn’t smell like lip balm and is
desiccated.
The other night, I saw black spiders and millipedes on my
walls creeping and staring at me. What the hell else could I
do — I creeped and stared back! And then they faded. Have
I lost it?
Whether we’re awake, or asleep, or in some liminal space
in between, the personal is just as real as a hallucination.
A plant has a personality. A stock response is authentic. A
persona is just as real as the personal. The personal is political.
Mask Instructions for Cassidy:
1. Before starting, take a moment to
meditate and think seriously about the
change you want to make in the world.
You’re a DOER. But first, you have to
manifest. You can put on some meditation
music or sit in silence.
J Mask Instructions •Head contains a compass
fixed on one direction•Outstretched hands in
place of a mouth•A rose-colored view•Needs
to be wound like a clock•Impressionist •Trendy
headphones
2. After you finish meditating (you can decide for how
long), do ten pushups to pump yourself up for the project.
You got this. Let’s DO IT. If you can’t do ten pushups, then
it’s OK. Do as many as possible. But you have to BELIVE
to achieve because that’s what doers do.
We DO.
I am a point-blank type of person. I don’t like to beat around the bush and dislike when conversations go around in circles with no progress. I believe we are given a voice and need to use it to better the community around us. I am a doer. I want to decide my goal and chase it. I am always there for my family and friends when they are in need of a helping hand, but when I get them back on their feet, it is time to let them go and continue to find their own way. Life is about taking risks and it does no one any good if you walk through life timid and afraid to step out and try. I like to see the potential in others even if they don’t see it in themselves. And use that untapped potential to inspire my work. I have found my voice and now it is my mission to help others find theirs. Because when we work to better our neighbors, our community will benefit as a whole.
yCassid
Marcus Graham
I’m a 29 year old artist living in downtown Chicago.
I’m also a graphic designer for the biggest agency
in Chicago.I like working with them, however, with
the trauma and tragedy going on in the world, I
want to promote a bigger message. I like expressing
truth for people to see. It may seem extreme at
some points, but I rather the knowledge get out.
I’ve also lived in many different places so I would
consider myself to have a wide perspective on social
issues. I’ve also been able to grow my network to
a nice size by moving around as much as I did. I
mainly use my social media to post my visuals. My
Instagram posts reach the masses, so that’s where
I’d go to post a raw design. I’m very outgoing
and have a nice group of close friends. I’m also
pretty optimistic about life so I do my best to
make everything and everyone around positive
as well. I’m pretty social so sometimes I uplift
random people through random conversations or to my
associates.I truly believe that my creative work
will change the world one of these days.
5. Don’t forget to tag
3 of your follower to
share a challenge.
2. Reflecting your tastes and personality, make
another mask opposite of the former one.
#RACISMISAPANDEMIC,
3. Put on and take a selfie
of each mask
4. Upload them on your Instagram
with hashtags,
“We did not cross the border, the border crossed us!”
US Immigrant Rights Movement Slogan
The demonstrators marched from Möllevångstorget in central Malmö to the main police
station in Davidshallstorg. Towards the end of the protest, demonstrators entered the
police station and started to shout slogans at the police forces running the project, who
had been creating fear among undocumented migrants, many of the latter being friends
of the demonstrators. The situation became violent when the demonstrators, including
two of my friends and I, refused to leave the police station. The police started to push
out the demonstrators who had been linking arms in order to resist the police officers.
When they did not succeed, more 296 police officers joined
the struggle and started to beat a few of the demonstrators.
“This chapter opens with a rather
evocative narration of the demonstration
in Malmö. The description of the event
reminded me of the recent widespread
protests back in India against the
CAA(Citizenship Amendment Act) set
in motion by the Indian government
to grant citizenship to refugees and
immigrants belonging to specific
religious minorities from neighboring
countries, excluding Muslim immigrants
bereaving them of similar benefits. The
police brutality in Malmö draws a strong
parallel to how the circumstances were
handled by authorities in India, followed
by religious profiling and mass arrests of
the demonstrators.”
“This leaves us countryless. We are seen as
belonging neither by the ethnic majority in the
countries that we legally call home nor by the ethnic
majority in the countries our ancestors are
from.”
