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FUSE#5

This edition of FUSE consists of articles contributed by artists who participated in Dance Nucleus' programmes in 2020.

This edition of FUSE consists of articles contributed by artists who participated in Dance Nucleus' programmes in 2020.

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FUSE #5<br />

Indian Culture and the Performing Arts, (2005): 195–223.<br />

Meduri, Avanthi. “Nation, Woman, Representation: The Sutured History of the Devadasi<br />

and her Dance”. PhD Dissertation, New York University, 1996. Print.<br />

Meduri, Avanthi. “Bharatanatyam as a global dance: some issues in research, teaching,<br />

and practice”. Dance Research Journal 36.2. (2004): 11–29. Print.<br />

Mehra, Sunil . Exploring Eroticism, Outlook Publishing India Private Limited, 16<br />

November 1998. http://m.outlookindia.com/story.aspx?sid=4&aid=206536. Accessed<br />

24 January 2018. Online.<br />

Munsi, Urmimala Sarkar. “A Century of Negotiations: The Changing Sphere of the<br />

Woman Dancer in India” in Bagchi, Subrata (ed.) Beyond the Private World: Indian<br />

Women in Public Sphere, Delhi: Primus Books, (2014): 295–314. Print.<br />

Nandikesvara. The Mirror of Gesture, Being the Abhinaya Darpana of Nandikesvara,<br />

Trans. Coomaraswamy, Ananda and Duggirala, G.K., New Delhi: Munshiram Manoharlal,<br />

1917. Print.<br />

O’Shea, Janet. At Home in the World:Bharata Natyam on the Global Stage, Connecticut:<br />

Wesleyan University Press, 2007. Print.<br />

Seshadri, Nirmala. “Bharatanatyam and Butoh: An Emerging Gendered Conversation<br />

through Site-Specific Dance in Chennai and Singapore”, in Urmimala Sarkar Munsi<br />

and Aishika Chakraborty eds. The Moving Space: Women in Dance, New Delhi: Primus<br />

Books, 2018: 182–197. Print.<br />

Seshadri, Nirmala. “Challenging Patriarchy through Dance”, in Caldwell, Linda, ed.<br />

In Time Together, Denton: Texas Women’s University, 2011 https://www.scribd.com/<br />

document/338711894/Challenging-Patriarchy-Zru-Dance. Accessed 25 January 2018.<br />

Online.<br />

Soneji, Davesh. “Living History, Performing Memory: Devadasi Women in Telugu-<br />

Speaking South India”, Congress on Research in Dance, 36. 2. (2004): 30–49. Print.<br />

Spivak, Gayatri Chakravorthy. “French Feminism in an International Frame”, Yale French<br />

Studies, 62. (1981): 154–184. Print.<br />

Srikanth, Rupa. Rhetoric Dilutes Impact, The Hindu. 21 Nov. 2008, http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/Rhetoric-dilutes-the-impact/<br />

article15400858.ece. Accessed 27 January, 2018. Online.<br />

Srinivasan, Amrit. “Reform and Revival: The Devadasi and Her Dance”, Economic and<br />

Political Weekly, 20. 44. (1985): 1869–1876. Print.<br />

Srinivasan, Amrit. “The Hindu Temple-Dancer: Prostitute or Nun?”, Cambridge Anthropology,<br />

8. 1. (1983): 73–99. Print.<br />

Thobani, Sitara. Indian Classical Dance and the Making of Postcolonial National Identities:<br />

Dancing on Empire's Stage, London and New York: Routledge, 2017. Print.<br />

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