The LifeGuard machine used for “search and rescue’’,
can also be used for “capture and deport”.
Nothing in life is “black or white.” We try to place
things into a neat box so we can keep it pushing,
but that is not possible. Is that broom truly a
broom, or is that what you have just been told? Is
humanitarianism a positive thing, or is that just
what you have been told? Do borders truly keep
us safe, or is that what you have been told?
“Are you undocumented? Haven’t got
residency? Between the 13th and 26th
of October an operation called ‘Mos
Maiorum’ starts in Sweden and E.U. The
Police will hunt people without papers
and residency. They want to know from
which routes immigrants come to Europe
and they will arrest as many people
as possible. Be careful at the subway
stations, the trains, airports, highways
and at the borders.”
To be completely honest, I know little about immigration
policy in the United States. I know much of the general
information when talking to my friend but was really struck
by the many, small details that seem to keep her from becoming
a citizen, imposed by the rules of the government. I feel like this
was directly spoken about in the reading in regards to REVA’s
project in Sweden to arrest a deport those in Sweden ‘illegally.’
During this ‘the police support[ed] racialisation and search[ed]
those that don’t match common image.’ I found this fascinating
that not only did this enforce racial stereotypes, profiling, and
fear, it alienated and made ‘legal citizens’ who visibility looked
like ‘illegal citizens’ feel like ‘quazi-citizens.’ It makes me think
about the emotional component to being a citizen and how that
emotional, psychological component is a boarder itself. And
could we, in much of this reading, replace
boarder with the word ‘barrier?’
However the infamous case of the left-to-die boat
(Heller and Pezzani, 2012) tells us that there is no
guarantee that such conventions will be followed
in the Mediterranean Sea.48 48 Heller and Pezzani
(2012) write: “In the case of what is now referred to as
the lefttodie boat, 2 migrants eeing ripoli by boat
on the early morning of arch 2, 2 ran out of fuel and
were left to drift for days until they landed back on the
ibyan coast. With no water or food onboard, only nine of
the migrants survived. In several interviews, these survivors
recounted the arious points of contacts they had with the
eternal world during this ordeal. his included describing
the aircraft that ew oer them, the distress call they sent out
ia satellite telephone and their isual sightings of a military
helicopter which proided a few packets of biscuits and
bottles of water and a military ship which failed to proide
any assistance whatsoeer. he eents, as recounted by
these suriors, appeared to constitute a seere iolation of
the legal obligation to proide assistance to
any person in distress at sea, an obligation sanctioned by
several international conventions”.
“People are seeking refuge and get
turned around all because you didn't
grow up in that area. The Papadopoulos
and Tsianos reference stuck out the most
as they were rescued from the water, not
because they were running for their lives
from danger, butbecause their boat was
sinking, which they had to do themselves
to be taken seriously. Who’s to say that
tactic will also come out successful?”
risis as a problem and humanitarianism as a
solution”. (329)
“An ethical action following a crisis does not make you a
humanitarian. All that is doing is encouraging the repeated
behavior that is already endangering thousands of lives
(in the case of border control). That said, you can think
ahead and search for ays to find a soltion that preents
a crisis, then I believe we can discuss whether a plan has
humanitarian characteristics. This is all extremely relevant
to me as a designer b/c I must always be considerate of
how a design is going to impact my surrounding and as
stated in the reading, “Designers are not exempt from
humanitarian practices.”
“The border
security system
should consider
humanity
and ensures
that migrants
are treated with
dignity and
humility.”
“This is terrifying given that I deeply
understand this with how my family
had to leave Bosnia due to war.
The border should have acted as a
point of sanctuary but in fact was
probably the most dangerous point
as it allowed for further screening
and regulation by the politics of the
state they ere eeing.
Borders, as a result of the forces
of neoliberal globalisation and new
economic patterns, have taken new
forms, scales, shapes, materials and
technologies articulated through a set of
practices, performances and
interactions that make them hard to
measure and quantify in the same
way as one measures a line, a fence
or a wall. This change in what can be
defined and understood as a border
makes it necessary
to pay attention to how researchers can
try to capture, document and perhaps
materialise what has otherwise been
argued, presented and consumed as
immaterial and borderless.
“Understanding borders in a post
globalized social construct is
complex. Borders are politically
charged, porous, and spatially
contextual depending on race,
nationality, religious tradition, and
legal status. “Border Working”
contextualizes the humanitarian crisis
of irregular migrants, refugees, and
other stateless people within the
discipline of design.”
The kit includes: a yellow-red
barricade tape bearing the legend
“CAUTION BORDER DO NOT
CROSS BORDER”; a map of the
sites where police have carried out
their ambushing strategy of racial
profiling or raids to find deportable
migrants; it also contains a small
paper plaquedescribing the event,
date and time of the police operation.
The rest of the materials are often
tools to facilitate the process of
setting up uickly and efficiently
such as scissors, sticky tapes,
ropes, etc. (Figure 7.4).
So far, we have worked with the
project in two ways and are open
to its transformation. One way of
working with it is through quick
interventions such as full days of
action in Malmö or Stockholm,
where a group of volunteers can
mark out sites where the racial
profiling, arrest and conseuently
deportation of undocumented
migrants occurs.
“Unlike the lifeboats,
the design solution by
Keshavar gives agency
to the undocumented
migrants to take control of
their own situation, even
though it does not fully
address the structural force
of borderworking.”
“I think leaving refugees to drown at
sea or rescuing them only to deport them back
to their place of origin are twovsides of the
sae coin only dierence is one is less hane
than the other and oth dont oer a soltion to
the situation that made it happen.”
Clémence — Sanguine Entrepreneur
3 rectangles centered:
8.5 x 7in
8.5 x 5in
8.5 x 3in
I just couldn’t sleep last night. My meeting at Lucas’ school went south and my blood felt
acidic— which was worrisome, as I’m positively alkaline. I rectified it with some meditation
and yoni exercises. I reoriented my chakras and boss-babe mentality and perched in my
den to address the problems at hand.
I know I can work the room. And though I may be demanding, I exude excellence. Why
wouldn’t you want me? My resumé spans multiple continents. I am tried and true. I can
enact actualpositive change and I don’t accept a project unless it’s destined for a national
platform. Didn’t you know I was invited to The White House? (Yes, even recently...) Anything
less would be stifling. Deepak says, “Happiness is a continuation of happenings which
are not resisted.” I won’t argue with that. (Here, let me text him...)
My campaign integrates social justice and eco-positivity. I’ve assembled a team of trailblazing
women and sky-rocketing BIPOC. You won’t step on a bus, enter the grocery store, or
check your email without knowing our initiative. Celebrities will speak life into to our mission.
They will wear our designs. We will exhibit in New York, Los Angeles, Paris, Venice,
and Lisbon.
I will be the change we wish to see in the world!
cat eyes length is in
take a toothpick dont pick your teeth
make a layer between the three
a peacock hue though it will flourish in whatever you
choose
weighted but delicate
textures accepted
punch some holes for some straps
put it on
Nimo
THE PRIORITIZER
In esSence, I am designing each moment of my life.
I journey map the life of each of my kids in my
mind as I their overalL life and the particulars
of where they are in their curRent age of development.
One could say that my partner and I
conduct interviews with them each day to prepare
meals with them, work out sibling/friend arguments
(help them cope with the complexities of
human interaction), or as we shufFle them from
one thing to another. The hard, more complex
and serious interviews are either reserved for
when I get in fights with them or it ocCurs spontaneously
one-on-one---which hapPens mostly
while driving in the car. My partner and I try to
compare notes, but honestly--who has that kind
of time? Maybe we should make journey maps for
each kid and leave stick-it notes for each other
to glance at. Pour me a drink.Make it a double.
By the time I get to work, a firm where I am an
actual designer, I go on auto-pilot. This work is
far more easy than the actual work of guiding/
navigating/trying to understand on a deEp level
another human being's pain points and joy points
that is life. My work is my break. You want me to
focus on one thing and how it can be improved
to asSist people and have the greatest impact on
humanity? That sounds like a work weEk that is
8 hours of meditation five days a weEk. Can you
believe theypay me. My friend said that they paid
$2,500 for a yoga retreat to regroup and recenter.
I told them, “I think you might be doing life
wrong.”